Jean, de Meun, approximately 1240-approximately 1305
Published / Created:
[between 1300 and 1350]
Call Number:
Beinecke MS 703
Image Count:
45
Resource Type:
unspecified
Abstract:
Manuscript on parchment (low quality) of 1) Jean de Meun (ca. 1240, d. before 1305), Le Testament. 2) Raoul de Houdenc (ca. 1170-ca. 1230), Le Songe d'Enfer (La Voie d'Enfer), 1-672. At least 6 verses are missing at the end; they were probably written on a leaf now missing after f. 18.
Description:
In French., Script: Copied by one hand in a rather uneven Northern Gothica Textualis Libraria, marked by many fusions., The opening letters of all verses are heightened in red; in art. 1 the first verse of each quatrain except the first one opens with a 1-line plain red initial. Art. 1 opens with a 3-line plain red initial, art. 2 with a 2-line one. All initials are executed over guide-letters., The codex is badly trimmed, causing the loss of letters at the end of verses., and Binding: Nineteenth century. Half brown leather over pasteboard, the boards covered with red paper. On the spine a black leather label with the gold-tooled title "CODICILLE / I. DE MEUN" and a green circular paper label with the handwritten shelfmark "301".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jean, de Meun, approximately 1240-approximately 1305. and Raoul, de Houdenc, approximately 1165-approximately 1230.
Subject (Topic):
French literature, French poetry, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of Baudouin d'Avesnes (d. 1289; Lord of Beaumont and son of Margaret of Flanders), Chroniques de Hainaut. Continues to ca. 1131
Description:
In French., Script: Written in fine gothic textura. Corrections made over erasures., One fine historiated initial, 4-line (f. 4r): orange, pink and blue with white filigree; a king seated in conversation with three men, the figures orange, pink, and blue against a ground diapered in gold and blue with crowns in white; on a blue ground with white floral filigree framed in gold; curling vine serifs, red and green, extending into a 3/4 vine border, blue and pink, with red, blue, green and white leaves with some knots and gold cusping; large gold dots; two dogs, one with a bone, in lower margin. Two coats-of-arms in upper and lower margins. One fine calligraphic initial, 5-line, f. 197r, divided red and blue with particolored penwork, red and blue, with flourishes and a cascading column of I's, alternating red and blue and extending 3/4 length of inner margin. 4- to 2-line initials, red or blue, with blue or red penwork, dots and large flourishes, one on f. 4r with a cascading column of I's as above. 1-line initials, red or blue, with penwork, as above. Numerous crude marginal drawings in brown ink. Notes to rubricator, arts. 1 and 3., and Binding: Nineteenth century. Diced brown calf over heavy wooden boards which are possibly original.
Subject (Geographic):
Connecticut, New Haven., and Hainaut (Belgium)
Subject (Name):
Baudouin d'Avesnes.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Georges d'Esclavonie (canon of the Cathedral of Tours), letter to Dame Isabelle de Villeblanche, a nun at the Benedictine convent of Beaumont-les-Tours; the work was apparently presented to her 31 December 1411, and this would seem to be an early copy
Description:
In French., Script: Written by a single scribe in a neat gothic script with batarde influence. Annotations and corrections by a contemporary hand., One simple initial on f. 1r (4-line) in red; other plain initials (3-line) alternating red and blue. Headings, paragraph marks, strokes on initials, in red., Water damage in lower margin of most leaves, ff. 13-54., and Binding: Eighteenth century. Red straight-grained goatskin, wide gold-tooled floral border, with owner Richard Weir's "broken cable" roll. Gold-tooled panels on spine. Edges gilt. Title on spine: CURIEUX/ MSS SUR VELLIN.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
D'Esclavonie, Georges. and Benedictines.
Subject (Topic):
French literature, Manuscripts, Medieval, and Monasticism and religious orders
Christine, de Pisan, approximately 1364-approximately 1431
Published / Created:
[between 1450 and 1475]
Call Number:
Beinecke MS 427
Image Count:
212
Resource Type:
unspecified
Abstract:
Manuscript on parchment (trimmed).
