Manuscript on paper (highly polished) of Xenophon, De venatione, translated into Latin by Leonicenus Omnibonus and preceded by a dedicatory epistle to John Tiptoft
Description:
In Latin., Watermarks: similar in design to Briquet Oiseau 12127., Script: Written in a well formed italic by a single scribe., Spaces left for rubrics and initials., and Binding: Nineteenth century. Paper case with paste paper sides. Rebound in Yale Conservation Studio in 1982.
Manuscript fragment on parchment of some decretales of Gregory IX.
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: there are guide letters for initials at the beginning of each capitulum, but the initials have not been added; 1-line initials are in red; the heading of titulus VI is written in red; punctuated with the punctus; paragraph marks are in red ink, brackets in brown; corrections have been made by several contemporary hands.
Manuscript on paper of a pocket-size codex containing discussions of painting miniatures in manuscripts. On ff. 1r-30v Mariani provides a list of colors and the recipes for each color; in the remainder of the text he discusses techniques for painting landscapes in perspective. The second portion of the treatise (ff. 84r-95v) is, according to the title-page, the work of Antonello Bertozzi (fl. ca. 1590). The focus of this section is on painting watercolor portraits rather than on painting landscapes. On ff. 97v-113v, miscellaneous additions in at least 3 hands, dated 1612-1627
Description:
In Italian., Script: Written in upright humanistic bookhand for arts. 1 and 2 and for the headings in art. 3. Main text in a gently sloping italic script. Additions on ff. 95v-113v by several hands, some very cursive and poorly formed., Simple headpieces, in brown pen, for beginning of some chapters., and Binding: 18th-19th centuries. Rigid vellum case with a gold-tooled spine: "Mariani Della Miniatur [sic]".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Mariani, Valerio, 1899-1982.
Subject (Topic):
Art, Technique, Illumination of books and manuscripts, Manuscripts, Medieval, Miniature painting, Italian, and Workshop recipes
Manuscript on paper of Jeronymo Osorio, Della nobilta civile, translated into Italian by Bernardo Gandino
Description:
In Italian., Watermarks: unidentified angel similar to Briquet 662, but with BFF as countermark., Script: Written in a calligraphic italic script by Bernardo Gandino of Treviso, with frequent corrections., and Binding: 19th-20th centuries. Paper case with decorated paper sides. Bookblock detached.
Subject (Geographic):
Connecticut, New Haven., and Italy.
Subject (Name):
Osório, Jerónimo, 1506-1580.
Subject (Topic):
Italian literature, Literature, Medieval, Manuscripts, Medieval, and Nobility
Manuscript fragment on parchment of Justinian's Digesta with the glossa ordinaria commentary of Accursius
Alternative Title:
Digesta
Description:
In Latin., Script: text of the Digest in a rounded gothic script (littera textualis), that of the commentary in a smaller hand (notularis), perhaps later., and Decoration: initials of the names of authorities alternate 1- and 2-line red and blue capitals; the first word of each section begins with a 1-line capital alternating red and blue; guide letters for both initials are written in light brown ink; punctuated with the punctus.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Justinian I, Emperor of the East, 483?-565.
Subject (Topic):
Manuscripts, Medieval, Law, Medieval, and Law, Roman
Manuscript fragment on parchment of Justinian's Digesta with the glossa ordinaria commentary of Accursius
Alternative Title:
Digesta
Description:
In Latin., Script: written in a rounded gothic script (littera textualis); later marginal and interlinear notes., and Decoration: initials of the names of authorities are 2- and 3-line blue capitals with red penwork; the initials of the first word of each section are 1-line red capitals; 1-line initials within the text are in black; rubrics are written in red in the same script as the text; paragraph marks are either red, blue, or black; punctuated with the punctus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Justinian I, Emperor of the East, 483?-565.
Subject (Topic):
Manuscripts, Medieval, Law, Medieval, and Law, Roman
Manuscript fragment on parchment containing a portion of Justinian's Digest with the Glossa ordinaria commentary of Accursius surrounding it.
Description:
In Latin., Script: written in a gothic script (littera textualis)., and Decoration: 3- to 7-line initials of each chapter are orange on a dark blue ground, decorated with light blue, white, and yellow; 2- to 3-line initials of the names of the authorities are blue highlighted with red; 1-line initials following the authorities are red highlighted with blue; other 1-line initials within text are brown and are frequently distinguished with paragraph marks which alternate red and blue; rubrics written in red minuscule; punctuated with the punctus and punctus elevatus; text written in the center of the page and surrounded by two columns of commentary in the same hand; other hands have added notes on the text or commentary in the margins.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Justinian I, Emperor of the East, 483?-565.
Subject (Topic):
Manuscripts, Medieval, Law, Medieval, and Law, Roman
Manuscript on parchment of a Diploma for a doctorate in Theology accorded to Iosephus Prudentius from the University of Padua, June 1598
Description:
In Latin., Script: Written by Franciscus de Oddis, in an elegant italic., On f. 1r, a full vine-scroll border, in purple ink with grapes and highlights in gold, outlined in double purple lines; a 5-line initial, gold, with purple and gold vines. Headings and names of persons in humanistic bookhand or square capitals, in gold., and Binding: Nineteenth century. Brown leather wrapper, gold-tooled.
Subject (Geographic):
Connecticut, New Haven., and Padua (Italy)
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment of 1) Dante Alighieri, La Commedia secondo l'antica vulgata. 2) Bosone de' Raffaelli da Gubbio, "Capitolo" on the Divine Comedy, in 64 terzine. 3) Iacopo Alighieri, "Divisione" of the Divine Comedy in 50 terzine (thus of the B group).
Description:
In Italian., Script: Written in round gothic script., Very fine initials and borders. Three historiated initials, each with a personification with attributes. Each initial with a full border of fleshy acanthus, blue, orange, olive green, pink, grey and gold, with tooling; birds in lower margin of ff. 1r and 54r; on f. 1r a coat-of-arms, in lower margin: azure, a chevron or, between two roses in chief argent, a mount of 6 in base argent, probably of the Bini family, Florence. 3-line initials, red or blue, with mauve or red penwork with long intricate flourishes often extending the length of the page. Opening text of Inferno adjacent to the initial of f. 1r in display capitals with penwork panels in brown ink. Capitals on the beginning of each stanza stroked in yellow. Rubrics throughout., and Binding: Sixteenth century. Sewn on five double supports attached to wooden boards. The spine is square with well defined bands and red and green endbands. Covered in dark brown goatskin, blind-tooled in mudejar style in two sets of concentric frames; DO.IOAN.DE gold-tooled in the center of one, BORGA in the other. Trace of two fastenings. Gilt edges. Restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Dante Alighieri, 1265-1321. and Dominicans
Subject (Topic):
Manuscripts, Illumination of books and manuscripts, Medieval, Italian poetry, Manuscripts, Medieval, and Scholia