"Subscribers ticket to the Handel Centenary Commemoration held in Westminster Abbey in 1784; a woman seated on a lion, gesturing towards an obelisk behind her, that is inscribed 'Handel'; a cherbu by her side placing a garland on a pedestal; in oval with ribbion inscribed 'The dead shall live the living die', and on scroll between horsn and pipes, 'May 29 / Messiah / 1784'."--British Museum online catalogue.
Description:
Sheet trimmed within design, resulting in loss of imprint. and Title from image.
"Time stands behind an oval table covered with a cloth on which is an hour-glass, its sands nearly run out, standing on a large flat book inscribed 'Traitè de Paix', from which five seals hang evenly. Behind him is a doorway in a stone wall, covered with a curtain, one side of which he holds. With his left forefinger he points upwards at the inscription above the door: 'L'avenir', which is decorated with seven (drooping) ears of corn. The seals are inscribed (left to right): 'F.W.' [Frederick William of Prussia]; 'G Rx', with its ribbon inscribed 'God save the King'; France; a crowned 'C' [Catherine II]; 'Fr. Imp.' [Francis Imperator] (prophetic of the powers that decided the fate of Holland in 1815). 'Le génie du Terns garde la porte de l'avenir;... Qui est le mortel assez hardi, pour oser le penetrer? . . .' Text, 'Proverbs', x. 28. To this is added, in English only, 'St. Matthew', v. 9, 'Blessed are the peacemakers!'"--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "20" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Emblems: hour-glass -- Personifications: Time -- Seven ears of wheat-corn as United Provinces., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"The Convention, a creature with the body of a stout woman and with seven monstrous and demoniac heads, sits full-face in an accoucheur's chair. A little demon on the ground holds up a pitchfork. A French surgeon, smiling (right), with shirt-sleeves rolled up, holds a clumsy pair of forceps; a Dutch accoucheur, fat and senile, peers into a folio volume: 'Sectio Caes: et Sectio Synchondroseos'. '. . . L'accoucheur Français, homme experimenté, prévoit ses terribles convulsions, et s'est déja muni du forceps. Son collegue Hollandais, dont les craintes vont encore plus loin, repete la théorie de l'incision Caesarienne. Il faudrait effectivement un Caesar, pour couper court à tout proces.' Text, 'Isaiah', xiv. 29. Her fruit shall be a fiery flying serpent."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "19" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Conventions -- Surgeons -- Medical instruments: forceps -- Physicians: Dutch accoucheurs -- Monsters., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"A birch-rod placed diagonally, the handle (tied with rope) in the lower left corner of the design. From among the twigs ten heads (caricature portraits) project, also (right) the head of a boar and posteriors emitting smoke. 'O peuple aveugle et endormi! . . . C'est la liberté qui a formé pour ton éducation cette verge salutaire. . . .' Text, 'Ezekiel', vii. II."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "18" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Emblems: birch rod., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Seven men, closely grouped, fight and scuffle confusedly. On the ground (left) are the arrows of the seven United Provinces, broken and separated, a cat plays with the ribbon which binds them (the symbolical bond of union, cf. BMSat 5712). A National Guard has taken one of the arrows and drives it into the head of a man whose eye he tries to gouge out, and who grasps another antagonist by the wig. One raises a chair to smite, another empties a wine-bottle on an opponent."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "17" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: confederation committee -- Emblems: seven arrows of the United Provinces, broken -- Military national guards: Dutch national guard -- Fighting -- Furniture: ladderback chairs., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"The interior of a church or crypt, indicated by a stone wall with funeral monuments, and a flagged floor in which old graves have been violated. A soldier tramples on a skeleton, another levers up a flag-stone. Behind, a boy in military uniform, in back view, urinates upon a skull. A citizen raises a mallet in both hands to deface a large monument against the wall, on which is the figure of a bearded man in sixteenth-century armour, which partly obscures the lettering on the tomb: 'Wil. . . [F]riso Princ .... Araus Na ...'. A tomb beside it (right), headed by a pyramid of skulls, is 'F. W: \ com: Nassov. \ Obiit \ Anno . . \.' There are other broken tombstones, one inscribed 'Princ: Araus'. A plumed helmet and blazoned shield lie on the ground. 'C'est ainsi qu'en Frise les amis de la liberté ont détruit jusqu'à la mémoire de leurs anciens tyrans. . . .' Text, 'Leviticus', xviii. 27."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "16" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: removal committee -- Churches: Dutch churches -- Tombs -- Skeletons -- Military uniforms -- Graves: violation of graves -- Monuments: destruction of monuments., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"An old woman of repulsive and disreputable appearance sits full-face surrounded by quack doctors. Her cap is inscribed 'Rep: Bat' (Batavian Republic), her petticoat is decorated with the seven [The artist has arranged the arrows in groups of five, not seven] arrows of the United Provinces. Her feet are in a tub of water. One doctor (left) holds her arm, the blood from which gushes into a bowl on her lap. Another (right) applies a cupping-glass to her left shoulder. A man (right) stands primly in profile to the left holding his cane; from his pocket protrudes a book: 'Traité sur la Reconaissance'. (He is 'Citoyen L' who owes everything to the ex-Stadholder.) Two military officers also watch the treatment, one (left) has a clyster-pipe under his arm. Standing behind, and on a higher level, is the zany (cf. BMSat 6398, &c), holding up a club wreathed with a serpent in his right hand, a bottle inscribed 'Tinct. Univer.' in the left. On the ground is a prescription inscribed 'R. P M: Mere' [i.e. Merc]. Text, 'Jeremiah', li. 9."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "15" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: health committee -- Quacks -- Quacks' zanies -- Military uniforms: French uniforms -- Medical instruments: clyster pipes -- Medical procedures: bleeding -- Emblems: Caduceus -- Medicine: mercury -- Water tubs -- Allusion to the Batavian Republic., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Two French officers collect requisitioned goods from two Hollanders. One holds out smiling an empty sack, directing an abject Dutchman on the extreme right to put in the two money-bags which he holds. The other clenches his fist and seizes the wig of a fat Dutchman. Beside him (left) are two barrels. On the ground lies a large paper book inscribed 'Requisition. \ 500 Boeufs hollandais \ 100 Millions de Numerair[e] \ 600 Moutons. 11000 Quint: de Ris. \ 60000 Frontages. \ d'Edam \ 3000 Toneaux \ de Genevre etc.' Behind (right) is a baggage-wagon, its canvas tilt inscribed 'Republique Françoise'. It is filled with packing-cases, one inscribed 'Cabinet d'Hist: nat': Two men (left) carry off sacks and cases (marked 'N° 105' and 'N° 56'). Above the design: 'Les Battus paÿent l'amende'. Text, 'Jeremiah', xiii. 19."--British Museum online catalogue.
Alternative Title:
Battus paÿent l'amende
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "14" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: requisition committee -- Military uniforms: French uniforms -- Dutchmen -- Wagons: baggage-wagon -- Plunder -- Money: bags of money -- Barrels., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Two French officers stand behind three Dutchmen: one looking into a peep-show (left) inscribed 'L'Armée du Prince Frederic d'Orange', the other two seated in arm-chairs. One of the latter (centre) holds up his hands in pleased surprise; he looks through spectacles held by one Frenchman while the other is about to put a net over his face. The other (right) looks through a telescope; his shrivelled legs are in boots which may conceal cloven hoofs; he wears a cocked hat. On the ground is a torn paper, 'Garantie du Stadhouderat'; a pair of scissors grips the seal which is about to be cut off. Behind it a tiny demon digs with a spade. Text, 'Jeremiah', xiv. 14."--British Museum online catalogue.
Alternative Title:
The committee of foreign affairs.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "13" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: foreign affairs -- Military uniforms: French uniforms -- Peep-shows -- Eyeglasses -- Telescopes - Scissors -- Demons -- Allusion to the Prince of Orange's army -- Documents -- Seals., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"The patriots (known as 'Bataves', who had emigrated in 1787 after their defeat by the Anglo-Prussian alliance, see BMSat 7178, &c.) approach the committee (apparently two French Représentants en Mission) with requests for money and clothes. Four men stand obsequiously on the right, two with papers inscribed 'Request'. From the pocket of one (right), dressed as a soldier, projects a carriage-lamp (which he is alleged in the text to have stolen). One Frenchman (wearing a scarf inscribed 'Representant'), holding a pair of breeches, puts money into an outstretched palm. The other haughtily watches the suppliants. On the left an old Jew measures a patriot wearing sabots, his coat inscribed 'N° 25', for a suit of clothes. Behind him is a wall from which projects a sign: 'Nathan Levi Uitdraager en Kleermaaker' [broker and tailor]. On the wall are four pegs, from one hangs a 'Capts Pack': coat, boots, and sword, from another a 'Lts Pack': coat and sword. Between them hangs a small empty bag of 'Courage Militais' [sic], and on the right a mask. Behind the suppliants is a door (right) above which is a notice surmounted by a cap of liberty: 'Nederlandsche \ Societeÿt \ Vry Wÿn en Moll' [Wine and beer gratis]. On the door: 'gebranndte Waateren te koop' [brandy for sale]. Text, 'Proverbs', xiii. 21."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "12" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: refugee committee -- Frenchmen -- Lamps: carriage lamps -- Jews -- Trades: tailors -- Brokers -- Military uniforms: Dutch uniforms -- Cap of liberty., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Three men gorge at a dinner-table laden with food and wine. A fat man with the table-cloth tucked under his chin gnaws a bone. A more elegant man (left), perhaps the 'President' of BMSat 8850, but wearing ear-rings, offers a bare bone to a little ragged boy. A third (right) drinks. A man-servant stands behind, another (right) with bludgeon and clenched fist drives back a starving couple who stand in the doorway making gestures of supplication. Above the design: 'Charité bien ordonnée commence par soimême'. Text, 'James', ii. 15, 16. Similar prints in England are directed against parish officers, cf. BMSat 6877."--British Museum online catalogue.
Alternative Title:
Charité bien ordonnée commence par soimême
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "11" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: public assistance -- Opulence vs. poverty -- Glutony vs. starvation -- Food: roast -- Beverages: wine., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"A water-side scene with a broken tree (right) in the middle distance. A stork stands with an eel in its mouth looking down at a duck; a tortoise walks off. 'Jamais les Droits Seigneuriaux n'ont mieuxêté administré que depuis que la bassecour s'en mêle. 'Pourquoi ce jeune arbrisseau meurt-il? . . . On a coupé ses racines; il aurait pu devenir trop haut. II faut de l'égalité dans les républiques.' Text, 'Jeremiah', xiii. 18."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "10" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: law -- Storks -- Eels -- Ducks -- Tortoises., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"A lamp-lighter (left) stands dejectedly on his ladder which rests against a stone obelisk supporting a lamp whose glass is broken. The light has been extinguished by a blast from the head of a cherub emerging from clouds (right). A man wearing a cocked hat standing by the lamp-post tries in vain to get a spark from a flint. A stout citizen bends over a cup held by an old woman seated on the right, he stirs it and blows upon it, evidently trying to kindle a light. A dog befouls the obelisk. '. . . Ce Committé se donne bien dela peine pour allumer la grande lanterne. Mais - le vent siffie - les verres sont cassé - comment les raccomoder ? - ' Text, 'Job', xviii. 5."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "9" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: committee of public instruction -- Lamp-lighters -- Lighting: lamps -- Dutchmen., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"The five members are somnolent. One stands with closed eyes, a lighted candle in each hand, with one of which he negligently sets fire to the wig of a member asleep in his chair (left). The candlesticks are inscribed 'P. V.O.' (? Prins van Oranje). Behind and on the right two sit asleep at a table on which are glasses, a tall bottle of 'Vaderlander Schied[am]', and a pipe. On the ground behind, a man lies face downwards, a glass clasped in his hand. On the floor are a paper headed 'Rotterdam' and a decapitated cock, so dealt with to prevent the crowing of the vigilant bird, which might have disturbed them. Text, 'Isaiah', xxix. 10."