Manuscript on parchment of the earliest known redaction of the Constituta legis et usus of Pisa, issued ca. 1146-56.
Description:
In Latin., Script: Written by three scribes in well formed bookhands. Scribe 1: ff. 1v (1r erased)-20r; Scribe 2: ff. 20r-38v; Scribe 3: ff. 39r-62v., Decorative initial, 7-line, f. 1r, in red and black with simple foliage designs in interior; red initial, 4-line, at beginning of art. 3, f. 18v; rubrics throughout, some perpendicular to text in margins. Plain initials, 2- to 1-line, and paragraph marks, in red; on f. 15v only, two initials, 1-line, and paragraph mark in blue. Guide-letters for rubricator in gutter or margins., Folio 1r almost entirely erased and illegible., and Binding: Nineteenth century. Quarter bound with reddish-brown goatskin over wooden boards. Paper label, with title "Statuta Civitatis Pisanae An. 1186" written in ink on spine.
Manuscript on paper of the personal handbook of a legal scholar (perhaps from Gloucestershire?) arranged according to subject and with internal cross references; some theological and literary notes interspersed (Latin texts, some with translations into English). Includes sections devoted to: Constable and Marshall, Preachers and Preaching, Creeds, Barons, Constables and Marshalls, Barons, Seales, Seals of the King, Indictments...London, Barons and Earles, Universities of Oxford and Cambridge, Corporations, Treason
Description:
In English., Watermarks: unidentified arms with fleur-de-lis and various counter-marks including IHS., Script: Written in a small cramped legal script by several writers., and Binding: Eighteenth century. Brown leather, flesh side out or very worn.
Manuscript on parchment of Georges d'Esclavonie (canon of the Cathedral of Tours), letter to Dame Isabelle de Villeblanche, a nun at the Benedictine convent of Beaumont-les-Tours; the work was apparently presented to her 31 December 1411, and this would seem to be an early copy
Description:
In French., Script: Written by a single scribe in a neat gothic script with batarde influence. Annotations and corrections by a contemporary hand., One simple initial on f. 1r (4-line) in red; other plain initials (3-line) alternating red and blue. Headings, paragraph marks, strokes on initials, in red., Water damage in lower margin of most leaves, ff. 13-54., and Binding: Eighteenth century. Red straight-grained goatskin, wide gold-tooled floral border, with owner Richard Weir's "broken cable" roll. Gold-tooled panels on spine. Edges gilt. Title on spine: CURIEUX/ MSS SUR VELLIN.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
D'Esclavonie, Georges. and Benedictines.
Subject (Topic):
French literature, Manuscripts, Medieval, and Monasticism and religious orders
Christine, de Pisan, approximately 1364-approximately 1431
Published / Created:
[between 1450 and 1475]
Call Number:
Beinecke MS 427
Image Count:
212
Resource Type:
unspecified
Abstract:
Manuscript on parchment (trimmed).
Description:
In French., Script: Written in batarde, with elaborate flourishes and cadeaux in upper and lower margins., The manuscript includes four miniatures which are among the finest by the Master of Amiens 200, active in Hesdin and Mons and possibly in Amiens in the third quarter of the fifteenth century. Four half-page miniatures, each with a 6- to 4-line initial, blue with white highlights, filled with red, blue and green ivy, against an irregular gold ground, edged in black, some with cusping. Initial on f. 1r with arms of Crevecoeur family (gules, 3 chevrons or) added later. Folios with miniatures have a blue and gold bar in inner margin, with diamond-shaped terminals and regularly spaced blocks of black hair-spray with two gold ivy leaves in margin; the other three margins with red, blue and green acanthus, with some gold, red and blue flowers, birds, insects, surrounded by blue and gold ivy leaves. 2-line initials, gold, filled with pink or blue against irregular, cusped blue or pink grounds with white filigree. Rubrics throughout., and Binding: Nineteenth century. Red, straight-grained goatskin gold-tooled with black onlays over the bands. Light blue, watered silk doublures and gilt edges. Bound by Bozerian (Paris, 1793-1817). Armorial binding of comte L. L. Pajot d'Ons-en-Bray.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Christine, de Pisan, approximately 1364-approximately 1431.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Women authors, French
Manuscript on paper of Raoul LeFevre, Le Recueil des histoires de Troies. With Author's Prologue to Philip the Good, Duke of Burgundy
Description:
In French., Watermarks: similar in design to Briquet Lettres et Monogrammes 9747., Script: Written in bold batarde by two scribes. Scribe 1) ff. 1r-125r; Scribe 2) 125r-262r., On f. 6r, a 4-line initial in red and black, crude. 3- to 1-line plain initials and paragraph marks, in red. Rubrics, sometimes with calligraphic flourishes extending into margins, throughout., and Binding: Eighteenth century. Yellow edges. Blue diced calf, gold-tooled, with red labels.
