Manuscript on paper of Adolfus von Wein, Doligamus. The text, a series of fables concerning the deceitful conduct of women, is heavily annotated with interlinear glosses and lengthy explanatory prose passages inserted both between segments of the text and in the outer margins. With Albertus Magnus, attributed author, De secretis mulierum; and Pope Pius II (Aeneas Sylvius Piccolomini), Carmen in laudem Friderici Caesaris, a poem written in praise of Friedrich III (1415-93), King of the Germans and later crowned Holy Roman Emperor
Description:
In Latin., Watermarks: similar to Piccard, Ochsenkopf XIII.173 and XI. 201, and similar in design to Briquet Main 11090, 11092-93., Script: Written by a single scribe in inelegant gothic cursive, with a smaller script for commentary and interlinear notations., Crude decorative initials, 2-line, in red, some with foliage designs in body of letter; first letter of each verse stroked with red., Some loss of marginalia due to trimming on ff. 8v, 9r., and Binding: Twentieth century. Red paste-paper case with a black, gold-tooled label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Adolfus, von Wien, 14th cent. and Frederick III, Holy Roman Emperor, 1415-1493.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Fables, Laudatory poetry, Latin, Manuscripts, Medieval, and Scholia
Full-page pen drawing, in brown ink, of King Edmund the Martyr holding an arrow. Accompanied by four lines of verse in Middle English
Description:
In Middle English; original text on bifolium is in Latin. and Drawn on the blank page of a bifolium once used as the flyleaf of a Latin Psalter (circa 1290-1310) that may have been written for the church of St. Botolph in Essex.
Manuscript fragment on parchment of a document detailing the duties of the cellarer at the Church of St. Victor, Xanten
Description:
In Latin., Script: written in an early gothic script (littera textualis)., and Decoration: 1-line initials are in black, highlighted with red; rubrics are written in red in the same script as the text; punctuated with the punctus, some of which are in red.
Manuscript on 2 vellum scrolls of Tyrtaeus, Elegies, with figure-poems of Dosiadas, Simmias, Besantinus, and Theocritus (attrubuted author), and hymns of Mesomedes and Arion. Said to be third century, but actually 19th-century forgery
Description:
In Greek., Script: Written in Greek capital script in boustrophedon, that is from right to left and from left to right alternatively, a method of writing that was no longer practiced in the third century when these scrolls were purported to have been written., and Preserved in a small wooden cylinder.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Tyrtaeus.
Subject (Topic):
Greek poetry, Literary forgeries and mystifications, and Manuscripts, Medieval
Manuscript on parchment of 1) St. Augustine (Aurelius Augustinus), Enarrationes in Psalmos 134-150. 2) First half of Ps.-Iohannes Chrysostomus, Sermo de martyribus. 3) Antiphons for the feast of the Conception of the Virgin (8 Dec.), with neumatic notation
Description:
In Latin., Script: Copied in Praegothica by three hands., Headings in red. Art. 1 has plain initials (Capitalis, ca. 4 lines) in red, followed by a word in Capitalis/Uncialis. The book opens with an 8-line Romanesque decorated initial in red and black. Art. 2 opens with a black capital followed by two words in Capitalis. Art. 3 is decorated with 1-line initials in black with heightening in red and opens with a 4-line red plain initial., Holes, original repairs and sometimes irregular lower edges., and Binding: Early (probably original) binding in pigskin over heavy unbevelled wooden boards. The covers are blind-tooled with fillets. On the front cover the fillets make a St. Andrews cross, at a later time decorated with trees in Lederschnitt, countless small circular stamps and a few stars (?); the rear cover, with fillets in lozenge pattern, has only the circular stamps and the stars. Spine with three raised bands. On each cover marks of five brass and iron bosses. Two clasps attached to the rear cover. At the top of the front cover an original paper library label with the title (partly rewritten) "Expositio beati Augustini super Psalmo CXXXIIII et deinceps usque ad finem". The binding is strengthened by means of parchment strips placed around the first quire and taken from a 13th-century Latin manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430.
