"The apex of a tall plant with red flowers, intended for a scarlet runner, supports the head of Scarlett, in wig and bands, in profile to the left, his eyes a slit between closed lids. The plant grows from the summit of a hill or mound, backed by trees and clouds."--British Museum online catalogue
Alternative Title:
Scarlet bean being scarlet
Description:
Title etched below image; the letters "i" and "g" in the first "being" in title scored through to read "bean" and a letter "a" etched above the "i". and Imprint continues: ... sole publisher of W. Heaths etchings.
Publisher:
Pub. Nov. 20, 1829, by T. McLean, 26 Haymarket ...
"The Duke (left) and Duchess of St. Albans stand facing each other; the little Duke staggering under an ornamental basket which supports a side of bacon, inscribed Best Wiltshire. The Duchess holds on her shoulder a cutter in which are seated six oarsmen with oars held erect, and a helmsman. The Duke is dressed as Grand Falconer (see British Museum Satires No. 15596) and wears a hood with bells indicating both a fool's cap and the hood and bells of falconry. Two speeches float from his head: [1] "In love connubial, formed to live and last, This gift records a blissful twelvemonth past We claim, then boldly claim the flitch Dunmow First of the blest, who keep the marriag Vow". [2] I thought the flitch to small a present on this auspicious day so I have brought the Gammon with it Love. The Duchess answers: Thanks for your Bacon Duke well have you Saved it - and in return accept of this small Testimony of my affection. She wears Court dress, coronet, and feathers. The boatmen wear yellow and green liveries, and on the prow is a falcon's head; the back of the seat in the stern is decorated with a falcon perched on a melon resting on a heap of sovereigns. In the foreground are spectators: on the left the Dukes of Cumberland (wearing his hat) and Sussex stand together with Prince Leopold behind them; on the right is Sir Francis Burdett (son-in-law of Coutts), very thin, surprised, and displeased. In the background are other spectators, their heads concealed by the boat, and on the right a group of singers, some in Tyrolean costume, with (?) Braham and Miss Stephens; they sing: a boat a boat."--British Museum online catalogue
Alternative Title:
Scene in the honeymoon and Conjugal felicity
Description:
Title etched below image., Print signed using William Heath's device: character of Paul Pry, a man with an umbrella., Date of publication from British Museum catalogue., Imprint continues: ... where political and other caricatuers are dialy [sic] pub. the largest assortment of any house in town., and Sheet trimmed to plate mark.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
St. Albans, William Beauclerk, Duke of, 1801-1849, St. Albans, Harriot Mellon, Duchess of, 1777?-1837, Ernest Augustus, King of Hanover, 1771-1851, Augustus Frederick, Prince, Duke of Sussex, 1773-1843, Léopold I, King of the Belgians, 1790-1865, Burdett, Francis, 1770-1844, Braham, John, 1774-1856, and Stephens, Catherine, 1794-1882
Subject (Topic):
Marriage, Spouses, Baskets, Bacon, Boats, Rowers, and Spectators
"George IV drives Lady Conyngham in a four-wheeled pony-chaise. He is chubbily obese, in loose trousers and braided jacket, wearing a cap poised on his naturalistic curls (cf. British Museum Satires no. 14637). He turns to the enormously corpulent lady. Both overweight the little chaise, and the very small ponies strain desperately. Behind and on the extreme left is the head of the horse ridden by an attendant. They have just passed a gate with a small octagonal lodge. The drive is bordered by a paling; in the background are stags."--British Museum online catalogue
Alternative Title:
Ponies posed
Description:
Title etched below image., Printmaker from the British Museum catalogue., and Watermark: J. Whatman 1824.
Publisher:
Pub. March 28, 1824, by S.W. Fores, 41 Picadilly [sic], London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Title from caption below image; the second "l" in "allbum" has been lightly scored through., Text above image: Patent French improver., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title and date from item., Place of publication derived from street address., Printmaker also known as Paul Pry., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Health boards; Skeleton as Death.
