A satirical print rebuking the many writers who profited by writing memoirs of Samuel Johnson. On the left, Mrs. Piozzi is seated at her writing desk in her study. With a look of astonishment. she looks behind her at the ghost of Samuel Johnson in a night shirt who with his right hand points to the portraits of James Boswell and Sir John Hawkins on the wall and in his left hand holds a money purse. Another portrait on the far right depicts John Courtenay with a pen in his hand looking toward a bust of Prisian. On her desk is a letter "D Johnson ... Letters Dear Lady", implying that she has been concoting Johnson's letters to her. Immediately above her desk in the middle of the wall of books, a violin, an allusion to her second husband a musician, obscures the portrait of her first husband Henry Thrale
Alternative Title:
Frontispiece for the 2d edition of Dr. Johnson's letters
Description:
Title etched below image., Signed with the monogram of James Sayers., Twenty-four lines of verse in two columns below title: Madam! my debt to nature paid, I thought the grave with hallow'd shade would now protect my name ..., and Mounted on page 57 with one other print.
A satirical print rebuking the many writers who profited by writing memoirs of Samuel Johnson. On the left, Mrs. Piozzi is seated at her writing desk in her study. With a look of astonishment. she looks behind her at the ghost of Samuel Johnson in a night shirt who with his right hand points to the portraits of James Boswell and Sir John Hawkins on the wall and in his left hand holds a money purse. Another portrait on the far right depicts John Courtenay with a pen in his hand looking toward a bust of Prisian. On her desk is a letter "D Johnson ... Letters Dear Lady", implying that she has been concoting Johnson's letters to her. Immediately above her desk in the middle of the wall of books, a violin, an allusion to her second husband a musician, obscures the portrait of her first husband Henry Thrale
Alternative Title:
Frontispiece for the 2d edition of Dr. Johnson's letters
Description:
Title etched below image., Signed with the monogram of James Sayers., Twenty-four lines of verse in two columns below title: Madam! my debt to nature paid, I thought the grave with hallow'd shade would now protect my name ..., 1 print : etching with stipple on laid paper ; plate mark 25 x 17.7 cm, on sheet 27.2 x 19.4 cm., and Mounted on leaf 39 of James Sayers's Folio album of 144 caricatures.
A satirical print rebuking the many writers who profited by writing memoirs of Samuel Johnson. On the left, Mrs. Piozzi is seated at her writing desk in her study. With a look of astonishment. she looks behind her at the ghost of Samuel Johnson in a night shirt who with his right hand points to the portraits of James Boswell and Sir John Hawkins on the wall and in his left hand holds a money purse. Another portrait on the far right depicts John Courtenay with a pen in his hand looking toward a bust of Prisian. On her desk is a letter "D Johnson ... Letters Dear Lady", implying that she has been concoting Johnson's letters to her. Immediately above her desk in the middle of the wall of books, a violin, an allusion to her second husband a musician, obscures the portrait of her first husband Henry Thrale
Alternative Title:
Frontispiece for the 2d edition of Dr. Johnson's letters
Description:
Title etched below image., Signed with the monogram of James Sayers., Twenty-four lines of verse in two columns below title: Madam! my debt to nature paid, I thought the grave with hallow'd shade would now protect my name ..., and Contemporary mss. note on verso.
"Johnson (left) sits at a small rectangular breakfast-table with his back to the door. A nursemaid behind him holds the infant Veronica, who leans forward, pushing Johnson's wig from his head; he holds up his finger admonishingly and does not appear pleased, though all the others smile admiringly. These are: Mrs. Boswell, seated (right) opposite Johnson; Boswell standing beside Johnson and clasping his hands over 'Ogden' (cf. BMSat 7031); the two visitors, Mr. Scott and Sir William Forbes; the tousled foot-boy, who carries in a tray of tea-things which he is about to place beside the urn on the otherwise bare table. Three pictures decorate the wall: 'Sancta Veronica', kneeling in prayer before a reading-desk; a medallion inscribed 'Bruce' and a half length portrait of 'Alexander of Kincardin' dressed as a courtier."--British Museum online catalogue.
Description:
One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the First. [London] : [E. Jackson], [1786], Temporary local subject terms: Ogden -- Nursemaid -- Tea tray -- Tea urn -- Mr. Scott -- Portrait on wall: Alexander of Kincardin -- Portrait on wall: Bruce., Three lines of verse below title: "Mr. Johnson was pleas'd with my daughter Veronica, then a child of about four-months old she had the appearance of listening to him ..." Vide Journal p. 17., and Title etched below image.
Publisher:
E. Jackson, No. 14 Marylebone Street, Golden Square
"Mrs. Thrale (Piozzi) and Boswell are in heated argument: she (left) advances upon Boswell with her hands on her hips; he stamps violently and clenches his fists. An elderly man seated in an armchair looks at them in alarm, raising his hand in admonition. He is Sir John Hawkins: the 'rival wits' have agreed to let him 'Declare the prop'rest pen to write Sam's Life.' Beside him a 'cello leans against the wall, emblem perhaps of Sir John's interest in music, perhaps of Mrs. Thrale's marriage to Piozzi. Three shelves of books are above his head; the highest is filled with large volumes covered with a cobweb, one inscribed 'History of Musi[c]' ... Behind the two disputants is a draped sash-window. Beneath each part of the title a quotation from the verses is engraved: '[1] Who, madning with an Anecdotic Itch, Hath said that Johnson call'd his Mother, B-tch?' Boswell taunts Mrs. Thrale with her anecdote of Johnson's answer to his mother when she called him a puppy. '[2] Who, from Macdonald's Rage, to save his snout, Cut twenty lines of defamation, out?' She retorts with the slander which Boswell denied."--British Museum online catalogue.
