Manuscript on paper of 1) Leonardo Bruni, La prima guerra punica, in an anonymous Italian translation. 2) Leonardo Bruni, Vita di Dante. 3) Leonardo Bruni, Vita di Francesco Petrarca.
Description:
Binding: Twentieth century, England (?). Hard-grained, brown leather case. Gold-tooled title and date on spine: "L. Bruni Guerra Punica/ Vite di Dante e Petrarca/ MS. Sec. XV". Bright blue marbled edges., Decoration of poor quality: 12-line divided initial in red and blue, f. 1r; 5-line blue initial with red penwork decoration, f. 51v; 5-line divided initial red and blue, f. 51r. Plain red and blue initials, 4- to 3-line, alternate throughout. Headings in bright red., Purchased from H. P. Kraus in 1957 by Thomas E. Marston., Script: Written by two scribes: ff. 1r-51v in humanistic semi-cursive script, above top line; ff. 51v-59v in fere-humanistic script, above top line., and Watermarks: similar to Briquet Monts 11684.
Subject (Name):
Dante Alighieri,--1265-1321 and Petrarca, Francesco,--1304-1374
Subject (Topic):
Biography--Middle Ages, 500-1500, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Punic wars
Manuscript on paper of Colucii Salutati, De seculo et religione.
Description:
Belonged to S. Harrison Thomson (MS 6); note inside front cover states that he purchased the manuscript in Oxford in 1926. Acquired from Thomson in 1968 with the Edwin J. and Frederick W. Beinecke Rare Book Endowment Fund., Cataloged from microfilm by Albert Derolez., Cite as: Coluccio Salutati, De Seculo et Religione. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on paper of Colucii Salutati, De seculo et religione. Folios 49 and 50 (central conjugate leaves) were reversed in binding. Produced probably in Northwestern Italy (diocese of Ivrea) by the scribe Martinus de Laurentio de Padono, in 1485 (colophon, f. 81r). Written in neat gothic cursive that shows batarde influence; first word(s) of each section executed in bold textura. Spaces for decorative initials are unfilled; guide-letters in margins., and Seventeenth-century (?) binding: Sewn on three tawed, slit strap supports, the spine lined with vellum between them. Blue and cream colored endbands. Covered with tawed skin, originally white, over flush, made boards.
Manuscript on paper of eighty life-size pen-and-ink drawings, tinted with grey, of various styles of horse bridles and bits; apparently intended as a pattern book. Compiled by and/or for Carlo Filippo di Vuelden.
Description:
Acquired from the Sporting Gallery in 1967 with the Beinecke Rare Book Endowment Fund., Cataloged from microfilm by Albert Derolez., Cite as: Delle Imboccature De'i Cavalli. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Eighteenth- to nineteenth-century binding: Vellum case; stubs of two green ties., Manuscript on paper of Eighty life-size pen-and-ink drawings, tinted with grey, of various styles of horse bridles and bits; apparently intended as a pattern book. Followed by Descriptive index for drawings (incomplete). Compiled by and/or for Carlo Filippo di Vuelden whose name appears on f. 1r. Written in small neat italic., and Watermarks: similar in design to Briquet Armoiries - Pomme de pin 2118, but with a majuscule M sitting on the top of left and right upper corners, and with four divisions for the tree base.
Subject (Topic):
Horses--Early works to 1800, Manuscripts, Medieval -- Connecticut -- New Haven, and Pattern books
The offset on f. 53v of an elaborately decorated border for the opening leaf of the office of St. Felicitas suggests that the codex was originally produced for an institution associated with this saint.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Graduals (Liturgical books), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Paul, the Deacon, approximately 720-799? Rufus, Sextus
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 742
Image Count:
159
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of 1) Paulus Diaconus (d. after 744), Historia Romana (adaptation and continuation of Eutropius [4th century], Breviarium ab Urbe condita), with the additional Book 17. 2) Festus (4th century), Breviarium historiae Romanae.
Alternative Title:
Paulus Diaconus, Festus
Description:
Binding: Nineteenth-century. Brown-black marbled paper over pasteboard., Collection of Bernard M. Rosenthal, San Francisco (MS 40). Purchased from him on the Edwin J. Beinecke Fund., Numerous underlinings and contemporary marginal captions and notes in Gothica Semihybrida Currens throughout the manuscript, written by probably two German readers. Pointing hands., Pale red headings. Gothic calligraphic initials in brown ink of various sizes, with guide-letters in the left margin: 3 lines at the head of each paragraph (art. 1 only), 6-7 lines at the opening of each Book., Script: Copied by one hand in Humanistica Cursiva Libraria under Gothic influence (d mostly Uncial)., and Watermark: crossbow (?).
Subject (Geographic):
Rome -- History
Subject (Name):
Paul, the Deacon, approximately 720-799? Historia Romana and Rufus, Sextus
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Anonymous biography of Pope Alexander VI (Rodrigo Borgia, 1430-1503). Copied by one hand in rapid Humanistica Cursiva.
Description:
Binding: Eighteenth-century. Half parchment over pasteboard, covered with brown and blue marbled paper. On the spine brownish red leather label with the gold-tooled title VITA D'ALESSAND. VI. / MS. and small paper label with the number of the Phillipps collection., Life of Pope Alexander VI (Rodrigo Borgia). General Collection, Beinecke Rare Book and Manuscript Library, Yale University., and On the front pastedown armorial bookplate of Frederick North, fifth Earl of Guilford (1766-1827). Collection of Thomas Phillipps, no. 7235. Purchased on the Edwin J. Beinecke Fund.
