A caricature of a Jewish broker, standing full-length on the street outside a door. He uses his kerchief to wipe his spectacles. His walking stick is tucked under his right arm and a roll of papers under his left arm
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple on wove paper, hand-colored ; sheet 33.3 x 22.9 cm., Printmaker's signature, imprint, and publisher's announcement worn (or partially burnished?) from plate., Publisher's stamp "SWF" in lower right corner of sheet., and Mounted on leaf 59 of volume 7 of 14 volumes.
Publisher:
Pub. Jany. 1st, 1801, by S.W. Fores, No. 50 Piccadilly
"Lord Lansdowne sits at a small writing-table, pen in hand, a number of papers before him. Three Jews (left) stand obsequiously on his right, but he turns with his enigmatic smile towards a French post-boy (right), a grotesque dwarfish man with long queue and jack-boots holding his whip and hat, who holds out to him with a cunning smile a paper inscribed: 'My dear Lord Paris 7th Jany 1783 I am happy to hear you have so nearly concluded your Alley Arrangements. The Preliminaries shall be signed coute que coute by the Time you desire, & you may rely on the Courier's arrival on the Eve of the 23d yours truly Billy Paradice [William Eden.]' Under Lansdowne's elbow is a paper inscribed 'Memorandums Pay off the Mortgage on Jesuits Colledge in Berkeley Square - Pay off Solomons any for 500£ pr Annm Inquire what Tayt will take for my Bond for 3000£ given for furniture sold at Christyes'. The foremost Jew holds out to Lansdowne a paper ... On a shelf, inscribed 'Waste Paper', in the upper right corner of the design, are three large bundles of papers: 'Ordnance Estimates', 'State of the National Debt', and 'Civil List'; two piles of documents hang from the shelf. On the wall above Lansdowne's head are two bust portraits: 'John Calvin', wearing a steeple-crowned hat, gown, and bands, and 'Ignatius Loyola', a profile portrait of Burke wearing a Jesuit's biretta as in British Museum Satires No. 6026, &c. 12."--British Museum online catalogue
Description:
Title etched below image., Counterfeit signature; print by Gillray. See British Museum catalogue., Sheet trimmed to within thread margins of plate mark., Temporary local subject terms: Treaties -- Commerical Treaty with France -- National debt -- Civil list -- Military Ordinance -- Allusion to J. Bond -- Allusion to St. Ignatious Loyola -- Allusion to John Calvin -- French post-boy -- Jesuits -- Allusion to William Eden, 1st Baron Auckland, 1744-1814., 1 print : aquatint & etching on laid paper, hand-colored ; plate mark 27.5 x 37.8 cm, on sheet 29.6 x 40.9 cm., and Mounted on leaf 11 of volume 2 of 12.
Publisher:
Pubd. March 12th, 1787, by R. Phillips, Southwke., London
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Burke, Edmund, 1729-1797
Subject (Topic):
Jews, Ethnic stereotypes, Tables, Writing materials, Boots, and Whips
"The interior of the Royal Exchange, showing part of two sides of the arcaded quadrangle, and the statue from the waist downwards of Charles II (by Grinling Gibbons) on a high pedestal surrounded by an iron railing. It is crowded with men, talking in couples, or walking off in deep dejection. All are elderly and caricatured and their dress is old-fashioned; one has a Jewish profile."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., 1 print : etching on laid paper, hand-colored ; sheet 25 x 35.5 cm., Sheet trimmed within plate mark., Date written in ink above design in contemporary hand: Decr. 1794., and Mounted on leaf 62 of volume 4 of 14 volumes.
Publisher:
Publish'd as the act directs, Decer. 28th, 1794, by S.W. Fores, No. 3 Piccadilly
Manuscript on parchment (monastic, furry) of Josephus, De bello Judaico, translated into Latin by Hegesippus
Description:
In Latin., Script: Written by a single scribe in elegant French minuscule. Marginalia, including "Nota" marks, by several later hands., Good pen-drawn initial for Book 1 (f. 2v), 12-line, in brown, with vigorous foliage swirls, modelled with fine striations, against a bright, multicolored (green, blue, red, maroon) panelled ground; for the Prologue and Books 2-5 (ff. 2r, 37r, 52r, 67v, and 82v), 7- or 5-line initials, in red, blue, green, and light brown with delicate, stylized foliage (f. 2r: also with two stylized heads). On f. 77v, a marginal drawing in red ink of a man pointing to text with a note (13th century) in brown ink "Nota de iniquo Symone.". Rubrics throughout., and Binding: Eighteenth century. Edges gilt. Green goatskin gold-tooled, with a brick-red label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Josephus, Flavius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Jews, History, and Manuscripts, Medieval
Manuscript on parchment of Josephus, De bello iudaico, translated into Latin by Rufinus
Alternative Title:
De bello Judaico
Description:
In Latin., Written in bold and elegant early gothic bookhand; some looped flourishes in upper margins contain red dots., Seven initials, 17- to 10-line, in red, filled with red swirling foliage on orange and green grounds, with touches of blue, against irregular grounds of blue and/or orange panels. 6- to 2-line initials, green and/or red with red or green foliate flourishes, set both outside and into text column; initials sometimes incorporate simple facial features. 1-line red initials for rubrics. Rubrics throughout; remains of notes to rubricator., and Binding: Nineteenth century. Brown goatskin, blind-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Josephus, Flavius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Jews, History, Latin literature, Medieval and modern, and Manuscripts, Medieval
"From the bustle and life visible on all sides it would seem that the period is fair-time, when the rustics and agricultural population of the vicinity in general flock into the town, holiday-making. A travelling mountebank has established his theatre in the market place; the person of the ingenious charlatan is decked out in a fine court dress, with bag wig, powder, sword, and laced hat complete, the better to excite the respect of his audience; he is holding forth on the marvellous properties ascribed to the nostrums which he is seeking to palm off on the simple villagers as wonder-working elixirs; while his attendants, Merry Andrew and Jack Pudding, are going through their share of the performance. One branch of the mountebank physician's profession was the drawing of teeth; an unfortunate sufferer is submitting himself to the hands of the empiric's assistant. The rural audience is stolidly contemplating the antics of the party, without being particularly moved by Dr. Botherum's imposing eloquence, these vagabond scamps being frequently clever rogues, blessed with an inexhaustible fund of bewildering oratory, and witty repartee at glib command. Leaving the quack, we find plentiful and suggestive materials to employ the humourist's skilful graver scattered around. In the centre, a scene of jealousy is displayed; the beguilements of a portly butcher are prevailing against the assumed privileges of a slip-shod tailor, who is seemingly tempted to have recourse to his sheers, to cut the amorous entanglement summarily asunder. On the left, the promiscuous and greedy feeding associated with 'fairings,' is going busily forward, and on the opposite side are exhibited all the drolleries which can be got out of a Jew pedlar, his pack, the diversified actions of customers he is trying to tempt with his wares, and the bargains for finery into which the fair and softer sex are vainly trying to beguile the cunning Hebrew on their own accounts. It seems probable that Rowlandson in his print of Doctor Botherum may have had a certain Doctor Bossy in his eye, a German practitioner of considerable skill, who enjoyed a comfortable private practice, said to have been the last of the respectable charlatans who exhibited in the British metropolis. This benevolent empiric, as Angelo informs us, dispensed medicines and practised the healing art, publicly and gratuitously on a stage, his booth being erected weekly in the midst of Covent-Garden Market, where the mountebank, handsomely dressed and wearing a gold-laced cocked hat, arrived in his chariot with a liveried servant behind. According to the old custom, the itinerant quack-doctor, with his attendant gang, was as constant a visitor at every market-place as the pedlar with his pack."--Grego
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., Twelve lines of verse below image, six on either side of title: High o'er the gaping crowd, on market day, while Andrew drolls the blockheads pence away ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Mountebanks -- Tooth Extraction -- Dr. Bossey., and Mounted on leaf 32 of volume 7 of 14 volumes.
