Manuscript on paper of Albertus Magnus, Commentary on Book 4 of the Sentences of Peter Lombard.
Description:
Binding: Fifteenth century. Original sewing on five slit, tawed straps laced into wooden boards. Endband cores laid in grooves. Covered with white, tawed skin, blind-tooled with a St. Andrew's cross within panel borders. The covering leather is sewn around the endbands, from spine to edges, with a back-stitch. Traces of round bosses, probably brass, and of two strap and pin fastenings, the pins on the upper board., Collection of Sir Thomas Phillipps (no. 573). Given to Yale in 1929 by Mrs. J. L. Leipziger., Plain initials in red and rubrics throughout., Script: Gothic cursive script of three hands. Scribe 1) ff. 1r-156v; Scribe 2) ff. 157r-274r; Scribe 3, Laurence of Mechlin, wrote ff. 274r-317r and dated the codex 1452., and Watermarks: similar to Briquet Ancre 381, Balance 2427, Tete de boeuf 15102.
Manuscript on paper (sturdy) of Cicero, Epistolae ad familiares. Marginal and interlinear notes accompany the text of each letter (except for that to P. Vatinius appearing on ff. 26v-27v which was copied twice, apparently in error). Written probably for use as a school text (vocabulary lists on ff. 4 and 9).
Description:
Binding: 19th-20th centuries. Vellum case; spine fragile and splitting., Script: Written by a single scribe in gothic cursive, with a smaller script for glosses., Simple initials in red at the beginning of each letter; titles preceded by paragraph marks, and underlined, in red., and Watermarks: unidentified letter P in gutter.
Manuscript on parchment of Thomas Aquinas, In tertium librum Sententiarum Petri Lombardi. Copied from an exemplar vended by Guglielmus Senonensis, stationer on the rue St. Jacques.
Alternative Title:
Comment on the 3rd book of sentences of Peter Lombard
Description:
Binding: 1899. Quarter leather over wooden boards, blind-tooled, with a gold-tooled label and brass clasps. Bound by Douglas Cockerell (stamp with date inside back cover)., Script: Written in neat gothic textura by a single scribe secundum pecias (notations along bottom of leaves, mostly trimmed)., Small decorative initials in red and/or blue with penwork designs of either or both colors; notes for illuminator in margins. Paragraph marks alternating red and blue throughout; running headings in red and blue., and Some folios mended with chartreuse thread.
Manuscript on paper of Didymus' interpretation of the Odyssey.
Description:
Binding: Nineteenth century. Wooden boards. Quarter bound in brick-red goatskin. Bound for the convent of San Marco, Florence; title in gold on spine with number "232"., Collection of Sir Thomas Phillipps (no. 10371), who purchased it from Payne. Acquired in 1953 by Thomas E. Marston from C. A. Stonehill. Gift of Thomas E. Marston in 1959., Script: Written and signed by the scribe Ioannes Skoutariotes, who finished the manuscript 4 October 1453., Simple initials and headings, in red, at the beginning of each book., and Watermarks: Harlfinger Fleur 108, from a manuscript dated 4 Nov. 1445 and attributed to Ioannes Skoutariotes.
Lactantius, ca. 240-ca. 320 Ovid, 43 B.C.-17 or 18 A.D
Published / Created:
1459
Call Number:
Marston MS 16
Image Count:
420
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of Ovid, Metamorphoses. With Lactantian tituli and narrationes in margins.
Description:
Binding: Fifteenth century, Germany. Adhered vellum stays on the inside of the quires. Original wound sewing on three wide, tawed skin, slit straps laced through tunnels in the edges of beech boards to channels on the outside and pegged. Natural color endbands, caught up on the spine, are sewn to tawed cores laced into grooves on the outside of the boards. Front pastedown: reused paper manuscript with text side pasted face down. Quarter bound in blue, tawed skin with a strip, now wanting, nailed along the edge. Two leaf-shaped catches with three five-petalled flowers on them on the lower board and the upper one cut in for kermes pink straps attached with metal plates; damage from a chain fastening at the head of this board, and the board broken; outer edge wanting. Title, in same (?) hand as on f. 1r, on upper and lower boards: "Ouidius methamorphoseos.", Plain red 5-line initial, in outline only, f. 3r; two smaller initials of similar style, ff. 3v-4r. First letter of each verse stroked with red, ff. 3r-4r. Spaces left for decorative initials remain unfilled elsewhere in codex., Purchased from C. A. Stonehill in 1949 by Thomas E. Marston., Script: Written in a small neat gothic text hand with hybrida features., and Watermarks: unidentified bull's head and mountain.
Manuscript on parchment containing 1) Two diagrams with accompanying text. 2) Note on vows. 3) Petrus Cantor (d. 1197), De tropis loquendi. 4) Table of the subdivisions of anima. 5) Theological note. 6) Note on merit. 7) Theological treatise in four books. 8) Notes in plummet. 9) Treatise on vision and gifts ("dotes").
