Giovanni del Virgilio, fl. 1319 Ovid, 43 B.C.-17 or 18 A.D
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 758
Image Count:
110
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of Iohannes de Virgilio (Giovanni del Virgilio, 1300-1350), Allegoriae librorum Ovidii Metamorphoseos, in prose and verse.
Description:
Binding: Fifteenth century. Brown leather (sheepskin?) over cardboard (replacing worm-eaten wooden boards), blind-tooled with a frame of fillets and rolls; in the central panel a motif made of small rhomboid stamps. Parchment front pastedown. Remnants or marks of four clasps attached to the front cover., Copied by one hand in extremely small Humanistica Semitextualis Libraria. In the poetical sections the majuscules at the opening of each verse are set apart., Headings (“liber secundus” etc.) in clumsy Capitalis (several times erroneous: “LIBE”). Space for a 2-line initial left free on the first line of f. 1r, although this is not the beginning of the text., and Watermark: tower, var. Piccard, Turmwasserzeichen 611-613; var. Briquet, 15911?.
Subject (Name):
Giovanni del Virgilio,--fl. 1319
Subject (Topic):
Allegories, Latin literature, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of a Book of Hours for the use of a convent.
Description:
Binding: Seventeenth century. Damaged brownish pigskin over bevelled wooden boards, the covers blind-tooled with frames of fillets and rolls; the central rectangle on the front cover, otherwise free, is decorated with a large oval stamp, heavily worn but probably picturing the Virgin in the Sun. Spine with three raised bands. Remnants of two brass clasps attached to the rear cover. Marks of a chain attachment at the bottom of the rear cover. Red edges., Headings and rubrics in red. Heightening of majuscules in red. 1-line red versals; 2-line plain initials (sometimes slightly decorated) in red. Intricate large flourished cadels in black filled with red in the texts accompanying musical notation. Art. 4 opens with a 6-line littera duplex in red and brownish red with red penwork. Guide letters for all initials. On f. 29v full-page picture of the crowned Virgin and Child, Mary presenting a flower to the Child, on a flowery pink background in a green and red rectangular frame., On some pages the ink is very faded., and Script: Copied mainly by one hand writing Northern Textualis Formata in two sizes with Central European features. A second less formal hand copied ff. 29r, lines 11-18 and 30r-31v, i.e. the beginning of art. 2. Musical notation in Nota Quadrata.
Subject (Name):
Catholic Church--Prayers and devotions
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Monasticism and religious orders
Correspondence, photographs, and an incomplete catalog raisonné related to the work of artist Charles Demuth, which Richard W. C. Weyand collected and compiled from 1940 to 1955, as well as auction catalogs related to Weyand's estate, 1957-1976. Correspondence in the collection documents artwork created by Demuth and owned by different persons and institutions, while circa 125 photographs document work created by Demuth, circa 1906-1934.
Description:
Charles Demuth (1883-1935) was an American watercolor artist who turned to oils late in his career and developed a modern art movement known as Precisionism., Gift of Ann Grether Hill, 1988., and Richard W. C. Weyand (1905-1956), born Richard Conklin Weyand, was the son of Edwin Stanton Weyand (1863-1913) and Wilhelmina Thompson Weyand (1873-1943). He had two sisters, Dorothy Adams Weyand Grether (1897-1982) and Louise Victoria Weyand White (1899-1924), as well as two brothers, Edwin Stanton Weyand (1903-1973) and William Rodgers Weyand (1908-1970). Weyand served in the United States Navy during World War II, 1942-1945. Weyand and Robert Evans Locher (1888-1956), a close friend of artist Charles Demuth, operated an antique store and lived in the former home of Demuth in Lancaster, Pennsylvania, 1943-1956.
Subject (Name):
Demuth, Charles, 1883-1935, Demuth, Charles, 1883-1935--Catalogs, and Demuth, Charles, 1883-1935--Pictorial works
Subject (Topic):
Artists--Pennsylvania--Lancaster, LGBTQ resource, and Precisionism--Pennsylvania--Lancaster
Manuscript on parchment (calfskin) of a collection of prayers, passion narratives and hymns.
Description:
Binding: Seventeenth century. Plain brown leather over pasteboard. The spine gold-tooled, with five raised bands. Paper pastedowns; red sprinkled edges., Headings in red. Heightening of the majuscules in yellow. 1-line plain versals alternately red and blue; 2-line plain initials and 4-line initials (plain or of the littera duplex type, but without penwork; 5-line on ff. 2r, 126v and 145r) in red and/or blue. Although the main prayers and hymns generally begin with a 4- or 5-line initial, the distribution of the various kinds of initials often seems at random., and Script: Copied by one hand in Gothica Textualis Libraria (Textus Quadratus, approximately Oeser variant II), with a tendency to develop cadels on the top line, in some cases (f. 57v) featuring a human profile.
Subject (Name):
Catholic Church--Prayers and devotions
Subject (Topic):
Hymns, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Passion narratives (Gospels)
Bartholomaeus de Sancto Concordio Giovanni, dalle Celle, ca. 1310-ca. 1396
Published / Created:
[between 1400 and 1450]
Call Number:
Beinecke MS 759
Image Count:
416
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of Bartholomaeus de Sancto Concordio (Bartholomaeus Pisanus O.P., 1262-1347), Summa de casibus conscientiae (Kaeppeli 436), also called Summa Bartolina, Pisana, Pisanella, Magistrutia), translated into Italian by Iohannes de Cellis (Giovanni dalle Celle, 1310-1394 or 1400). With a preface by the translator, explaining why he has abandoned the alphabetical organization of the original text.
Description:
Binding: Eighteenth century. Parchment over cardboard. Spine with three raised bands and handwritten title: “Somma / del / Maestruccio / MS.” Two white leather ties. Paper endleaves., Paragraph marks and headings in red. Space and guide letters for 3-line initials (4-line f. 1r, art. 1; 5-line f. 2r, art. 3), which have not been executed., and Script: Copied by one hand in Gothico-Humanistica Libraria with single-compartment a.
Subject (Name):
Bartholomaeus de Sancto Concordio and Dominicans
Subject (Topic):
Canon law, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholasticism