Manuscript fragment on parchment of Gregory the Great's Expositio in canticum canticorum, containing points 7, 9, and 14.
Description:
In Latin., Script: written in caroline minuscule., Decoration: rubrics and initials in red., and Contained in Zi +7157 2 (Ovid, Opera) as a pastedown extending over the interior surface of both the front and back boards.
Manuscript on parchment (poor quality: thick, holes, ends, repairs) of Gregory the Great, Homeliae in Hiezechielem prophetam. Written perhaps at the Cistercian abbey of Hautecombe to which it belonged
Description:
In Latin., Script: Written by multiple scribes in spiky early gothic bookhand., Spaces left unfilled, f. 1r, for initials and headings at beginning of prologue and text. Decorative monochrome initials and headings, which extend the width of columns, of modest quality, in red (many oxidized). Minor initials, 5- to 2-line, some with simple penwork designs, headings, initial strokes in red., Many leaves damaged along outer edges, now repaired, but with loss of text; stained throughout., and Binding: 1800-1810, Italy. Half bound in mottled brown calf with bright pink paper sides. Two gold-tooled, brick red labels on spine: "Greg. Pape. in Ezechiel." and "Saecul. XIII". Red edges. Bound in the same distinctive style as Marston MSS 50, 125, 128, 135, 151, 153, 158, 197, also from the Cistercian abbey of Hautecombe.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory I, Pope, approximately 540-604. and Cistercians.
Manuscript fragment on parchment of Gregorius Magnus (Gregory the Great, pope 590-604), Moralia in Iob
Description:
In Latin., Script: written in bold Praegothica marked by strong bifurcation at the top of the ascenders, frequent use of lengthened i, unusual ct-ligature and the Southern form of tironian et., The text opens with a 6-line decorated initial P, half inset, with long tail in the margin in red and blue., and The inner margin is trimmed, damaging part of the initial on the recto. Both pages are stained and the recto (hair side) is worn.
Manuscript fragment on parchment (upper half of a leaf) of Gregory the Great, Moralia in Iob, XVIII.41-42.
Description:
In Latin., Script: Copied by one hand in a splendid large uncial with very few abbreviations. On f. 1v the two final letters of the last word on the top line ("habere") have been supplied in Anglo-Saxon minuscule; on line 6 the two final letters of the last word ("praemisimus") are supplied in smaller uncial script., The parchment is thin with greasy transparent patches and a hole (before writing) close to its lower edge., and Later the fragment was used as a flyleaf; an early owner wrote alongside the right-hand edge of f. 1v the ownership inscription "Liber iste est fratris Reyneri de Capella. Orate pro eo".
Manuscript on paper of Gregory I, Pope, Moralia in Iob. Books 1-4 translated into Italian by Zanobi de Strata
Description:
In Italian., Several watermarks, most indeterminate, but one resembling Piccard, vol. 10, II 307 (Pavia, 1397-99)., Copied in Italian humanist cursive., and Binding: Plain vellum over boards. Endleaves from a 14th-century breviary.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory I, Pope, approximately 540-604.
Subject (Topic):
Christian literature, Italian, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment of books I-IX of Gregory the Great, Moralia in Job, also containing two Masses: (1) feast of Charlemagne (Jan 28) and (2) feast of St Catherine (Nov 25); various prayers; scriptural excerpts; and a list of donations to the abbey of Mersburg
Description:
In Latin., Script: The main section is copied by various similar hands, in Carolingian script: hand (A) copied ff. 3v and 5r-65v; hand (B) ff. 66r-254v and 256r-259v; hand (C) f. 255r-v. The 15th century replacements for missing parts are copied in Gothica Hybrida Libraria, and the additional texts are copied by various 13th-14th century hands, writing in Gothica Textualis Libraria in various sizes, except art. 2, which is in Gothica Cursiva Antiquior., Decoration: Limited and uneven, ceasing after f. 122r. A few simple initials. A small pen drawing of a young man sitting on a bench, with undecipherable accompanying text, and a dry-point sketch of a standing male figure., and Binding: 20th century brown morocco de luxe over cardboard, by Marguerite Duprez-Lahey (1880-1958); both covers blind-tooled with frames and disk motif, also apparent on the blind-tooled turn-ins; and the spine has four raised bands and gold-tooled inscriptions.