Publisher:
Pubd. 6 March 1800 at R. Ackermann's Repository of the Arts, 101 Strand
Subject (Topic):
Quacks and quackery, Teeth, Extraction, Jews, City & town life, Plazas, Medicine shows, Audiences, Crowds, Peddlers, and Butchers
Page 202. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
2
Resource Type:
still image
Description:
Title and statement of responsibility from contemporary annotation in ink on verso. This note is written between two small drawings of heads in profile, one in ink wash and one in pencil. and Tipped in as page 202 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. Three old Jews stand in the street, in close consultation. All wear old-fashioned dress with beards, and long buttoned coats, one resembling a caftan. Behind are the old-fashioned houses of 'Dukes Place'; old clothes hang from a shop inscribed 'Solomon'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Watermark, partially trimmed: J. Whatman., and Mounted on leaf 16 of volume 9 of 14 volumes.
Manuscript diary in the hand of Henry Ridinger, 1878-1882. Ridinger describes his work as a herder in Colorado, landscapes and topography in Colorado, Navajo settlements, working in the hay trade, a shooting and arrest in Colorado, and his travel through Kansas to Indian Territory (now Oklahoma). Ridinger describes life with a group of Osage, including the construction of buildings, hunting, fishing, agriculture, and Osage funerary and religious ceremonies. Ridinger also records his interactions with other tribes, including Pawnee, Cherokee, Ute, and Waco. He describes relations and treaties between the tribes, as well as the tribes' relations with the United States government, including the disbursement of food and clothing. Other passages describe copies of earlier treaties with France and Spain which the tribes showed Ridinger. A later entry describes the aftermath of the United States Army burning a Jewish settlement in Oklahoma in 1881 and The diary also includes an essay about the history of Native American treaties with the United States government and several pages of accounts listing expenses and sales of hay, wheat, and corn. The diary includes several drawings of people, horses, insects, dogs, and symbols. Accompanied by 3 photographs, one hand-colored portrait of Henry Ridinger, one of an unidentified woman, and one of a man and woman captioned "Uncle Sam [Ridinger] with his sweetheart who died."
Description:
Henry Ridinger (1851-1938) was born in either Iowa or Illinois in 1851. His family moved to Kansas in 1857 and he left home at the age of 11, circa 1862. He worked as a cattle herder and hay farmer in Colorado, Kansas, and Oklahoma for several years in the 1870s and 1880s. He later became a hay farmer in Lincoln County, Nebraska, circa 1885., In English., and Front and back covers are detached.
Subject (Geographic):
Colorado., Oklahoma., Oklahoma, Colorado, Indian Territory, and Kansas
Subject (Name):
Ridinger, Henry, 1851-1938. and Ridinger, Sam
Subject (Topic):
Agriculture, Cherokee Indians, Crime, Hay trade, Herders, Hunting, Indians of North America, Government relations, Jews, Navajo Indians, Osage Indians, Pawnee Indians, Ute Indians, Waco Indians, and Description and travel
"The artist introduces us to the laboratory of a so-called alchemist. A roguish Jew and his familiar are busily engaged in the transmutation of metals; the servant, with a pair of long- nozzled bellows, is engaged in kindling the furnace, in which is a crucible; various retorts, alembics, and other paraphernalia of the 'black arts,' are scattered about, as well as a formula for 'changing lead into gold'; although the alchemists at best could only contrive to accomplish the reverse transmutation. Suggestive prints are hung on the walls of this chamber of mystery, such as the portrait of the notorious 'Count Cagliostro, discoverer of the Philosopher's Stone,' and the figure of the spurious 'Bottle Conjurer.' A military officer, in the next apartment, is turning his opportunities to more practical advantage by embracing, with a certain display of ardour, a pretty maiden who is nothing loth, the daughter, it appears, of the philosophically minded investigator."--Grego, J. Rowlandson the caricaturist
Alternative Title:
Searching for the philosophers stone
Description:
Title etched below image., Signed in image, lower left., Traces of burnished lettering in lower right corner of design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Hoaxes: allusion to bottle conjurer -- Male costume -- Furniture: chest -- Philosopher's stone., Temporary local Medical Library subject terms: Sex behavior., 1 print : etching and aquatint on wove paper, hand-colored ; plate mark 30 x 35 cm, on sheet 30.7 x 36.1 cm., and Mounted on leaf 33 of volume 7 of 14 volumes.
Publisher:
Pub. March 12, 1800, at R. Ackermans Repository of the Arts, N. 101 Strand
