"The Prince of Wales, on horseback, figures as a life-like equestrian statue (of the future George IV) mounted on a pedestal of three rectangular blocks, diminishing in size. On the middle block: 'PATER URBIUM subscribi Statuis." Juvel'. The Prince, in regimentals, very fat, sits in profile to the left, holding a drawn sabre. He holds the left curb rein, the snaffle lying on the animal's neck. The toe of his spurred boot is in the stirrup. He wears a feathered cocked hat, a star on his breast and on his hat, a broad sash round his ample waist. A large holster hangs from the saddle beneath which is a leopard-skin with a 'GR' and crown on each corner. The horse's near foreleg and off hind leg are raised. Beneath the design: '"------"I saw him with his Beaver on "His Cuisses on his Thighs gallantly arm'ed "Rise from the ground like feather 'd Mercury "And vaulted with such ease into his seat "As if an Angel dropt down from the Clouds, "To turn & wind a fiery Pegasus "And witch the world with noble Horsemanship - Kg Henry 4th'."--British Museum online catalogue.
Alternative Title:
Pater urbium subscribi statuis
Description:
Thomas Adams is one of the pseudonyms used by Gillray. and Title etched at top of image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"John Bull, blind, maimed, and ragged, walks (right to left) near a chasm, the edge of which stretches across the foreground of the design. His wooden right arm terminates in a hook to which is attached a cord from the collar of a lean greyhound with the head of Pitt (as in BMSat 8794). Pitt drags him forward and slightly towards the gulf; in his mouth is a large bare bone, his collar is inscribed 'Licenc'd to Lead'. In John Bull's left hand is a staff, on his back a burden inscribed 'Loans'. He has a wooden leg, which a dog with the head of Sheridan and a collar inscribed 'Licenc'd to Bite' is biting savagely. Behind and on the extreme right is a dog with the head of Grey, and a collar inscribed 'Grey Hound'; he bites John Bull's coat. Fox, a mastiff with a fox's brush, stands behind Pitt, glaring fiercely, on his collar is 'Licenc'd to Bark'. Behind is grass and a tree (left) and in the distance the roofs and spires of London, showing St. Paul's."--British Museum online catalogue.
Alternative Title:
John Bull and his dog Faithful
Description:
A satire on a Dog Tax, April 1796., Printmaker from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and St. Paul's Cathedral (London, England),--depicted.
Subject (Topic):
Artificial limbs., Blindness., Debt., Dogs., John Bull (Symbolic character)--Caricatures and cartoons., People with disabilities. , and Taxation of personal property--Great Britain.
"A handsome mulatto woman walks from left to right and slightly towards the spectator. Her hair is a mop of carefully arranged curls. She wears a high-waisted, trailing dress, defining her limbs, with a shoulder-scarf, bare arms and neck, and much quasi-barbaric jewellery. On the wall (right) half of a picture of 'Havanna' is visible. A patterned carpet completes the design."--British Museum online catalogue.
Alternative Title:
Doublure de Madame Tallien
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A lady, young and handsome, stands in profile to the left holding a closed fan in both hands. She wears one garment only, a quasi-classical tunic, its waist immediately below the breasts which are almost bare. It is slit at the side to show a leg with gartered stocking. Her hair is bound with a ribbon and falls loosely on forehead and shoulders. In it are three ostrich feathers. A panelled wall, with a candle-sconce and showing part of a large mirror (left), forms a background. There is a patterned carpet. Perhaps a portrait of Lady C. Campbell."--British Museum online catalogue.
Description:
Printmaker identified as Gillray in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bury, Charlotte Campbell,--Lady,--1775-1861--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A fashionable crowd, with two card-tables, a round table in the foreground (left) at which four persons play Pope-Joan; the most conspicuous is a pretty young woman directed to the left, her loose semi-transparent draperies revealing her person and leaving her breasts almost uncovered. A leering man stands behind her chair, negligently holding candle-snuffers to a candle on the table, in order to peer down her décolletage. A stout lady in back view, sitting on a stool (identified as Lady Buckinghamshire, but (?) Duchess of Gordon), a little girl, and an elderly man (identified as Dr. Sneyd) complete the table. On the right is another card-table at which three persons are playing. Standing figures freely sketched form a background, the whole design being dominated by the erect feathers of the ladies, usually springing from a turban."--British Museum online catalogue.