Description:
In French., Script: Written in batarde, with elaborate flourishes and cadeaux in upper and lower margins., The manuscript includes four miniatures which are among the finest by the Master of Amiens 200, active in Hesdin and Mons and possibly in Amiens in the third quarter of the fifteenth century. Four half-page miniatures, each with a 6- to 4-line initial, blue with white highlights, filled with red, blue and green ivy, against an irregular gold ground, edged in black, some with cusping. Initial on f. 1r with arms of Crevecoeur family (gules, 3 chevrons or) added later. Folios with miniatures have a blue and gold bar in inner margin, with diamond-shaped terminals and regularly spaced blocks of black hair-spray with two gold ivy leaves in margin; the other three margins with red, blue and green acanthus, with some gold, red and blue flowers, birds, insects, surrounded by blue and gold ivy leaves. 2-line initials, gold, filled with pink or blue against irregular, cusped blue or pink grounds with white filigree. Rubrics throughout., and Binding: Nineteenth century. Red, straight-grained goatskin gold-tooled with black onlays over the bands. Light blue, watered silk doublures and gilt edges. Bound by Bozerian (Paris, 1793-1817). Armorial binding of comte L. L. Pajot d'Ons-en-Bray.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Christine, de Pisan, approximately 1364-approximately 1431.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Women authors, French
Manuscript on parchment of Roman de la Rose. With Poem on Paris of Troy, added in a later hand (15th/16th century); and Poem including the name of the man for whom the volume was copied, Pierre Louvel
Description:
In French., Script: Written in well-formed batarde by one scribe; art. 1 and some marginal notations in a slightly later hand., Inscriptions in almost every miniature to identify the figures. Sixty-six miniatures, 16- to 12-line, framed in gold, on f. 1r with a cusped arch and a full border of blue and gold acanthus at the corners and midpoints, red and blue flowers, and hair-spray with gold leaves, bounded in red and with a gold bar in inner margin. Other miniatures with 3/4 borders in the same style, some with birds. On f. 1r a 4-line initial, blue with white highlights, filled with red and blue ivy against a gold ground. 3- or 2-line initials, gold, with pink and blue grounds with white filigree. Capital at beginning of each verse stroked in yellow., Borders and miniature on f. 1r rubbed. Black ink hair-spray on many borders smeared., and Binding: Nineteenth century. Rigid vellum case heavily gold-tooled, with a red label. Gilt, gauffered edges. Motto on upper cover: "Nobilis ira." Bound by Bevan.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Guillaume, de Lorris, active 1230. and Jean, de Meun, approximately 1240-approximately 1305.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Romances
Manuscript on parchment (soft, furry; trimmed) in two parts, the first of which has several distinct formats. Part I: 1) Pierre de Peckham, La lumiere as Lais, lacking all of Book I and part of Book II. Part II: 2) Edmund Rich, St., abp. of Canterbury, Speculum amicicie, also known as Speculum religiosorum or Speculum ecclesie, in a French translation. 3) Poem on the love of God and the hatred of sin. 4) Hymn based on the "Iesu dulcis memoria" (14 quatrains). 5) Appeal of Christ to sinner. 6) Collection of recipes
Description:
In French., Script: Part I: Written in gothic textura by two hands: Scribe 1) ff. 1r-71v; Scribe 2) ff. 72r-85v. Part II: Written in gothic textura by two hands: Scribe 1) ff. 86r-99v (column 1); Scribe 2) ff. 99v (column 2)-110v., Decoration, Part I: One historiated initial, f. 16v, Master expounding to a pupil, figures predominantly pink and blue on a pale purple and gold diapered ground; blue initial with white filigree and pink and green curling vine serifs on a pink ground with white ivy; ground framed by a thick gold band, edged in black. Two styles of minor decoration that correspond to work division of the two scribes: ff. 1r-71v, 2-line initials, blue or gold with red or blue penwork with flourishes; 1-line initials, blue or gold; numerous line-fillers, almost every line in different styles, blue and gold; first letter of each verse stroked in red. ff. 72r-85v, 2-line initials, blue with red penwork and flourishes. No line-fillers. First letter of each verse stroked in red. Rubrics throughout. Part II: Decorative initial, divided red and blue, 4-line, on f. 86r, with blue and red flourishes and design cascading down inner margin. 2-line initials, blue, with red penwork and flourishes. 1-line initials, red or blue. Rubrics throughout. Very crude drawings (16th century) added on f. 111r-v., and Binding: Nineteenth century. Brown, hard-grained goatskin, blind- and gold-tooled. Bound by F. Bedford (London, active 1851-ca. 1883). Title on spine: "Lume As Lais/ Poemes francais MS. XIV siecle".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pierre, de Peckham, -1293.
