A collection of paper dolls and paper outfits designed and painted by Zelda Fitzgerald for her daughter, Scottie Fitzgerald Smith., Consists of five male and three female dolls, four men's outfits and two women's outfits., Gift from Scottie Fitzgerald Smith to Henry Flood Robert, Jr., Missing from the six dolls are three arms, two hands, and two feet; one head has been partially replaced by the artist. Missing from the outfits are three sleeves., The style of the clothing is evocative of French courtiers of the reign of Louis XIV., and Two of the outfits are taped onto the figures of the dolls they fit; the other four outfits do not fit the dolls in this collection.
Publisher:
s.n.,
Subject (Name):
Robert, Henry Flood,--Jr.--Ownership and Smith, Scottie Fitzgerald--Ownership
A paper doll and a paper outfit designed and painted by Zelda Fitzgerald presumably for her daughter, Scottie Fitzgerald Smith., Neither doll nor outfit has been cut out from the sheet they were painted on. Autograph of the painter on each sheet., and The doll is a male figure with green skin and white hair --perhaps from the artist's fairy tale series of paper dolls. The outfit consists of a knee-length green coat with a yellow lining. It includes a belt, cloak, gloves, and boots, all in white. Tan-colored tights complete the ensemble along with a green shako which has white spheres as decoration.
Two watercolor drawings made in and around the Central Utah Relocation Center near Delta, Utah, by Japanese prisoners of war. The first is an untitled landscape view of the Topaz Valley, the site of the center; it measures 28 x 39 cm and is signed at the lower left corner "S. Mikami." The second is a scene within the camp and features residential cabins, pathways, and unidentified figures at either sunrise or sunset. It is signed at the lower right with Japanese characters and a red chop mark, measures 27 x 38 cm, and is inscribed in pencil on the reverse in an unidentified hand: “Delta, Utah / Japanese / Relocation / Camp / 19.”
Description:
Purchased from William Reese Company (PBA Galleries sale, San Francisco, 2013 July 11, lot 253) on the Arthur Corbitt Hoskins Memorial Fund, 2013.
Subject (Geographic):
Sevier Desert (Utah)--Pictorial works
Subject (Name):
Central Utah Relocation Center--Pictorial works and Mikami, Charles Erabu,--1902-1998
Subject (Topic):
Artists--United States, Concentration camps--United States--Pictorial works, and Japanese Americans--Forced removal and internment, 1942-1945
Higgs manuscript. and Toccatas, keyboard instrument. Selections
Description:
Copyist's ms., in ink; on leaf 139: Napoli 1723., For fuller description, list of contents, and thematic catalog, see P.T. Lee's The keyboard style of Alessandro Scarlatti. (Thesis (M.A.) Yale, 1959)., Gift of the Library Associates, 1953., Known as "The Higgs Manuscript", this volume was formerly owned by H.M. Higgs, Esq., The 4 unnumbered leaves at end contain no music., and The whole of the ms. was published by J.S. Shedlock (London : Bach & Co.) in 1908-1910.
Date assigned by curator., Design attributed to Rowlandson by curator., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title devised by curator.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Date assigned by curator., For the original drawing by Rowlandson, see: Grego, J. Rowlandson the caricaturist, v. 2, page 422., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title supplied by cataloger, based on title given by Grego for the original drawing.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Attribution to Rowlandson from curator., Date of publication assigned by curator., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark on top and bottom edges., and Title devised by curator.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 1 of 2) | Folder I-26
Image Count:
1
Resource Type:
Prints & Photographs
Description:
Date assigned by cataloger., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title devised by curator.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 1 of 2) | Folder I-27a
Image Count:
1
Resource Type:
Prints & Photographs
Description:
Attributed to Rowlandson by curator., Date based on Rowlandson's active years. See Dictionary of National Biography., From a collection in fourteen volumes compiled by Francis Harvey and dispersed at auction, Sotheby, London, June 1900. Sold at Sotheby, London, 12 March 1919. Bequest of Hugh Dudley Auchincloss to Yale University Library, 1981. Bound by Riviere & Son in three-quarters red morocco with gold tooling and gold lettering on spine., and Title devised by curator.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 2 of 2) | Folder I-32a
Image Count:
1
Resource Type:
Prints & Photographs
Description:
Attributed to Rowlandson by curator., CtY-BR, Date of publication assigned by cataloger., Possibly part of a plate from: Rowlandson, T. Outlines of figures & landscapes. [London] : Publish'd by S.W. Fores, No. 3 Piccadilly ..., [1790-92]., Sheet trimmed within plate mark., and Title devised by curator.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 2 of 2) | Folder I-32b
Image Count:
1
Resource Type:
Prints & Photographs
Description:
Attributed to Rowlandson by curator., CtY-BR, Date of publication assigned by cataloger., Possibly part of a plate from: Rowlandson, T. Outlines of figures & landscapes. [London] : Publish'd by S.W. Fores, No. 3 Piccadilly ..., [1790-92]., Sheet trimmed within plate mark., and Title devised by curator.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 2 of 2) | Folder I-86a
Image Count:
1
Resource Type:
Prints & Photographs
Abstract:
"Rustic scene; a swain sitting on a stone block, playing the flute to a young, barefoot woman who stands in front of him, looking up at him and leaning back against his right leg, a dog at her feet at left; behind at left, the outer wall of an overgrown stone edifice, trees beyond."--British Museum online catalogue, description of a print of the same composition.
Alternative Title:
Rest from labour on sunny days
Description:
Attributed to Rowlandson by curator., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 150., From a collection in fourteen volumes compiled by Francis Harvey and dispersed at auction, Sotheby, London, June 1900. Sold at Sotheby, London, 12 March 1919. Bequest of Hugh Dudley Auchincloss to Yale University Library, 1981. Bound by Riviere & Son in three-quarters red morocco with gold tooling and gold lettering on spine., Possibly a study for a print of the same composition that is signed "Rowlandson 1784." Cf. British Museum online catalogue, registration no.: 1852,0214.165., Title devised by curator., and Title given by Grego for a print of the same composition: Rest from labour on sunny days.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
"The three Bow Street Justices sit at a rectangular table (left); Addington in the chair, the scales of Justice, evenly balanced, above his head; on his right and on the extreme left, Bond(?) is writing: 'Wright. W. against [?]...'. The third sits resting his chin on his hands, which are supported on the head of his cane; he gazes fixedly at the culprit. 'Lying-Jack' stands in a rectangular pen formed of posts and rails immediately in front of the justices, his elbows resting on the rail, his hands clasped, his knees bent, tears falling. He says: "Oh! God dang it, - your Worship, do take bail, your Honor tw'ant my fault please your Majesty, that I com'd the Black-guard over him: - God dang it, didn't he say that his thing was printed before mine? & that all my things were only Copies & piracies? - God dang it, your Worship, Ax Almon ye Bookseller if I was a Blackguard all the while I was a Porter! - or ax ye people where I & Wife kept a small-coal Cellar in Leather Lane if I'm a Blackguard! - God dang it, was I act like a Blackguard when I let that Cooper the Printer, pull me by the Nose, only for saying he was a Liar? - god dang it, your honor, was it like a Blackguard when I offer'd to beg Ridgeway's pardon, after he had kick'd my own Arse in my own Shop? - but I sees how the Booksellers all hates me! & wants to ruin me! - & says I lives by only Copying other peoples works your Worship! - 'tho' I only 'bridges 'em! - yes your Worship, they all hates me; & respires against me: & calls me Lying-Jack, your honor, - & Filching Jack the Plagurist! - & Stock'ee Jack the Informer! your honor - ah Gad dang it! Gad dang it, - they'll be my ruin your Honor! Gad dang it Gott damn. . . .[The last words dwindle into illegibility]" From his pocket hangs a paper: 'Speech of the Lord Chanr of Ireland'. Beside him, outside the dock, is a large bundle of books tied together, the wrapper inscribed 'Ways & Means'; these are: 'Sandford & Merton', 'G Nicol... Abridgd Embassy to China', 'D. Cox, Piracy', 'Harpers Pamphlet', 'Philanthropic Society'. Against the bundle lies a porter's knot (a pad for the shoulders attached to a ring which goes over the head) inscribed: 'Lying-Jack his Knot'. With this are the implements of a blacksmith : hammer, pliers, and horse-shoe. On the wall behind him are three bills: 'Lying Jack the Thief Taker'; 'Perjury'; 'Injuntion [sic] of the Court of Chancery agains Lying Jacks copy', and a map: 'Original Map of the Island of St Domingo by W. Faden. Charing Cross.'"--British Museum online catalogue, description of the print of which this drawing is a copy.
Alternative Title:
Lying Jack the blacksmith at confession and Lying Jack the bookseller at confession
Description:
Copy of a print by Gillray published 13 March 1798. Cf. No. 9186 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Date of publication based on that of the print of which this is a copy., 'Imprint statement' written in pencil below lower left margin of image: Pubd. March 13, 1798, by Lying Jack., Note written in pencil following 'imprint statement': Price 6 d., for the benefit of the Philanthropic Society., One line of text written in pencil below title: Scene: Bow Street, with Lying Jack answering a charge of abuse & blackguardism., and Title from note in pencil below image, in artist's hand; word "bookseller" is crossed out and "blacksmith" is written above, inserted with a caret.
Subject (Name):
Addington, William,--Sir,---1811--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Bond, Nicholas,---1807--Caricatures and cartoons., Gillray, James, 1756-1815, artist. http://id.loc.gov/authorities/names/n50033402, Harvey, Francis--Ownership., and Stockdale, John,--1749?-1814--Caricatures and cartoons.
Front row: Field, Bill (William) 1917-1993; Horstsman, Dorothy Millicent 1911-2001; Musto, David 1936-2010; Holmes, Frederick (Larry) 1937-2003; Leonard Wilson. Back row: Viseltear, Arthur J 1938-1990; Spiro, Howard Marget 1924-2012; Stevenson, Lloyd 1918-1988; Bylebyl, Jerome 1946-2008; Bob Maury. Actual portrait can be found in the Beaumont Room.
Drs. Yudkin and Blake were clinical professors of ophthalmology. Smith is unidentified. Photograph was taken outside Sterling Hall of Medicine.
Subject (Geographic):
United States
Subject (Name):
Blake, Eugene Maurice, 1882-1969, Smith, Byron C., 1908-1990, Yale University. School of Medicine. Department of Ophthalmology, and Yudkin, Arthur Meyer, 1892-1967
Photograph of the portrait of Dean Elizabeth Seelye Bixler. Elizabeth Bixler was a graduate and a faculty member of the Yale School of Nursing before becoming dean in 1944. Original photograph with signature of photographer in pencil and photographer's label on the reverse.
Subject (Geographic):
United States
Subject (Name):
Bixler, Elizabeth Seelye, 1899-1976, Yale University. School of Medicine., and Yale University. School of Nursing.
Subject (Topic):
Deans (Education), Faculty, Nursing, Nurses, and Yale University. School of Nursing
Department of Microbiology. Yale University News Bureau announcement: “Yale measles researchers, who contributed to the testing of the two new measles vaccines licensed recently, are now busy studying the vaccines themselves. Here Professor Francis Black, who is studying antibody formation by the live and killed virus vaccines, inoculates measles cultures using mouth pipetting. In the background, Mrs. Dorothy Davis (left) examines tubes for cytopathic effect, while Mrs. Marlene Scholson reads hemagglutinin tests."
Subject (Geographic):
United States
Subject (Name):
Black, Francis Lee, 1926-2007 and Yale University. School of Medicine.
Legend formerly attached to photograph describing Anderson's achievements. "Professor Anderson is shown in his laboratory in the Sterling Chemistry Building at Yale."
Subject (Geographic):
United States
Subject (Name):
Anderson, Rudolph John, 1879-1961 and Yale University. Department of Chemistry
Subject (Topic):
Biochemists, Chemists, Laboratories, and Tuberculosis
Attached Yale University News Bureau sheet states: "Doctor Retiring at Yale... Dr. Bert G. Anderson, Associate Professor of Surgery at the Yale School of Medicine and a noted dental surgeon, is retiring from the Yale faculty after serving on the Yale faculty since 1931. April-1957"
Subject (Geographic):
United States
Subject (Name):
Anderson, Bert George, 1888-1961 and Yale University. School of Medicine. Department of Surgery