Manuscript on parchment of Persius, Satirae 1.22-6. With argumenta added in the 15th century.
Description:
Binding: 20th-21st centuries, not digitized. Plain brown leather over cardboard. Yellowish paper endleaves., Paragraph marks in red. All the majuscules, those at the opening of the verses and the others, are heightened with dark yellow. The Satires open with a 2-line flourished initial (a 3-line flourished initial for Satire 6) with marginal extensions, alternately in red with purple penwork and blue with red penwork., and Script: Copied by one hand writing Italian Gothica Hybrida Libraria, with a preference for round r and d with relatively short shaft.
Manuscript on paper, composed of two distinct parts, of speeches by Cicero. Introductions to ten of the speeches were composed by Antonio Loschi between 1391 and 1405. The pattern of stains indicates that Parts I and II were once separate; it is unclear when they were bound together.
Curlo, Giacomo Griffolini, Francesco, 1418-1483 Phalaris, Tyrant of Agrigentum, 6th cent. B.C Pliny, the Younger Plutarch
Published / Created:
[ca. 1450]
Call Number:
Marston MS 51
Image Count:
538
Resource Type:
Archives or Manuscripts
Abstract:
) Plutarch, Apophthegmata, Latin translation by
Description:
Acquired from C. A. Stonehill in 1954 by Thomas E. Marston., Binding: Fifteenth century, Spain (?). Original wound sewing on four tawed skin, slit straps laced through tunnels in the edges of wooden boards to channels on the outside and pegged. Yellow edges. The beaded chevron endbands are sewn with red and yellow thread on tawed skin cores laid in grooves in the boards. Covered in brown sheepskin with the surface mostly worn off; decorated with concentric frames, the central panel and one frame filled in with square goat (?) and flower tools standing on a point. Title in ink on a paper label, now mostly wanting. Four truncated diamond-shaped catches on the lower board have a raised design of the Virgin and child and a flower., F. 140 lacking., Plain lumpy initials, 3- to 2-line, alternate blue and red. Headings and paragraph marks in red., Script: Written in an unusual style of loose and sloping humanistic script with cursive features; angular, little shading of letters, well spaced., and Watermarks: ff. 1-112, similar to Briquet Lettre R 8941; ff. 113-160 and 209-256, similar to Briquet Echelle 5904, 5908; ff. 161-208, 257-265, similar to Piccard Kreuz II.616, 619, 622.
Subject (Name):
Curlo, Giacomo, Donatus, Aelius, Ferdinand--I,--King of Naples,--1423-1494, and Terence
Manuscript on paper, composed in two parts, of 1) Unidentified grammatical text. 2) Vita virgiliana. 3) Preface to Servius' In Vergilii Aeneidos libros Commentarius. 4) Leonicenus Omnibonus (ca. 1412-ca.1480), De arte metrica. 5) Ps.-Lentulus, Epistola de conditione Domini nostri Iesu Christi.
Description:
Binding: Fifteenth century, Italy. Two pairs of tunnels in the edges of the boards, and the supports laced into one or the other of them to channels in the outside and nailed. Partly resewn. Boards sharply bevelled, with the fore-edge bevel broken off the upper board. Quarter vellum binding, a later addition. Title in ink on lower board, partially visible under ultra-violet light: "Vita Vergilii [another word illegible]/ Documenta". Later title in ink on spine: "Varia man. scr./ vetera" and what appears to be a monogram or shelf-mark with letters I, F, O, T, H in ink on vellum addition., Part I: Plain intials (1-line), headings, initial strokes, and marginalia in red. Part II: Arts. 2-4: plain initials, headings, and initial strokes in red., Script: Part I (ff. 1-30): Written by a single scribe in humanistic cursive, below top line. Part II (ff. 31-80): Arts. 2-4 in humanistic cursive, below top line; art. 5 in a more formal humanistic bookhand., and Watermarks: Part I: similar to Briquet Oiseau 12128 and 12130. Part II: similar in general design to Harlfinger Balance 31.
Manuscript on paper (sturdy) of Cicero, Epistolae ad familiares. Marginal and interlinear notes accompany the text of each letter (except for that to P. Vatinius appearing on ff. 26v-27v which was copied twice, apparently in error). Written probably for use as a school text (vocabulary lists on ff. 4 and 9).
Description:
Binding: 19th-20th centuries. Vellum case; spine fragile and splitting., Script: Written by a single scribe in gothic cursive, with a smaller script for glosses., Simple initials in red at the beginning of each letter; titles preceded by paragraph marks, and underlined, in red., and Watermarks: unidentified letter P in gutter.
Lactantius, ca. 240-ca. 320 Ovid, 43 B.C.-17 or 18 A.D
Published / Created:
1459
Call Number:
Marston MS 16
Image Count:
420
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of Ovid, Metamorphoses. With Lactantian tituli and narrationes in margins.
