Manuscript on paper of Bernardus Claraevallensis (Bernard of Clairvaux, 1090-1153), 1) Sermones de diversis, nos. 1-32 and 40-42. 2) In psalmum XC sermones XVII. 3) Super “Missus est” homiliae (In laudibus Virginis matris).
Description:
Binding: Original brown leather over heavy wooden boards, sewn on four split leather thongs; plaited leather headbands; spine missing. The covers are blind-tooled with frames and lozenges of triple fillets and the following stamps: a lare and a small lozenge-shaped fleur-de-lis; a large and a small rozette; a circular Pascal Lamb; a rectangular stamp with inscription “MARIA”. Remnants of two brass clasps attached to the front board., Most pages slightly damaged by the acid ink. Water stains at the bottom of the outer margins of the leaves in the final quires., Paragraph marks and underlining in red. Red stroking of majuscules. Red plain initials (2-3 lines; 4 lines f. 3r, 7 lines f. 73r); red flourished initials with black penwork (9 lines, f. 72r, 7 lines and of a less careful execution f. 116v). All initials have guide letters in the margin., and Script: Two hands writing careful Gothic scripts: A (ff. 3r-71v) Cursiva Libraria; B (ff. 72r-136r) Hybrida Libraria.
Manuscript on parchment containing 1) Gesta Silvestri papae (d. 335). 2) Excerpts from Liber Quare (11th century?) containing notes on the liturgy and church year. 3) Ps.-Augustinus Hipponensis (Pseudo-Augustine), Sermo. 4) Augustinus Hipponensis (St. Augustine, 354-430), Epistula 54. With Anonymous sermons.
Description:
Binding: ca. 1900. Pasteboard covered with large sections of two parchment leaves from a 15th-century antiphonary (?) from Germany, with Hufnagel notation on 4-line staves traced in black, brown and red. The handwriting is Gothica Textualis Formata. The leaf on the rear cover has the folio number “208”., Script: Copied by one hand in early Gothica Textualis Libraria., and Space for headings not used. A red line-filler on f. 21v. Plain initials of 1-3 lines in red, located partially in the text, partially in the margin, at the beginning of all artt. (except artt. 4, 6 and 12); in art. 1 also at the beginning of the text itself. The words after an initial generally in majuscules; other words often in majuscules are “Maria”, “rex Salomon”, “Amen”.
Subject (Name):
Catholic Church--Liturgy and Sylvester--I,--Pope,--d. 335
Manuscript on paper containing 1) Life of St. Renatus, bishop of Angers, afterwards of Sorrento (5th century). 2) Three sermons on the miracles of Sts. Renatus and Valerius. 3) Life of St. Antoninus, abbot of Sorrento (d. c. 830). 4) Life, translation and miracles of St. Baculus, bishop of Sorrento (c. 660). 5) Life of St. Severus, bishop of Naples (d. c. 409). 6) Miracles of St. Agrippinus, bishop of Naples (200-210), introduction and chapters 1-7. 7) Invitatory and nine Responsories of the Office of St. Baculus. 8) Office of St. Renatus. 9) Peter, Subdeacon at Naples, Miracles of St. Agnellus abbot in the neighbourhood of Naples (d. 596). 10) Miracles of St. Euphebius bishop of Naples (3rd century). 11) Passion and Translation of St. Januarius bishop of Benevento (ca. 300) and of his companions Sosius, Festus, Proculus, Desiderius, Eutyches and Acutius. 12) Miracles of St. Januarius. 13) Last words and death of St. Eligius bishop of Noyon (d. 659). Shortened version of Vita sancti Eligii (BHL 2474-2476), Book II, chapters 34-36. 14) Passion of St. Restituta venerated in Naples (ca. 300). 15) Life and Translation of St. Athanasius bishop of Naples (d. 872). 16) Beginning of the first Lesson of the office of St. Aspren bishop of Naples (ca. 100) (not by Albericus). In the outer and lower margins, by later hand, the Office of St. Aspren.
