Manuscript on paper of Prayers to be said at various times during the Mass. Composed by Paul Pellisson-Fontanier (1624-93).
Description:
In French., Script: Written by the master calligrapher Jean Pierre Rousselet, a follower of Nicholas Jarry, active in Paris between 1677 and 1736., Two full-page miniatures and nine historiated headpieces in gouache, all in frames best described as resembling the frames of 18th-century mirrors; the frames blue and purple with white highlights and gold side-pieces decorated with red flowers in diamonds; floral swags at bottom. Tail pieces with swags, as above and filled with gold, on f. 48v with the Holy Spirit as a dove. 3- and 2-line initials, blue with white highlights on gold; 1-line initials in red. Titles in gold, red and blue capitals; running headings and rubrics in red., and Binding: 18th-19th centuries. Black goatskin, gold-tooled. A red label and salmon pink doublures and flyleaves. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pellisson-Fontanier, Paul, 1624-1693. and Catholic Church
Subject (Topic):
Liturgy, Devotional literature, French, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript fragment on parchment of a liturgical book containing instructions for a Feria on Dec. 27, among others, possibly from a missal
Description:
In Latin., Script: written in an unidentified script., Decoration: chapter marks and rubrics in red; unheightened neumes appear in red over parts of the text., and These fragments, which appear to be from the same manuscript, are contained in Zi +1215 (Albertus Magnus, Enarrationes in Evangelium Iohannis), in which they are used as front and back pastedowns.
Manuscript fragment on parchment of a missal containing the Vigil of Pentecost
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis), with a slightly smaller script for the chants than for the lessons., and Decoration: two 10-line lesson initials "I" in red, one decorated with a face, set apart from the text; 1-, 2-, and 4-line initials are in red; other 1-line initials are in brown highlighted with red; rubrics in red in the same script as the text; foliation in red; punctuated with the punctus and the comma; hyphenation in the same ink as the text.
Manuscript on parchment. Formerly known as the "Fouquet Missal", based on the mistaken attribution of the illumination to Fouquet
Description:
In French., Script: Written by a single scribe in formal gothic bookhand., A richly decorated manuscript with an unusual and elaborate program of miniatures by at least four artists: the Master of the Vienna Mamerot, Jean Colombe, a hand close to the Masters of Morgan 96 and 366, and a fourth artist whose hand has not yet been identified in other manuscripts. Each large miniature (107 total) has a full border incorporating four marginal scenes (428 in all) with subjects which either amplify or follow closely from the action of the miniature, disposed with two rectangular scenes in the outer border and two roundels in the lower border. The subsidiary miniatures, framed in red, are surrounded by blue and gold acanthus, flowering vines in green, blue and red, ivy in black pen with gold dots, large, naturalistic flowers, and black hair-spray with gold dots. The borders are framed on the outer edges with a red bounding line, on the inner edges with a red or gold bounding line., 4- and 2-line initials throughout, shaded pink or blue with gold foliate decoration against blue or pink grounds with pink or blue curling leaves, heightened in gold. 1-line initials, gold, against pink or blue grounds with gold filigree. On ff. 6r-13v the 4- and 2-line initials, as well as line-fillers in the same manner, are painted over blue or red initials with red or blue penwork and line fillers in red, blue and gold. The overpainting of this archaizing decoration reflects a change in decorative scheme rather than an interval of three-quarters of a century between the writing and the illumination of the manuscript. Rubrics and some underlining in red throughout., and Binding: Nineteenth century. Quarter bound in brown goatskin. Blue/green cloth sides with silver fastenings and fittings. On fastenings small roundels with portraits of the evangelists; on clasp a roundel with Annunciation. Numerous Turk's head place-marks on fore edge. Earlier covers, 17th century, mounted inside boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript on parchment, composed of four parts. Written at the end of the 14th century (Parts I, III) and in 1578 (Parts II, IV); the prominence of St. Maclovius (Macutus) suggests that Parts II and IV were produced in Brittany or Normandy
Description:
In Latin., Script: Parts I and III (ff. 1r-40v, 48r-72v): Written in liturgical gothic of two sizes, by one scribe. Parts II and IV (ff. 41r-47v, 73r-102v) were intended to be integrated into the earlier portion: Written in liturgical gothic of the late 16th century, in two sizes by a single scribe; the letters slant slightly toward the left., On f. 48r, a 5-line historiated initial (65 x 58 mm.), white-decorated red and blue on a gold ground, enclosing a priest serving Communion; from the corners sprout blue vines with white, gold, and red trilobe leaves, extending around 3 sides of the page. On f. 1r, an 8-line illuminated initial of white-decorated blue and red (63 x 65 mm.), filled with blue and red trilobe leaves, on a gold ground; the base of the letter is extended around the inner and lower margins as a gold, blue, red, and white bounding line; from the lower two corners of this line and the upper left corner of the initial sprout vines, as for the historiated initial. 3- and 2-line initials in orange-tinted red or blue; rubrics throughout. Square notes in brown on 4-line orange-tinted red staves (the red ink has bled so that the whole written space has an orange glow). Parts II and IV: 4- to 1-line initials in red and blue. Rubrics are sometimes set off on the right side of the page by a narrow vertical border in brown. Musical notation: square notes on 4-line staves, all in brown., and Binding: 1981. Quarter cloth case, retaining brown mottled paper covered boards, 19th century. Traces of earlier bindings.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript on parchment. With graded calendar, in red and black, lacking January and February; the qualifier "pape" erased or crossed out
Description:
In Latin., Script: Written by a single scribe in elegant gothic textura (larger size for the Canon), with standard musical notation of Canon, etc., Sumptuous full bar borders surrounding text and running between text columns, alternating red and blue segments, divided by gold panels, from which sprout short sprigs of ivy (blue, red, pink with white highlights, often in a guilloche pattern) and daisy buds, gold cusped corners, filled with ivy or strapwork with flower terminals; the whole further embellished by hair-spray with gold balls and flowers; the gold with simple punches throughout. On the same folios, 7- to 5-line initials, blue and/or red with white highlights, filled with red, pink, and blue ivy or strapwork on irregular gold grounds, with simple punches. Elaborate 3- and 2-line initials throughout, pink and blue, filled with ivy, trailing pink and blue ivy, on irregular gold grounds extending with ivy into border, embellished with gold balls and hair-spray. 2- and 1-line gold initials throughout, with elaborate purple penwork designs, often far into margins; long (up to 10-line) I-initials in the same manner. 2- and 1-line blue initials throughout with red penwork; long I-initials in same manner. 1-line gold initials with simple brown penwork. Line-fillers in the litany, blue and gold. Two leaves, probably with miniatures of the Maiestas Domini and Crucifixion, have been removed before the Canon (after f. 136)., First four leaves are stained and trimmed, but with no loss of text., and Binding: Twentieth century. White, gold-tooled pigskin over wooden boards. Gilt edges. Bound by Sangorski and Sutcliffe (London, 1901 to the present).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript fragment on parchment of an index from a missal of the temporale, sanctorale, and Common of the saints
Description:
In Latin., Script: written in gothic script (littera textualis formata) in red and black ink., and Decoration: the 1-line initials at the beginning of each line are in red or in black highlighted with red; the feasts of Advent, the canon and prefaces of the Mass, the first Sunday after Easter, the beginning of the sanctorale, and all the items of the Commons are written in red; other important feast days such as Christmas, Epiphany, Easter, and Pentecost begin with a paragraph mark in red; punctuated with the punctus.
Manuscript fragment on parchment of a lectionary or missal containing portions of the biblical books of Wisdom, Hebrews, Proverbs, and the Apocalypse
Description:
In Latin., Script: written in Beneventan script., and Decoration: 3- and 4-line initials are written on the inner vertical bounding line; one of them is a plain red square capital "I"; the others are brown square capitals filled with red foliate ornamentation; 1-line initials are brown, highlighted with red; rubrics written in red minuscule; punctuated with the punctus, punctus elevatus, and punctus versus.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Lectionaries, and Missals
Manuscript fragment on parchment of lessons from the Mass, from a lectionary or missal, including among others: Anthony (13 June); Sts. Gervase and Protase (24 June); Vigil of St. John the Baptist (23 June); Vigil of Sts. Peter and Paul (28 June); and Octave of the Apostles
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: the words "In illo tempore" begin with a 7- to 8-line initial "I" in blue with red penwork; the initials of the lessons are 1-line red or blue initials decorated with blue or red penwork; 1-line initials within lessons are in black highlighted with red; rubrics are written in red in the same script as the text; punctuated with the punctus and punctus elevatus; hyphenation and accents are in the same ink as the text; there are symbols similar to neumes above some of the text, perhaps aids for reading aloud.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Lectionaries, and Missals