Manuscript on paper, copied from an exemplar with the final part in disorder
Description:
In Latin., Script: Copied by one hand writing an imperfect Humanistica Textualis with a relatively large number of abbreviations, incomplete word separations, hesitations, errors and corrections making reading sometimes difficult in spite of the formal character of the writing., Spaces and guide-letters for initials (3-line on ff.1r and 2r, the others 2-line); the initials are not executed., and Binding: Of undetermined age. Half light brown leather over original (?) unbevelled wooden boards, the leather decorated with fillets in a geometrical checkered pattern. Spine with four raised bands. Modern parchment pastedowns covering the inner half of the boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Marrasio, Giovanni.
Subject (Topic):
Latin poetry, Medieval and modern and Manuscripts, Medieval
Manuscript on parchment of the earliest known redaction of the Constituta legis et usus of Pisa, issued ca. 1146-56.
Description:
In Latin., Script: Written by three scribes in well formed bookhands. Scribe 1: ff. 1v (1r erased)-20r; Scribe 2: ff. 20r-38v; Scribe 3: ff. 39r-62v., Decorative initial, 7-line, f. 1r, in red and black with simple foliage designs in interior; red initial, 4-line, at beginning of art. 3, f. 18v; rubrics throughout, some perpendicular to text in margins. Plain initials, 2- to 1-line, and paragraph marks, in red; on f. 15v only, two initials, 1-line, and paragraph mark in blue. Guide-letters for rubricator in gutter or margins., Folio 1r almost entirely erased and illegible., and Binding: Nineteenth century. Quarter bound with reddish-brown goatskin over wooden boards. Paper label, with title "Statuta Civitatis Pisanae An. 1186" written in ink on spine.
Manuscript fragment on parchment of a lectionary containing readings from Luke 1 and 3 and John 1.
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: one 4-line and two 3-line initials are in red, decorated with blue penwork; 1-line initials at the beginning of verses are in brown uncials highlighted with red; rubrics are written in red in the same script as the text; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation and accents in the same ink as the text; there are three signs that occur over syllables of words, one similar to a backwards "3", one similar to a squarish backwards "C", and the third a virgule; perhaps theese are pitch or accent marks or some other type of aid for reading aloud.
Manuscript fragment on parchment of a lectionary containing: Lamentations 9 and Hebrews 6.
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: two 3-line initials outlined in brown; 1-line capitals are in brown rustic capitals; Hebrew words in Lamentations are written in rustic capitals; interlinear neumes for the lessons from Lamentations were added later; punctuated with the punctus and punctus elevatus.
Manuscript fragment, on parchment, from an Italian lectionary, containing readings from Luke 7.
Description:
In Latin., Script: Italian gothic bookhand., Decoration: rubricated. Capitals in alternating red and blue ink., and Top of leaf trimmed, with margin and text loss.
Manuscript fragment, on parchment, from an Italian lectionary, possibly containing Advent readings
Description:
In Latin., Script: late Caroline minuscule; headings in uncials., Decoration: rubricated. Three elongated initials in red ink., and Layout: two columns of 32 lines.
Manuscript fragment on parchment of a lectionary for the Mass containing excerpts from Luke 1 and 12 and from John 21.
Description:
In Latin., Script: written in progothic minuscule., and Decoration: 3-line initials "I" at the beginning of lessons are in red; other 1-line initials are in brown uncials; rubrics are written in red minuscule with some capital forms (H and Q); punctuated with the punctus and the punctus interrogativus.
Manuscript on paper of Francesco Zabarella, Lectura super Clementinis
Description:
In Latin., Watermarks: unidentified mountain and unidentified animal obscured by text., Script: Written by a single scribe in small neat fere-humanistic script. Marginal notes by several writers (15th-16th centuries), one of whom added running titles in upper right-hand corner (recto)., A large empty space on f. 1r indicates that a miniature of ca. 27 lines was planned for the opening of the text. One 7-line initial, f. 1r, shaded pink and orange, with red, green, and blue acanthus leaves on dark blue, with white filigree, against a gold ground edged thickly in black. In the border, a red, blue, and gold flower, with spiraling vines above and below, green, light blue, red, brown, the spirals filled with dark blue or gold, with white filigree. Large gold dots with four black spikes. 2- and 1-line paragraph marks in red or blue throughout. Instructions to the rubricator in margins., and Binding: Twentieth century. Brown goatskin with gold-tooled title. Bound by Sangorski and Sutcliffe (London, 1901 to the present).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Zabarella, Francesco, 1360-1417.
Subject (Topic):
Canon law, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment, composed in two parts with different formats, of Jacobus de Voragine, Legenda aurea. With several Saints' Vitae by various authors. Part I was written in (probably Northern) Italy at the end of the 14th or beginning of the 15th century. Part II may have been written in Hainaut and added during the 15th century
Description:
In Latin., Script: Part I written in round gothic bookhand by a single scribe who made neat corrections, often on lines ruled in the margins. Part II written in well formed gothic textura., Part I: Border decorations: long stems, inner and top margins or between text columns, in blue, pink, and grey segments divided by small balls, sprouting curling foliage (blue, light blue, and orange), concentrated at corners, with large spiky leaves at terminals and large spiral angular returns filled with mauve or gold in the lower margins; large gold dots tucked under leaves and trailing from the tips of leaves on thin brown pen lines. Initials, 4- to 3-line, attached to stems, pink and grey with white highlights; foliage serifs, as above; letters filled with blue and gold, with some vine work (green and grey), against gold grounds with thick black edging. 2-line initials, set into text columns, blue or red, with very elaborate, minute penwork, blue, red, and occasionally green, built up of small spirals, roundels, and long "caterpillar"-like segments, often extending the full length of text columns; with curling flourishes in margin. 1-line initials in Table of Contents red or blue, with thin vertical strokes in the opposite color; chapter numbers in red. Headings and paragraph marks in blue or red; rubrics throughout., Part II: Plain initials, 5- to 3-line, alternating red and blue, with large serifs; one on f. 300v in red and blue. Headings and initial strokes in red., and Binding: Nineteenth century. Pinkish brown calf case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacobus, de Voragine, approximately 1229-1298. and Cistercians.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Legends, and Manuscripts, Medieval
In Greek and Latin., Watermarks: similar to Briquet Chapeau 3387 and Harlfinger Chapeau 12., Script: Written by three scribes: Scribe 1 wrote the Greek words in precise minuscule, using dark ink. Scribe 2 supplied the Latin equivalents for ff. 1r-56r in a delicate humanistic cursive; Scribe 3 supplied them for ff. 57r-323v in a more flamboyant calligraphic style of writing., Intricate but faded headpiece (f. 1r) in red, with intertwining foliage left uncolored, accompanied by a 4-line initial with floral motifs. Small initials, in red, throughout text., and Binding: Nineteenth century. Brown calf spine, gold-tooled with decorated paper sides.