Subject (Topic):
Devotional literature, French, French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of Raoul LeFevre, Le Recueil des histoires de Troies. With Author's Prologue to Philip the Good, Duke of Burgundy
Description:
In French., Watermarks: similar in design to Briquet Lettres et Monogrammes 9747., Script: Written in bold batarde by two scribes. Scribe 1) ff. 1r-125r; Scribe 2) 125r-262r., On f. 6r, a 4-line initial in red and black, crude. 3- to 1-line plain initials and paragraph marks, in red. Rubrics, sometimes with calligraphic flourishes extending into margins, throughout., and Binding: Eighteenth century. Yellow edges. Blue diced calf, gold-tooled, with red labels.
Subject (Geographic):
Connecticut, New Haven., and Troy (Extinct city)
Subject (Name):
Lefèvre, Raoul, fl. 1460. and Philip, Duke of Burgundy, 1396-1467.
Manuscript on paper (trimmed), with parchment bifolios interspersed, of Julius Caesar, Commentary on the Gallic Wars, translated into French by Jean Duchesne. Written for Jacques Donche, counselor of Charles the Bold of Burgundy
Description:
In French., Watermarks: similar to Briquet Armoires: Trois fleurs de lis 1741., Script: Written in neat batarde script by Hellin de Burchgrave., Ten half-page miniatures, each in an arched frame composed of two thin bands, gold and red highlighted with white, edged in black, the arch with tiny cusps; beneath, initials, 6-, 4-, or 3-line, blue or blue and red with white highlights on a gold ground of irregular shape conforming to the letter, edged in black, with serifs protruding into the left margin; filled with green and/or red and crimson trilobe leaves on curling stems with white and/or yellow highlights, or with a blue, green, crimson, and gold diapered ground with white highlights. Three smaller miniatures, 12- or 14-line, occasionally cut off at the upper edge so as to fill only part of a line of text; frames rectilinear, otherwise identical to those described above, Beneath, 2-line initials, blue, with white highlights, filled with trilobe leaves, as above, once (f. 25r) with one leaf of spiky acanthus added, and once (f. 256r) with a pink ground with gold filigree. There is a blank space on f. 27r for another miniature of this type. Other decoration consists of 2-line calligraphic initials, paragraph marks, line fillers (spirals and heraldic dragons), page and chapter headings, all executed in red. The first one or two lines of some books (as well as occasional lines within the text) are underlined in red., A few folios have tears in the margins., and Binding: Eighteenth century. Spattered and gilt edges. Red goatskin, gold-tooled, with the arms of Eugene of Savoy on cover and his monogram on spine.
Subject (Geographic):
Connecticut, New Haven., and Gaul
Subject (Name):
Caesar, Julius.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, and History
Manuscript on parchment of Artelouche de Alagona, Fauconnerie, printed several times between 1567 and 1628
Description:
In French., Script: Copied by scribe Vincent Philippon from Avignon (except f. 1) in Gothica Cursiva Formata (Bastarda). Calligraphic extensions of the letters in the upper and lower margin (on f. 48r ending in a monstrous animal's head)., Decoration: Paragraph marks in liquid gold on an alternately red and blue square background. 2- or 3-line, exceptionally 4-line plain initials in liquid gold (Capitalis) on an alternately red and blue square background. Space for a full-page miniature above two lines of text was provided on the facsimile page f. 1r.; a full-page picture, showing a falcon, on f. 45r. includes also a few small marginal images., and Binding: 20th century French red-brown morocco with gilt edges inside; spine has four raised bands and gold-tooled inscriptions.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Artelouche de Alagona.
Subject (Topic):
Falconry, French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper of Honore Bovet (often erroneously named Bonet, c. 1345-1405), L'arbre des batailles, composed between 1386 and 1389
Description:
In French., Accompanied by: Typescript of an English translation by G. W. Coopland: The Tree of battles of Honore Bonet (sic). With a hitherto unpublished historical interpolation translated by G. A. Knowlson ... Cambridge, Massachusetts, 1949. Catalogued as Beinecke MS 605a., Watermark: similar to Briquet 389 (?)., Script: Probably copied by one hand, writing Gothica Cursiva Libraria (Bastarda)., In art. 1 red heightening of the majuscules. In art. 2 paragraph marks and underlining in red; red 2-line plain initials; at the opening of the text (f. 5r) 4-line red and blue littera duplex without penwork. Guide-letters., and Binding: ca. 1900 by Chambolle-Duru. Crimson morocco over cardboard, preserved in fleece-lined folder. Spine with five raised bands and gold-tooled title: "L'ARBRE DES BATAILLES PAR HONORE BONNET - MANUSCRIT DU QUINZIEME SIECLE". Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bovet, Honore.
Subject (Topic):
French literature, Manuscripts, Medieval, Military art and science, and Schism, The Great Western, 1378-1417