Description:
Binding: Contemporary, now in bad condition. Limp parchment, part of a notarial document in Latin in handwriting close to the main hand of the manuscript., Pale red headings. The decoration proper does not extend beyond f. 26v: red heightening of the majuscules and red plain initials (2-3 lines), occasionally with guide letter. On f. 1r large flourished initial I in red and black, with penwork extension in the inner margin., and Script: Copied in Gothica-Humanistica (Gothica Hybrida Libraria under Humanistic influence,visible in some majuscules and the occasional use of the ampersand), probably by one hand lacking consistency.
Manuscript on paper (sized) of Vincent Ferrer, Sermones. In this version of the sermons the text begins in Latin, presents the main points of the sermon in Spanish, and then returns to the body of the text in Latin.
Description:
Binding: ca. 1500, Spain. Wound sewing on four tawed skin, slit straps or double cords laced into the wooden boards. Plain wound natural color endbands, caught up on the spine, are sewn on cores laced into the boards and pegged. They are tied down around a strip of tawed skin. There is a coarse cloth spine lining. Back pastedown is part of a bifolium from a liturgical manuscript with Aquitanian musical notation. Covered with reddish-brown sheepskin, blind-tooled with a rope interlace tool, fleurs de lis and annular dots. Spine: supports outlined with double fillets; panels diapered with double fillets with annular dots at the intersections. There are traces of two fastenings, the catches on the lower board, and traces of five round bosses on each board. Damage from a chain attachment (?) near the tail of the upper board; remains of a paper or vellum label near the head., Plain red intials for each sermon; headings, foliation and paragraph marks in red. First words of each sermon in large gothic bookhand for display script., Script: Written in gothic cursive script, above top line., and Watermarks: similar in design to Briquet Ciseaux 3694-3702, and unidentified cross bow in a circle.
Bernard, of Clairvaux, Saint, 1090 or 91-1153 Hugh, of Saint-Victor, 1096?-1141
Published / Created:
[ca. 1150]
Call Number:
Marston MS 135
Image Count:
156
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment (thick, holes, end pieces), in two volumes, of a collection of sermons by various writers, including Bernard of Clairvaux, Geoffroi Babion, Jacobus Berengarius, Ivo of Chartres, and Hugh of St. Victor. Written perhaps at the Cistercian abbey of Hautecombe to which it belonged. The manuscript may originally have been a single volume. and Written in the middle of the 12th century, perhaps at the Cistercian abbey of Hautecombe to which it belonged.
Description:
Acquired from C. A. Stonehill in 1957 by Thomas E. Marston., Binding: Nineteenth century, Italy. Backs of quires of both volumes cut in at sewing stations. Sewn on three cords. Paper lining between supports on spine. Red edges. Both volumes half bound in brown mottled calf with bright pink paper sides and two red gold-tooled labels on each volume: "Manuscr. Homiliae Caes. Max. Cod. I [and II]" and "Saecul. XIII". Bound in the same distinctive style as Marston MSS 50, 125, 128, 151, 153, 158, 159 and 197, all of Hautecombe provenance., Folios 1r and 158v stained with loss of text., Half bound in brown mottled calf with bright pink paper sides and two red gold-tooled labels on each volume: "Manuscr. Homiliae Caes. Max. Cod. I" The manuscript may have been a single volume before rebinding., Plain red initials, 4- to 2-line, some with small pearls added to the body of the letter. Spaces for rubrics remain unfilled., and Script: Written in late caroline minuscule by several scribes, above top line.
Manuscript on parchment (poor quality: heavily speckled, thick, holes, end pieces) of a collection of anonymous sermons. Written perhaps at the Cistercian abbey of Hautecombe.
Description:
Binding: Between 1800 and 1810, Italy. Half bound in brown calf with bright pink paper sides and a green gold-tooled label: "Sermones de Incarn. Uarii Manuscript". A second label covered by a paper one. Edges spattered blue-green. The same distinctive bindings also found on Marston MSS 50, 125, 135, 151, 153, 158, 159, and 197, all of Hautecombe provenance., Crude initials, 5- to 2-line, red with uninspired penwork designs in black and/or red. Rubrics and notes for rubricator. Paragraph marks in red or stroked with red., and Script: Written by multiple scribes in a cramped and highly abbreviated gothic bookhand, above top line.
Bernard, of Clairvaux, Saint, 1090 or 91-1153 Hugh, of Saint-Victor, 1096?-1141
Published / Created:
[ca. 1150]
Call Number:
Marston MS 135
Image Count:
192
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment (thick, holes, end pieces), in two volumes, of a collection of sermons by various writers, including Bernard of Clairvaux, Geoffroi Babion, Jacobus Berengarius, Ivo of Chartres, and Hugh of St. Victor. Written perhaps at the Cistercian abbey of Hautecombe to which it belonged. The manuscript may originally have been a single volume. and Written in the middle of the 12th century, perhaps at the Cistercian abbey of Hautecombe to which it belonged.
Description:
Acquired from C. A. Stonehill in 1957 by Thomas E. Marston., Binding: Nineteenth century, Italy. Backs of quires of both volumes cut in at sewing stations. Sewn on three cords. Paper lining between supports on spine. Red edges. Both volumes half bound in brown mottled calf with bright pink paper sides and two red gold-tooled labels on each volume: "Manuscr. Homiliae Caes. Max. Cod. I [and II]" and "Saecul. XIII". Bound in the same distinctive style as Marston MSS 50, 125, 128, 151, 153, 158, 159 and 197, all of Hautecombe provenance., Folios 1r and 158v stained with loss of text., Half bound in brown mottled calf with bright pink paper sides and two red gold-tooled labels on each volume: "Manuscr. Homiliae Caes. Max. Cod. I" The manuscript may have been a single volume before rebinding., Plain red initials, 4- to 2-line, some with small pearls added to the body of the letter. Spaces for rubrics remain unfilled., and Script: Written in late caroline minuscule by several scribes, above top line.
Manuscript on paper, composed of two independant sections. Part I (ff. 1r-121v): Sermons, excerpts and treatises. With works by Thomas de Hibernia and Albertus de Padua. Part II (ff.122r-180v): Works by St. John Chrysostom; with a treatise on temptations and special Mass prayers.
Description:
Binding: Contemporary Northern French or Flemish binding, which no doubt was made for Part II and rebacked when Part I was added: blind-tooled brown calfskin over bevelled wooden boards; the decoration consists of frames and a lozenge pattern traced in triple fillets, the lozenges filled with three tools: a rose, an acorn motif and a standing figure (?). Remnants of two clasps attached to the rear cover, with engraved brass catches on the front cover. On the 19th-century (?) spine the gold-tooled inscriptions “SERMONES” / and “IOANNES / CHRYSOSTOMUS”., Part I: Underlining and plain initials. Headings underlined or framed or written in red. Framed running headlines on the pages where a new article begins. Part II: Headings, heightening of the majuscules, and red 2-line plain initials in art. 41. The heightening is continued up to f. 137v, but the initials have not been executed from art. 42 onwards. Guide letters for all initials., Script: Part I: Copied by one hand in small Gothica Hybrida Currens. Some additions in a larger and more formal handwriting. Marginal captions. The scribe is Iohannes de Lovanio (John of Louvain), called (de) Dynen, lector in the convent of the Hermits of St. Augustine in Venice. Part II: Copied by the priest Jean Frassent in Gothica Cursiva Formata (Bastarda), which is less carefully executed on the final pages. Calligraphic extensions at the ascenders on the top line., and There is a contemporary foliation in red ink in arabic numerals in the middle of the upper margins of the recto pages, which coincides with the modern foliation up to f. 86; ff. “87”-“88” of the contemporary foliation are missing; the latter continues from “89” (= f. 87) to “113” (= f. 111). There are traces of a still earlier foliation, also in the center of the upper margins, which has been erased and appears to run from “70” (= f.1) to “159” (= f. 90, “156” and “157” being the missing leaves).
Subject (Name):
John Chrysostom,--Saint,--d. 407 and Thomas,--of Ireland,--ca. 1265-ca. 1329