Manuscript recipe book, in two or three hands, containing approximately 180 cookery recipes, including instructions for various pickles, sauces and preserves; for stewing, roasting and baking meat, poultry and fish; and for numerous cakes and biscuits. A few recipes are attributed to Lady Sophia Egerton and "Mrs. Breton."
Description:
Binding: contemporary full parchment., In English., Ownership inscription on verso of front flyleaf: Mrs. Lochmere's Book., and Purchased from Byass Rare Books on the James Marshall and Marie Louise Osborn Fund, 2012.
Manuscript on parchment of Guarino of Verona, 1) Regulae grammaticales. 2) De orthographia. 3) Carmina differentialia.
Description:
Binding: Nineteenth century (?). Rigid vellum case. Remains of a brick red label., Bookplate of Thomas E. Marston; the date and source of acquisition unknown., One illuminated initial of poor quality, f. 1r, 11-line, purple with white filigree on gold and blue ground; filled with a stylized flower red and green with white filigree, upper terminal extending into pen-and-ink inkspray with gold balls and a mauve flower in upper border; pen-and-ink flourish with gold balls, ending in a bird's head, mauve, green and blue. Plain initials and paragraph marks alternate in blue and red; headings in red. Arms of the Valaresso family of Venice in lower border (azure, 3 bars gemelles or); partially effaced arms of Cardinal Bessarion in outer margin (azure, a cross botonny gules, a chief or; crest, cardinal's hat and crozier)., and Script: Written in humanistic bookhand, below top line; marginal annotations in humanistic cursive.
Subject (Name):
Guarino,--Veronese,--1374-1460
Subject (Topic):
Illumination of books and manuscripts, Medieval, Language and languages--Orthography and spelling, Latin language, Medieval and modern--Grammar, Latin poetry, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
In Rome, the author attends Holy Week services, visits the catacombs and and records accounts of miracles. In Naples he explores the Pausilippo and Mount Vesuvius, described as "standing like a sugar loaf in a kettle" of its surrounding ashes. Separated from Northumberland's retinue in Padua to look after an ill friend, the author concludes the journal in Avignon. and Manuscript on paper containing the narrative of a member of Lord Northumberland's retinue, possibly his chaplain (Wickail?). The author describes "the Churches, the Villas and Gardens, the Pallaces and Antiquitys" he saw on the journey, with particular attention to Turin, Milan, Bologna, Florence, Naples, and Rome. He copies many funerary inscriptions and records his impressions of libraries, including the Ambrosian and the Vatican, where he was shown the letters of Henry VIII to Anne Boleyn but complained that "the books are all shut up...and they have no catalogue to help you."
Description:
Annotated on flyleaf: "George Fitz-Roy, natural son of Charles II, was Earl of Northumberland in 1674, and Duke in 1682. He died in 1716 without issue.", Binding guard remnant reads, "Bononiae, Typis Iacobi Montij. 1678. Superiorum permissu." Printed, decorated border., Binding: Nineteenth century parchment. Marbled endpapers., Bookplates: Thomas Bell; John Newington Hughes; Thomas Ashby., For information on the source of acquisition, consult the appropriate curator., Phillipps MS 22145; Neumeyer purchase, 1913., and Spine title: "Lord Northumberland Voyage in to Italy."
Subject (Geographic):
Italy--Description and travel, Italy--Religious life and customs--17th century, Naples (Italy)--Description and travel, Rome (Italy)--Antiquities, and Rome (Italy)--Description and travel
Subject (Name):
Catholic Church--Customs and practices, Howard, Philip Thomas,--1629-1694, and Northumberland, George Fitzroy,--Duke of,--1665-1716
Subject (Topic):
Grand tours (Education), Learning and scholarship--England, and Travelers' writings, English
Manuscript on parchment of Peter Lombard, Sententiarum libri IV. With a Commentary on Eccles. 38.
Description:
Binding: 1837, England. Bound by Gough in London. Dark brown goatskin, blind-tooled with a light brown gold-tooled label with title "Liber Sententiarum"., Purchased in 1957 from Quaritch, London, by L. C. Witten, who sold it in 1959 to Thomas E. Marston., Red and blue divided initials, 4- to 3-line, for prologue and beginning of books, with penwork designs in the same colors. For other text divisions, 3- to 2-line initials in red or blue with flourishes in opposite color. Distinctio numbers and running headlines in red and blue; rubrics in red. Initial letters of each entry in chapter lists alternate red and blue., and Script: Written in gothic bookhand, below top line; annotations added in less formal, later hands.
Subject (Name):
Peter Lombard,--Bishop of Paris,--ca. 1100-1160
Subject (Topic):
Bible.--O.T.--Ecclesiastes, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Philosophy, Scholasticism, Scholia, and Theology
Manuscript on parchment of John Chrysostom, Sermo de dignitate humanae originis, translated into Latin by Ambrogio Traversari. The text is preceded by a dedicatory letter, here directed to Rene d'Anjou (King of Sicily and Naples, 1435-42).
Description:
3 large initials of modest quality, 8- to 7-line, gold on blue or blue and red grounds with white dots and white vine-stem ornament. 1 smaller initial, 3-line, gold on red and blue ground with white dots. Plain initials in blue and red, one in gold, some with penwork flourishes in red. Rubrics throughout. Paragraph marks in red or blue. Guide letters for initials., Binding: Fifteenth century, Italy. Original sewing on three tawed skin, slit straps laced through tunnels in the edge to channels on the outside of beech boards and nailed. Beige and white chevron endbands are sewn on tawed skin cores laid in grooves on the outside of the boards. The spine is lined with green tawed skin between supports. Covered in brown, originally tan, calf with corner tongues, blind-tooled with a triple cross in a border of rope interlace. Spine: sewing bands defined and panels diapered with triple fillets. Two truncated diamond catches with a flower in a circle on the lower board, the upper one cut in for the red fabric straps attached with star-headed nails., Purchased from Giuseppe (Joseph) Martini of Lugano by H. P. Kraus, who sold it in 1957 to Thomas E. Marston., and Script: Written by a single scribe in humanistic cursive script, below top line.
Subject (Name):
John Chrysostom, Saint, -407 and Traversari, Ambrogio, 1386-1439
Subject (Topic):
Catechetical sermons, Fathers of the church, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Sermons--Early works to 1800
Manuscript on paper of Johannes Herolt, Sermones de tempore.
Description:
Binding: Fifteenth century, Germany. Sewn on four supports attached to wooden boards. Covers lined with parchment documents; text side pasted down and illegible. Covered in white tawed skin with two fastenings, the catches on the upper board. Remains of label with title on spine; traces of inscription on upper board. Rebacked., Only selected leaves scanned., Plain red initials, 3- to 2-line. Paragraph marks, initial strokes and underlining in red; rubrics added sporadically., Purchased in 1956 from Bernard Quaritch of London by L. C. Witten, who sold it in 1958 to Thomas E. Marston., Script: Written in hybrida script, perhaps by a single scribe., The bookplate of Hilprand Brandenberg (hand-colored woodcut of an angel holding a shield representing his arms: an ox passant with a ring in its nose) is pasted below the ownership inscription, to which the shelf-mark "CXXXI" was added by a later hand., and Watermarks: several bull's heads including Piccard Ochsenkopf V.636 and similar in design to V.305-13.
Subject (Name):
Brandenburg, Hilprand, 1442-1514, bookplate, Catholic Church --Sermons, Herolt, Johann, and Marston, Thomas E., bookplate
Subject (Topic):
Church year sermons, Church year sermons--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Sermons, Latin, and Sermons--Early works to 1800
The paintings are on mica, and under each is a manuscript caption.
Description:
All versos blank., Manuscript title, occupying two leaves, "written by T. Vardapillay, writing master in the two English schools established by the American missionaries in Madura City"., and The name "Daniel Poor" is in a different hand, presumably that of the donor himself.
Subject (Name):
Poor, Daniel, Twining, William, Rev., and Vardapillay, T
Jighmīnī, Maḥmūd ibn Muḥammad, d. 1221? Mulakhkhaṣ fī al-hayʾah Qāḍīʹzādah, Mūsá ibn Muḥammad, d. ca. 1436
Call Number:
Arabic MSS 436
Image Count:
1
Resource Type:
Archives or Manuscripts
Abstract:
Commentary on al-Mulakhkhaṣ fī al-hayʾah (handbook of astronomy) of Maḥmūd al-Jighmīnī. and Incomplete at end.
Description:
End of leaf 50 corresponds to leaf 162 recto (numbered 166) of Ms. Landberg 361; probably only one leaf is missing., Fairly old (16th century?) hasty nastaʻlīq, almost entirely unpointed., In manuscript on fly-leaf: "Comprado en el Cairo 27/12/28. T[eodoro] B[ecu]." With Becu's bookplate., Islamic binding, in brown., No. 1 of 2 items bound together., Purchased from V.G. Simkhovitch in January 1955., With copious diagrams, some with background-pictures representing the constellations in the form of human and animal figures., and With: 1 other title.
Subject (Name):
Becu, Teodoro,--1890-1946--Autograph, Becu, Teodoro,--1890-1946--Bookplate, and Jighmīnī, Maḥmūd ibn Muḥammad,--d. 1221?--Mulakhkhaṣ fī al-hayʾah
Subject (Topic):
Islamic binding and Natural and social sciences--Astronomy and astrology
Silence (Block Poem), 1975. Autograph manuscript poem in Italian accompanied on each leaf by two rectangular collages of text in non-Roman alphabets covered by gauze.
Description:
Luciano Caruso (1944-2002) was an Italian experimental poet, editor, and art critic based in Naples until 1976 and in Florence thereafter. He was a prominent practitioner of Italian visual poetry ("poesia visiva").
Subject (Name):
Ruth and Marvin Sackner Archive of Concrete and Visual Poetry
Subject (Topic):
Experimental poetry, Italian--20th century, Poets, Italian--20th century, and Visual poetry, Italian--20th century