Subject (Geographic):
Connecticut, New Haven., and Troy (Extinct city)
Subject (Name):
Lefèvre, Raoul, fl. 1460. and Philip, Duke of Burgundy, 1396-1467.
Jean, de Meun, approximately 1240-approximately 1305
Published / Created:
[between 1300 and 1350]
Call Number:
Beinecke MS 703
Image Count:
45
Resource Type:
unspecified
Abstract:
Manuscript on parchment (low quality) of 1) Jean de Meun (ca. 1240, d. before 1305), Le Testament. 2) Raoul de Houdenc (ca. 1170-ca. 1230), Le Songe d'Enfer (La Voie d'Enfer), 1-672. At least 6 verses are missing at the end; they were probably written on a leaf now missing after f. 18.
Description:
In French., Script: Copied by one hand in a rather uneven Northern Gothica Textualis Libraria, marked by many fusions., The opening letters of all verses are heightened in red; in art. 1 the first verse of each quatrain except the first one opens with a 1-line plain red initial. Art. 1 opens with a 3-line plain red initial, art. 2 with a 2-line one. All initials are executed over guide-letters., The codex is badly trimmed, causing the loss of letters at the end of verses., and Binding: Nineteenth century. Half brown leather over pasteboard, the boards covered with red paper. On the spine a black leather label with the gold-tooled title "CODICILLE / I. DE MEUN" and a green circular paper label with the handwritten shelfmark "301".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jean, de Meun, approximately 1240-approximately 1305. and Raoul, de Houdenc, approximately 1165-approximately 1230.
Subject (Topic):
French literature, French poetry, and Manuscripts, Medieval
Holograph, with corrections and instructions for printing. Accompanied by a holograph fragment from an unidentified work of music criticism
Description:
Intended as part of a revision of Lohengrin et Tannhäuser de Richard Wagner, by Franz Liszt (Leipzig: F. A. Brockhaus, 1851). The revised three-part work was to be titled Trois opéras de Richard Wagner considérés de leur point de vue musical et poétique, by Franz Liszt. and Available on microfilm
Lease with engraved heading written for Dirgue Billers Olmius, 2nd Baron Waltham, to William Williams, comedian, for a period of 99 years at the rent of 5 shillings on condition that within a year Williams erects upon it a theatre for comedians. The theatre at Weymouth became one of the venues frequented by companies of strolling players. On the verso are 18th century endorsements including the surrender of the lease to Robert Lumley Kingston 20 March 1771
Description:
In English., Written on vellum with red wax seal and blue embossed stamp affixed., and For further information, consult library staff.
Subject (Geographic):
England.
Subject (Name):
Williams, William (Comedian) and Kingston, Robert Lumley.
Manuscript fragment on parchment of a lectionary containing portions of 2 Kings 2-3.
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: 2- and 3-line initials at the beginning of lessons are written in red uncials; 1-line initials are written in brown rustic capitals; rubrics written in red rustic capitals; punctuated with the punctus, punctus elevatus, and punctus interrogativus.