Manuscript on parchment of 1) St. Augustine (Aurelius Augustinus), Enarrationes in Psalmos 134-150. 2) First half of Ps.-Iohannes Chrysostomus, Sermo de martyribus. 3) Antiphons for the feast of the Conception of the Virgin (8 Dec.), with neumatic notation
Description:
In Latin., Script: Copied in Praegothica by three hands., Headings in red. Art. 1 has plain initials (Capitalis, ca. 4 lines) in red, followed by a word in Capitalis/Uncialis. The book opens with an 8-line Romanesque decorated initial in red and black. Art. 2 opens with a black capital followed by two words in Capitalis. Art. 3 is decorated with 1-line initials in black with heightening in red and opens with a 4-line red plain initial., Holes, original repairs and sometimes irregular lower edges., and Binding: Early (probably original) binding in pigskin over heavy unbevelled wooden boards. The covers are blind-tooled with fillets. On the front cover the fillets make a St. Andrews cross, at a later time decorated with trees in Lederschnitt, countless small circular stamps and a few stars (?); the rear cover, with fillets in lozenge pattern, has only the circular stamps and the stars. Spine with three raised bands. On each cover marks of five brass and iron bosses. Two clasps attached to the rear cover. At the top of the front cover an original paper library label with the title (partly rewritten) "Expositio beati Augustini super Psalmo CXXXIIII et deinceps usque ad finem". The binding is strengthened by means of parchment strips placed around the first quire and taken from a 13th-century Latin manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430.
Subject (Topic):
Antiphons (Music), Manuscripts, Medieval, and Sermons
Manuscript on parchment (much worn; many natural flaws; trimmed).
Description:
In Latin., Script: The commentary is written in a somewhat uneven early Caroline minuscule; the Biblical passages for commentary are written in orange uncials, many of which have faded and are now illegible (some letters written over in brown ink by a later hand)., Heading, f. 1v, square capitals and uncials, in orange. Initials, outlined in black, filled with orange and yellow, ff. 26v, 77v, 131v. Plain initials, black or red, some with modest scroll designs, at beginning of each segment of commentary., Upper portions of ff. 61, 68, 69 torn, loss of text; f. 132v extremely worn., and Binding: Nineteenth century. Dark green goatskin; gold-tooled. Title on spine: "Bedae Opera. VII. Siecle".
Manuscript, on vellum, containing the text of the prophetic books of the Old Testament, including Baruch, with prologues and commentary. The extensive gloss surrounds the centered Biblical text
Description:
In Latin., Layout: Biblical text centered, single column, variable length; surrounding gloss written in double columns of 65-75 lines., Script: gothic script. Letters in Biblical text larger than in glosses., Decoration: 18 small historiated initials and approximately 30 other illuminated initials; numerous blue and red penwork initials with red or lilac penwork decoration; rubricated., and Binding: modern blind-stamped red morocco gilt, by Riviere.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Versions, Vulgate, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment of a Gospel harmony, containing portions of the biblical books of Matthew and Luke with two sets of unidentified commentary surrounding it.
Description:
In Latin., Script: written in early gothic script (littera textualis)., and Decoration: each section from the Bible begins with a 2-line initial in red; the corresponding sections of the commentary begin with a 1-line red initial; other 1-line initials in both the text and the commentary are in black; the lemmata in the commentary are underlined with red; canon table numbers are written in black in the margins and are surrounded by red boxes; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript on parchment, illuminated, in several proto-Gothic bookhands, of the Historia Scholastica, probably produced in the scriptorium of the monastery of Sutton-at-Hone. The text is complete but does not contain Comestor's later "additions" to the original chapters
Alternative Title:
Historia scholastica
Description:
In Latin., Text is heavily glossed in several hands., Illuminated initials; rubricated., Ownership: Benedict, Vicar of Sutton; Cathedral Priory of St. Andrew, Rochester, Kent; Philip Mainwaring, Esq. of Over Peover; Sir Henry Mainwaring. Also Royal Archaeological Institute and Warrington Public Library., and Binding: 19th century full paneled calf.
Subject (Name):
Petrus, Comestor, 12th cent.
Subject (Topic):
History Bibles and Illumination of books and manuscripts, English
Cassiodorus, Senator, approximately 487-approximately 580
Published / Created:
[circa 1250]
Call Number:
Takamiya MS 7
Container / Volume:
Box
Image Count:
200
Resource Type:
unspecified
Abstract:
Manuscript, on parchment, in two scribal hands, containing the text of this commentary on the Song of Solomon by Cassiodorus (f1-f26). This is followed by unidentified commentaries on the same text (f26-f64). The volume concludes with a copy of the Biblia Beatae Virginis (f64-f96).
