Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Printmaker from Grego., Title etched below image., and Two lines of verse below title: Here vulgar nature plays her courser part. And eyes speak out the language of [the] heart ...
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Printmaker from Grego., Temporary local subject terms: Female dress: headdress -- Male costume: night-cap-- Dishes: coffee service -- Coffee cups without handles, 1799., Title etched below image., and Two lines of verse below title: Here like the fly, vice flirts the painted wing without, all saint within, a venomed sting! ...
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
Subject (Topic):
Couples. , Eyeglasses. , Jewelry., Older people. , and Young adults.
An obese man in elegant dress struts down Fleet Street as his fellow tailors roar with laughter at his pompous attire. In the background, a woman (his wie?) put signs on the sides of the shops advertising breeches and other haberdashery. A dog barks as he looks up at the elegantly dressed pretender.
Alternative Title:
Tailor turned lord and Taylor turned lord
Description:
A detail from a 1805 print by Rowlandson: Recovery of a dormant title, or, A breeches maker become a lord., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
Subject (Topic):
Butchers., Couples. , Dogs., Snobbishness., Social classes. , Social mobility., and Tailors.
A scene in a tavern cellar, with a young woman, gaily dressed, dancing a jig with a man wearing an apron; at left, a sailor playing the violin, at right, a sailor sitting on steps and leaning forward, smoking, resting his arms on a barrel, another beside him holding a bowl, a young woman standing behind them with a hand on the shoulder of each; behind, three amorous couples, including a sailor sitting on another barrel.
Alternative Title:
Adieu to Old England
Description:
Image size including ruled lines: 245 x 345 mm., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Publisher:
Publish'd January 20th, 1818 by Thos. Tegg, No. 111 Cheapside,
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Great Britain.--Royal Navy--History--19th century--Caricatures and cartoons., Great Britain.--Royal Navy--Pictorial works., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
In a well-furnished parlor, a woman (left) sits playing at a harpsichord as she turns to gaze with admiration at young military officer who looks at her with intimacy; an older officer to her left scowls at them, his hand in the breast of his vest. On the right another young woman leans her head in her hand, a bored, annoyed look on her face; her elbow is resting on a table on which sits her sewing basket; in her right hand she holds a scissors, her arm thrown back over the back of the upholstered chair. On the floor at her feet is a book "Tirumph of temper." A dog sits at her feet looking up at her. On the back well is a portrait of old woman. On the mantel is a sculpture of a roman chariot and horses.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
"A man dressed in a smock and neckerchief weeps as a well dressed woman, dabbing her eye, reads from a slip ballad."--British Museum online catalogue.
Description:
Four lines of text below image: As laughter is often excited by the most simple causes, so frequently is weeping, in this instance the hard and obdurate features, that would be callous to real sufferings, melts at the fancied sorrows of a village love ballad., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Plate numbered 'No. 13' in upper right corner., Temporary local subject terms: Literature: country ballads., and Title engraved above image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A grotesque old maid having woken at night, the open door of her bedroom behind at left, approaching the foot of a staircase with a candle, only partly dressed and with her bosom hanging outside her dress, led on by a cat; above at left, the young niece appearing at her own bedroom door as if only just awake, her lover escaping in his nightshirt up the stairs at right; at the foot of the stairs, a paper lettered 'Old maids are doomed to lead apes in hell'."--British Museum online catalogue.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title, printmaker and imprint from Grego.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.