"A central design, with four small vignettes: [1] '"Church & State"--' A bishop (right) and a layman take wine together at opposite ends of a dinner-table over which hangs a gas chandelier. Three bloated footmen stand stiffly; behind the host (right) is a sideboard laden with plate. A Gillrayesque picture of a papal procession extends along the wall (an allusion to Emancipation, see No. 15658). [2] 'The Shop for Bargains!--' A coal-shed, a ragged child holds out her apron for 'Half a peck of Coals, & let em be good, for Mother says, that penny coal I had yesterday was only a Slate'. The man, holding a shovel and a small measure, answers 'Slate was it?! then I'm sure she's no call to grumble you could'nt a got so much slate at the Stationers under a Shilling!' [3] 'Corporal Punishment'. A fat fellow, plodding uphill, stops to mop his head: 'They tell me I shall find a good deal of difficulty in getting my fat down!--but I 'fegs I find a good deal of difficulty in getting it Up!!' [4] 'Taken in Tow--a Scene on a Rope walk--' A beadle seizes a rope-maker who has a bundle of tow round his waist. [5] 'An Unthankful fellow--' A countryman sits in the stocks in the rain, his right wrist shackled to a post, scowling at a fat beadle who faces him under an umbrella: 'What! want to go?!!! after we have taken all this trouble with you! ungrateful man, hav'nt we warmed your back?! hav'nt we provided you with Board & Lodging?! & now! hav'nt you even washing included? what more can you want?! do you want a band of music?! or did you expect that we were to find you in Rose water & toothpicks?!!!'"--British Museum online catalogue
Alternative Title:
Church and state
Description:
Title from caption below center image., Five designs on one plate, each individually titled., Sheet trimmed within plate mark., One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. Part the second. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 239-240., and Watermark: J. Whatman Turkey Mill 18[...?].
"After the title: 'fully accow [crossed out and replaced with a 'u'] --tred the Hero lay.' Above the design: 'Review--PI 2.' Wellington, sword in hand, falls from his horse, his white trousers crashing into a patch of cow-dung. He wears (in place of his field-marshal's cocked hat) a bearskin so enormous that it may well have overbalanced him. His horse stands beside him, pawing the ground. Behind (right) a group of mounted officers watch the accident. On the left two privates in huge bearskins stand at attention."--British Museum online catalogue
Alternative Title:
Oh what a falling off was there
Description:
Title from caption below image., The "w" in "accow-tred" in subtitle is scored through and a "u" etched above it., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of P. Pry caricatuers., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 211.
Publisher:
Pub. May 29, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Daggers & swords, Hides & skins, Horses, Military officers, British, and Military uniforms
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... political & other caricatuers daily pub., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1827.
Publisher:
Pub. Marc[h] 2d 1829 by T. McLean, 26 Haymarket ...
The figure of a barber in profile made from various tools of his trade: wigs, brushes, scissors, etc
Description:
Title from caption below image., Two lines of text below title: "Twixt man and horse comparison can't harbour: let Arabs boast of Barbs, but here's a barber! -T. H., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published June 1, 1829 by W.B. Cooke, 9 Soho Square
Subject (Topic):
Barbers, Scissors & shears, and Arcimboldesque figures
Title from caption below image., Two lines of text below title: Can aught to man such rapture give? Is she not all his heart can sigh for?, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Lyndhurst in Chancellor's wig and gown, stands between Wellington (left, standing beside a writing table) and Brougham (right, also in a wig and gown), who face each other in profile. Lyndhurst looks at Wellington while gesturing with his left arm at Brougham who steps toward him. In a speech balloon, Lyndhurst says: My honourable & learned Friend wishes to Enroll himself amoung Your Graces political friends
Description:
Title from text below image., Print signed with John Doyle's monogram: "HB"., Date of publication from the British Museum catalogue., A close copy of British Museum satires no. 15837 with the same signature, title, and inscription, but without the apostrophe in the word "Grace's" in the speech balloon., and Matted to 42 x 49 cm.
Publisher:
Pubd. by S. Gans, 15 Southampton St., Strand and Printed by C. Ingrey, 310 Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
Title from captions below images., Print is divided into two vignettes, captioned individually., Below imprint statement: Price 1/- plain, 1/6 colored., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Aug. 1, 1829 by Crew & Spencer, 27 Lamb's Conduit St.
The figure of an chemist made from various tools used in the study of chemistry
Description:
Title from caption below image., Two lines of text below title: A Chymist this! your shoulders do not shrug why not when Malthus proves mankind a drug! -T. H., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Published June 1, 1829 by W.B. Cooke, 9 Soho Square
Subject (Topic):
Chemists, Scientific equipment, and Arcimboldesque figures
Title etched below image., Two lines of text below title: "Come with a hoop and call" I've heard boys bawling without a hoop this man would have no calling. -T. H., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Published June 1, 1829, by W.B. Cooke, 9 Soho Square
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuer are daily pub., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title captions below images., Print is divided into two vignettes, captioned individually., Below imprint statement: Price 1/~ plain. 1/6 colored., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Jan. 25, 1829 by Crew & Spencer, 27 Lamb's Conduit St. and Printed by Engelmann Graf, Coindet & Co.
A figure composed of the tools of the trade of a mathematican or geometer, standing on two volumes of an atlas
Description:
Title etched below image., Two lines of text below title: Friend of the young idea in plane geometry, he teaches it to shoot by trigger-nometry! -T. H., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1824.
Publisher:
Published June 1, 1829, by W.B. Cooke, 9 Soho Square
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily publishing., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Gordon, Sharon. Bookworms. At home. Spanish ; pl. 2.
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily publishing., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A down-and-out, youngish, emaciated, in battered top-hat and tattered clothes of fashionable cut, leans despairingly against a post at a street-corner."--British Museum online catalogue
Title etched below image., Date of publication based on publisher's active dates., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by S. Gans, 8 Southampton St., Strand and Printed by C. Ingrey, 310, Strand
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of P. Pry caricatuers., Text above image: Bless me Clara, what do I see. Oh-fy-fy. Lor Aunt, why its only my bustle got round in front., Sheet trimmed to plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1828.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where potilical [sic] and other caricatuers are daily pub., and Reference to print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 71-72.
"The Duchess of St. Albans, fat, flamboyant, moustached, and smiling, stands on a carpeted floor, a glove in one hand, three large feathers in her hair. Curious draperies decorate a deep border to her skirt, and are seemingly intended for money-bags. On the wall is a small framed picture of a melon (cf. British Museum Satires No. 15458). Above: 'Sure thou wert form'd by all the Gods in Council; Who having made a lucky hit, | beyond their journey-work, Cry'd out,--"This is a Woman!"'."--British Museum online catalogue
Alternative Title:
Hugeous Duchess
Description:
Title etched below image., Alternative title etched above image: Hugeous Duchess., "A. Sharpshooter" is the pseudonym of John Phillips; see British Museum catalogue., Watermarked paper: J. Whatman 1829., and Offprint on verso
Publisher:
Pub. by E. King, Chancery Lane
Subject (Name):
St. Albans, Harriot Mellon, Duchess of, 1777?-1837
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Sheet trimmed within plate mark on three edges., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"The apex of a tall plant with red flowers, intended for a scarlet runner, supports the head of Scarlett, in wig and bands, in profile to the left, his eyes a slit between closed lids. The plant grows from the summit of a hill or mound, backed by trees and clouds."--British Museum online catalogue
Alternative Title:
Scarlet bean being scarlet
Description:
Title etched below image; the letters "i" and "g" in the first "being" in title scored through to read "bean" and a letter "a" etched above the "i". and Imprint continues: ... sole publisher of W. Heaths etchings.
Publisher:
Pub. Nov. 20, 1829, by T. McLean, 26 Haymarket ...
Title from caption below image., Sheet trimmed within plate mark., One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. Part the second. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 239-240., and Watermark.
Title etched below image., Publication information from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A pugilistic encounter between two old market-women who are Eldon (left) and Wellington (right). Eldon is much the stouter and more purposeful, facing his enemy grimly and aggressively. He has a basket of oranges (emblem of the Orange Lodges) beside him, and wears a flat wide-brimmed hat. Wellington wears a soldier's coat over his skirt and apron (as beggar-women or basket-women often did, cf. (e.g.) BM Satires No. 15763). His profile is apprehensive, his hands loosely closed and on the defensive. Each has a bottle-holder; that of Eldon is John Bull, a stout yokel who puts his hand on his principal's bulging posterior, saying, 'Welldone--old Mother Baggs--you have got the best bottom after all. see what it is to have a good Constitution--give it her--she has'ent got the Mounshears to deal with now.' Wellington's supporter is a bare-legged Irish ragamuffin with a pipe thrust in his little hat. He capers excitedly, putting a hand on Wellington's back to push him forward, saying, 'Murder ye ould cat kape your fists Tight--or you'I let the Ould Orange-Woman bate ye clane.' In the background is a freely sketched crowd of spectators, women of St. Giles or Billingsgate. Two only are characterized: a fat woman with parson's wig and bands, with a basket of 'Oxford Sauce' on her head, looks over her shoulder at a handsome young virago (Peel), who is shouting at her, to say: 'Come give us none of your Jaw--Mother peel'."--British Museum online catalogue
Alternative Title:
Sketch of the row in Parliament Street
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are dail [sic] publishing., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local subject terms: Market-women -- Fruit -- Emblems -- Orange Lodges -- Male costume: Soldier's coat -- Peasants -- Irish ragamuffin -- Pipes -- Markets., and Numbered in ms. at top of sheet: 185.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Startling interogation, Startling interrogation, and New panorama
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where complete sets of P-Pry caricatuers may be had., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"John Nash, misery personified, sits on the ground, in profile to the left, hands on knees, chin close to his hands; a harrow with huge spikes rests on his shoulders, and is thus tilted up, while a horse, its head cut off by the left margin, drags it along. Only one corner touches the ground, on a heap of papers, some of which it has spiked up; these are: 'Artists' Gallery', 'Marble Job', 'Lath & Plaister Acct', 'Job' (five times), 'Pimlico job' [Buckingham Palace], 'Regent Street Job', 'Brighton Job' [the Pavilion], 'Suffolk Street Job', 'Woods and Forests Job', 'Windsor Job', 'Brick . . .', 'his Mi . . . Job', 'Mosaic Gold Job'"--British Museum online catalogue
Description:
Title from caption below image., A. Sharpshooter tentatively identified as John Phillips. See British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Spiked harrows., Watermark: J. Whatman., and Numbered in ms. at top of sheet: 99.
Title from text above image., Print signed using William Heath's device: A man with an umbrella., Two columns of dialogue below image: Bless me captain, there must be some mistake. It was your own company to tea I requested ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1828.
"A fight between Lyndhurst and Peel with Ellenborough and Wellington as bottle-holders. Lyndhurst (left), in Chancellor's wig and gown, staggers back, arms flung out, at a punch on the nose from Peel who lunges forward, ruthlessly pugnacious. Ellenborough, dressed and behaving as a dandy (in tight-waisted blue coat and white bell-shaped trousers), holding a tubular eau-de-cologne bottle, emblem of the dandy, cf. BM Satires No. 13031, registers alarm, exclaiming, 'Oh! Oh! my dear Lud, take care--he's a terrible hitter--or he'll have your Ludship's dear head in Chancery.' Wellington (right), in uniform with sword, gauntlets, and heavily spurred cavalry boots, says: 'That's it Bob; serve him out--He won't ride rusty after this I know.'"--British Museum online catalogue
Description:
Title from caption below image., A. Sharpshooter tentatively identified as John Phillips. See British Museum catalogue., Sheet trimmed to plate mark., Watermark: J. Whatman 1928., and Numbered in ms. at top of sheet: 178.
Publisher:
Pub. by J. Field, 65 Regents Quadrant
Subject (Name):
Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Ellenborough, Edward Law, Baron, 1750-1818, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Daggers & swords, Dandies, British, Judges, Military uniforms, and Wigs
"Wellington sits behind a small cloth-covered table flanked by eight other representations of himself, as depicted in recent caricatures, apparently all by W. Heath. The arrangement is evidently that of Charles Mathews' 'At Homes', see British Museum Satires No. 14714, &c., Wellington, like Mathews, being in propria persona at the table. In this guise he wears the robes (indistinguishable from Coronation robes) and collar of the Garter and the order of the Golden Fleece and a (crown-like) ducal coronet; his head is turned in profile to the right. Immediately below him, the head and hands of another Wellington, who is crouching on the floor, project from the tablecloth; he grasps a royal crown, and wears a cap coloured blue and resembling a tam-o'-shanter, but perhaps intended for a coronet. The other Wellingtons, all standing (left to right): [1] A mute as in British Museum Satires No. 15501, in profile to the right. [2] A Grenadier, full-face and rigidly at attention, much as in British Museum Satires No. 15768, but without the musket. [3] A ratcatcher stooping to the left and touching his hat, the cage in his left hand (cf. British Museum Satires No. 15806). [4] Aged and cloaked, wearing spectacles, with bowed head, he clasps a cross in both hands. [5] The old woman in a soldier's coat of British Museum Satires No. 15721, facing, and apparently in angry altercation with, the seated Wellington. [6] The coachman of British Museum Satires No. 15731, in profile to the left, holding shaft and lash of his whip as if they were the reins of a four-in-hand which he is driving. [7] Wellington in uniform, directed to the left, wearing his plumed cocked hat and holding up with a furtive expression a sword with a damaged blade in a dilapidated scabbard. [8] A mummy-case with an aperture to show Wellington's head with the forefingers compressing his mouth; below the aperture is the word 'Mum'. (Apparently from a satire on Wellington's silence as to his intentions on Catholic Relief until the eve of the opening of Parliament, see British Museum Satires No. 15659.) There is a background of curtains. Cf. British Museum Satires No. 15787."--British Museum online catalogue
Alternative Title:
All the world's a stage &c. S-
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Publisher's annnouncement following imprint: ... sole publisher of P. Pry caricatures, none are original without T. McLeans name as publisher., Sheet trimmed to plate mark., and Watermark: J. Whatman Turkey Mill 1828.
Publisher:
Pub. June 15, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Mathews, Charles, 1776-1835.
Subject (Topic):
Tables, Robes, Crowns, Military uniforms, Daggers & swords, Coach drivers, Sarcophagi, and Draperies
"The irradiated head of George IV in profile to the left, is almost covered by the darkly shaded head of Wellington, which is almost full-face, but glaring to the right with fierce yet apprehensive melancholy. From this darkened mask slants down and to the right a broadening shadow which passes across a terrestrial globe at the base of the design, covering an island inscribed 'England', but leaving 'Ireland' (right) unobscured. The rays from the King's head, only a few of which are covered by the shadow, extend to the margins and illuminate the edge of a border of dark cloud."--British Museum online catalogue
Alternative Title:
Eclipse lately discovered in the Georgium Sidus, and quite unexpected by any of the astronomers
Description:
Title etched below image., "A. Sharpshooter" is the pseudonym of John Phillips; see British Museum catalogue., and Approximate month of publication from the British Museum catalogue: June 1829.
Publisher:
Pub. by S.W. Fores, 41 Piccadilly
Subject (Geographic):
Ireland.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and George IV, King of Great Britain, 1762-1830
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., A. Sharpshooter tentatively identified as John Phillips. See British Museum catalogue., Sheet trimmed within plate mark on three edges., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. Aug. 8, 1829, by Harrison Isaacs, Charles St., Soho-Square
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily publishing., Text preceding title: 1729 ; text following title: 1829., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Questionable date of publication from British Museum catalogue., Temporary local subject terms: Clubs -- Crockford's Gaming House -- Sharks -- John Bull -- Male costume: Gaiters -- Walking-sticks., and Numbered in ms. at top of sheet: 90.
Wellington in civilian dress stands between two fat bishops wearing mitres pulling each by an ear as they vomit huge streams of gold coins into a large wooden tub that is labeled: Receptacle for the poor curates, repairs of churches, and support of paupers. A spout from the tub funnels coins into a smaller tub from which a man shovels coins into money bags which are labelled: For curates, Repairs of Churches, Support of Paupers. Two thin curates walk away with bags labelled 'Poor curates' as one says, "Thanks to the Powers that has relieved our Wants." From the cherub's horn blow the words: "See the conquering hero comes."
Description:
Title from item., Figure of a sharpshooter is the device of John Phillips., In the subtitle " ... or The tithes in danger" the word 'tithes' has been etched in over the word 'Church' which has been scored through with several etched lines., and Signed by the printmaker using an artist's device: a figure of sharpshooter in the imitation of the 'Paul Pry' signature.
Title from captions below images., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other prints are daily pub., Design consists of three panels, each individually titled below and numbered above, left to right 3, 2, 1., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A man with a wooden leg stands outside begging for alms, with a broom in one hand and his hat in the other. On the wall above his head is a broadside which reads "Supported by voluntary contributions."
Description:
Title from caption below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. April, 1829 by Harrison Isaacs, Charles St. Soho Square and Printed by C. Hullmandel
Title from caption below image., Publication information from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Wellington and Peel, portrayed as the notorious murderers Burke and Hare, pin down an old woman (Mrs. Docherty of the trial) who struggles as they suffocate her. A Jesuit priest enters the room on the right holding a crucifix
Description:
Title from item., Caption at top: Hark! the Doctor Knoxcks [sic], she is almost done and ready for you. Vide Old Play., A figure of 'Paul Pry' is an artist's device used by Wiliam Heath., and In lower border: Sole publisher of P. Prys caricatures.
Publisher:
Pub. March 1829, by S. Gans, 15 Southampton Street, Strand, London
Subject (Name):
Burke, William, 1792-1829., Hare, William, 1792?-1870?, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Great Britain, Homicides, and Clergy
Cabriolet, or, Shelter versus pelter and Shelter versus pelter
Description:
Title from text above image., Imprint continues: ... sole publisher of W. Heath etching., Text following title: "For the rain it raineth evry day. Shakspeare., Two lines of dialogue below image: Driver, does it rain now? No sir, it pours!!, Sheet trimmed within plate mark on three edges., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Smoking -- Fashion -- Couples -- Flirtation.
Publisher:
Published 1829 by S. Gans, 15 Southampton Street, Strand
Title etched below image., Publication information from unverified data in local card catalog record., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A five-piece orchestra composed of demons, playing a flute, violon, oboe, horn, and drums
Description:
Title from caption below image., Publication information from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Date of publication based on street addresses of publisher and printer., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by C. Tilt, Fleet Street and Printed by G.E. Madeley, Wellington St., Strand
Title from caption below image., Approximations of Chinese characters precede each line of text., Imprint statement erased from sheet. Publication information from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Chinese woman -- Dancing -- Stereotypes., Print numbered in pencil in upper right hand corner: 2., and Imprint statement erased from sheet.
Title from caption below image., Imprint continues: ... publisher of the Looking Glass and other etching by W. Heath., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1829.
Publisher:
Pub. Dec. 20, 1829, by T. McLean, 26 Haymarket ...
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A fashionably dressed young woman leans out a window
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text below first image on top left. Series title centered above image., Printmaker from Britis Museum cat., and Seven designs on one plate, each with lines of dialogue etched below.
An old woman in patched-up clothes with her harp huddles in a doorway. The satire contrasts the life of a street singer with the sweet lyrics of the popular ballad by Thomas Moore
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum online catalogue, registration no.: 1985,0119.318., Sheet trimmed within plate mark., One line of quoted text beneath title: "Sleep, gentle sleep, Nature's soft nurse., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. by T. McLean, 26 Haymarket, London
Subject (Name):
Moore, Thomas, 1779-1852.
Subject (Topic):
Street musicians, Harps, Older people, Poor persons, Women, and Doors & doorways
"After the title: "--Thus they, in lowliest plight, repentant bow--Mil[ton]. The Pope sits in a Gothic chair whose back is at an angle with the picture plane: Wellington, in profile to the right, kneels at his feet, supporting the Pope's right foot, and fervently kisses his toe (as in BM Satires No. 15665). He wears civilian dress, but a plumed cocked hat lies beside him. Peel (left) stands behind, eagerly waiting his turn, his hands together as if in prayer. Each holds a rosary. The Pope, who has a red and vulturine nose, wears a tall tiara."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily pub., Approximate date of publication from British Museum catalogue., Text following title: "Thus they, in lowliest plight, repentant bow-Mil[t]on., Sheet trimmed to plate mark leaving thread margins., Watermark: J. Whatman 1829., and Numbered in ms. at top of sheet: 192.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Peel, Robert, 1788-1850
Authors of the Catholic Reform Bill, Wellington and Peel are dressed in tall conical caps and tied to the back of chair carried by Eldon. A fat bishop, probably Howley, walks behind, carrying the legs of the chair, as the head of Cumberland with gapping mouth appears behind him. A fat John Bull character looks on the scene from the left foreground. The group is met on the right by an angry Irish ragamuffin wearing a barrister's wig and waving his fist and a shillelagh, suggesting that he is O'Connell
Alternative Title:
Don't you remember the fifth of November
Description:
Title etched below image., Lower right corner, device of Paul Pry, pseudonym of William Heath : a figure with hat and cane., Publication date from British Museum catalogue., and Publisher's advertisement following imprint: Political & other caricatuers [sic] daily pub.
Publisher:
Pub by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Howley, William, 1766-1848, O'Connell, Daniel, 1775-1847, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Politics and government, and John Bull (Symbolic character)
Title from text above images., Nine designs on one plate, each with lines of dialogue etched below., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1828.
Publisher:
Pubd. 1829 by S. Gan's, Southampton Stree[t], Strand
Title from item., Sheet trimmed within plate mark., A. Sharpshooter tentatively identified as John Phillips. See British Museum catalogue., and Temporary local subject terms: Catholic emancipation bill, 1829 -- Food: pudding -- Clergy: pope.
Publisher:
Pub. by Richardson & Co., 1, Birchin Lane, Cornhill
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, O'Connell, Daniel, 1775-1847, and Pius VIII, Pope, 1761-1830
Title etched below image., Text below title: He looks like a squire of high degree, when dressed in his Sunday clothe's. Rosini., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. J. 1829 by S. Gans, Southampton Street, Strand
Title etched below image., Plate from: Hoare, R.C. The history of modern Wiltshire: hundred of Dunworth and vale of Noddre. London : Printed by and for John Bowyer Nichols and son ..., 1829., and "Plate IV."--Above image.
Title etched below image., Plate from: Hoare, R.C. The history of modern Wiltshire: hundred of Dunworth and vale of Noddre. London : Printed by and for John Bowyer Nichols and son ..., 1829., and "Plate II"--Above image.
Title etched below image., Plate from: Hoare, R.C. The history of modern Wiltshire: hundred of Dunworth and vale of Noddre. London : Printed by and for John Bowyer Nichols and son ..., 1829., and "Plate III"--Above image.
Title etched below image., Plate from: Hoare, R.C. The history of modern Wiltshire: hundred of Dunworth and vale of Noddre. London : Printed by and for John Bowyer Nichols and son ..., 1829., and "Plate VI."--Above image.
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman.