Subject (Topic):
Antiphons (Music), Manuscripts, Medieval, and Sermons
Manuscript on paper (watermarks: partial, unidentified) of Jacobus Manas, Encomium of Joannes Constantinus Bassarabas. With Jacobus Manas, Epigram on Joannes Constantinus Bassarabas
Description:
Jacobus Manas and the Bassarabas family are mentioned by S. Runciman, The Great Church in Captivity (Cambridge, 1968) pp. 360-84., In Greek., Script: Written by two copyists who date their work: 1720, 1721, 1729. Scribe 1 (also Scribe 1 in Beinecke MSS 294, 297, and 300, etc.) wrote ff. iv-4v and gives his name as Constantine Raphael Byzantinus; he dates his work on f. 2v (1721) and on f. 4v (1729). Scribe 2 (ff. 5r-42r) dates his section on f. 5r (1720)., and Binding: Eighteenth century. Brown goatskin gold-stamped with portrait heads in a foliage border and flowers in central panel. Title on spine reads Demetrius Moschopo[li]tes (author of the life of Jacobus Manas). A green tie.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacobus Manas.
Subject (Topic):
Greek poetry, Modern, Laudatory poetry, and Manuscripts, Medieval
Manuscript on paper containing 1) Anthony Jenkinson (1529-1610/11), Relation of a travel to Russia and Persia. 2) Anonymous sonnet in praise of Queen Elizabeth I. Probably an autograph. 3) Anonymous treatise in four parts attacking the apology which Cardinal William Allen (1532-1594) published in 1587 for Sir William Stanley's action in the Netherlands in the preceding year. 4) Accounts regarding tenements; one is headed "Lambeth". 5) Account of a journey through the Middle East, made in 1578 and attributed by another hand to an unrecorded Sir Anthony Standen. 6) Definition of terms related to the Turkish empire encountered in art. 5. 7) Description of the Grand Duchy of Tuscany under Francesco Maria de' Medici (1541-1587). 8) Ferdinand Alvarez de Toledo, Duke of Alva (1508-1582), Proposal addressed to King Philip II of Spain regarding the conquest of Portugal, made 25 May 1579, in English translation. 9) Description of the Benedictine convent of Camaldoli near Arezzo. 10) Short description of England and Scotland. 11) Accounts signed William Garnett; the last one is dated from the 33d year of Queen Elizabeth (1591/1592). The upper outer corner of the page is missing, with loss of text. 12) Collection of state letters. 13) Estate accounts partly dating from 1586/1587 and addressed to unknown person
Description:
In English., Script: Part I (between 1550 and 1600): Art. 1, 3 and the group 5-10 are each written by a different scribe, all writing Gothica Cursiva Libraria (Secretary). The quotations and headings in art. 3 are in Humanistica Cursiva. Art. 2 is also written in Humanistica Cursiva. Art. 4 is in Gothica Cursiva Currens (Secretary)., Script: Part II (between 1600 and 1625): Written by one hand in Gothica Cursiva Currens (Secretary), some quotations and headings in Humanistica Cursiva., Script: Part III (between 1575 and 1600): Written by one hand in Gothica Cursiva Formata (Secretary)., and Binding: Seventeenth century (?). Brown (?) sheepskin over pasteboard, rebacked. On the spine the gold-tooled titles (s. XIX-XX) "JENKINSON RELATION 1561" and "STATE PAPERS?? MS.".
Subject (Geographic):
Connecticut, New Haven., England, Middle East, Russia, and Great Britain
Subject (Name):
Allen, William, 1532-1594., Jenkinson, Anthony., and Standen, Anthony, Sir.
Subject (Topic):
English poetry, English prose literature, Manuscripts, Medieval, Description and travel, History, and Politics and government