Manuscript on parchment. Written as a gift for Barbara Pfintzing, who entered a nunnery in 1441 at the age of 16. The text indicates that the manuscript was produced for use in a Dominican house of nuns; liturgical directions are written in German (the feminine forms in the antiphons and prayers often bear suprascript masculine endings, in red).
Description:
In Latin and German., Script: Written by a single scribe in well formed gothic textura. Articles 1 and 6 have 4-line staves, in red, and black square notes., Uninspired blue initial, 2-stave, on f. 1r, infilled and surrounded by red penwork flourishes with blue accents. Similar plain initials, 2-line, alternate in blue, red, and black with red throughout. Running titles and headings in red., and Binding: Sixteenth century. Resewn, using original sewing holes, on three double vegetable fiber cords laced into back-cornered and indented oak boards. Endbands embroidered on a strip of vellum and adhered, the vellum extending onto the outside of the boards. The spine is square and lined all along with manuscript fragments extending to the inside of the boards. Covered in vellum blind-tooled with concentric borders containing heads in oval frames among foliage in the outer, and busts of saints in the inner. Two brass fastenings, the catch on the upper board, straps attached to the lower with a metal plate. Straps wanting and a slight crack in one joint.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Dominicans
Subject (Topic):
Liturgy, Manuscripts, Dominican sisters, Manuscripts, Medieval, Monasticism and religious orders, and Processionals (Liturgical books)
Manuscript fragment on parchment of a psalter containing portions of Psalms 77 and 83.
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2- and 3-line initials at the beginning of Psalms alternate red and blue; 3-line initials of the versicles are in black highlighted with red and are not set apart from the text; 1-line initials at the beginning of verses alternate red and blue; punctuated with the punctus and punctus elevatus; hyphenation added by a later hand; the versicles at the end of each Psalm have musical notation in black on a 4-line staff in red.
Manuscript on paper of a liturgical Psalter with additional hymns. The codex was bound incorrectly; ff. 185-196 should follow f. 120
Description:
In Latin., Watermarks similar to Briquet Lettre P 8598., Script: Written by a single scribe in bold gothic textura., Initials, 3- to 1-line, at beginning of each verse, in red; rubrics throughout., Most leaves are stained and repaired., and Binding: Covers and spine missing.
Bridget, of Sweden, Saint, approximately 1303-1373
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 5
Image Count:
71
Resource Type:
unspecified
Abstract:
Manuscript on parchment of 1) St. Birgitta, Regula Sancti Salvatoris. 2) Urban V, Ut nihil a noviciis omnino exigatur. 3) Pseudo-Augustine, Disciplina monasterii. 4) Additiones domini Prioris Petri super Regula sancti Saluatoris. 5) [One leaf of another manuscript laid in:] Revelacio Sancte Birgitte
Description:
In Latin., Script: Written by a single scribe in batarde (no loops)., Primary plain initials, 11- to 1-line, in red; rubrics throughout., and Binding: Fifteenth century. Original sewing on four slit, tawed straps laced into beech boards as are the tawed cores of plain, wound endbands. Covered in cream-colored skin, cut or worn away so that the endbands are visible on the spine. Traces of five bosses on each board and of a strap-and-pin fastening, the strap attached to the lower board with a brass plate. Pin and strap wanting. Front pastedown: fragment of 15th-century manuscript, on paper; back pastedown: fragment of another 15th-century manuscript glued in upside down. Watercolor sketch of St. Birgitta (115 x 67 mm.) pasted on front cover, probably 16th century.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bridget, of Sweden, Saint, approximately 1303-1373. and Bridgettines.
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, Monasticism and religious orders for women, and Women mystics
Manuscript on paper of Ovid, Remedia amoris. Followed by two series of short poems by Pseudo-Vergil and Johannes Fabri de Werdea (b. 1450).
Description:
In Latin., Watermarks: similar to Briquet Balance 2411, and similar in design to Piccard Ochsenkopf 732-735 and Briquet Tete de boeuf 14552., Script: Written in running script exhibiting batarde influence for both text and commentary., Plain 2-line initial, in red, on f. 2r. Some underlining and initial strokes, in red, for ff. 1r-6r only., Some of marginalia lost in gutter., and Binding: Nineteenth century. Half red-brown goatskin, gold-tooled. Marbled paper sides. Emblem and motto ("Endure fort") on front cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ovid, 43 B.C.-17 A.D. or 18 A.D.
Subject (Topic):
Erotic literature, Latin, Latin poetry, Medieval and modern, Manuscripts, Medieval, and Scholia
Bridget, of Sweden, Saint, approximately 1303-1373
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 24
Image Count:
412
Resource Type:
unspecified
Abstract:
Manuscript on paper of St. Birgitta, Revelationes. With the Life of St. Birgitta and several prayers, one of which is in German. Written by the abbot of the monastery of Maria Forst (near Cologne).