Alternative Title:
Madame Piozzi
Description:
Frontispiece to: Pindar, P. Bozzy and Piozzi, or, The British biographers. London : Printed for G. Kearsley ..., [1786], Printmaker and date from British Museum catalogue., and Title etched below image.
Group portrait of nine men seated around a table set with fruit and decanters; they are served by a black page. Boswell is on the left, with Johnson to his right talking to Edmund Burke; Reynolds is seated across from Johnson and listens with a trumpet to his ear. Garrick to the left of Reynolds faces the viewer, while Pasquale Paoli to his left observes Johnson conversing at the far end of the table. Charles Burney across from Paoli also follows the same conversation, as he rests his right hand on his chin. Next to Paoli, Warton leans toward Oliver Goldsmith who sits at the head of the table on the right; Warton holds his hand up towards his mouth as if to keep his words confidential. The room is richly decorated with a Japanese screen on the right, curtains, a miniature portrait, and a portrait bust on a pedestal on the left; Reynolds' pictures of Puck (Mannings 2142) and the Infant Academy (Mannings 2092) hanging on the wall and a bright chandelier hangs above the table
Description:
Title from later state in the British Museum., Also etched below is a facsimilie the nine individuals' signatures., and Tear badly repaired with tape, lower right corner. For further information, consult library staff.
Publisher:
Published July 1st 1848 by the proprietors Wm. Walker, 64 Margaret St., Cavendish Sqre., & Owen Bailey, 128 Seymour St. Euston Sqre
Subject (Name):
Boswell, James, 1740-1795,
Subject (Topic):
Dinner parties, Dining rooms, Artists, British, Authors, and Servants
Holograph commonplace book containing excerpts from books, magazines and newspapers on a variety of subjects, including antiquities; recent history and politics; voyages of discovery; agriculture and agricultural improvement; natural history; methods of selecting books; and medical and household recipes. Bailye’s reading included Burke’s Reflections on the Revolution in France, Burney’s History of Music, Gibbons’ Decline and Fall, and Boswell’s Life of Johnson, from which he extracted two pages of "Dr. Johnson’s Remarks and Observations." There are five pages of quotations from Rousseau’s Emile. A number of entries concern Lichfield antiquities and monuments, including descriptions of Lichfield Cathedral and information on the cost of James Wyatt’s repairs to the choir. Bailye also copied documents related to the administration of the estate of David Garrick, with which he was involved. Pages 98-100 contain "Mr. Wallis’s Acct. of the Effects of the late D. Garrick Esq. 1783," which includes statements of revenue from properties and investments as well as payments on legacies and annuities and is followed by a quotation from a 1785 letter by Wallis apologizing for the partial distributions. A more detailed account of Garrick’s Hendon property is found on page 114.
Subject (Geographic):
Lichfield (England) --Antiquities
Subject (Name):
Boswell, James, 1740-1795 --Quotations
Subject (Topic):
Books and reading --Great Britain, Distribution of decedents’ estates --Great Britain, Learning and scholarship --Great Britain, and Recipes --Great Britain
785.06.28.01 Framed, shelved in Object Room Rack 1.
Image Count:
1
Resource Type:
still image
Abstract:
"An evening scene in Vauxhall Gardens. On the extreme left is the orchestra with the organ behind and performers on the kettledrums, string and wind instruments. The vocalist, Mrs. Weichsel, sings, in profile to the right, from the adjacent (and slightly lower) balcony, just above the heads of the crowd. A violinist and another musician are seated behind her. In the supper box beneath the orchestra is Dr. Johnson seated full-face, between Boswell and Goldsmith (d. 1774), who face each other in profile, both caricatured; of two stout women one is reputed to be Mrs. Thrale. Many groups fill the foreground and middle distance. The two centre figures are the Duchess of Devonshire and Lady Duncannon arm in arm. A naval officer with a wooden leg and a patch over one eye is reputed to be Admiral Paisley (Admiral Pasley, 1734-1808?). Major Topham, an excellent portrait, stands (left) in profile to the right staring through an eyeglass. Between Topham and the supper-box are two men, one of whom is identified as Lord Camelford. [In the reproduction in Angelo's 'Reminiscences'; to whom the name refers is not clear.] An elderly parson, [he closely resembles the parson of BMSat 7059 who is probably William Jackson of the 'Morning Post'] reputed to be Bate Dudley but not resembling him, gazes at the Duchess from behind a tree. Next him a man dressed as an officer in a Highland regiment with kilt and broadsword is supposed to be James Perry, editor of the 'Morning Chronicle'. On the right the Prince of Wales, conspicuous by his star, whispers to Mrs. Robinson (Perdita), though their liaison was ended. Her right arm is linked with an ugly and elderly little man, probably Robinson. On the extreme left an elderly couple advance arm in arm in profile. Behind the Prince is a group standing on a small platform (or tables), showing half length above the crowd. In the foreground (right) is a supper-table under trees where two cits entertain two courtesans. Lamp-lit trees and the covered way form a background on the right."--British Museum online catalogue
Alternative Title:
Vauxhall
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Publish'd June 28th 1785, by J.R. Smith, No. 83 Oxford Street
Subject (Geographic):
Vauxhall Gardens (London, England), London (England), England, and London.
Subject (Name):
Boswell, James, 1740-1795
Subject (Topic):
Social life and customs, Parks, Audiences, Concerts, Couples, Crowds, Musicians, Orchestras, Peg legs, and Singers