Description:
In Latin., Commentary by Cassiodorus attributed to Bede in incipit (f1r)., Erased ownership inscription: "Liber monastery Sc Marie ... Ste. ... wiknne.", Bookplate of Portsmouth Cathedral on front pastedown, with deaccession stamp dated 1941., Layout: double columns of 38 lines., Script: gothic script., Decoration: rubricated., and Binding: medieval binding, pink doeskin over wooden boards; remains of metal clasps on lower board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cassiodorus, Senator, approximately 487-approximately 580. and Mary, Blessed Virgin, Saint
Manuscript fragment on parchment of Pseudo-Bede's In Matthaei evangelium expositio
Description:
In Latin., Script: written in Caroline minuscule with a mixture of pre-Caroline and Caroline forms of "a"., and Decoration: 1-line initials are in brown rustic capitals with occasional use of uncial "m" and "e"; punctuated with the punctus, punctus elevatus, punctus versus, and punctus interrogativus.
Manuscript on paper of Johannes Baers, Lamentationes Ieremiae carmine elegiaco redditae. With a Dedicatory epistle to Robert Cecil, 1st Earl of Salisbury (c. 1563-1612), secretary of state of Queen Elizabeth
Description:
Iohannes Baers (Baersius), born in Ghent 1580, d. 1653, studied theology in Leiden, was minister in various places in the Northern Netherlands, was 1629 in Pernambuco (Brasil) and in 1632 back in the Netherlands minister in Soest. He is the author of two books in Dutch, published in 1648 and 1653 respectively, but his poetic paraphrase of Lamentations seems to be unrecorded. Whether this work was finished in 1601 or 1605 is not clear. This Carmelite monk in Ghent, named Paschasius Baers, became after his conversion minister in Zele (East Flanders) and from 1580 onwards in various places in the Netherlands; from 1590 to 1603 he was active in Leeuwarden., In Latin., Script: Written by a single scribe in careful Humanistica Cursiva. Titles and running titles are in a larger size of the same script., and Binding: Original limp vellum, both covers decorated with a simple blind-tooled frame and four small gilt fleurons in the corners. Remains of two green silk ties. Gold-tooled inscriptions in capitals, on front cover: ".SERO.SED.SERIO."; on rear cover "ANNO.1601." Inscription in ink on the spine: "Lamentationes ***********". Edges gilt.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Baers, Johannes, d. 1653. and Salisbury, Robert Cecil, Earl of, 1563-1612.
Subject (Topic):
Latin poetry, Medieval and modern, Manuscripts, Medieval, and Religious poetry, Latin
Manuscript on parchment (well prepared, but with holes and end pieces) in four parts. Part I: 1) Jerome, Liber Hebraicarum questionum in Genesim. 2) Jerome, Epistola LXXVIII. 3) Jerome, Liber de situ et nominibus locorum hebraicorum. 4) Jerome, Liber interpretationis hebraicorum nominum. 5) Abbreviated version of Jerome, Liber interpretationis hebraicorum nominum, De psalterio. 6) Greek alphabet, from alpha to omega; b) three systems of numbers: Roman numerals, Greek numbers transliterated into Roman letters, letters of the Greek alphabet. 7) Note diuine legi necessarie. Artt. 8-13: Commentaries by Pseudo-Jerome. Artt. 14-17: unidentified commentaries. 18) Unidentified lapidary. 19) De mensuris. 20) Part of a letter of Innocent III (dated 1142) concerning the disputed election at York of St. William Fitzherbert. Part II: 21) Rabanus Maurus, De universo, ending defectively in Book 19, ch. 8, sect. B. Part III: 22) Ambrose, Exameron. Part IV: 23) Eustathius, In Hexaemeron S. Basilii latina translatio
Description:
In Latin., Script: Part I (ff. 1-52): Written by a single scribe in small gothic textura. Part II (ff. 52-172): Written by two scribes in small gothic textura. Scribe 1) ff. 52r-160v; Scribe 2) ff. 161r-172v. Part III (ff. 173-200): Written by one scribe in small gothic textura. Numerous annotations in several contemporary and later hands. Part IV (ff. 201-222): Written by a single scribe in bold gothic textura., Part I: Spaces left for initials (5- to 1-line). Rubrics and running titles in red. Guide-letters and notes to rubricator, the latter along outer edges of most margins except inner. Part II: Spaces for initials, 6- to 3-line, left blank, with guide-letters in red. Initials within text stroked with red. Headings and some spiral line-fillers in red (lacking in ff. 161-172, final quire). Part III: 6-line initial, f. 173r, divided red and blue with penwork in the same colors; other initials, 3- to 1-line, in blue with red penwork or vice versa. Running titles in alternating red and blue versals. Headings in red. Guide-letters and notes to rubricator in most margins. Part IV: 3-line initial, f. 201r, red with blue penwork; 2-line initials red with blue or vice versa. Guide-letters still visible. Running titles in alternating red and blue versals. Headings in red., and Binding: 14th century. Apparently bound in England before arriving in Italy. Original sewing, wound and caught up, on five tawed skin, slit strap supports laced through tunnels in the edge to the outside of oak boards, laid in channels and pegged with rectangular pegs. The spine is square with no trace of adhesive. Quarter covered with vellum or tawed skin nailed along the edge. The boards are broken, the sewing breaking and most of the cover wanting; the boards were repaired in the 18th or 19th century when presumably the front flyleaf and pastedown from a document, in Italian, listing sale agreements made during 1650-52, were added.