Description:
Binding: Original (?) binding in ... over wooden boards, sewn on four split leather thongs. Remnants of four pairs of leather ties, two at the front and one at the top and at the tail., Script: Copied by various small hands, writing highly abbreviated Gothica Textualis Currens or Libraria. In some sections documentary cursive influence is visible (especially in looped d)., and The decoration is unevenly spread. Red paragraph marks, underlining and headings; some plain red initials; alternating red and blue flourished initials with penwork in the contrasting colour in art. 7; initials missing in art. 9.
Manuscript on paper of 1) Juvenal, Satirae I-XVI (with XVI preceding XV). With the argumenta of Guarino of Verona added at the beginning of each satire. 2) Persius, Prologue followed by Satirae I-VI. 3) Notes on the moon in the twelve signs of the zodiac.
Description:
Argumenta of Guarino of Verona in red rustic capitals preceding each title; spaces for decorative initials never filled., Binding: Sixteenth century (?). Vellum stays. Original sewing on three slit, tawed straps. Primary, plain and secondary, beaded endbands on twisted, tawed cores, laid in grooves and pegged or nailed. Spine lined with tawed skin, mostly lacking. Straps laced and pegged or nailed into beech boards covered in (originally) brick-red leather, blind-tooled with an inscription in a border around an inner panel of overlapping circles interspersed with dots. Four flower-shaped bosses on each board and two catches on the lower one. Two bosses and clasp straps wanting., Watermarks: similar to Briquet Lettre R.8941 and Harlfinger Fleche 12., and Written in humanistic script by three scribes. The principal scribe, Franciscus Seroddi Centinomius Phylaretus, wrote ff. 1r-72v and 79r-84v; he signed the manuscript on ff. 72v and 84v. Scribe 2 wrote ff. 74r-78v and Scribe 3 the notes on ff. 85r-87v. Marginal and interlinear glosses in several contemporary hands.
Manuscript on paper of Nicolas Trevet, Commentarius in tragoedias Senecae.
Description:
Binding: Date? The backs of the quires are cut in, some in a W shape. Resewn on two tawed skin, slit straps. Endband sewn on a tawed skin core laid in grooves on the outside of the boards and nailed. The back oak board was previously covered with leather; front board is of unidentified wood. This seems to be a patched together binding using boards from different, possibly 15th-century, books. Presently quarter bound with brown sheepskin, blind-tooled, with radiant IHS in circles. Spine: supports defined with triple (?) fillets; an X with a central cross bar in the panels. Two fastenings, with the catches on the lower board. The upper board cut in for straps fastened with star-headed nails. Remains of title, in ink, on tail edge., Many leaves stained and crumbling along edges; no loss of text., Red and/or deep aquamarine blue initials, 10- to 5-line, with penwork flourished in same color(s), mark beginning of each play. On f. 1r head of bearded man peeps out from behind foliage in interior of letter; on other initials penwork designs extend into margins to form borders (e. g., 170r). Plain initials, 5- to 2-line, paragraph marks, headings, in red., Script: Written in semi-gothic cursive script by a single scribe, above top line; headings in gothic bookhand., and Watermarks: similar to Briquet Tete de boeuf 14330, 14338, Piccard Ochsenkopf I.701, Briquet Main 11092.
Subject (Name):
Seneca, Lucius Annaeus,--ca. 4 B.C.-65 A.D and Trivet, Nicholas,--1258?-1328
Manuscript on paper containing 1) Legendary history of the foundation of Rome. 2) Mirabilia Romae. 3) Note on Roman abbreviations especially for personal names. 4) Heading of an index to the Roman History of Livy (?). 5) Note on officials, functions and institutions of the Roman empire. 6) Note on the structure of Roman personal names. 7) Headings of the chapters of Books 1-9 of Facta et dicta memorabilia. 8) Giunta de Sancto Giminiano (14th century), alphabetical table to Facta et dicta memorabilia, from A to T, with ample blank spaces between each letter of the alphabet. 9) Mentions of Valerius Maximus and Livy in works of Thomas Aquinas and Nicholas of Lyre. 10) Valerius Maximus (1st century), Facta et dicta memorabilia, including the pseudepigraphic Book 10, De interpretacionibus nominum.
Description:
Binding: Nineteenth century. Quarter binding in brown leather, the cardboard covers covered with marbled brown paper. Gold-tooled spine with five raised bands and brown title label with gold-tooled inscription: “VALERIUS MAXIMUS / MANUSCRIPTUM”. Red sprinkled edges., Script: Copied by one hand in Gothica Cursiva Libraria, the text very large, the glosses small., The pages damaged by the acidity of the ink., and Underlining, paragraph marks, headings, stroking of majuscules and plain initials (with guide letters), all in red.
Subject (Geographic):
Rome (Italy)--Description and travel and Rome (Italy)--History