Bridget, of Sweden, Saint, approximately 1303-1373
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 5
Image Count:
71
Resource Type:
unspecified
Abstract:
Manuscript on parchment of 1) St. Birgitta, Regula Sancti Salvatoris. 2) Urban V, Ut nihil a noviciis omnino exigatur. 3) Pseudo-Augustine, Disciplina monasterii. 4) Additiones domini Prioris Petri super Regula sancti Saluatoris. 5) [One leaf of another manuscript laid in:] Revelacio Sancte Birgitte
Description:
In Latin., Script: Written by a single scribe in batarde (no loops)., Primary plain initials, 11- to 1-line, in red; rubrics throughout., and Binding: Fifteenth century. Original sewing on four slit, tawed straps laced into beech boards as are the tawed cores of plain, wound endbands. Covered in cream-colored skin, cut or worn away so that the endbands are visible on the spine. Traces of five bosses on each board and of a strap-and-pin fastening, the strap attached to the lower board with a brass plate. Pin and strap wanting. Front pastedown: fragment of 15th-century manuscript, on paper; back pastedown: fragment of another 15th-century manuscript glued in upside down. Watercolor sketch of St. Birgitta (115 x 67 mm.) pasted on front cover, probably 16th century.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bridget, of Sweden, Saint, approximately 1303-1373. and Bridgettines.
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, Monasticism and religious orders for women, and Women mystics
Manuscript on paper of Ovid, Remedia amoris. Followed by two series of short poems by Pseudo-Vergil and Johannes Fabri de Werdea (b. 1450).
Description:
In Latin., Watermarks: similar to Briquet Balance 2411, and similar in design to Piccard Ochsenkopf 732-735 and Briquet Tete de boeuf 14552., Script: Written in running script exhibiting batarde influence for both text and commentary., Plain 2-line initial, in red, on f. 2r. Some underlining and initial strokes, in red, for ff. 1r-6r only., Some of marginalia lost in gutter., and Binding: Nineteenth century. Half red-brown goatskin, gold-tooled. Marbled paper sides. Emblem and motto ("Endure fort") on front cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ovid, 43 B.C.-17 A.D. or 18 A.D.
Subject (Topic):
Erotic literature, Latin, Latin poetry, Medieval and modern, Manuscripts, Medieval, and Scholia
Bridget, of Sweden, Saint, approximately 1303-1373
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 24
Image Count:
412
Resource Type:
unspecified
Abstract:
Manuscript on paper of St. Birgitta, Revelationes. With the Life of St. Birgitta and several prayers, one of which is in German. Written by the abbot of the monastery of Maria Forst (near Cologne).
Description:
In Latin., Watermarks: similar to Briquet Lettre P 8619 and 8625., Script: Written in a well formed running hand by a single scribe who has been identified as Freiherr von Greifenclav. Divisions for indexing carefully noted in margins., Large penwork initials of mediocre quality, in red and blue; foliage designs in center of letters and penwork borders, in red, are sometimes accompanied by vulgar green dots. Many simple initials, 7- to 1-line, in red or blue; running titles in red. Rubricated throughout., and Binding: Between 1850 and 1900. Mottled, brown calf case, gold-tooled with monogram of comte Paul Riant on spine. Detached from bookblock.
Subject (Geographic):
Connecticut, New Haven., and Cologne (Germany)
Subject (Name):
Bridget, of Sweden, Saint, approximately 1303-1373.