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "8" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: vigilance committee -- Lighting: candles -- Drunkenness., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Two committee-men make requisitions from a peasant and a barrow-woman. One takes a fish from the creel on the fisherman's back, and puts it into a small cornucopia which he holds. The victim, who wears trousers and sabots filled with straw, holds a paper, 'Recepisse' (see BMSat 8849), and clenches his fist, furious at receiving a receipt instead of cash. The other, in back view, has taken a handful of turnips, the old woman looks at him with a hungry, puzzled stare."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "7" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: provisions committee -- Dutchmen -- Male dress: sabots., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Three men are on the sea-shore, close to a small boat (right) with a tattered sail. One, wearing a cocked hat and military gaiters, has a basket slung round his neck containing bundles of matches for sale. He stands looking to the left, the others are behind: one (left) holds a damaged anchor on an anvil, trying to straighten it with a hammer. The other (right) sits on a three-legged stool repairing a ragged sail. The explanation ends ironically, 'Bientot les Bataves regneront sur les mers, et feront la loi à la glorieuse Albion!' Text, 'Ezekiel', xxvii. 36."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "6" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committes: commerce committee -- Committees: navigation committee -- Dutchmen -- Dutch boats., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Two French commissaries stand (left), each with a book under his arm, holding out their demands for assignments on the exchequer; one has a paper inscribed 'Payer'. Their president, as in BMSat 8849, shrugging his shoulders, answers 'Impossible!' Another man seated on a bale (right) counts on his fingers; before him are figures giving a total of 'o'. A third holds up a paper: '2 /2 /3/', looking at it through an eye-glass. On the wall is a 'Tafel van Multiplicatie' and beside it shelves in which are books and bundles of papers, one inscribed 'Pretentions des Trouppes Suisses'. A shelf is inscribed 'Insolvable'. Text, 'Ecclesiasticus, Jesus Sirach', xli. 24."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "5" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Frenchmen -- Dutchmen -- Committees: finance committee -- Holland: civil discord., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Four members of the committee surround a treasure-chest, dismayed to find it empty of ducats and occupied by a grinning demon who points derisively at one of them, the Secretary (wearing a bonnet-rouge with a pen in it) who holds upside down an empty bag inscribed 'ils ont emigrè'. One of them, his back to the chest, takes from a Jew (left) wearing a fur cap a dish on which a little demon is excreting coins. On the right a large cupboard falls forward shooting the huge packages it contains, inscribed 'Recepissen' and 'Assignats', on to the backs of two of the committee, the more prominent is the president of the Committee of Accounts in BMSat 8850. '. . . les beaux ducats! ils ont passé chez nos frêres, les Français! dit le Secretaire....' The Jew sells a figure which he assures the purchaser will, if nourished with the tears of the Orangists, give fifty ducats daily. This is better than the piles of assignats which threaten ruin. Text, 'Ecclesiasticus, Jesus Sirach', xl. 13."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "4" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Committees: finance committee -- Jews -- Treasury chests -- Demons -- Finances: assignats -- Receipts -- Money: coins -- Holland: civil discord., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"A skeleton (cf. BMSat 8825), representing the reorganized Dutch army, stands on a rectangular pedestal, inscribed 'De \ niewwe \ orga= \ nio \ satie. \ 1795. \ Het Ith Jaar der \ Batavsche Vryhyd'. It wears a cocked hat and short military coat (showing its ribs - 'un bel uniforme à la Française'), and smokes a pipe. Two French officers are on the left, one turns his back on the skeleton and rides his cane, like a hobby horse, his sabre against his shoulder. The other holds up an admonishing arm towards two dejected Dutch officers of unmilitary appearance: one appears to be a member of the National Guard, the other, a hunch-back, wearing jackboots and sword but leaning decrepitly on a cane, tramples on 'Traité sur l'honeur Milita[ire]'. He is 'General S.' Text, 'Jeremiah', xlviii. 