Subject (Topic):
Biography -- 16th century, Italian literature -- 16th century, and Manuscripts, Medieval -- Connecticut -- New Haven
The decoration is uneven and differs from section to section. Artt. 1, 3, 5, 6, 7, 8 have headings in red ink, red heightening of majuscules, red paragraph marks and red plain initials (plain and unusual flourished initials in red in art. 3) of various sizes. Artt. 2, 4 and 5-8 may have yellow heightening of majuscules too. No initials or paragraph marks in art. 8. Artt. 9-11 have red plain initials up to f. 81v; after that blank spaces with guide-letters; headings are missing after f. 67r. Artt. 2, 4, 12, 13, 14 have almost no decoration. Running headlines (author names) in large Southern Gothica Textualis Formata on pages of artt. 1, 3, 5 and 6., Binding: Nineteenth-century. Damaged half linen, the pasteboard covers covered with red paper impressed with a spiky lozenge pattern in black. Removed and rebound in purple paper. Modern binding not digitized., Cite as: Mariological, Ascetical and Other Texts. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on paper. This incomplete manuscript consists of a series of more or less independent sections. An unusual feature is the writing of text parts in the lower margins as if they were catchwords. Leaves are missing, and many texts are consequently incomplete. Many pages spoilt by the acidity of the ink. Apparently copied by four different hands, mostly very unstable and looking different depending on the period during which they entered the various sections. A (ff. 1r-54v = artt. 1-8 and ff. 107v-108v = art. 14) writes peculiar forms of Humanistica Semitextualis Libraria, which if written rapidly (Currens) tends to become a Cursiva with more pronounced Gothic features, especially in the additional artt. 2, 4 and 14; typical is the unusual abbreviation for in in the shape of dotted i. B (ff. 55r-66v = art. 9) writes Humanistica Semitextualis Libraria, equally under Gothic influence. C (ff. 67r-98v = artt. 10-11) writes a small sloping Gothico-Antiqua Currens. D (ff. 99r-105r = art. 12) writes a Humanistica Cursiva Libraria under Gothic influence; a deviant form D' is seen on ff. 106r-107r = art. 13., and Modern foliation followed. Wanting ff. 71-72.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 91-1153, John, of Wales, 13th cent, and Mary, Blessed Virgin, Saint
Subject (Topic):
Christian literature, Latin (Medieval and modern), Contemplation in literature, Exempla -- Early works to 1800, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons
2-line plain initials (Capitalis) in red, with guide-letters. A few flourishes in black at the end of articles., Binding: Sixteenth-century. Italian brown leather over pasteboards, both covers blind-tooled: fillet frames and a border of floral tools, in the centre a fleuron. Marks of two ties. Yellow edges., Cite as: Moral Treatises. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., In Italian and Latin., and Manuscript on parchment of 1) Treatise on Christian love. Several later corrections on f. 10v. 2) On the contemplation of death, final judgment and hellish punishment. 3) Six prescriptions for Christian life given by St. Bonaventure (Bonaventura, 1221-1274) to a young friar. Translated into Italian. 4) The qualities of a perfect monk. Copied by one hand in large calligraphic Humanistica Textualis Formata; line-fillers in the form of crossed i.
Subject (Topic):
Christian literature, Italian, Christian literature, Latin (Medieval and modern), Didactic literature, and Manuscripts, Medieval -- Connecticut -- New Haven
Manuscript on paper (trimmed) of Five Novelle. First novella about Valeria married against her will to Pietro Lombardo; Second: "Julia e Prunneo"; Third: "Lucretia e Hyeronimo"; Fourth: "Camilla e Estore"; Fifth: "Justa Victoria," by Felice Feliciano.
Description:
Binding: Eighteenth century. Gilt, gauffered edges. Brown sheepskin over wooden boards, blind-tooled. Floral woodblock paste paper pastedowns and endleaves. Two fastenings with shell-shaped clasps on the upper board and pins in the edge of the lower. Rebacked., Decorated with several miniatures and borders in water and body color: f. i verso, full-page miniature of tomb in a landscape, with an epigraphic inscription. Arms above inscription: azure, a fess or; an inescutcheon azure, a bend wavy or. On f. 1r, a full frame, outer, inner and upper margins with bucrania, trophies, swags, jewels, arms and armor (including two shields: azure, a fess or; and azure, a bend wavy [Marcello]), in blue, pink, green and gold, framed in gold; lower margin, a parapet with a cornice, enclosing a cartouche with bust, supported by putti and flanked by the letters "A. A.", background filled with spiral flowing vines, pink, blue, green and gold, with brown hair-spray. Cartouches bearing inscriptions on ff. 53v, 82v, 105v. On f. 145v a scroll, written in red and blue letters festooned on a tree in a landscape, the ends supported by two putti. At the beginning of each novel, a 3- or 2-line initial, gold, against a purple or crimson ground with gold floral filigree; followed by several words in text script, gold against a crimson or purple rectangular ground., Script: Written by one person in bold italic., and Watermarks: crossed arrows buried in gutter.
Subject (Name):
Feliciano, Felice,--15th cent
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature--16th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library