Description:
Binding: Fifteenth century, Germany. Adhered vellum stays on the inside of the quires. Original wound sewing on three wide, tawed skin, slit straps laced through tunnels in the edges of beech boards to channels on the outside and pegged. Natural color endbands, caught up on the spine, are sewn to tawed cores laced into grooves on the outside of the boards. Front pastedown: reused paper manuscript with text side pasted face down. Quarter bound in blue, tawed skin with a strip, now wanting, nailed along the edge. Two leaf-shaped catches with three five-petalled flowers on them on the lower board and the upper one cut in for kermes pink straps attached with metal plates; damage from a chain fastening at the head of this board, and the board broken; outer edge wanting. Title, in same (?) hand as on f. 1r, on upper and lower boards: "Ouidius methamorphoseos.", Plain red 5-line initial, in outline only, f. 3r; two smaller initials of similar style, ff. 3v-4r. First letter of each verse stroked with red, ff. 3r-4r. Spaces left for decorative initials remain unfilled elsewhere in codex., Purchased from C. A. Stonehill in 1949 by Thomas E. Marston., Script: Written in a small neat gothic text hand with hybrida features., and Watermarks: unidentified bull's head and mountain.
Manuscript on paper of 1) Juvenal, Satirae I-XVI (with XVI preceding XV). With the argumenta of Guarino of Verona added at the beginning of each satire. 2) Persius, Prologue followed by Satirae I-VI. 3) Notes on the moon in the twelve signs of the zodiac.
Description:
Argumenta of Guarino of Verona in red rustic capitals preceding each title; spaces for decorative initials never filled., Binding: Sixteenth century (?). Vellum stays. Original sewing on three slit, tawed straps. Primary, plain and secondary, beaded endbands on twisted, tawed cores, laid in grooves and pegged or nailed. Spine lined with tawed skin, mostly lacking. Straps laced and pegged or nailed into beech boards covered in (originally) brick-red leather, blind-tooled with an inscription in a border around an inner panel of overlapping circles interspersed with dots. Four flower-shaped bosses on each board and two catches on the lower one. Two bosses and clasp straps wanting., Watermarks: similar to Briquet Lettre R.8941 and Harlfinger Fleche 12., and Written in humanistic script by three scribes. The principal scribe, Franciscus Seroddi Centinomius Phylaretus, wrote ff. 1r-72v and 79r-84v; he signed the manuscript on ff. 72v and 84v. Scribe 2 wrote ff. 74r-78v and Scribe 3 the notes on ff. 85r-87v. Marginal and interlinear glosses in several contemporary hands.
Manuscript on paper of Nicolas Trevet, Commentarius in tragoedias Senecae.
Description:
Binding: Date? The backs of the quires are cut in, some in a W shape. Resewn on two tawed skin, slit straps. Endband sewn on a tawed skin core laid in grooves on the outside of the boards and nailed. The back oak board was previously covered with leather; front board is of unidentified wood. This seems to be a patched together binding using boards from different, possibly 15th-century, books. Presently quarter bound with brown sheepskin, blind-tooled, with radiant IHS in circles. Spine: supports defined with triple (?) fillets; an X with a central cross bar in the panels. Two fastenings, with the catches on the lower board. The upper board cut in for straps fastened with star-headed nails. Remains of title, in ink, on tail edge., Many leaves stained and crumbling along edges; no loss of text., Red and/or deep aquamarine blue initials, 10- to 5-line, with penwork flourished in same color(s), mark beginning of each play. On f. 1r head of bearded man peeps out from behind foliage in interior of letter; on other initials penwork designs extend into margins to form borders (e. g., 170r). Plain initials, 5- to 2-line, paragraph marks, headings, in red., Script: Written in semi-gothic cursive script by a single scribe, above top line; headings in gothic bookhand., and Watermarks: similar to Briquet Tete de boeuf 14330, 14338, Piccard Ochsenkopf I.701, Briquet Main 11092.
Subject (Name):
Seneca, Lucius Annaeus,--ca. 4 B.C.-65 A.D and Trivet, Nicholas,--1258?-1328
Manuscript on paper containing 1) Legendary history of the foundation of Rome. 2) Mirabilia Romae. 3) Note on Roman abbreviations especially for personal names. 4) Heading of an index to the Roman History of Livy (?). 5) Note on officials, functions and institutions of the Roman empire. 6) Note on the structure of Roman personal names. 7) Headings of the chapters of Books 1-9 of Facta et dicta memorabilia. 8) Giunta de Sancto Giminiano (14th century), alphabetical table to Facta et dicta memorabilia, from A to T, with ample blank spaces between each letter of the alphabet. 9) Mentions of Valerius Maximus and Livy in works of Thomas Aquinas and Nicholas of Lyre. 10) Valerius Maximus (1st century), Facta et dicta memorabilia, including the pseudepigraphic Book 10, De interpretacionibus nominum.
Description:
Binding: Nineteenth century. Quarter binding in brown leather, the cardboard covers covered with marbled brown paper. Gold-tooled spine with five raised bands and brown title label with gold-tooled inscription: “VALERIUS MAXIMUS / MANUSCRIPTUM”. Red sprinkled edges., Script: Copied by one hand in Gothica Cursiva Libraria, the text very large, the glosses small., The pages damaged by the acidity of the ink., and Underlining, paragraph marks, headings, stroking of majuscules and plain initials (with guide letters), all in red.
Subject (Geographic):
Rome (Italy)--Description and travel and Rome (Italy)--History