14."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "3" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Emblems: skeletons as Dutch army -- Holland: reorganization of the army -- Military uniforms: French uniforms -- Hunchbacks -- Military national guards: Dutch national guard -- Holland: civil discord -- Committees: military committee., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Four grotesque men, all crippled or deformed, are in a row before a set of druggist's shelves headed 'Staats Apotheek'. Those on the extreme left and right stand, the others sit. A knock-kneed hunchback (left), smoking a long pipe, the smoke inscribed 'Hellebr . . .', holds a paper: 'Recipe'. A ragged and lame National Guard picks the pocket of his neighbour. Above the shelves, and forming the apex of the design, a fury, Discord, with snaky locks, leans from clouds, holding a flaming sword and looking down threateningly at the conference. On the top shelf are a 'Guillotine' and a bull, 'Phalaris', a block inscribed 'Menschen lief de' next a gallows, a demon. Below are bottles: 'Quint Ess: de Robespierr, Sel de Marat, Recipes en Assignaten [see BMSat 8849], Rotten gift [poison for mice], Alb: Graec:' On the wall hang a sword and shackles. Text, 'Luke', xii. 26."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "2" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"A Dutch soldier (left) and his wife (right), joining hands, dance round a tree of Liberty to music supplied by a foppish French soldier on the extreme left who beats a drum and blows a trumpet, and by a stout Dutchman on the extreme right who plays bagpipes inscribed 'Vader-lands Liefde' (Love of Country). The 'tree' is a pole surmounted by a milk-churn inscribed 'Vryheid \ Gellykheid \ Broederscha[p]', [This inscription (Liberty, Equality, Fraternity) occurs on Dutch prints after the French invasion, e.g. Van Stolk, No. 5299; Muller, No. 5385.] above which is a cap of Liberty shaped like a fool's cap, and a tricolour flag inscribed 'Hollandia Regenerate[a]'. On the churn sits a parroquet, 'trying to imitate the patriotic accents of his French brothers'. A monkey climbs up the pole as in BMSat 8831. Texts, 'Acts', vii. 41, and 'Job', xviii. 16."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "1" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Military uniforms: Dutch uniforms -- Dutchmen -- Holland: civil discord -- Tree of Liberty -- Cap of Liberty -- Emblems: dove as emblem of peace -- Monkeys -- Kitchen utensils: milk churns -- Musical instruments: drum -- Bagpipes -- Musical instruments: trumpets, Title etched above image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"A governess sitting on the left at a round table, teaching three children maths, handing a coin to one; with toys on the floor and a picture of an infant Cupid under a tree reading a book, on the wall above."--British Museum online catalogue, registration no.: 1851,0901.1346.
Description:
Title and approximate date supplied by curator.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"Rechab, a male nude, rushing into a room from the right and lunging forward as he falls to his knees before David, holding up the severed head of Saul's son Ishbosheth in his right hand and pointing upwards with the other."--British Museum online catalogue.
Description:
Plate from: Lavater, Johann Caspar. Essays on physiognomy ... . London: J. Murray [etc.], 1789-1798., Publication information based on that of the volumes in which the print was issued., and Title devised by cataloger.
Head and shoulders of Isaac D'Israeli, in profile to the right, with features exaggerated. Notes by the artist scribbled above and below image.
Description:
Annotation (signature?) in lower right in pencil: Gillray delin., Date based on publication date of the print entitled "Scientific researches! New discoveries in pneumaticks! ...", which includes a similar but reversed depiction of D'Israeli in profile. Cf. No. 9923 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., From a collection in twelve volumes probably compiled by Francis Harvey and sold at auction, Sotheby, London, June 1900. Bequest of Hugh Dudley Auchincloss to Yale University Library, 1981. Bound by Riviere & Son in three-quarters red morocco with gold tooling and gold lettering on spine., James Gillray, English caricaturist, 1756-1815., and Title devised by curator.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Disraeli, Isaac,--1766-1848--Caricatures and cartoons., and Harvey, Francis--Ownership.
"Dedication sheet 'To the Queen' from the singer Harriet Abrams; three cherubs sitting facing right, singing, on clouds which curve up and support a lyre and laurel above them, below a crown in rays of light; for an unidentified publication."--British Museum online catalogue.