"Four isolated characters, each surmounted by a caption. 'A Corinthian' [cf. BM Satires No. 14320]. A raffish would-be fashionable wearing a fur-collared coat, his tie passed through a ring, holds an eye-glass in one gloved hand, a long bill in the other. He looks over his shoulder to say 'I'll call and pay. A regular bad one'. A burly fellow with a squint, looking like a coachman, in battered hat, double-breasted greatcoat, and top-boots, stands full-face, saying, 'Vy I did pay!!!' An unfortunate. An old and emaciated man wearing a tattered apron over clothes once respectable, says with a hopeless gesture 'I can't pay!' A little ragged girl weeps beside him. 'Lawyer. Shark'. An elderly paunchy and truculent lawyer with a brief tied with red tape under his arm, says with a scowl 'I shan't pay!!!!'"--British Museum online catalogue
Description:
Title from caption below image., Shortshanks is the pseudonym of Robert Seymour., and Text above image: A Corinthian, a regular bad one, an unfortunate, lawyer, shark.
Title from caption below images., Print signed using William Heath's device: A man with an umbrella., and Design consists of two panels side by side, each individually titled.
"In the foreground are Wellington and Peel as grave-diggers; Eldon, a stout elderly Hamlet wearing a cloak, stands (left) holding a skull, and saying: "Here's fine revolution and [sic] we had the trick to see it." Wellington stands in a grave, in profile to the left, wielding a pickaxe. His shirt-sleeves are rolled up, he wears a small cap; his military coat, cocked hat, and sword lie beside him. He says to Peel: 'Come take off the Orange Peel [see British Museum Satires No. 15683] quickly, I can't get on without you.' Peel, wearing garments of green slashed with orange, is about to take off an orange waistcoat (cf. British Museum Satires No. 15701). He answers 'I'll change my self before you can say Jack Robinson.' On the extreme right are the posterior and left leg of George IV (as in British Museum Satires No. 12803) who is scurrying off to the right, beside a tombstone which serves as sign-post and is inscribed 'To Hanover' [see British Museum Satires No. 15704]. In the middle distance (right) is the funeral procession, the coffin carried by four bearers with a pall inscribed 'Constitution 1829'. On it stand a large crown and mitre with papers: 'Magna Charta' and 'Bill of Rights'. It is followed by one mourner in cloak and scarf (J. B.), who covers his face with a despairing gesture, exclaiming 'Oh! dear! Oh! dear, what will become of Mrs Bull, & all my little Bulls?-- We shall have nothing but the Popes Bulls. Oh my--' Behind are (left) St. Paul's and (right) York Minster. The pediment of the former is inscribed 'St Pauls now St Patricks' [cf. British Museum Satires No. 11898]. On the steps, about to enter, is the Pope, rollicking indecently between a monk (left) and O'Connell (right) in wig and gown. The Pope: 'Och! my darling you have done the job. fal lal la!!' O'Connell: 'Huzza! Huzza! Ould Ireland for ever! Huzza!!!' Behind them (left) capers a ragged Irishman, playing bagpipes and shouting 'St Patrick day in the morning!! Och! my Darlings!' An Irish crowd is indicated in the background. Farther from the spectator is York Minster, blazing furiously, flames and smoke covering the sky; an incendiary with a firebrand (Martin, see British Museum Satires No. 15658) rushes from the building, striding across a paper inscribed 'Blanco [scored through] Black is White'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Text beneath lower right corner of image: Hamlet, Act Vth, Scene a church-yard. Enter two clowns with spades., and Laid in James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. March 1829 by T. McLean, Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
St. Paul's Cathedral (London, England),, York Minster,, Shakespeare, William, 1564-1616., Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Eldon, John Scott, Earl of, 1751-1838, George IV, King of Great Britain, 1762-1830, Leo XII, Pope, 1760-1829, and O'Connell, Daniel, 1775-1847
Title from caption below image., Publication information from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Shortshanks is the pseudonym of Robert Seymour., Questionable date of publication from British Museum catalogue., and Temporary local subject terms: Steam.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatur [sic] are daily pub., Text following title: Getting into an apparently empty bed, you find to your surprise you are smothering some unfortunate traveller ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark.
Title from caption below image., Imprint continues: ... sole publisher of Mr. Heaths sketch [sic]., Text following series title: To be continued., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. July 14, 1829, by T. McLean, 26 Haymarket ...
Viewed from the back. Lady Conyngham, immensely fat, and her size increased by inflated sleeves and skirt. The King advances from the right and takes her right hand. The back of her head is covered by a large '5s.' piece, showing the reverse or "tail", with St. George and the 'Honi Soit' ... inscription. The King's face is covered with a sovereign, showing the obverse, with his own head, the profile towards the lady, and 'Georgius IV'... inscription. She wears an enormous high-crowned hat trimmed with loops of ribbon, the brim extending beyond her vast shoulders. He wears a top-hat and braided coat with fur collar, the ribbon of the Garter, and the Golden Fleece, with knee-breeches. Above the design: 'If thou be a King, where is thy Crown! My Crown is in My heart, not on my head!' Shakspeare (from 3 Henry VI, III. i). At the bottom edge of the image: A- is 2s/6d to herr husband". See British Museum online catalogue
Alternative Title:
Crown piece and a sovereign
Description:
Title etched below image., Imprint continues: ... sole publisher W. Heaths ..., and Sheet trimmed to plate mark.
Publisher:
Pub. Sep. 30, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861 and George IV, King of Great Britain, 1762-1830
Title from caption below image., Sheet trimmed within plate mark on two edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1828.
Title from text below first image upper left. Series title centered at top., Printmaker from British Museum catalogue., Questionable date of publication from British Museum cat., and Seven designs on one plate, each with lines of dialogue etched below.
Publisher:
Published by S. Gans, 15 Southampton Street, Strand
Title from caption below image., Print signed using an imitation of William Heath's device: A man with an umbrella., Printmaker tentatively identified as Sharpshooter = John Phillips. See British Museum catalogue., Imprint continues: ... (sole publisher of P. Prys caricatures)., and Watermark: 1829.
Publisher:
Pub. July 1829 by S. Gans, 15 Southampton Street, Strand ...
An Irish schoolmaster-priest, sits in a chair taking a pinch of snuff from an open snuff box as he catechizes a dwarfish Irish peasant, ragged and barelegged, who answers with a sly grin: 'O'C -- for O'Connell thats right--now Pat what does MP stand for eh?' Answer: 'Mealy Potato'. On the table to the right is a crucifix used to prop open a book. Cf. British Museum online catalogue
Alternative Title:
Irish MPs
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication inferred from references to Daniel O'Connell and Catholic emancipation., Imprint continues: ... where political and other caricatuers are daily publishing., and For a brief description of this print, see entry for no. 15684 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, page 102.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Geographic):
Great Britain.
Subject (Name):
O'Connell, Daniel, 1775-1847.
Subject (Topic):
Catholic emancipation, Crucifixes, Ethnic stereotypes, Peasants, Priests, Snuff, and Teachers
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1829.
Title from text above image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole pub. of P. Prys caricatues [sic]., Text above imprint: None are orilinal [sic] without McLeans name., Text below image: The architect. Glory consists in the designment and idea of the work; his ambition should be to make the form triumph over the matter., Sheet trimmed within plate mark on three edges., Temporary local subject terms: Buckingham Palace -- Male costume: Apron -- Trowels -- Architects -- Walking-sticks., and Numbered in ms. at top of sheet: 91.
"An archaic iron-studded door, with posts and lintel of solid but ancient oak, represents the door of the 'COMMONS' [inscription on lintel]. Above: '"They of Rome are enter'd in our Counsels Sh.' ['Coriolanus', I. ii]. An old-clothes' man stands at the door in profile to the left gazing up at the inscription; he raises the knocker, a ring in the mouth of an angry lion's head. He is bearded, with an ultra-Jewish profile, and has three hats piled on his own, the topmost being a flaunting feminine erection. He wears a ragged and patched gaberdine, old-fashioned buckled shoes, and carries across his shoulder a large bag, from a hole in which projects a pig's foot (a pig in his poke). On his back is an open box of trinkets, containing watches. Close behind him stands a turbaned Turk, watching him with eager anxiety. The Jew: 'Come I sha--Open the door vill ye--I vants to come in--and heres a shentlemans a friend of mines--vants to come in too--dont be afeard--I dont vant a sheat for nothing--I can pay for it So help me Got.' Three men (safely inside) look down at the applicants from a small open window beside the door (right): a dissenter, holding his hat, and characterized by lank hair and plebeian features (resembling Liston as Maw-Worm, cf. British Museum Satires No. 16943); a Jesuit wearing a biretta, and putting a thumb to his nose, and a fat elderly monk; the last two frown. The left door-post (somewhat cracked) is inscribed: 'OAK Suppose to be sound Put up 1688 only latly discovered to be full of Skakes[?peare].'"--British Museum online catalogue and "Catholic Emancipation, following the repeal of the Test and Corporation Acts (see British Museum satires no. 15530), raised hopes of Jewish emancipation, see British Museum satires no. 15770, &c. For the (baptized) Jew as seat-purchaser cf. Sir M. M. Lopes (to whom an allusion is probably intended, see British Museum satires no. 15683); for Jews and pigs cf. British Museum satires no. 12146, &c; for "1688" see British Museum satires no. 15707, &c. The design resembles and may be based on British Museum satires bo. 8981 (1797) by Gillray."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum catalogue., Imprint continues: ... political & other caricatuers daily pub., Publisher's announcement at top of sheet: All Paul Prys works have T. McLeans name attach'd as the publisher, those without are pirated copies [image of a man with an umbrella]., and Slight loss of sheet on right and lower edges.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Geographic):
Great Britain.
Subject (Topic):
Freedom of religion, Catholic emancipation, Jews, Emancipation, Jesuits, Turks, Doors & doorways, Ethnic stereotypes, Knocking, and Monks
The Duke of Wellington gallops across the cobbled yard of the Palace of Westminster, away from an angry mob some of whom have been knocked down by his horse. The crowd shouting anti-Catholic slogans includes two dustmen
Alternative Title:
Scene in palace yard
Description:
Title from caption below image., Added title from text above image: A scene in palace yard., and The figure with hat and cane is a device of Paul Pry, pseudonym of William Heath.
Publisher:
Pub March 1829 by T. McLean, 26 Haymarket, London
Subject (Geographic):
England and London
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852.
Subject (Topic):
Catholic emancipation, Anti-Catholicism, Demonstrations, Crowds, and Horses
Title from caption below image., Sheet trimmed within plate mark., and One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. Part the second. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 11, p. 239-240.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[1829?]
Call Number:
829.00.00.18+
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Imprint mostly burnished from plate. Formerly published by M. Clark?, Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from heading above image., Evidence of text burnished from plate., Caption below image: D--nd unpleasant situation this, that fellow will catch me presently to a dead certainty, lucky I found these crutches tho., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman Turkey Mill.
"A complicated design, foreground, middle distance, and sky filled with incidents, chiefly on applications of steam. In the foreground is a street-vendor's table spread with a white cloth and heaped with pine-apples, &c; beside it sits an elegant young woman reading a book, 'Sentimen ...', while a little boy holds over her a large pagoda-like umbrella, heavily fringed. A dustman gnaws a pine-apple, while his vis-à-vis, eating an ice, says "Vont you take a hice Joe." Beside it (left) is the tombstone of the 'Select Vestry', decorated with glass, knife and fork, and topped by a weeping cherub's head. On the right a steam-horse on a low-wheeled platform, on which are the necessary pipes, &c, careers forwards and to the right; the driver, dressed as a jockey, holds a steering-bar set in the creature's head; smoke pours from its nostrils; a huge smoking chimney, placarded 'The Steam Horse VELOCITY No Stopage on the Road', ascends from the tail. Behind the steersman sit four passengers: a lady in a riding-habit, a barrister in wig and gown, a well-dressed man, an Irish haymaker smoking a pipe. On the left is a little steam trolley beside which walks a woman crying 'Delicate Viends [sic] for your Quadrupeds'; on it is a basket of coal placarded 'Prime Cats Meat'. On the extreme left a footman in livery smoking a giant pipe (as in British Museum Satires No. 15604t) hands a letter to a flying postman, supported on webbed wings, who rings his bell, and has a pouch: "Two Penny Post". A man drives a lady in a light three-wheeled chair, worked by bellows and a propeller. A street-seller of 'Mutton Broth' walks before his huge steaming pan which rests on a wheeled platform with a funnel. A massive old-fashioned country wagon has a steam funnel and a steersman: "London & Bath in Six Hours". On the extreme right are adjacent open sheds; one contains a complicated mechanism where a top-boot is being brushed by steam; the owner sits on his portmanteau, waiting for them, while he puffs a cigar and reads the 'Gazette de France'. This is placarded 'Royal Patent Boot Cleaning Engine'; above: 'Puras Deus, Non Plenas, Adspicit Manus' [God regards only pure hands, not full ones]. The other is smaller and contains an engine to which is attached a huge razor, operating on the Duchess of St. Albans and placarded 'The St Al-ns New Steam Razor Patronized by her Grace' [cf. British Museum Satires No. 15654, &c.]. In the middle distance (left) are buildings. The Marble Arch (see British Museum Satires No. 15850), topped by a gibbet, which is placarded 'Designed to Elevate the Architects'; a man, smoking a cigar, kneels to adjust the noose. Behind is the east front of the Palace, with scaffolding and figures: on the dome, "the ball in the cup", see British Museum Satires No. 15669, a figure holds a trident, on the right a monstrous bird and a giraffe see British Museum Satires No. 15425). Next the arch is a 'Model for a new Church approved by the Mommitte [sic] of Taste': a fantastic neo-Gothic hybrid with a dome, topped by pillars supporting a platform, from which hangs a big bell, and on which squats a giant mandarin, with a clock-face on its belly, holding up two fingers and a lantern. The roof of the church is flat, covered with tombs, and edged with spikes for the protection of a cemetery, which is placarded 'This Church Yard is perfectly Safe' [see British Museum Satires No. 15777]; a coffin is being hauled up by a crane, apparently worked by steam. A smaller adjacent building (left) seemingly houses a furnace and steam-engine and is inscribed 'Kitchen'. The church abuts (right) on 'Greenwich Hill'; on this rests one end of a huge tube: 'Grand Vacuum Tube-Company Direct to Bengal' (a development of the Edinburgh-London tube of British Museum Satires No. 15075); this, receding in perspective, bridges an ocean, the other end resting on 'Bengal', where a tiny passenger steps out and clasps a welcoming Indian by the hand. Passengers on Greenwich Hill are about to enter the tube, where the back of a coach appears; a turbaned conductor shouts 'Now whos for Bengal'. An aperture or window in the tube shows passengers seated on an open coach or wheeled platform as in British Museum Satires No. 15075; women passengers wear monstrous hats. From the Bengal plain (right) a hill ascends on which rests the end of a bridge: 'Companys Suspension Bridge-To Cape Town'; a massive pier rising from the ocean contains a building: 'Restorateur' [sic]. On the water dividing England from India is a lady in a car harnessed to swans, as in British Museum Satires No. 11405 by Gillray. A big canopied passenger boat is drawn by a team of eight dolphins; the driver shouts 'Come up there'. On a plateau behind Greenwich Hill is a wheeled steam-engine, like a giant watering-can with spout fore and aft gushing water: this is 'Mc Adams Newly Invented to lay the Dust he makes' [cf. British Museum Satires No. 15365]. On the sky-line a demoniac figure fires a mortar from which a blast slants across the sky inscribed 'Quick Conveyance for Irish Emigrants': tiny figures, one with a rake, are shot into the air to fall headlong. Aerial travel is represented (1) by a platform supported at each corner by a balloon on which are soldiers and artillery (reminiscent of the French invasion fantasies of 1797 and 1803, see British Museum Satires Nos. 9220, 10029); (2) by an airship in the form of a whale-like monster with webbed wings, placarded 'For New South Wales'; raffish passengers of both sexes are seen through a window below which are the words 'with Convicts'. (3) A lady (right) sits between two propellers, steering a frail little machine drawn by a big kite (cf. British Museum Satires No. 15604!). On the left is a massive collection of cloud-borne castles, on which tiny builders are at work; placarded: 'Scheme for the Payment of the National Debt'."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark., and One line of quoted text above image: "Lord how this world improves as we grow older."