Publisher:
Published by S.W. Fores, 41 Piccadilly and W. Clerk. lith 41 Dean St. Soho
Subject (Topic):
Cholera, Hospitals, Finance, Physicians, Skeletons, Sick persons, and Fear
"A pugilistic encounter between two old market-women who are Eldon (left) and Wellington (right). Eldon is much the stouter and more purposeful, facing his enemy grimly and aggressively. He has a basket of oranges (emblem of the Orange Lodges) beside him, and wears a flat wide-brimmed hat. Wellington wears a soldier's coat over his skirt and apron (as beggar-women or basket-women often did, cf. (e.g.) BM Satires No. 15763). His profile is apprehensive, his hands loosely closed and on the defensive. Each has a bottle-holder; that of Eldon is John Bull, a stout yokel who puts his hand on his principal's bulging posterior, saying, 'Welldone--old Mother Baggs--you have got the best bottom after all. see what it is to have a good Constitution--give it her--she has'ent got the Mounshears to deal with now.' Wellington's supporter is a bare-legged Irish ragamuffin with a pipe thrust in his little hat. He capers excitedly, putting a hand on Wellington's back to push him forward, saying, 'Murder ye ould cat kape your fists Tight--or you'I let the Ould Orange-Woman bate ye clane.' In the background is a freely sketched crowd of spectators, women of St. Giles or Billingsgate. Two only are characterized: a fat woman with parson's wig and bands, with a basket of 'Oxford Sauce' on her head, looks over her shoulder at a handsome young virago (Peel), who is shouting at her, to say: 'Come give us none of your Jaw--Mother peel'."--British Museum online catalogue
Alternative Title:
Sketch of the row in Parliament Street
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are dail [sic] publishing., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local subject terms: Market-women -- Fruit -- Emblems -- Orange Lodges -- Male costume: Soldier's coat -- Peasants -- Irish ragamuffin -- Pipes -- Markets., and Numbered in ms. at top of sheet: 185.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Startling interogation, Startling interrogation, and New panorama
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where complete sets of P-Pry caricatuers may be had., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"In the centre of the design is an open grave from which a hand raises a wand topped by miniature antlers. It divides Lady Graves (left), youthful and handsome, from Cumberland, in the uniform of the Royal Horse Guards (Blues). They advance towards each other, he with arms outstretched. The title (her words) continues: 'Then come my love TO TIHS' [sic] (his words)."--British Museum online catalogue
Alternative Title:
Alas there is no happiness on this side the grave!!! : - Then come my love to this and Resurrectionist
Description:
Title etched below image; alternative title etched above image: The resurrectionist., Later state, with text added above image; for an earlier state lacking this text, see no. 16012 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11., Imprint continues: ... sole pub. of W. Heaths etching., and Sheet trimmed within plate mark.
Publisher:
Pub. Feb. 1st, 1830, by T. McLean, 26 Haymarket ...
Subject (Name):
Graves, Mary Paget, Lady, 1783-1835 and Ernest Augustus, King of Hanover, 1771-1851
"George IV sits in an arm-chair, his gouty right leg in a bulky swathing rests on a cushion; the left leg is tightly bound between calf and ankle with a narrow bandage. He wears a loose fur-collared coat or gown over breeches and waistcoat. He leans back reflectively, an open book, Diversions of Purley [by Home Tooke, cf. British Museum Satires No. 9020], in his right hand. Phases of his past life are illustrated in a series of W.L. portraits on the wall behind him. [1] As a handsome young man he stands holding a long-bow, as if at an archery contest. [2] He stands, slightly obese, in his Light Horse uniform, see British Museum Satires No. 8800 (1796). [3] He stands in back view as in BM Satires 12803, facing a wall on which is a portrait of the Hottentot Venus [Saartjie Baartman], see British Museum Satires No. 11577, &c. [4] He stands in hussar uniform, with high curled wig and whiskers. [5] He stands directed to the right in Field Marshal's uniform (as 'especially in 1814). [6] He stands on the deck of a ship in yachting costume wearing loose jacket and trousers, his hands in his coat-pocket. The profile and paunch of Sir William Curtis are behind and on the extreme left. [7] The picture is partly concealed by a curtain, but the King sits near a chamber-pot. [8] He stands in coronation robes holding orb and sceptre (see British Museum Satires No. 14199). [9] He is in Highland costume (see British Museum Satires No. 14386). At the King's left hand is a small cheval-glass topped by a crown. His appearance has changed, he has no whiskers, and has a wig of lightly curled natural hair, parted in the middle, so that in place of the pear- or pineapple-shaped head resulting from a crest of curls and whiskers, as from c. 1811 [In caricature. An engraved H.L. portrait by Schiavonetti after T. Phillips, pub. Cadell & Davis, 11 Oct. 1809, has whiskers and crest of curls], his face seems rounder, and, in many prints, younger. His dress is less formal, and his appearance (confirmed by portraits from 1820) suggests a determination to depart completely from the appearance and costume of caricature."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., and Temporary local Medical Library subject terms: Theater -- Hottentot Venus.
Publisher:
Pub. March 15, 1824, by S.W. Fores, 41 Picadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Curtis, William, Sir, 1752-1829., Shakespeare, William, 1564-1616., Tooke, John Horne, 1736-1812., and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Fashion, Costume, History, Gout, Recluses, and Dandies