Description:
Print possibly designed as the frontispiece or title page for a musical work dedicated to Queen Charlotte. See Wright. and Title from text in image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., and Harvey, Francis--Ownership.
Date based on publication dates of the two similar portrait prints by Gillray after de Loutherbourg drawings., Likely a proof or unfinished state; only sitter's head is depicted., Possibly engraved by Gillray, as he engraved at least two other portraits after drawings by de Loutherbourg. See prints entitled "General Count Clairfayt" and "The Prince of Saxe-Cobourg," registration nos. 1859,0709.1544 and 1851,0901.1335 in the British Museum online catalogue., Probably after a drawing by de Loutherbourg in the British Museum. Cf. British Museum online catalogue, registration no.: 1851,0901.708., and Title devised by cataloger, based on description in the British Museum online catalogue of the probable original drawing.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Congreve, William,--1743-1814--Portraits., Gillray, James, 1756-1815., Harvey, Francis--Ownership., and Loutherbourg, Philippe-Jacques de, 1740-1812, artist.
"Explosion in the Duke of Atholl, at anchor in the Madras Road, with group of sailors and women in a boat rowing away from the disaster; in the background a view of the harbour of Madras."--British Museum online catalogue, description of a later state with lettering.
Alternative Title:
Duke of Athole, East Indiaman and Duke of Atholl, East Indiaman
Description:
Proof state before letters; print later issued with the imprint: Pubd. Feby. 1st, 1785, by R. Wilkinson, No 58 Cornhill. and Title, printmaker, and publication information from later state. Cf. British Museum online catalogue, registration no.: 1868,0808.13496.
"Shipwreck of the Nancy packet returning from India in a stormy sea off the Scilly Isles, with group of women, children and sailors in wrecked boat; people clinging to pieces of wood under raging waves at right."--British Museum online catalogue, description of published state.
Description:
Proof state before letters. and Title, printmaker, and publication information from published state. See British Museum online catalogue, registration no.: 1868,0808.13497.
"Vestris fils, as in BMSat 5905, on the same stage, is dancing in a similar pose, poised on his right toe, his back to the audience, looking over his left shoulder smiling. In his right hand is his hat, held out as before but full of notes or bills, inconspicuously inscribed "gui, £1100", and "£20,000". In his left hand he holds out a netted purse to which is attached a label inscribed "English Guineas". In place of the goose of BMSat 5897 in each lower angle of the square is an ape dressed as a dancer and with his hat held out, cf. BMSat 5903; one (left) matches the pose of Vestris in BMSat 5905, the other (right) his pose in this design."--British Museum online catalogue, description of an earlier state of the same composition.
Alternative Title:
He danced like a monkey, his pockets well crammed ... and Oh qui goose-toe!
Description:
Campanion print to: "A stranger at Sparta standing long upon one leg ...", Date of publication based on publisher's street address. See British Museum online catalogue., Printmakers and artist from description of earlier state in the British Museum catalogue., Reissue, with different publication line, of a print issued with the imprint "Pubd. May 16th, 1781, by W. Humphrey, No. 227 Strand." Cf. No. 5906 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Text below image continues: ... caper'd off with a grin, "kiss my a*** & be d-d.", and Title from text below image.
Publisher:
Willm. Holland, No. 50 Oxford Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bartolozzi, Francesco, 1727-1815, printmaker., Dance, Nathaniel, Sir, 1735-1811, artist., Harvey, Francis--Ownership., Holland, William, active 1782-1817, publisher., Pastorini, Benedetto, 1746- printmaker., and Vestris, Auguste,--1760-1842--Caricatures and cartoons.
Printmaker and artist from description of published state in the British Museum catalogue., Proof before letters. For state published by G. Humphrey in 1818, see no. 11779 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Publisher and date based on earliest imprint, partially scored through, present on published state: Publish'd January 9th, 1811, by H. Humphrey, St. James's Street, London. See British Museum catalogue., Sheet trimmed to plate mark on three edges., and Title based on that of published state.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bunbury, Henry William, 1750-1811, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.