Description:
In Latin., Watermarks: similar to Briquet Lettre P 8619 and 8625., Script: Written in a well formed running hand by a single scribe who has been identified as Freiherr von Greifenclav. Divisions for indexing carefully noted in margins., Large penwork initials of mediocre quality, in red and blue; foliage designs in center of letters and penwork borders, in red, are sometimes accompanied by vulgar green dots. Many simple initials, 7- to 1-line, in red or blue; running titles in red. Rubricated throughout., and Binding: Between 1850 and 1900. Mottled, brown calf case, gold-tooled with monogram of comte Paul Riant on spine. Detached from bookblock.
Subject (Geographic):
Connecticut, New Haven., and Cologne (Germany)
Subject (Name):
Bridget, of Sweden, Saint, approximately 1303-1373.
Subject (Topic):
Christian hagiography, Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Prayers, and Women mystics
Manuscript fragment on parchment of a rituale containing the Order of visiting the sick
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2-line initials in red are surrounded by and filled with brown circles and flourishes; 1-line initials are in brown; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Rituals (Liturgical books)
Manuscript fragment on parchment of a sacramentary containing votive masses for all ranks within the church for peace, for harmony, for households, and for travelers
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2- and 3-line initials are in red; 1-line initials in black, sometimes highlighted with red; rubrics written in red in the same script as the text; the foliation is written in black; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Sacramentaries
Manuscript on paper of 1) Juvenal, Satirae I-XVI. 2) Unidentified commentary on the sixteen satires of Juvenal. This extensive commentary, written in the same hand as the text, draws upon some of the earlier scholia as well as works of later scholars. 3) Miscellaneous passages on the nature of tragedy, satire, comedy, plus a short life of Juvenal
Description:
In Latin., Watermarks similar to Briquet Tete de boeuf 14874., Script: Written by a single scribe in a well spaced informal batarde for the main text and in a very small cramped batarde for surrounding notes., Crude illuminated initial, 9-line, on f. 1r; red initials, 3-line, at beginning of remaining satires. First letter of each verse stroked in red (ff. 13r-61r); some lines underlined in red., and Binding: Twentieth century. Cloth boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Juvenal.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Satire, Latin, and Scholia
Manuscript on paper (heavy, rough) composed of four parts. Part I: Excerpts (divided into three parts) from the Malogranatum of Gallus, abbot of the Cistercian abbey of Koenigssaal, Bohemia. Part II: 3) Thomas a Kempis, Tractatus de imitatione Christi et contemptu omnium vanitatum mundi, Book I only. 4) Unidentified Fasiculus florum or Fasiculus morum. 5) Brief excerpts from Augustine and Jerome. 6) Unidentified excerpts dealing primarily with defects in the performance of the mass. Part III: 7) Unidentified extracts on virtues and vices. 8) Series of exempla of virtues and vices perhaps intended as illustrations for the selections quoted in art. 7. 9) Exemplum of Udo, Abp. of Magdeburg. Part IV (parchment): Unidentified text
Description:
In Latin., Watermarks: Part I: unidentified monogram buried in gutter. Parts II and III: similar in design to Piccard Buchstabe P XVI.301-29., Script: Part I (ff. 1-154): Copied by one person in a poorly formed, abbreviated gothic cursive. Part II (ff. 155-202): Written by two scribes: 1) ff. 155r-196r in hybrida; 2) ff. 196v-199v in hybrida. Part III (ff. 203-248): Written in neat gothic cursive by a single scribe. Part IV (ff. 249-256): f. 249r-252r (first column) written in small neat gothic textura; ff. 252r (col. b) - 255r written in gothic cursive., Part I: Small knobby initials, 3- to 2-line, in red. Underlining, paragraph marks, initial strokes, and circles enclosing marginal annotations by the scribe, in red, throughout. Part II: Scribe 1) Incipits, knobby initials (3-line), strokes on initials, in red; 2) Crudely drawn initials (2-line), paragraph marks, strokes on initials, and underlining for headings, in red. Part III: Many plain initials, 2- to 1-line, headings, initial strokes, and lines drawn through the names of authors cited, in red. Notes to rubricator, many perpendicular to text along outer edge of leaf. Part IV: Small plain initial (f. 249r) in red., The patterns of water damage and stains indicate that the codex originally consisted of several booklets., and Binding: Fifteenth century. Bound in the Charterhouse of St. Barbara in Cologne. Vellum stays in the center of the gatherings and their backs cut in about 3 mm. at each sewing station. Sewn on four, double, vegetable fiber supports laced into oak boards and pegged as are the plain, wound endbands. Covered in light brown calf with very narrow corner tongues and defined supports. Blind-tooled with intersecting diagonal fillets with roses, two-headed eagles, crowned swans and fleurs-de-lis in the compartments, inside an outer frame. Trace of a catch on the upper board; edge of the lower one cut in for a strap. Rebacked and clasp wanting. Front and back flyleaves, formerly pastedowns, from a liturgical manuscript (Germany, 12th-13th centuries) containing Office of the Dead. Responses to the first five lessons are Qui lazarum, Heu michi, Ne recorderis, Domine quando, Peccantem me cottidie.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Christian literature, Latin (Medieval and modern), Didactic literature, Latin, Exempla, and Manuscripts, Medieval