Manuscript fragment, on vellum, in a single hand, containing the conclusion of the blessing for Easter Day; the entire blessing for the following Monday and Tuesday; and the beginning of the blessing for the Wednesday after Easter
Description:
In Latin., Layout: single column of 18 lines., Script: Anglo-Saxon minuscule., and Decoration: Rubricated. Initials in red ink.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Benedictionals, and Manuscripts, Medieval
Manuscript fragment on parchment of two initials that come from the same Psalter; for a further description of the manuscript from which they came, see Beinecke MS 483.11-14.
Description:
In Latin., Script: One letter "o" is preserved following the "H", written in gothic script in black ink., and Decoration: two 2-line initials "L" and "H" in blue decorated with foliate ornamentation outlined in brown and colored with green; the initials are for the beginning of Psalm verses.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Psalters, and Initials
Manuscript fragment on parchment of initials from a variety of Psalms; it appears these initials come from the same manuscript as the initials in Beinecke MS 483.8-9.
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: four 3-line initials from the beginning of Psalms; the first two initials are blue uncials on a square pink ground bordered in greeen; the second two are pink uncials on a square blue ground bordered in green; all four initials are filled with gold in which there are pink, green, or blue vines with white, yellow, or pink flowers; these initials are very similar in design, decoration, and size to the initials in MSS 483.8-9; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Initials, and Psalters
Manuscript fragment on parchment of a missal (use of Sarum) containing Feria IV after the Twenty-fourth Sunday after Trinity and the Twenty-fifth Sunday after Trinity
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: there are three 2-line initials in blue with red penwork trailing up and down the entire margin or the column; 1-line initials are in brown; rubrics are written in red; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Manuscript on parchment. With graded calendar, in red and black, lacking January and February; the qualifier "pape" erased or crossed out
Description:
In Latin., Script: Written by a single scribe in elegant gothic textura (larger size for the Canon), with standard musical notation of Canon, etc., Sumptuous full bar borders surrounding text and running between text columns, alternating red and blue segments, divided by gold panels, from which sprout short sprigs of ivy (blue, red, pink with white highlights, often in a guilloche pattern) and daisy buds, gold cusped corners, filled with ivy or strapwork with flower terminals; the whole further embellished by hair-spray with gold balls and flowers; the gold with simple punches throughout. On the same folios, 7- to 5-line initials, blue and/or red with white highlights, filled with red, pink, and blue ivy or strapwork on irregular gold grounds, with simple punches. Elaborate 3- and 2-line initials throughout, pink and blue, filled with ivy, trailing pink and blue ivy, on irregular gold grounds extending with ivy into border, embellished with gold balls and hair-spray. 2- and 1-line gold initials throughout, with elaborate purple penwork designs, often far into margins; long (up to 10-line) I-initials in the same manner. 2- and 1-line blue initials throughout with red penwork; long I-initials in same manner. 1-line gold initials with simple brown penwork. Line-fillers in the litany, blue and gold. Two leaves, probably with miniatures of the Maiestas Domini and Crucifixion, have been removed before the Canon (after f. 136)., First four leaves are stained and trimmed, but with no loss of text., and Binding: Twentieth century. White, gold-tooled pigskin over wooden boards. Gilt edges. Bound by Sangorski and Sutcliffe (London, 1901 to the present).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript fragment on parchment of a noted breviary, use of Sarum, containing a variety of feriae from the third week of Advent
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2-line initials are in blue with red penwork or in black with black penwork; 1-line initials are in black; rubrics are written in red minuscule; punctuated with the punctus; hyphenation is in the same ink as the text; musical notation is in black on 4-line staves in red.
Manuscript on two fragments of a single parchment leaf, now crudely patched together in their original format. Contains lines of text from a Prayer "ad clericum faciendum"; Antiphon and Psalm; Part of an "ordinatio monachi"; and Prayer "ad barbas tonendas". The manuscript presumably originated in one of the episcopal seats of the period and perhaps in one of the monastic cathedrals
Description:
In Latin., Script: Written in a fine, large Anglo-Saxon square minuscule with headings, in red square capitals (mostly faded)., and Removed from a binding; numerous sections spotted and discolored.
Subject (Geographic):
England., Connecticut, and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Cathedrals, Manuscripts, Medieval, and Pontificals
Manuscript, on parchment, in two scribal hands, of a processional according to the use of Sarum. The manuscript, which is apparently lacking two gatherings and includes fourteen later additions, features extensive musical notation on 4-line staves
Alternative Title:
Processional
Description:
In Latin; ownership inscription and anathema in Middle English., Ownership inscription for the parish church of St. Mary, Redgrave, Suffolk: "Iste liber constat de Redgrave" in a fifteenth-century hand., Anathema in Middle English verse on the verso of the second flyleaf: "This bok is on and goddys crus ys anodur/He that stel the ton mot haue the todyr" in a fifteenth-century hand., Numerous other early ownership inscriptions and pen trials on front flyleaves., Annotation on verso of nineteenth-century endpaper, in pencil, identifying the text as a "Sarum Processional," dated 1847., Layout: single columns, mostly of 23 lines., Script: gothic script., Decoration: musical notation on 4-line staves, red and blue penwork initials, rubrics, and blue paragraph marks. Numerous initials in brown ink, some decorated with faces and grotesques., and Binding: nineteenth-century black morocco, gilt; marbled endpapers. JHS monogram framing cross centered on both covers. Title in gilt on black leather tag on spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Catholic Church.
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Processionals (Liturgical books)
Manuscript on parchment of a sumptuously illuminated and exceptionally well preserved manuscript of East Anglian origin
Description:
In Latin., Script: Written in fine gothic bookhand., Eight of the original ten historiated initials survive. The initials are pink and blue with white filigree and dots on f. 7r incorporating intertwining leaves in pink, blue, green and orange; the figures predominantly orange, and purple with some pink, blue and green, on elaborately tooled gold, set against square grounds, quartered blue and red, with diapering. Each initial with a lavishly ornamented full border incorporating spiraling foliage, large oak leaves, flowers, knots, grotesques, and quatrefoils framing additional figures. 2-line initials for Psalms, pink and/or blue, with white filigree and dots, filled with spiraling ivy, large leaves and dots, blue, green and orange, occasionally a fleur-de-lis, flower, or diaper pattern, on gold, against pink and blue grounds, with white filigree and dots, most connected to bar borders, pink, blue, orange and gold with floral, ivy and grotesque terminals. 1-line initials for verses, gold, thickly edged in black, against irregular pink and blue grounds with white filigree and dots. Many varied line fillers in red and blue., Lower right corners of ff. 42 and 85 excised., and Binding: Sixteenth century, perhaps at Oxford. Caught-up sewing on twelve tawed, slit strap supports, only four of them laced into beech boards, the others cut off at the edges of the spine. The spine is square and the bands prominent and defined. Covered in dark brown calf, blind-tooled with two concentric frames of medallion heads and arabesques, with thistles in the outer corners of the inner panel and an ornament with a cherub's head on it in the center. Nails for catches but no marks of them on the leather, stubs of two straps on the upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Psalters