Alternative Title:
Peeping-Tom spying out Pope-Joan
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, Georgina Gordon,--Duchess of,--1781-1853--Caricatures and cartoons., Buckinghamshire, Albinia Hobart,--Countess of,--1738-1816--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Didelot dances on the stage between two women, both very lightly clad in quasi-classical costume, and wearing 'cothurnes'. He wears a feathered hat, tunic, and cloak, and looks towards Mme Parisot (right); she strikes an attitude with right leg raised and arms extended, and looks alluringly towards him, her right breast bare. Mme Rose (left), his wife, dances with more restraint, her sharp-featured profile turned austerely towards her husband. All wave their arms above their heads, and their attitudes are in fact graceful (though caricatured). Two plump 'danseuses' (left and right) whirl on one toe in the background. Behind Didelot is an irradiated sun, with features looking down disapprovingly at the dancer."--British Museum online catalogue.
Alternative Title:
Operatical finale to the ballet of Alonzo e Caro
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Didelot, Charles Louis,--1767-1837--Caricatures and cartoons., Didelot, Marie Rose Paul,---1803--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Ricciardi, Domenico. Alonzo e Cora.
"A sailor (right) and a fat, ugly, disreputable woman (left) dance with tipsy joviality. They face each other, each holding the other's left hand. He holds up a small covered jug (holding the publican's dram). Her feet appear through tattered shoes and stockings; one eye is closed. He wears a round hat, pigtail, short jacket, petticoat, and long striped stockings."--British Museum online catalogue.
Alternative Title:
My Poll and my partner Joe
Description:
Illustration to a popular song by Charles Dibdin: The waterman., Thomas Adams is one of the pseudonyms used by Gillray., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Four designs on one plate. [1] 'English Convenience - the Water Closet'. A grossly obese alderman of repulsive appearance sits full-face, clasping his sides. He wears his gown and chain, one gouty leg is swathed in bandages. On the wall behind his head are two placards: 'Bill of Fare, - Turtle Soup Fish Poultry H . . .' and a broadside, 'Roast Beef of old England headed by a sirloin'. For the history of this English contribution to civilization see M. and H. B. Quennell, 'Hist. of Everyday Things in England 1733-1851', 1933. It derives from an invention of Sir John Harington, see P. Lindsay, 'One Dagger for Two', 1932, p. 178. [2] 'Scotch Convenience - the Bucket'. A woman seated in back view on a pair of tongs across a bucket in some sort of permanent shelter composed of ramshackle planks. On this are two papers: 'The Sweets of Edinbro' to the Tune of Tweedside' (cf. BMSat 5941) and 'Croudie a Scotch Reel'. In the foreground are pigs and poultry. [3] 'French Convenience - le Commodites'. A pretty young woman, full-face, in a latrine with three apertures. She crouches with one foot on the ground, one on the seat. On the wall are two papers: 'Caira nouvelle chanson' and 'Soupe Maigre petit Chanson.' [4] 'Dutch Convenience - the Lake'. A stout man (? or woman) in back view sits on a rail, smoking a pipe. In the foreground is shallow water with ducks. Behind and in close proximity are town houses with high crow-stepped gables."--British Museum online catalogue.
Description:
Dutch convenience: the lake., English convenience: the water closet --, French convenience: le commodites --, Scotch convenience: the bucket --, and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Pitt (right) stands stiffly in profile to the left, holding open a large sack-like wallet inscribed 'Requisition Budget'. He addresses John Bull, the central figure, a stout yokel, who holds out his breeches in his left hand to Pitt, while he touches his hat. The budget and the breeches pockets are full of guineas. Pitt says: "More Money, John! - more Money! to defend you from the Bloody, the Cannibal French - They're a coming! - why they'll Strip you to the very Skin - more Money. John! - They're a coming - They're a coming." Dundas, Grenville, and Burke kneel on the right, bending towards the 'Budget', each with his left hand in an opening in a vertical seam, eagerly grabbing guineas. Behind them is the stone archway of the 'Treasury', with its high spiked gate. Dundas, the most prominent, wears Highland dress and holds a Scots cap full of coins. Grenville wears a peer's robe; Burke is behind. They echo Pitt: Dundas says "Ay! Ay! They're a coming! They're a coming!" Grenville: "Yes! Yes, They're a coming." Burke: "Ay They're a coming." John says: " - a coming? - are they? - nay then, take all I've got, at once, Measter Billy! - vor its much better for I to ge ye all I have in the World to save my Bacon, - than to stay & be Strip'd stark naked by Charley, & the plundering French Invasioners, as you say". His coat and waistcoat are sound, but the pockets hang inside out, empty. His lank hair, knotted kerchief, and wrinkled gaiters denote the small farmer. Behind (left), on the shore, stands Fox looking across the water towards the fortress of 'Brest' flying a tricolour flag. He hails it with upraised arms, shouting: "What! more Money ? - O the Aristocrat Plunderer! - Vite Citoyens! - vite! - vite! depechez vous! - or we shall be too late to come inn for any Snacks of the I'argant! - vite Citoyens! vite! vite!""--British Museum online catalogue.
Alternative Title:
John Bull giving his breeches to save his bacon
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.