Subject (Topic):
Christian hagiography, Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Prayers, and Women mystics
Manuscript fragment on parchment of a rituale containing the Order of visiting the sick
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2-line initials in red are surrounded by and filled with brown circles and flourishes; 1-line initials are in brown; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Rituals (Liturgical books)
Manuscript fragment on parchment of a sacramentary containing votive masses for all ranks within the church for peace, for harmony, for households, and for travelers
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2- and 3-line initials are in red; 1-line initials in black, sometimes highlighted with red; rubrics written in red in the same script as the text; the foliation is written in black; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Sacramentaries
Manuscript on paper of 1) Juvenal, Satirae I-XVI. 2) Unidentified commentary on the sixteen satires of Juvenal. This extensive commentary, written in the same hand as the text, draws upon some of the earlier scholia as well as works of later scholars. 3) Miscellaneous passages on the nature of tragedy, satire, comedy, plus a short life of Juvenal
Description:
In Latin., Watermarks similar to Briquet Tete de boeuf 14874., Script: Written by a single scribe in a well spaced informal batarde for the main text and in a very small cramped batarde for surrounding notes., Crude illuminated initial, 9-line, on f. 1r; red initials, 3-line, at beginning of remaining satires. First letter of each verse stroked in red (ff. 13r-61r); some lines underlined in red., and Binding: Twentieth century. Cloth boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Juvenal.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Satire, Latin, and Scholia
Manuscript on paper (heavy, rough) composed of four parts. Part I: Excerpts (divided into three parts) from the Malogranatum of Gallus, abbot of the Cistercian abbey of Koenigssaal, Bohemia. Part II: 3) Thomas a Kempis, Tractatus de imitatione Christi et contemptu omnium vanitatum mundi, Book I only. 4) Unidentified Fasiculus florum or Fasiculus morum. 5) Brief excerpts from Augustine and Jerome. 6) Unidentified excerpts dealing primarily with defects in the performance of the mass. Part III: 7) Unidentified extracts on virtues and vices. 8) Series of exempla of virtues and vices perhaps intended as illustrations for the selections quoted in art. 7. 9) Exemplum of Udo, Abp. of Magdeburg. Part IV (parchment): Unidentified text
Description:
In Latin., Watermarks: Part I: unidentified monogram buried in gutter. Parts II and III: similar in design to Piccard Buchstabe P XVI.301-29., Script: Part I (ff. 1-154): Copied by one person in a poorly formed, abbreviated gothic cursive. Part II (ff. 155-202): Written by two scribes: 1) ff. 155r-196r in hybrida; 2) ff. 196v-199v in hybrida. Part III (ff. 203-248): Written in neat gothic cursive by a single scribe. Part IV (ff. 249-256): f. 249r-252r (first column) written in small neat gothic textura; ff. 252r (col. b) - 255r written in gothic cursive., Part I: Small knobby initials, 3- to 2-line, in red. Underlining, paragraph marks, initial strokes, and circles enclosing marginal annotations by the scribe, in red, throughout. Part II: Scribe 1) Incipits, knobby initials (3-line), strokes on initials, in red; 2) Crudely drawn initials (2-line), paragraph marks, strokes on initials, and underlining for headings, in red. Part III: Many plain initials, 2- to 1-line, headings, initial strokes, and lines drawn through the names of authors cited, in red. Notes to rubricator, many perpendicular to text along outer edge of leaf. Part IV: Small plain initial (f. 249r) in red., The patterns of water damage and stains indicate that the codex originally consisted of several booklets., and Binding: Fifteenth century. Bound in the Charterhouse of St. Barbara in Cologne. Vellum stays in the center of the gatherings and their backs cut in about 3 mm. at each sewing station. Sewn on four, double, vegetable fiber supports laced into oak boards and pegged as are the plain, wound endbands. Covered in light brown calf with very narrow corner tongues and defined supports. Blind-tooled with intersecting diagonal fillets with roses, two-headed eagles, crowned swans and fleurs-de-lis in the compartments, inside an outer frame. Trace of a catch on the upper board; edge of the lower one cut in for a strap. Rebacked and clasp wanting. Front and back flyleaves, formerly pastedowns, from a liturgical manuscript (Germany, 12th-13th centuries) containing Office of the Dead. Responses to the first five lessons are Qui lazarum, Heu michi, Ne recorderis, Domine quando, Peccantem me cottidie.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Christian literature, Latin (Medieval and modern), Didactic literature, Latin, Exempla, and Manuscripts, Medieval
Manuscript fragment on parchment of a sequentiary containing: Notker Balbulus (Christmas, 25 December), Notker Balbulus (St. Stephen, 26 December), Notker Balbulus (Assumption of Mary, 15 August), and Adam of St. Victor (St. Augustine, 28 August).
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: 2-line initials at the beginning of sequences are in red, decorated with blue penwork; 1-line initials at the beginning of verses alternate red and blue; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text; musical notation in black on four-line staff in red.
