Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a female figure carrying a crucifix in one hand and a chalise in the other; from the painted glass window in the Library at Strawberry Hill
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 84 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Watercolor drawing depicting a female figure carrying an anchor; from the painted glass window in the Library at Strawberry Hill
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 84 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
William Frederick Hanover (1776-1834) was the son of Maria, Duchess of Gloucester (1736-1807), and her second husband William Hanover, Duke of Gloucester and Edinburgh (1743-1805). He was a great-grandson of King George II and nephew of King George III., The miniature is in a double-sided burnished bezel locket constructed with front and rear compartments separated by an interior divider; one side holds the portrait and the other holds a thick plait of woven hair. The locket is stored in a protective case that is contemporary with, but not original to, the miniature; when closed the outer case does not accomodate the top ring on the locket., Identification of the sitter is based on correspondence between Doris Haydock and W. S. Lewis when the miniature was being acquired. Date of the miniature was, and For further provenance information, see the custodial history note in the Guide to the Sir Edward Walpole and Dorothy Clement Family Papers (LWL MSS 37).
Volume 2, page 404.1. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of twenty armorial shields arranged in four rows, decorated images of animals including lions rampant or passant, a griffin rampant, a fish, a greyhound, or an eagle; other decorative elements include a helmet, three chalices, a fleur-de-lis, a Tudor rose, and a carbuncle
Description:
Title devised by curator., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 404.1 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Sir Edward Walpole (1706-1784) was the fourth child and second son born to Robert Walpole (1676-1745), chancellor of the Exchequer and first prime minister of Great Britain, and his wife Catherine Shorter (1782-1737). His younger brother was the author and antiquarian collector Horace Walpole (1717-1797). Edward Walpole graduated from Eton (1718) and King’s College, Cambridge (1725) before becoming master of pleas in the Office of the Exchequer in 1727 and clerk of the pells, a lifetime appointment, when his older brother Robert resigned from that position in 1739. Walpole also served in Parliament from 1730 until 1768 representing in succession Lostwithiel and Great Yarmouth and became a Knight of the Bath in 1753. With his common-law wife Dorothy Clement (1715?-1739) he was the father of one son and three daughters. Sir Edward Walpole died on January 12, 1784; he was buried at St. George’s Chapel, Windsor., Unknown artist., Miniature set in bracelet clasp decorated with brightwork, with a fixed flange on the left and a removable slide on the right., and For further provenance information, see the custodial history note in the Guide to the Sir Edward Walpole and Dorothy Clement Family Papers (LWL MSS 37).
Ink drawing depicting a prisoner, possibly Saint Laurence of Rome, about to be burned over coals by Roman soldiers. The prisoner's hands are bound behind his back and he is naked apart from a loin cloth; a soldier on foot grasps him from behind while two mounted soldiers look on. Four other figures surround the prisoner, one crouching at the prisoner's feet and spreading coals. A statue of a seated figure next to an eagle is visible in the upper right, probably an architectual element of a building in the background
Description:
Title from local catalog card., Signed in ink with the artist's initials in lower right corner of mount; also signed on verso with the same initials., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly laid in at page 153 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Ink drawing depicting a prisoner, possibly Saint Laurence of Rome, about to be burned over coals by Roman soldiers. The prisoner's hands are bound behind his back and he is naked apart from a loin cloth; a soldier on foot grasps him from behind while two mounted soldiers look on. Four other figures surround the prisoner, one crouching at the prisoner's feet and spreading coals. A statue of a seated figure next to an eagle is visible in the upper right, probably an architectual element of a building in the background
Description:
Title from local catalog card., Signed in ink with the artist's initials in lower right corner of mount; also signed on verso with the same initials., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly laid in at page 153 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Half-length, oval portrait of Philip Sidney, English poet, courtier, scholar, and soldier, bust directed to left but looking at the viewer, wearing a ruff and armour
Alternative Title:
Sir Philip Sidney
Description:
Title devised by curator, based on published print after this drawing., Artist unknown., After a painting by Isaac Oliver, which was described in 1741 as in the collection of Sir Brownlow Sherrard Bart. A related painted portrait by an unknown artist is in the National Portrait Gallery, London, inv. no. 5732., and One of ten portraits in oil and other drawings included in George Vertue's set of engravings: The heads of the most illustrious persons of Great Britain (London : John and Paul Knapton). See all catalog records by searching call number: LWL Folio 724 743 H432 (Oversize).
Drawing of the Armory at Strawberry Hill. On display in an alcove on the left is the armor of Francis I, to the right of which hangs the shield painted with the head of Perseus. Other armor and weapons are displayed on a wall near the center of the design. Two thin columns extend down from the ceiling with decorative arches formed between them. A stained glass window is visible on the back wall, and the ornate railing of a staircase is present in the left foreground. A quiver with arrows (?) hangs on the wall in the right foreground; various armorial shields and pieces of art also decorate the walls. A vase and a carved box sit on the floor
Description:
Title devised by curator., Unsigned; questionable attribution to John Carter from local catalog card., Date of production based on Horace Walpole's death date., and Mounted on page 79 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Arms & armament, Shields, and Interiors
Drawing of a young man, full length, twisted in preparation to throw a ball(?) with two cords attached(?) that is held in his left hand; with medium-length hair; naked except for a cloth tied around his shoulder and draped across his hips
Description:
Title from local catalog card., Unsigned; artist unidentified., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., Formerly laid in with one other drawing at page 109 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with one other drawing to 49 x 37 cm., and Original case shelved separately.