Publisher:
Pub. by T. McLean, 26 Haymarket, London
Subject (Topic):
Steam, Airships, Steam automobiles, Pneumatic tubes, and Garbage collecting
The plot hatched by a mother to marry her daughter to an old wealthy colonel is discovered. Both the mother and daughter are fashionably dressed in large dressess, hats and large sleeves. The mother stands on a veranda looking down at her daughter seated with a portfolio in her lap; she turns back to look at her mother raising a lorgnette to look up at her. In the speech balloon above her head, the mother is shown to say, "Julia, love, as Colonel Ingot has amassed a vast fortune in India, I really think him worth your attention. I have sent to the Music Seller for every thing Indian. Sing nothing else love, if you can bear a couple of Cashmeres on do & complain of the chilliness of the Climate, look into Guthrie for a few hard Bengal names & at dinner eat nothing but a little Currey, you can have refreshments in your dressing room love. The daughter smiles up at her mother, and says, "Very well Ma, but you don't think he'd last long?" Below them, under the rose-coverd trellis the elderly colonel looks horrified at what he hears
Alternative Title:
Plot discovered
Description:
Title from item., Attributed to William Heath in dealer's description., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Courtship, Couples, Lorgnettes, Marriage, Military officers, Porches, and Trellises
An obese woman hoisted upon her servant's back as her doctor's prescribed cure for flatulence. The lady asks: "O! dear, doctor, has John studied the book?", her doctor replies: "Aye, aye; nothing requir'd but my book, page 75 -gently John! Gently! Page 75". The black servant exclaims: "Eh! eh! Missey, you makey wind for true." The doctor has some resemblance to John Abernethy
Alternative Title:
Cure for flatulency
Description:
Title etched below image., "A. Sharpshooter" is the pseudonym of John Phillips; see British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Published November 30, 1829, by S. Gans, 15 Southampton Street, Strand
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
Physicians, Patients, Household employees, Dogs, Flatulence, Black people, House furnishings, Costume, History, Obesity, and Servants
"A Thames wherry passes close to the wall of a riverside tavern, and is about to go under a high timber bridge. The two oarsmen have immense artificial-looking whiskers and curled hair, cf. British Museum satires no. 15962, no hats, and wear striped shirts, open at the neck, nautical in cut. They row a lady who sits erect in a grotesquely huge hat, with wide brim, high jam-pot crown, and towering ribbons. They row badly and carelessly. In waterside arbours spectators drink and smoke. On the extreme left steps lead to the water, and two more amateur oarsmen, looking like buccaneers, stand, while a boatman in waders holds the bow of a boat. Behind are urban houses."--British Museum online catalogue
Alternative Title:
Above bridge. No. 1
Description:
Title etched below image., Series title etched above image. No more published?, Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pub. by T. McLean, 26 Haymarket, London
Subject (Geographic):
London (England) and England
Subject (Topic):
Social life and customs, Clothing & dress, Hats, Boats, Bridges, Pipes (Smoking), Restaurants, Smoking, Taverns (Inns), and Waiters
Title from caption below image., Text below title: "Lo this is their very guise.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1829.
"Satire: four disconsolate devils sit warming their hands around a fire while one tells a story."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with re-etched title, series title, and image border. For an earlier state, see British Museum online catalogue, registration no.: 1948,0214.715., Publication information from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title etched below image., Publication information from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title etched below image., Publication information from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Two designs, side by side, each with a second title in the upper border: [1] 'Scene, in the Island of Jersey.' Wellington, in uniform, sits on a sofa beside Lady Jersey, addressing her, hand on heart: 'And will your Ladyship ever remain cruel, & insensible to emotions which You alone can excite?' She holds a cross attached to a rosary, and looks at him over her shoulder, aloof, but coyly persuasive: 'Oh you flatterer! Every body knows your devotion to Woods & Forests: therefor don't talk to me of Love, false man! my heart bleeds only for my persecuted friends of the true Church in Ireland. You are the only man in Christendom who is able to emancipate them. Grant me this favor, dearest! most illustrious hero and then perhaps--I could - - - -'. She wears a large hat of puffed-out silk over short ringlets; her dress has huge gigot sleeves. [2] 'Scene in the Duchy of Lancaster.' Mrs. Arbuthnot, pretty, décolletée, and jewelled, sits on a sofa with her back to the door, her right hand on her heart. Wellington, cloaked, booted, and spurred, stands in the doorway. She: 'Was that his knock? or is the false man a Jesuit in Love too?--Oh no although he spends his mornings in her boudoir--he loves her not--she cannot touch his cold heart--she too cares not for him but to serve her politics--& for that she assails his vanit--his weak side, on which I first attacked him--yes! his vanity! his passions!--these are the points for me to work at!--heart he has none.' The 'PP' of the signature points to an inscription in the upper margin: 'I'm sorry to intrude, but some dirty Rogue--has lately been copying my Caricatuers--robbing us of our Ideas & Just profit--may I ask of my Friends not to purchase unless they see the Publisher T McLeans name at the Bottom all others are Copies--P Pry.' (Cf. BM Satires No. 15933.)"--British Museum online catalogue
Description:
Title from caption below images., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from British Museum catalogue., Design consists of two images side by side, each individually titled., Text above image entitled Morning: Scene in the island of Jersey., Text above image entitled Nigth [sic]: Scene in the Duchy of Lancaster., The man with an umbrella in the signature points to an inscription in the upper margin: I'm sorry to intrude, but some dirty rogue has lately been copying my caricatuers, robbing us of our ideas & just profit. May I ask of my friends not to purchase unless they see the publisher T. McLeans name at the bottom, all others are copies. P. Pry., Sheet trimmed within plate mark on three edges., and Numbered in ms. at top of sheet: 234.
Publisher:
Pub. by T. McLean, 26 Haymarket-caricatuers daily pub
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Arbuthnot, Harriet, 1793-1834, and Jersey, Sarah Sophia, Countess.
Subject (Topic):
Candlesticks, Lighting, Military uniforms, and British
"Three stages of a dandy: [1] He sits in an arm-chair, in a flowered dressing-gown, reading the 'Literary Gazette' [Jerdan's weekly review], and negligently dangling a coffee-cup. His whiskers, like his hair, are in curl-papers. [2] He stands full-face, smoking a small cigar and holding a riding-switch. A small top-hat is poised on flowing curls which mingle with his whiskers; his contour is feminine, with long tight-waisted double-breasted coat over very wide trousers. [3] In tail-coat and tight pantaloons he sits, playing a guitar and singing loudly. His hair is more tightly curled than in [2]. In all three his sleeves are tight but puffed on the shoulder. His flat pumps have large ribbon bows."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from British Museum catalogue., and Watermark: J. Whatman Turkey Mill 1827.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark.
Title from text below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill.
Three couples and a young boy are picnicking outdoors. The large women with exaggerated sleeves and large bosoms exclaims: "Lauk, how hot the sun is to my back!" Everyone is oblivious to the fact that a fire is raging under the kettle behind her
Description:
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Numbered in ms. at top of sheet: 269.
Title etched below image., Approximations of Chinese characters precede each line of text., Description based on imperfect impression; imprint statement erased from sheet. Publication information from unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Print numbered in pencil in upper right corner: 7.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuer are daily publishing., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1829.
Title from captions below images., Print signed using William Heath's device: A man with an umbrella., Design consists of three panels, each individually titled., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.