Manuscript on paper, with parchment for outer and inner conjugate leaves of each quire, composed of four "booklets" or units of similar format. Part I: 1) William of St. Thierry, Epistola ad fratres de monte Dei, formerly attributed to Guigo and Bernard of Clairvaux. Part II: 2) Bernard of Clairvaux, Sermo in festo annuntiationis B. V. Mariae. 3) Bernard of Cluny [?], Sermo de villico iniquitatis, formerly attributed to Bernard of Clairvaux. 4) Bernard of Cluny, Preface to art. 3. Part III: 5) Bernard of Clairvaux, De gradibus humilitatis et superbiae. 6) Jean, l'Homme de Dieu, Tractatus de ordine vitae et morum institutione, formerly attributed to Bernard of Clairvaux. Part IV: 7) Bernard of Clairvaux, Sermo I pro Dom. VI post Pentecosten. 8) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 9) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 10) Anonymous sermon on the Virgin Mary. 11) Nicholas of Clairvaux, Sermo in natali S. Benedicti de euangelio. 12) Bernard of Clairvaux, Sermo in obitu Domini Humberti
Description:
In Latin., Watermarks: Part I: unidentified P in gutter. Parts II-IV: similar in design to Briquet Lettre Y 9182-84., Script: Part I (ff. 1-34): Written by a single scribe in well formed upright gothic script exhibiting batarde influence in the long descenders. Part II (ff. 35-46): Written in a script similar to that of Part I, but with less batarde shading. Part III (ff. 47-82): Written possibly by the same scribe as Part II. Part IV (ff. 83-99): Written in small cramped gothic script similar to those in I-III., Part I: Carefully executed red and blue divided initial, 8-line, on f. 1r; infilled and surrounded by delicate foliage designs in red and purple ink, on a green ground, with flourishes extending down inner border. Similar initial, f. 1v, without green ground and with blue scroll design for crossbar. Headings, paragraph marks, initial strokes, underlining, and Nota marks in red. Part II: Fine initial, 8-line, on f. 35r, divided red and blue, infilled and surrounded by six foliage designs in red penwork on green ground, with a central flower of six petals touched with yellow. Plain blue initial, 3-line, on f. 39v, with some floral designs in body in natural color of paper; red initials, 2-line, ff. 40r and 45v. Headings, initial strokes, underlining and corrections, in red. Paragraph marks in red or blue. Guide-letters for rubricator. Part III: Divided initial I, red and blue, 10-line, on f. 47r, with red and purple foliage designs on green ground surrounding initial, and with flourishes extending down inner margin. Blue initial, 4-line, on f. 68v, infilled and surrounded by penwork designs in red. Plain initials, 2-line, headings, initial strokes, paragraph marks, corrections, and some marginal notes, in red. Guide-letters and instructions for rubricator. Part IV: Blue initial, 5-line, on f. 83v, with interior floral designs in natural color of parchment; body infilled and surrounded by red penwork designs extending down inner margin. Initials, 5- to 2-line, headings, paragraph marks, in red., and Binding: 16th-17th centuries (?). Original sewing on four tawed, slit straps, the spine rounded and the supports prominent and defined. Plain, wound endbands on vegetable fiber cores, the covering leather saddle-stitched around them. Covered in dark brown calf with round and lozenge-shaped tools in diamonds and triangles formed by intersecting fillets in a central panel in a double outer frame. One fastening, the catch on the upper board and the strap wanting. Turk's head knot placemarks on the fore edge. Rectangular label removed from upper edge of front cover; two modern brown labels, stamped in gold, on spine: "Bernardi Varia" and "M. S." Original front pastedown: lower portion of a parchment bifolium (Germany, 15th century) of the Doctrinale of Alexander of Villa Dei with lines 1056-79 visible on verso and 1520-44 on recto. Ca. 5 mm. between lines of text. Binding restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., Catholic Church, and Cistercians.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Sermons, and Theology
Manuscript on paper of Vincent of Beauvais, Speculum Historiale, Books 21-25. Previously bound together with the Vinland Map (Beinecke MS 350A).
Description:
In Latin., Watermarks: Briquet Tête de boeuf 15056., Script: Written by a single scribe in a well-formed running hand with bâtarde shading and flourishes in the upper and lower margins that are often decorated with red. The same scribe also wrote the Hystoria Tartarorum (Beinecke MS 350A.1). A somewhat later hand, (approximately 1500), added running titles in the upper margin in italic script., Rubrics, Roman numerals and some simple initials in red., and Binding: Fifteenth century. Sewn on four tawed, twisted, double supports laced into grooves extending approximately 25 mm on the inside of beech boards and pegged. The spine is square and lined with vellum extending onto the inside of the boards between sewing supports. Covered in brown leather blind-tooled with concentric frames, the center panel filled in with small, square bird tools. The entire binding was tooled upside down. Impressions of the tools go through to the wood. Four fastenings, the clasps on the upper board. Restored; endbands added and clasps wanting. On the glue left from the original pastedowns, now wanting, are the offset impressions from a single, heavily annotated manuscript document that was cut in half vertically; dated 1437 from the Council of Basel.