Manuscript on parchment of gospel and liturgical texts with musical notation for the Vigil of Christmas and the Holy Week. Includes a variety of feriae.
Description:
Decoration: headings in red; yellow heightening of majuscules and cadel; numerous elaborately decorated cadels; neumatic chant notation on four-line staff. and Script copied by two hands in a rather angular southern gothica textualis formata (rotunda).
Manuscript on parchment of a ferial psalter containing a calendar, a psalter with hymns and antiphons, canticles, a litany, and the Office of the Dead.
Description:
Binding: early binding; undecorated brown leather over wooden boards., Decoration: rubrics in red (rare); red or blue paragraph marks. Red stroking of majuscules. Alternately red and blue versals; brown or grey cadels, often decorated with a grotesque human face; numerous 2-line dentelle initials; large foliate initials on ff. 7v, 52r, 63v, 74v; these are accompanied by three-margins left floral borders., and Script: copied in northern gothica textualis formata (textus rotundus) with English features.
Manuscript on paper of Petrarch, Trionfi (ff. 1r-47r), and Dati, Sfera (48r-76r).
Alternative Title:
Sfera.
Description:
Binding: contemporary, blind-tolled calfskin over wooden boards, sewn on three double thongs. Both covers decorated with a frame and lozenge design. The remains of two brass clasps extant on the front cover., Decoration: In art. 1, space reserved for, but unfilled with, headings between all trionfi; but each trionfo opens with a 3-line blue plain capital. Space similarly reserved for, but unfilled with, headings in art. 2; but also 2- or 3-line blue capitals., Purchased in July 2001 from a private collector on the Edwin J. Beinecke Fund., and Script: copied by two hands both writing Humanistica Cursiva: A, ff. 1r-47r (art. 1); B, ff. 48r-76r (art. 2), in a smaller handwriting.
Subject (Name):
Dati, Gregorio, 1362-1436. and Dati, Leonardo, d. 1425.
Manuscript on paper of a collection of alchemical texts, including works by Rasis, Roger Bacon, and Hermes. Though the Bacon text and one other are early practical alchemies, the contents are mainly speculative in character.
Description:
Binding: Modern. Parchment, cut from a leaf of a very large manuscript, probably a lectionary, written in a Rotunda antiquior hand, Italian, 12th century; writing on outer surface erased, printed paper label on backstrip., Book and chapter headings in red, rubrication, capitals stroked yellow, larger initials painted in red or blue with tracery ornament in the contrasting color (all decoration probably by the scribe; red headings in the scribe's hand, all other red decoration with ink of apparently identical composition)., Denis Duveen, acquired from Joseph Martini, 1938; Mellon MS 34, acquired with the Duveen collection. Gift of Paul and Mary Mellon, 1965., and Script: Written by one scribe in a very neat and regular prehumanistic hand.
Subject (Name):
Bacon, Roger, 1214?-1294., Hermes, Trismegistus., and Rāzī, Abū Bakr Muḥammad ibn Zakarīyā, 865?-925?
Manuscript, on vellum, in a single hand, of Chaucer's Canterbury Tales. John Lydgate's Life of St. Margaret follows the Chaucer text.
Description:
Binding: nineteenth-century full brown morocco., Bookplate: Chatsworth., Byname: Devonshire Chaucer., Decoration: full illuminated border on first page of text, including large portrait initial of author; other illuminated initials with decorated borders and elaborate penwork initials., From the collections of Sir Edmund Knyvett; John Walpole; Thomas Skarlet; Sir Henry Spelman; Hamon L'Estrange; George Mason; John Ker, Duke of Roxburghe; William Cavendish, Duke of Devonshire, and his descendants. On deposit from the collection of Toshiyuki Takamiya, 2013-., In Middle English., Layout: single columns of 39-42 lines., and Script: English bookhand.
Subject (Name):
Chaucer, Geoffrey,---1400., Devonshire, William Spencer Cavendish,--Duke of,--1790-1858--Bookplate., Lydgate, John, 1370?-1451? Life of St. Margaret., and Lydgate, John,--1370?-1451?
Manuscript on parchment, in a single hand, of the complete text of this anonymous verse chronicle. This version includes a brief chronicle in Latin prose.
Description:
Binding: modern case., Decoration: numerous roundels containing crowns., From the collection of Toshiyuki Takamiya, 2013-., In Middle English, with a small addition in Latin., Layout: single column., and Script: English cursive bookhand.
Three miniatures, on vellum, from the copy of the Livre du Lancelot du Lac illustrated by the Dunois Master. They depict: 1) the Duke of Clarence and esquire, meeting a knight cutting off a woman's hair; 2) King Baudemagnus leading the battle against the Romans; 3) Lancelot's arrival at the city of Gorre.
Description:
Binding: individually mounted. and From the collection of Toshiyuki Takamiya, 2013-.
Manuscript, on vellum, in two scribes' hands, of this collection of verse saints' lives.
Description:
Binding: eighteenth-century full calf., Decoration: numerous initials in blue with red penwork., Ex libris Thomas Weld. On deposit from the collection of Toshiyuki Takamiya, 2013-., Layout: single columns of 42 and 39 lines, respectively., Script: English cursive bookhand (two scribes)., and Text is substantially complete, lacking two leaves at the beginning, one in the middle, and probably several at the end.
Manuscript, on vellum, in a single hand, of the "common version" of the Brut chronicle.
Alternative Title:
Chronicles of England.
Description:
Annotations in red crayon probably by Matthew Parker, Archbishop of Canterbury., Binding: nineteenth-century brown blind-stamped morocco, gilt; armorial binding of the Dukes of Newcastle., Decoration: numerous two-line initials in burnished gold or in blue ink with red penwork., Layout: single columns of 36 lines., Probably formerly owned by Matthew Parker, Archbishop of Canterbury. Ex libris Duke of Newcastle. From the collection of Toshiyuki Takamiya, 2013-., and Script: English bookhand.