Manuscript fragment on parchment of a hymnal containing a variety of hymns, some unidentified, including Thomas Aquinas (Corpus Christi).
Description:
In Latin., Script: written in a formal gothic script (littera textualis formata)., and Decoration: 2- to 12-line initials at the beginning of hymns are in red; only those that begin with the letter "I" are set apart from the text; 1-line initials at the beginning of verses are in red; rubrics are written in red in the same script as the text; punctuated with the punctus.
Manuscript fragment on parchment of a hymnal containing portions of five hymns on: St. Martin (11 November); St. Elizabeth (19 Novembers); St. Catharine of Alexandria (25 November); St. Andrew (30 November); and St. Nicholas (6 December).
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: 2-line initials at the beginning of hymns alternate red and blue; first letter following these initials is a brown capital highlighted with red; 1-line initials at the beginning of verses alternate red and blue; rubrics written in red in the same script as the text; punctuated with the punctus; hyphenation in the same ink as the text.
Manuscript fragment on parchment of a hymnal containing fragments of two unidentified hymns and St. Faith (6 October).
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: one large hymn initial "S" in red with red penwork; 1-line verse initials alternate red and blue; rubrics written in red in the same script as the text; there is no punctuation; hyphenation in the same ink as the text; musical notation on 5-line staves.
Manuscript fragment on parchment of an index from a missal of the temporale, sanctorale, and Common of the saints
Description:
In Latin., Script: written in gothic script (littera textualis formata) in red and black ink., and Decoration: the 1-line initials at the beginning of each line are in red or in black highlighted with red; the feasts of Advent, the canon and prefaces of the Mass, the first Sunday after Easter, the beginning of the sanctorale, and all the items of the Commons are written in red; other important feast days such as Christmas, Epiphany, Easter, and Pentecost begin with a paragraph mark in red; punctuated with the punctus.
Manuscript fragment on parchment of a historiated initial and on the obverse a chant for the sprinkling of water in Paschaltide
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: historiated initial "R"; the initial is blue with white highlights on a gold ground contained within a square green border; the inside of the letter depicts Christ rising from a coffin surrounded by three sleeping guards; musical notation in black on a 4-line staff of lead, yellow, lead, and red lines.
Manuscript fragment on parchment of a large, illuminated initial "D" and on the obverse an unidentified chant
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: large illuminated initial "D" or "O" in blue, pink, green, and red on a gold ground, with elongated marginal flourishes ending in gold balls outlined and decorated with black; musical notation in black on a 4-line staff in red; there is no punctuation.
Manuscript fragment on parchment of an initial; De Ricci records two manuscript numbers for this fragment; however, it contains only one initial
Description:
In Latin. and Decoration: initial "N" in light pink decorated with white foliate patterns around the outer edge of the letter and white dots around the inner edge; the ends of the letter terminate in green and yellow; the letter is on a gold geometric ground that is outlined in black and filled with green, pink, and red leaves attached to a blue vine and with balls that are half white and half blue or green.
Manuscript fragment on parchment of lessons for the Mass, either from a lectionary or a missal. Readings include: Matthew 10, Luke 6, 11, and 12.
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: 1- and 3-line initials at the beginning of lessons are in red; initials at the beginning of verses are in brown highlighted with red; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Lectionaries, and Missals
Manuscript on parchment. Formerly known as the "Fouquet Missal", based on the mistaken attribution of the illumination to Fouquet
Description:
In French., Script: Written by a single scribe in formal gothic bookhand., A richly decorated manuscript with an unusual and elaborate program of miniatures by at least four artists: the Master of the Vienna Mamerot, Jean Colombe, a hand close to the Masters of Morgan 96 and 366, and a fourth artist whose hand has not yet been identified in other manuscripts. Each large miniature (107 total) has a full border incorporating four marginal scenes (428 in all) with subjects which either amplify or follow closely from the action of the miniature, disposed with two rectangular scenes in the outer border and two roundels in the lower border. The subsidiary miniatures, framed in red, are surrounded by blue and gold acanthus, flowering vines in green, blue and red, ivy in black pen with gold dots, large, naturalistic flowers, and black hair-spray with gold dots. The borders are framed on the outer edges with a red bounding line, on the inner edges with a red or gold bounding line., 4- and 2-line initials throughout, shaded pink or blue with gold foliate decoration against blue or pink grounds with pink or blue curling leaves, heightened in gold. 1-line initials, gold, against pink or blue grounds with gold filigree. On ff. 6r-13v the 4- and 2-line initials, as well as line-fillers in the same manner, are painted over blue or red initials with red or blue penwork and line fillers in red, blue and gold. The overpainting of this archaizing decoration reflects a change in decorative scheme rather than an interval of three-quarters of a century between the writing and the illumination of the manuscript. Rubrics and some underlining in red throughout., and Binding: Nineteenth century. Quarter bound in brown goatskin. Blue/green cloth sides with silver fastenings and fittings. On fastenings small roundels with portraits of the evangelists; on clasp a roundel with Annunciation. Numerous Turk's head place-marks on fore edge. Earlier covers, 17th century, mounted inside boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals