Manuscript, in a single hand with numerous corrections, of a description of European travels, mainly in Greece, Italy and Germany, where the author visits such cities as Naples, Messina, Malta, Florence, Salerno, Rome, Constantinople, Athens, Smyrna, Corinth, and Corfu, paying particular attention to monuments and agriculture. He views paintings and churches in Naples; visits the Campo Santo "where there are 366 holes or vaults in which the poor are interred"; sees Vesuvius; hears Mass at the Sistine Chapel; and reports on "the state of vegitation during the voyage." Elsewhere, the author notes a tempest of snow, hail, and wind on his sea voyage out of Malta; accompanies his brother "Joe" to Barcelona, where he kills two quails; admires the scenery of Switzerland and visits the landmarks associated with the legend of William Tell; and describes his meals throughout. At the end of the third volume is a list of traveling expenses. All volumes are illustrated throughout with several dozen pen and ink sketches of landscapes and monuments
Description:
In English. and Binding: full calf. Vol. 1 has metal clasp.
Subject (Geographic):
Switzerland, Altdorf., Germany, Great Britain, Greece, and Italy
Subject (Name):
Tell, Wilhelm
Subject (Topic):
Monuments, Agriculture, Europe, Travelers' writings, English, Description and travel, Social life and customs, and Religious life and customs
Manuscript on parchment of Josephus, De bello iudaico, translated into Latin by Rufinus
Alternative Title:
De bello Judaico
Description:
In Latin., Written in bold and elegant early gothic bookhand; some looped flourishes in upper margins contain red dots., Seven initials, 17- to 10-line, in red, filled with red swirling foliage on orange and green grounds, with touches of blue, against irregular grounds of blue and/or orange panels. 6- to 2-line initials, green and/or red with red or green foliate flourishes, set both outside and into text column; initials sometimes incorporate simple facial features. 1-line red initials for rubrics. Rubrics throughout; remains of notes to rubricator., and Binding: Nineteenth century. Brown goatskin, blind-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Josephus, Flavius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Jews, History, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment and paper, composed in 3 parts, of Notes on grammar, syntax, logic, mathematics, and canon law. With excerpts of moral treatises and proverbs. Parts I and II, ca. 1300 on parchment. Part III, between 1300 and 1350 on paper
Description:
In Latin., Script: Part I (ff. 1r-8r): Written in Gothica Cursiva Antiquior (Anglicana) mainly by two hands. Part II (ff. 9r-43v): Two hands, both writing Anglicana. Part III (ff. 44r-78v): Several hands, all writing Anglicana Currens and highly abbreviated: the first (ff. 44r-55v) is marked by lengthened and bold or decorated ascenders on the top line., Part II: Red paragraph marks; red plain 2-line initials. Part III: Red paragraph marks in some sections. Red plain 2-line initials (3-line initial f. 44r), some with flourishing, and guide-letters in artt. 5-8. Logical diagrams on ff. 44v and 47r. Hand A has curious line-fillers and his explicits are written in a dotted rectangular frame., and Binding: Early limp vellum, with a bone button in the middle of the rear cover.
Subject (Geographic):
England., Connecticut, and New Haven.
Subject (Topic):
Education, Medieval, Grammar, Comparative and general, Latin language, Grammar, Logic, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment of a psalter containing portions of Psalm 7-17.
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: 3- to 4-line initials at the beginning of Psalms in red; some decorated with two or three small round red dots protruding from the interior of the letter; these initials are similar to those in Beinecke MS 481.48 and MS 481.52 and the Lambach Rituale (Cml LXXIII); 1-line initials at the beginning of verses in red square capitals; rubrics in red minuscule; first few words of each Psalm written in brown rustic capitals; punctuated with the punctus and punctus elevatus.
Manuscript on parchment (trimmed) of Hebrew Scripture. Written for Jacob, son of Rabbi Benjamin of Montalcino
Description:
In Hebrew., Script: Written in cursive Italian Hebrew script, with square initial letters., The extremely fine decoration is in the Florentine style of the third quarter of the 15th century. Two full-page miniatures: f. 2v David beheading Goliath (Psalms) and f. 110v Job on the dunghill, with the three tempters. Miniatures accompanied by elegantly illuminated full borders of pink and blue flowers with green stems and yellow fruit issuing from yellow vases; gold dots and hair-spray. Putti and brightly colored birds appear among foliate ornamentation. Polylobed and circular medallions with miniatures in borders. Other borders, without miniatures, contain medallions of busts of prophets, some holding scrolls. One border f. 30v without medallions. Borders of ff. 30v, 80r, 111r are less carefully executed than rest of illumination and may be by another artist. The opening word of Psalms 42, 73, 90 and 107, as well as of Job and Proverbs, occurs in a panel with foliate borders in burnished gold. First letter in each chapter of Psalms, and first word in each chapter of Job and Proverbs framed in red or blue (one in gold, f. 111r) with purple or red penwork flourishes., and Binding: Seventeenth century. Red calf over beech boards, gold-tooled with a floral border and flower vases and arabesques in the center. Gilt, gauffered edges and woodblock paste paper endleaves and pastedowns.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment (low quality), composed of several manuscripts bound together, of mostly unidentified sermons. Produced at the Cistercian abbey of Morimondo
Description:
In Latin., Script: Small early Gothica Textualis or Semitextualis Libraria or Currens script by various hands, some very informal and difficult to decipher, often highly abbreviated., Short running titles are written above the right-hand columns of the recto pages in the following articles: 1, 3, 4, 9, 16, 18-23, which seem to be the original part of the codex; article 14 has running titles of a different type., The first folios are stained., and Binding: Fifteenth century. Brown sheepskin over cardboard, blind-tooled with triple fillets as in MS 517; spine with five raised bands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Manuscripts, Medieval, Sermons, and Sermons, Latin
Manuscript on paper (deckle edges) of 1) Chronicle of Pisa (from the founding of the city to 1342). 2) Chronicle of Pisa, covering the years from creation to 1400, with the Chronicle of Ranieri Sardo beginning at 1355; the final paragraph, dealing with 1422, was added by a later continuator after Sardo's death
Description:
In Italian., Watermarks: unidentified sun within circle, in gutter., and Binding: Nineteenth century. Vellum spine and fore-edge strip, with gold tooling on spine and dark red label: "Cronica Pisano./ 1342/ Annali di Pisa./ 1422/ MS." Marbled paper sides.
Subject (Geographic):
Connecticut, New Haven., and Pisa (Italy)
Subject (Topic):
Italian literature, Manuscripts, Medieval, and History
Manuscript on trimmed parchment. Note rubrics on ff. 59v, 81r and 101v mentioning "l'eglise catholique" and "Institution catholique", and lengthy prayer against heretics, ff. 103r-106v
Description:
In French., Script: Written and illuminated by Pierre Aymes in a roman and italic script influenced by printing., Thirty-two miniatures, in brown frames, of average quality. 2-line initials, gold, blue or silver against gold, red, green or blue grounds. Bounding lines reinforced in gold and pink. Rubrics throughout. Full border on title page made up of panels framed in gold filled with grotesques, candelabra, masks against pinks grounds., and Binding: 16th-17th centuries. Sewn on three single, tawed supports laced into the boards. Gilt edges and red- and cream-beaded endbands. Covered in brown calf, gold-tooled all over with strap work and arabesques in concentric frames. Two fastenings, now wanting. Engravings of the Virgin Mary glued to front and back pastedowns. Front pastedown: Virgin and child handing rosary to St. Dominic with legend Psalterii B. Mariae Virginis aut Rosarii inuentur S. Dnic. Back pastedown: S. Maria Mater Dei with four flowers in corners.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Devotional literature, French, French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper of Johannes Baers, Lamentationes Ieremiae carmine elegiaco redditae. With a Dedicatory epistle to Robert Cecil, 1st Earl of Salisbury (c. 1563-1612), secretary of state of Queen Elizabeth
Description:
Iohannes Baers (Baersius), born in Ghent 1580, d. 1653, studied theology in Leiden, was minister in various places in the Northern Netherlands, was 1629 in Pernambuco (Brasil) and in 1632 back in the Netherlands minister in Soest. He is the author of two books in Dutch, published in 1648 and 1653 respectively, but his poetic paraphrase of Lamentations seems to be unrecorded. Whether this work was finished in 1601 or 1605 is not clear. This Carmelite monk in Ghent, named Paschasius Baers, became after his conversion minister in Zele (East Flanders) and from 1580 onwards in various places in the Netherlands; from 1590 to 1603 he was active in Leeuwarden., In Latin., Script: Written by a single scribe in careful Humanistica Cursiva. Titles and running titles are in a larger size of the same script., and Binding: Original limp vellum, both covers decorated with a simple blind-tooled frame and four small gilt fleurons in the corners. Remains of two green silk ties. Gold-tooled inscriptions in capitals, on front cover: ".SERO.SED.SERIO."; on rear cover "ANNO.1601." Inscription in ink on the spine: "Lamentationes ***********". Edges gilt.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Baers, Johannes, d. 1653. and Salisbury, Robert Cecil, Earl of, 1563-1612.
Subject (Topic):
Latin poetry, Medieval and modern, Manuscripts, Medieval, and Religious poetry, Latin
Manuscript on parchment of Guillaume Perault, Sermones de Epistolis. With Glosses that note teaching distinctions; and short extracts from Clement, Fulgentius, Seneca, Job
Description:
In Latin., Script: Written in small gothic bookhand with many abbreviations. Marginal notations, some lost due to trimming, by several hands., Plain initials, headings, paragraph marks, in red, but not throughout., and Binding: Twentieth century. Rigid vellum case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Perault, Guillaume.
Subject (Topic):
Manuscripts, Medieval, Scholasticism, Scholia, Sermons, and Sermons, Latin
Manuscript on paper (one leaf) of Three poems. MS 352, f. 88 from a larger volume, may be Benivieni's working copy, since words and verses have been added and deleted throughout; all three columns on both recto and verso have been struck out. The three poems were once thought to be the autograph works of Lorenzo de' Medici
Description:
In Italian., Script: Written in a vigorous notarial script., Leaf is mutilated and has been repaired extensively., and Boxed.
Manuscript on parchment of Matthew of Westminster, Flores historiarum. Written presumably at the Cluniac priory of St. Saviour, Bermondsey, Surrey
Description:
In Latin., Script: Written in bold gothic textura; x is crossed., Rubrics, often accompanied by notes to rubricator in well formed current Anglicana script. Decorative initials not filled in. Numerous pen trials and crude drawings in margins (e.g., ff. 28r, 46v, 47r, 63r)., and Binding: Nineteenth century. Blind-tooled brown calf with a gold-tooled title. Parchment flyleaves (formerly pastedowns) from a Missal (England, 15th century) much rubbed and worn, and with offset impression from original binding of corner tongues and four attachments. Gothic textura. Fine blue initials with intricate herringbone penwork designs in red. Headings in red; paragraph marks in blue.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Paris, Matthew, 1200-1259.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, Missals, and History
Manuscript on parchment of Epistle readings for the temporale from Advent through the 25th Sunday after Pentecost
Description:
In Latin., Script: Written in large round gothic bookhand with red and black accent marks for recitation., The fourteen full-page miniatures constitute the most extensive extant cycle by the "Spanish Forger". All pages with miniatures have full borders of scrolling acanthus in red, blue, green and purple with hair-spray and gold balls. 3- and 2-line initials, red or blue, with purple or red penwork (6-line on f. 134r). Rubrics throughout., and Binding: Date? Worn red velvet with a silver-gilt crucifix (a fairly recent addition?) on the upper board. Brass clasp engraved with "S. Maria/ ora pro nobis." Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Epistolaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment. Includes Calendar, Fifteen Joys of the Virgin, and Seven Requests to the Lord, all in French
Description:
In Latin and French., Script: Written in Northern Gothica Textualis Formata by two hands, marked by a different use of the two forms of a. Hand A, the main scribe, using almost only double-bow a, copied ff. 1r-21v11; 33r-108v11; 125r-144v. Hand B, who normally writes box-a, copied ff. 21v12-32v; 108v12-124v., Illuminated leaves have been excised after ff. 14, 58, 86, 94, 137., Headings in blue or red ink. The majuscules are heightened in yellow. The decoration consists of line-fillers in gold and blue and red paint and the following initial types: (1) dentelle initials, 1 line; (2) foliate initials, 2 lines; (3) foliate initials, 4 lines, always accompanied by full acanthus borders and, except on f. 142r, by a picture in an arched compartment above 5 lines of text. Seven of these miniatures remain. The borders are framed in gold ink. All ordinary text pages, including the Calendar, have unframed outer margin borders the height of the text area, with patterns traced from rectos to versos., and Binding: Nineteenth century (?). Red velvet over cardboard boards, on which the original decorated gilt brass bosses (4 corner pieces and a central piece) and one decorated clasp in the same material, fixed to the rear cover, have been mounted. Yellow silk pastedowns. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment, composed of two separate and incomplete segments. Part I: Isidore, De summo bono. Part II: John of Wales, Communiloquium (Summa de regimine vitae humanae).
Description:
In Latin., Script: Part I (ff. 1-40): Written in small gothic bookhand. Part II (ff. 41-168): Written in small gothic bookhand; later 15th-century hand added appropriate pars and distich numbers as running headlines; scattered marginalia throughout, some in Anglicana script., Part I: Initials, 4- to 2-line, alternate blue with red penwork designs and red with blue penwork designs. Paragraph marks alternate red and blue. Spaces left for rubrics. Part II: Decoration similar in style and scope to Part I. Part II of the manuscript was well used in the 15th century, for there are several series of numbers in the margins that appear to be chapter or indexing references, in addition to the running headlines., and Binding: Twentieth century. Bound in tan suede (?) with early, printed board pastedowns.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Isidore, of Seville, Saint, -636.
Subject (Topic):
Manuscripts, Medieval, Scholasticism, and Theology
Manuscript on paper of a collection of material copied primarily by William Camden, antiquary and historian (1551-1623), from documents, 14th-16th centuries, that were in the Tower of London and in the College of Arms. Some selections are from official records, others are from private papers that were deposited in the Office of Arms. The manuscript is composed of four parts, the first two of which are laid in.
Description:
In English and Latin., Watermarks: unidentified design, Part I; Briquet Lion 10555 and similar to Briquet Pot 12736, Part II; unidentified grapes and Briquet Lion 10555, Parts III, IV., Script: Written primarily by William Camden in several styles of cursive., Edges of some leaves crumbled and torn, with loss of text., and Binding: Date? Broken limp vellum case.
Manuscript on paper (coarse, brown) of annals of Genoa
Description:
In Latin., Watermarks: unidentified bull's head buried in gutter., Script: Written by two scribes. Scribe 1) ff. 1r-45v, 158r-163v, 168r-172v, compact fere-humanistic script with exagerrated flourishes at conclusion of most lines. Scribe 2) ff. 46r-157v, 164r-167v, well spaced informal humanistic script. Marginal annotations and arts. 15-16 added, 15th-16th centuries, by several hands., Stained throughout., and Binding: Nineteenth century. Rigid vellum, gold-tooled. Stamped, in gold, on spine: "Caffari Chronica MS.".
Ibn al-Jawzī, Abū al-Faraj ʻAbd al-Raḥmān ibn ʻAlī, approximately 1116-1201 ابن الجوزي، أبو الفرج عبد الرحمن بن علي، حوالي 1116-1201
Call Number:
Arabic MSS 293
Image Count:
99
Resource Type:
unspecified
Abstract:
Short manual of history, being an abridgment of the author's al-Muntaẓam fī multaqaṭ al-multazam and Preceded by 1 page of notes
Alternative Title:
Kitāb shudhūr al-ʻuqūd fī taʼrīkh al-ʻuhūd and كتاب شذور العقود في تأريخ العهود
Description:
Available on microfilm, Incipit: "Bismillāh al-Raḥmān al-Raḥīm ... al-Ḥamdu lillāh alladhī jalá ʻalá al-fikr mā jalá min al-ʻibar ...", Modern (18th century?) Yemenite naskhī, in red and black, sparsely pointed., Islamic binding, in brown, with flap., and No. 2 of 3 titles bound together.
Subject (Geographic):
Islamic Empire
Subject (Name):
Ibn al-Jawzī, Abū al-Faraj ʻAbd al-Raḥmān ibn ʻAlī, approximately 1116-1201.
History of the caliphs, Preceded by 3 leaves of notes, and Copied in Sanʻa, Yemen, in A.H. 1024 (A.D. 1615).
Alternative Title:
Tārīkh al-khulafāʼ 880-02, Taʼrīkh al-khulafāʼ, تاريخ الخلفاء 240-02/r, and تأريخ الخلفاء
Description:
Available on microfilm, Incipit: "Bismillāh al-Raḥmān. Ammā baʻd ḥamd Allāh alladhī waʻada fa-wafá wa-awʻada fa-ʻafā ...", Good Yemenite naskhī, in red and black; ʻunwān in gold and colors on leaf 1 verso., Occasional marginalia., Islamic binding, in brown, with flap., No. 1 of 3 titles bound together., Colophon: "Wāfaqa al-farāgh min raqm hādhā al-taʼrīkh ... yawm al-Jumʻah, ghurrat shahr Ramaḍān ... ʻām arbaʻ wa-ʻishrīn baʻda al-alf ... bi-maḥrūs madīnat Ṣanʻāʼ al-Yaman ... bi-rasm ... Aḥmad ibn Muḥammad al-Khazrajī ... bi-yad ... Muḥammad ibn ʻAlī ibn ʻUfayr [?] ...", and Translation of the colophon: "This history book was completed ... on Friday, the beginning of the month of Ramaḍan ... of the year 1024 [of the Hijrah = 31 January 1615] ... in the protected city of Ṣanʻāʼ of Yemen ... for ... Aḥmad ibn Muḥammad al-Khazrajī ... by the hand of ... Muḥammad ibn ʻAlī ibn ʻUfayr [?] ..."
Ibn al-Wardī, Zayn al-Dīn ʻUmar ibn al-Muẓaffar, -1349
Call Number:
Arabic MSS 576
Image Count:
438
Resource Type:
unspecified
Abstract:
Manual of cosmography
Description:
Title from: Brockelmann, II, 131. In manuscript on title page: ʻAjāʾib-i makhlūqāt., Fair naskhī, in red and black; ʻunwān in gold and blue on leaf 10 verso. Leaves 10-13 with gold rectangular borders. Rubricated., Illustrated with a map of the world related to the group known as the "Seven Seas" maps, and a chart giving the qiblah to Mecca (leaf 12 verso)., Islamic binding, in contemporary brown calf., and With: 2 other titles.
History of the construction of the Aya Sofya palace
Description:
In Persian., The manuscript was probably copied not long after the date of composition of the treatise, A.H. 982 (A.D. 1574 or 75)., Fair nastaʻlīq, in red and black; ʻunwān in gold and blue on leaf 229 verso; leaves 229-230 with gold rectangular borders., Islamic binding, in contemporary brown calf., and With: 2 other titles.
Wāʻiẓ al-Makkī, ʻAbd al-Raʼūf ibn Yaḥyá, -1556 واعظ المكي، عبد الرؤوف بن يحيى، -1556
Call Number:
Arabic MSS 293
Image Count:
53
Resource Type:
unspecified
Abstract:
Versification of al-Nuqāyah (concise encyclopedia) of Jalāl al-Dīn al-Suyūṭī. and Followed by 2 leaves of notes
Description:
Available on microfilm, The title, scrawled in a later hand on leaf 217 recto, confused the author with ʻAbd al-Raʼūf al-Munāwī., The author's full name is given in the colophon (explicit)., Kâtip Çelebi (ed. Flügel) misprinted ʻAbd al-ʻAzīz as covering fann al-tafsīr only., Kâtip Çelebi gives the author's surname as al-Zamzamī al-Makkī. Brockelmann, S II, p. 509, lists a Naẓm ʻilm al-tafsīr under ʻAbd al-ʻAzīz ibn ʻAlī al-Zamzamī, d. 1568, possibly the same work. (But Hitti, 7, gives his death date as A.H. 963 / A.D. 1556)., Kâtip Çelebi gives the death date as A.H. 963 (A.D. 1555 or 1556)., According to the colophon the author was a pupil of Ibn Ḥajar al-Haythamī (d. 1565?)., Incipit: "Bismillāh al-Raḥmān al-Raḥīm ... Yaqūlu muḥtāj al-Ghanī al-Ḥāfiẓ ʻAbd al-Raʼūf najl Yaḥyá al-Wāʻiẓ: Aḥmadu man ajāda bi-al-aḥkām ...", Modern (18th century?) Yemenite naskhī, in red and black, sparsely pointed., Islamic binding, in brown, with flap., and No. 3 of 3 titles bound together.
Subject (Name):
Suyūṭī, 1445-1505., Wāʻiẓ al-Makkī, ʻAbd al-Raʼūf ibn Yaḥyá, -1556., Zamzamī, ʻIzz al-Dīn ʻAbd al-ʻAzīz ibn ʻAlī, -1568., and Zamzamī, ʻAbd al-ʻAzīz ibn Yaḥyá, -1556.
Subject (Topic):
Encyclopedias and dictionaries, Arabic and Islamic learning and scholarship
A genealogical account of the legendary and historical Persian and Arab kings before Islam and Preceded by 1 leaf of notes
Description:
Text in Arabic, some notes in Persian., The manuscript was probably copied not long after the date of composition of the final treatise, A.H. 982 (A.D. 1574 or 75)., Fair naskhī, in red and black; ʻunwān in gold and blue on leaf 1 verso. Leaves 1-2 with gold rectangular borders., A note pasted in the front cover lists the contents of the volume in French., Islamic binding, in contemporary brown calf., Bookplate of Le Ch. Ferrão de Castelbranco., Bookplate of Thomas E. Marston., Unidentified bookstamp in Turkish on title page., and With: 2 other titles.
Manuscript current account, signed, detailing financial transactions between the Massachusetts whaler Joseph Sturges and his Native American employee, Jacob Zakry (or Zachary) over a three-year period ending on March 4, 1719. Items charged to Zachary include payments to a relative and for clothing; 45 shillings a year for "3 whale seasons dyet;" and another charge for "3 years expense at Cape Cod." Items in Zachary's favor include "your share of the oyle of 3/4s of a whale" and "your share of a shark." Account signed by Joseph Sturges
Description:
In English., Date given in original as: "March 4th 1718/9.", and Accompanied by partial transcript and bookseller description.
Subject (Geographic):
Massachusetts. and Massachusetts
Subject (Name):
Sturges, Joseph. and Zachary, Jacob.
Subject (Topic):
Indians of North America, Master and servant, Whaling, and History
Manuscript, in a single hand, of a collection of genealogies of families of Curtiss, Barnes, Newell, Potter, Woodruff, and Hart in Connecticut, particularly from the towns of Southington and Farmington. The volume includes copies of wills; land deeds; detailed accounts of where they resided; and personal anecdotes, including family members' involvement in religious activities; the American Revolution; and the Civil War. The manuscript notes the marriage of Hawkins Hart of Wallingford to Mary Widow of Street, "grand daugthter of Rev John Eliot the Apostle to the Indians, Author of a translation of the Bible into the Indian language ..."
Description:
In English., Tipped in: dealer's description of manuscript., Seventeen leaves at the beginning left blank., Laid in at p. 178: newspaper clipping of "the only complete record now existing of citizens of Southington who enlisted in the late War of the Rebellion.", Laid in at p. 341: small square of embroidered cloth., Paper blind-embossed stamp: Congress J. Smith., and Binding: machine-grain black morocco.
Subject (Geographic):
Connecticut and Missouri
Subject (Name):
Andrews, Gad, b. 1803., Barnes family., Curtis family., Hart family., Newell family., Potter family., Woodruff family., and Yale College (1718-1887)
Subject (Topic):
Alumni and alumnae, Genealogy, History, and Religious life and customs
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Manuscript, in a single hand, of a collection of excerpts of letters, in four volumes, from Mary Berry to Damer, transcribed and edited by Damer. The notes refer primarily to their passionate friendship and confidence in each other; their ill health, both mental and physical; and introspective commentary upon the reasons for their melancholy moods. Few of the entries are dated, and mutual acquaintances are left unnamed or else mentioned by initials only. Berry describes their friendship as having "become such a part of myself, or rather of something much dearer than myself, that I can neither live without it, nor dissatisfied with it, nor with the idea of ever being deprived of it." In Vol. 2, she mentions she has waited all day for her correspondent to visit her, having hoped that each carriage passing by will stop at her door. Elsewhere, she complains that her friend is leaving for Tours without her and of feeling "continual pains in my head, restless nights & miserable feels of weakness & langour." Other excerpts address Berry's thoughts on William Fawkener, Damer's suitor; Damer's persecution by the press; a crisis in their friendship at the end of July 1794 resulting in Berry's desire to distance herself from Damer socially, and then her decision to weather out the public attacks on their relationship; and Berry's secret courtship by General Charles O'Hara and its disintegration
Description:
Anne Seymour (Conway) Damer (1749-1828), sculptor and author, was born on 8 November 1749, the only child of Field-Marshal Hon. Henry Seymour Conway (1719-1795), and his wife, Caroline Bruce, Lady Ailesbury (1721-1803), the daughter of John, fourth duke of Argyll. In 1767 she married John Damer, the son of Lord Milton, later the 1st Earl of Dorchester. They separated after seven years, and he died by suicide in 1776. Her artistic career developed during her widowhood, though the development of her youthful interest in sculpture is credited to her father's secretary, David Hume, and to the encouragement of Horace Walpole, who was her guardian during her parent's frequent trips abroad; in 1789, Walpole introduced Damer to Mary Berry (1763-1852), with whom she developed a passionate and lasting friendship. At his death, Walpole bequeathed her Strawberry Hill as his executor and residuary legatee. Damer exhibited 32 works at the Royal Academy and produced keystone sculptures for the bridge at Henley-on-Thames, a 10-foot statue of Apollo, now destroyed, for the frontage of Drury Lane theatre, and two bas-reliefs for the Boydell Shakespeare Gallery. Damer also wrote one published novel, Belmour (1801)., In English., Available on microfilm, Available as pdfs, The original letters, from which these excerpts are transcribed, have apparently not survived., Notebooks are numbered on the front covers and dated on the inside front covers., Vol. 1 includes a sketch of a tree., and Binding: cardboard covers.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Berry, Agnes, 1764-1852., Berry, Mary, 1763-1852., Damer, Anne Seymour, 1748 or 1749-1828., Fawkener, William., and O'Hara, Charles, 1740-1802.
Subject (Topic):
Female friendship, Nobility, Social life and customs, Women, and Conduct of life
Letter book containing Kirke's dispatches from Tangier while in command of command of Lord Plymouth's regiment and later as governor of Tangier (1681-1683) to Secretary Jenkins and to the Lords of the Treasury
Description:
Percy Kirke (1646?-1691), British army officer and governor of Tangier from 1681-1683., In English., Written on p. [1] by Sire Thoms Phillipps: "From Strawberry Hill 1842. P." Spine label: 11791., Bound in old vellum., and Old vellum. No Bookplate and not in Manuscript Catalogue. Note by Sir Thomas Phillipps: 'From Strawberry Hill 1842. P.'
Subject (Geographic):
Tangier (Morocco) and Great Britain
Subject (Name):
Kirke, Percy, 1646?-1691., Jenkins, Leoline, Sir, 1623-1685., and Great Britain. Treasury.
Manuscript written on vellum and paper in black and red ink. and From Carthusian monastery at Cologne; Leander van Ess (no. 171); Sir Thomas Phillipps (manuscript 555); presented to Yale Med in 1958 by David P. Wheatland.
Manuscript, written with black, red, and blue ink on vellum, includes 3 leaves in front and 5 leaves at end upon which are written an index and materia medica in a later [Italian?] hand. and Purchased in 1958 from Lathrop C. Harper Inc. as a gift to Yale Med from the Library Associates.
Manuscript on parchment of prayers for priest and bishop to say before and during Mass
Description:
In Latin., Script: Written in imitation of Roman font, upper and lower case, with cursive for headings and rubrics, by N. Jarry in Paris, 1649., Title page (p. 1), p. 31 (Gratiarum actio) and p. 40 (orationes) with finely executed headpieces and 3- or 2-line initials, gold edged in red, with flowers. 2-line initials gold edged in red or blue; 1-line initials in red. Running titles and headings in red. On p. 73 a monogram that incorporates the alphabet inside a wreath tied with a pink ribbon., and Binding: 17th-18th centuries. Red goatskin, gold-tooled, with two gold-plated clasps which may be later additions. Gilt edges.
Manuscript on paper (unidentified watermarks in gutter) of a hunting diary of Ferdinando de' Medici (1549-1609), Cardinal, and Grand Duke of Tuscany; this portion of the manuscript covers the period 15 October 1579 to 21 March 1585
Description:
In Italian., Written in a sprawling cursive script., and Binding: Nineteenth century. Dark green, hard-grained goatskin, gold-tooled, by the same binder as MS 90. Front cover of original limp vellum binding bound in at front of manuscript, with contemporary inscription: "Libro della Caccia che si fe (?)/ Illustrissimo et Reverendissimo Signor Cardinale d'/ Medici mio Signore e padrone".
Subject (Geographic):
Connecticut, New Haven., and Tuscany (Italy)
Subject (Name):
Ferdinando I, Grand-Duke of Tuscany, 1549-1609.
Subject (Topic):
Hunting, Italian literature, Manuscripts, Medieval, and Social life and customs
Manuscript on paper (with parchment of poor quality for inner and outer bifolios of each gathering) of a collection of sermons and materials for the construction of sermons
Description:
In Latin., Watermarks: unidentified crown in gutter., Script: Written by two scribes in Secretary script: Scribe 1 (pp. 1-141) uses a looped d; Scribe 2 (pp. 142-502) uses an unlooped d., Flourished initials, 3- to 2-line, red with blue designs and vice versa throughout manuscript. Brackets, initial strokes and underlining, in red, throughout. Opening words or line of each sermon in a careful text hand., and Binding: Nineteenth century. Half bound in brown calf, blind-tooled, with a gold-tooled title ("Sermones") on spine; dark blue cloth sides. Impression of oval label in upper register of spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Conrad, of Saxony.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Sermons, and Sermons, Latin
Manuscript on three scrolls of parchment, two of which have been crudely stitched together, while the third is separate. They concern inhabitants of the castle and town of Lustignano in the valley of the river Cornia in Northwestern Italy. 1) Land transaction between Niccholaus, duke of Volterra, and Iohannes, Count of Lustignano, on behalf of a certain Michael; signed by the notary Guarnerius; dated 1350 (detached). 2) Unidentified land transaction involving Iohannes filius [one word unclear] de Lustignano; name of notary scratched out; dated 1304. 3) Bill of contumacy involving Raymerus Balduccus and the brothers "Iohannes and Michelis"; signed by the notary Barthalus Sanuccius (?) of Volterra; dated 1346
Description:
In Latin., Script: All were written in cramped and abbreviated chancery hands. Filing notes, in Italian (17th century), on dorse of each scroll., and Second roll is mutilated and worn, with text illegible at head and tail.
Manuscript on parchment (one leaf, cut in half vertically). Inner margin continues through gutter, with slits for binding, to include ca. three letters of the text of the other half of the bifolium
Description:
In German., Script: Written in gothic cursive script., Plain initials alternate in red and blue; headings and initials in red. Guide-letters for plain initials., Rubbed and stained on verso with some loss of text., and Inscription on verso, inner margin "Stuefft Buch pro anno 1657" indicates that the leaf was used for a 17th-century binding.
Manuscript on paper of Giordano Ruffo, Marescalcia equorum, in an anonymous Italian translation. With medicinal recipes and prayers
Description:
In Italian., Watermark: unidentified bull's head in gutter., Script: Written in a poorly formed Italian notarial script; notes in contemporary cursive hands., Plain initial, 5-line, in red and black, at beginning of art. 1; initial strokes and rubrics for ff. 1r-9v only., and Binding: Nineteenth century. Limp vellum case. Stamped on upper cover: "Medecine des chevaux/ manuscrit du XV siecle".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ruffo, Giordano, fl. 1250-1260.
Subject (Topic):
Horses, Italian literature, Literature, Medieval, Manuscripts, Medieval, and Medicine, Medieval
Manuscript fragment on parchment bifolium (thick) of Passion of St. Bartholomew (25 August). Text is continuous
Description:
In Latin., Script: Written in neat but somewhat uneven Beneventan script. Passages added in cramped text hands, (ca. 1250), in lower margins, f. 2r-v., Leaves trimmed with some loss of text along upper and outer margins; portions of f. 2v illegible due to paste and offset impressions of leather turn-ins and wooden boards., and Bifolium used as flyleaf and pastedown.
Manuscript on paper in two parts. Part I (ca. 1700): 1) Treaty between Edward the Elder, King of England and Guthrun II, King of the Danes in East Anglia, 905-906. 2) Leges Edouardi regis, the Laws issued by King Edward the Elder (ca. 902-ca. 924) or Edward the Confessor (d. 1066). Part II (ca. 1650): 3) Annals of Iceland, 636-1394, with partial Latin translation in the margins. Here ascribed by another 17th-century hand to the Icelandic humanist Arngrimur Jonsson (1568-1648).
Description:
In Latin (Part I) and Icelandic (Part II)., Script: Part I (ff. 1-16): Written by one hand in Humanistic Cursive script. Part II (ff. 17-89): Gothica Cursiva for the Icelandic text, Humanistic Cursive script for the English text written in the margin., The acidity of the ink of the Icelandic text has damaged the paper., and Binding: Modern white parchment over cardboard.
Manuscript on parchment (low quality) of 1) Theodulus (10th century?), Ecloga. With an unidentified commentary. 2) Avianus, Fabulae, with interlinear and marginal glosses. 3) Maximianus (6th century), Elegiae. The final verses (VI.4-12) are lost
Description:
In Latin., Script: The text is probably written by a single scribe in a rather irregular Gothica Textualis Libraria, the marginal and interlinear commentaries in Gothica Cursiva Antiquior Currens (Anglicana)., Red plain initials and heightening of majuscules., The first and last folios are badly damaged and defective, making reading hard or impossible. The outer margin of ff. 16, 24 and 25 cut off., and Binding: Nineteenth century. Parchment over cardboard, far too large for the manuscript. The cover is an 18th-century (?) English document, the text turned inside.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Avianus., Maximianus, 6th cent., and Theodulus, active 9th century.
Subject (Topic):
Latin poetry, Latin poetry, Medieval and modern, and Manuscripts, Medieval
In Latin., Script: Written in English bookscript., Four initials in red and blue with penwork; red paragraph marks., and These 2 leaves appear to have been taken from a binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Grosseteste, Robert, 1175?-1253.
Subject (Topic):
Didactic literature, Latin, Manuscripts, Medieval, and Scholasticism
In Latin., Script: Written by one hand in Gothica Textualis Formata., and Binding: Sixteenth century. Pigskin over cardboard (previously over wooden boards), blind-tooled with rolls, rebacked. Red edges. On the front flyleaf there is a modern note: "The 16th century German binding has evidently been taken from another volume".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Graduals (Liturgical books), Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on paper composed of two parts. Part I: The Mirrour of the Blessed Lyf of Jesu Christ (Meditationes vitae Christi), tr. Nicholas Love. Includes Adam of Dryburgh (Adam Scotus) O. Praem, later O. Carth. (d. 1212), De instructione animae; ends incomplete in I.4. Part II: The Thirty-Nine Articles (doctrinal formulas accepted by the Church of England), articles 1-19 only, in diagram form, all pages being organized in three sections titled "the truth", "the creed", and "errors".
Alternative Title:
Meditationes vitae Christi. English
Description:
In English and Latin., Script: Part I: Written by two scribes in Gothica Cursiva Libraria (Secretary very close to Anglicana). Part II: Written in careful Gothica Cursiva (Secretary)., Majuscules are heightened in red (?) up to f. 8v. Red paragraph marks (?). Plain red 2- to 4-line initials. A 4-line red (?) flourished initial with rather coarse penwork in (?), including a human head and a fish, on f. 1r., and Two parchment fly-leaves of the original binding are inserted after f. 100: they have been taken from a 13th-century manuscript and contain fragments of Codex Iustiniani, VI.3.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Church of England.
Subject (Topic):
Devotional literature, English (Middle), Manuscripts, Medieval, and Theology, Doctrinal
Manuscript on paper in two parts. Part I: Aristoteles, Topica. First folio of De sophisticis elenchis inserted after f. 137. Many folios replaced on 16th-century paper. Part II: 1) Heraclius (attributed author), Brontologion (Rules for interpreting thunder). 2) Ezra the Prophet (attributed author), Prognosis (Weather prophecies). 3) Stories from the Old Testament. The 2 parts of the book were probably bound together in Venice about 1500
Description:
In Greek., Headings in red., and Binding: Eighteenth century. Italian blind-tooled calf with unidentified arms in gilt on both covers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle.
Subject (Topic):
Classical literature, Manuscripts, Medieval, Philosophy, and Science, Medieval
In Latin., Script: written in gothic script, with notation in nota quadrata., Many illuminated, several historiated initials, the rest in red and black penwork. Made for a church where there was a special veneration for Sts. Lawrence, Concordia and Pope Marcus., Many folios are damaged, some were repaired and all were cut off at the upper and side edges., and Binding: old wooden boards covered with leather; metal corners and center pieces, leather clasps; rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Graduals (Liturgical books)., Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Music
Manuscript on paper of George Waymouth (fl. 1587-1611), The jewell of artes, an unfinished technical handbook of navigation, inventions, fortifications, surveying, gunnery, etc., consisting of short textual parts and extremely numerous full-page technical drawings and diagrams of high quality
Description:
About the author, a somewhat mysterious navigator, scholar and engineer, see Oxford Dictionary of National Biography, v. 51 (2004), pp. 777-778. He returned in 1602 from his unsuccesful expedition to discover the Northwest Passage, presented the King in 1604 with two versions of his treatise The Jewell of Artes and undertook in 1605 a new expedition to the American East coast, landing in Maine., In English., Script: Written by one hand in Gothica Cursiva Libraria (Secretary)., and Binding: Original armorial (rebacked). Brown calf over cardboard, both covers gold-tooled with a seme pattern of flowerets, corner pieces and a central piece with the arms of King James I. Spine with six raised bands and red title-label with inscription "JEWELL OF ARTES".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Waymouth, George.
Subject (Topic):
English literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Military art and science, and Navigation
Manuscript on parchment of the Vulgate Bible, with interpretations of Hebrew names
Description:
In Latin., Script: Copied in small Northern Gothica Textualis (Pearl Script), Decoration: Historiated initials, with a normal height of 6 lines, at beginning of each book (further on this, see the catalog description); 4-line foliate initials, half inserted, at the beginning of each prologue; running headlines and chapter numbers alternately in red and blue majuscules or roman numerals., and Binding: 18th or 19th century romantic binding by François Bozerian (Bozerian Jeune): red morocco over cardboard; both covers gold- and blind-tooled with cruciform and floral motifs; gold-tooled spine with four raised bands and a gold-tooled title, "BIBLIA SACRA."
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Remigius, of Auxerre, approximately 841-908.
Subject (Topic):
Versions, Vulgate, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin., Script: copied by one hand in Northern Gothica Textualis Formata, in two sizes., Rich decoration: 1-line versals and 2-line initials, both of the dentelle type; 2-line KL-monograms of the same type in the Calendar. Floral outer margin borders normally on the pages with 2-line initials. Four-margins borders and miniatures above 3 lines of text opening with a 3-line foliate initial, on ff. 13r (Annuntiation), 25r (Visitation), 38r (Crucifixion), 39v (Pentecost), 41r (Nativity), 46r (Annuntiation to the Shepherds), 50r (Adoration of the Magi), 58v (Flight into Egypt), 65r (Coronation of the Virgin), 76r (Saint John on Patmos), 99r (Funeral mass). The miniatures are rounded at the top. The borders contain acanths and a multitude of gold vine and other leaves, flowers, animals, hybrids and monsters. The artist is said to be Péronet Lamy, an illuminator in the service of the Dukes of Savoy in the second quarter of the fifteenth century., and Binding: contemporary binding: brown calf over rounded wooden boards. Both covers entirely blind-tooled with rows of juxtaposed stamps: monkeys and fleurs-de-lys in the central panel; rosettes and phoenix(?) in the frame. Clasps missing.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (goatskin) of Antonio Beccadelli (Antonius Panormita, 1394-1471), De dictis et factis Alfonsi regis, Ital. translation. With Giovanni Gioviano Pontano (Iohannes Iovianus Pontanus, 1426-1503), De principe, Ital. translation
Description:
In Italian., Script: Written by one hand in a slightly shaky Southern Gothica Textualis Formata (Rotunda), the majuscules partly in Roman Capitals. Headings in clumsily executed Capitals with crossed letter I., Headings in red. 2- or 3-line plain initials alternately red and blue, with guide-letters. Larger initials with some flourishing at the beginning of each work., and Binding: Eighteenth century (?). White parchment over cardboard. On the spine the title is written "Panormit: de' Fatti d'Alfonso, e Pontano del Princip: MS." and at the bottom, partly worn off, the early shelf-mark "Cass. 1 58 an (?) x9".
Subject (Geographic):
Connecticut, New Haven., and Italy
Subject (Name):
Beccadelli, Antonio, 1394-1471.
Subject (Topic):
Didactic literature, Italian literature, Literature, Medieval, Manuscripts, Medieval, and Politics and government
Manuscript on parchment of 1) Dares Phrygius, De excidio Troiae historia, in the Latin translation ascribed to Cornelius Nepos, followed by the lists of those killed by the heroes on both sides. 2) Geoffrey of Monmouth (Galfredus Monemutensis, d. 1154), Historia regum Britanniae. 3) De origine Normannorum, a short history of Normandy up to Henry I, King of England and Duke of Normandy (d. 1135). The main part of this text derives from Hugh of Saint-Victor (Hugo de Sancto Victore, d. 1141), Excerptiones allegoricae, X, 10 (PL 177.284) and is followed by a short list of Dukes of Normandy. 4) Three unidentified poems on the miracles of St. Benedict, followed by rhymed liturgical prayers to be said in the presence of the relics of the saint, and another poem on St. Benedict. This manuscript, which from the beginning contained all four texts described above, was copied in a Benedictine abbey
Description:
In Latin., Script: Carefully copied by one hand in Northern Gothica Textualis Libraria., Headings and running titles in red, many now poorly legible. Heightening of majuscules in red. Large decorated Romanesque initials, red or green, at the head of artt. 1 and 2; 2- or 3-line plain initials alternately in red and blue and 1-line initials in the same colours in the middle of the text in art. 2; on f. 91r, at the beginning of Book XI, there is a 3-line flourished initial in blue with red penwork, which may be added later. 3-line red plain initial at the beginning of art. 3. 2-line initials in art. 4, of the same kind as in artt. 1-2., and Binding: Eighteenth century. Sprinkled calf over cardboard; the covers have gilt edges.
Subject (Geographic):
Connecticut, New Haven., Great Britain, Normandy (France), and Troy (Extinct city)
Subject (Name):
Dares, Phrygius. and Benedictines.
Subject (Topic):
Devotional literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Literature, Medieval, Manuscripts, Medieval, and History
Manuscript on parchment (coarse, yellow) of about 40 selections from saints' lives
Description:
In Latin., Script: Copied by a single hand in careful Iberian Praegothica., Fine Romanesque initials (2-5 lines) with foliage penwork in red and blue. Some contain human heads (ff. 9r, 16v, 25r, 25v [two heads], 70r [two heads]). On ff. 64v, 125v and 135v initials of exceptional development, the latter two with animal decoration., Mutilated., and Binding: Twentieth century. Blind-tooled brown calf over....On the spine two labels with the hand-written inscriptions: "FLOS SANCTORUM MS" and "TOLEDO SAEC. XII".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Devotional literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment (6 non-consecutive leaves) of vesper antiphons. Feasts noted for some antiphons are: Ascension; 21st-23rd Sunday after Pentecost; Vigil of Saints Peter and Paul
Description:
In Latin., Script: written by a single scribe in a formal gothic bookhand., Six lines of text with musical notation on a four-line red staff. Initials in red, blue, and black., and Unbound.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Antiphonaries, Manuscripts, Medieval, and Vespers (Music)
Manuscript fragments on parchment of an Antiphonary by Petrus Ferdinandez of Leon
Description:
In Latin., Script: copied by a single hand in Southern Gothica Textualis Formata with Spanish features. Nota quadrata music notation. Additions of text and music by later hands., Paragraph marks and rubrics in red. Yellow heightening of majuscules. Large plain initials (height: 1 stave + 1 text line). Cadels of the same size., and Text and musical notation on a five-line staff. Large initials in red, brown, and blue. Rubrics and liturgical instructions in red. Additional antiphons with musical notation added in margins in a hand of the 17th-18th century.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ferdinandez, Petrus., Catholic Church, and Cistercians.
Subject (Topic):
Liturgy, Antiphonaries, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript fragments on parchment of John 1:1-14 and 13:33-35.
Description:
In Latin., Script: written in late Caroline minuscule with some later forms and chancery influence., and John 1:1-14. Noticeable spellings and variants: “comprenderunt” (“comprehenderunt”), “misus” (“missus”), “periberet” and “perhiberet”, “cotquot”,“ex voluptate” (“ex voluntate”). John 13:33-35. In 13:34 the words “ut et vos diligatis invicem” are missing. From a modern note accompanying the present leaf it was used in the binding of a copy of Iohannes Fontanus (Jean Fontaine, 16th century), Hortulus puerorum pergratus ac perutilis latine discentibus.
Manuscript fragment on parchment of a book of hours with an office for the dead
Description:
In Latin., Script: Copied by one hand writing in Gothica Cursiva Formata (Bastarda)., and Decoration: Purplish red rubrics. Yellow highlighting of the majuscules. 1-line versals and 2- or 3-line initials, all in liquid gold on purplish red or blue square background decorated with foliage or flowers in liquid gold. Initials in red, blue, and gold. On f. 1v, there is a rectangular picture, framed in black and gold and treated as an initial 11 lines high, of God the Father with tiara, sitting, one hand on the globe, the other hand blessing rows of Seraphim and Cherubim before him. Elsewhere yellow-colored fleur-de-lys, animals, archers and a giant insects.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of 1) Ps.-Raymundus Lullus, Figurae instrumentales Testamenti: Diagrams and tables related to the Testamentum, a treatise of the Lullian alchemical corpus. 2) Recipes for obtaining the philosophical stone and the magisterium
Description:
In Latin., Script: Art. 1 is written by one scribe in Southern Gothica Semitextualis Libraria, with cursive x and cursive final s. Art. 2 was added by two scribes writing Humanistica Cursiva Libraria., The tables and diagrams are traced in brown or red ink. Except in the tables there is no ruling for the text. The text is written in brown and red ink., and The parchment is stained and worn due to folding and manipulation.
Manuscript on paper of a chronicle of the Kingdom of Navarre from the death in 1425 of Charles III, King of Navarre, through circa 1513, with the conquest of Navarre by Spain
Description:
In Spanish., Single quire of 8 leaves, with pagination 113-127 [128]., Layout: 1 column, about 36 lines., Script: copied by one hand in a Spanish version of Humanistica Cursiva Formata. "Finis" at the end is written in Capitalis., The text discusses members of the royal family of Navarre during the period of 1425 through circa 1513, their marriages, the royal succession, and a disruption to the line of succession that led to civil war. The chronicle closes with a justification for the rule of Navarre by Spain, based upon the historical ties of the kings of Navarre to Spain., Watermark: resembles Briquet 13995 (Bordeaux, 1550) and 14008 (Montreuil, 1559)., No decoration., and Disbound. Text complete, but extracted from a larger manuscript. First leaf repaired, with some loss to marginalia on verso.
Subject (Geographic):
Connecticut, New Haven., Navarre (Kingdom), Navarre (Spain), and Spain
Subject (Name):
Blanca, Queen, consort of Juan II, King of Aragon, -1441., Catherine, Queen of Navarre, 1468-1518., Carlos, Prince of Viana, 1421-1461., Charles III, King of Navarre, 1361-1425., Ferdinand V, King of Spain, 1452-1516., John II, King of Aragon, 1397-1479., John III, King of Navarre, 1469-1516., and Juana Enríquez, Consort of Juan II, King of Aragon, 1425-1468.
Subject (Topic):
Manuscripts, Medieval, Kings and rulers, and History
In Latin., Script: Copied by one hand in Northern Gothica Textualis Formata. Rubrics in Gothica Hybrida Formata (Bastarda). Music notation in Nota Quadrata., Red rubrics. Heightening of majuscules in yellow. Alternately red and blue1-line plain initials on ff. 176r-177r. Flourished initials (height: 1 stave + 1 text line) alternately red with purple penwork and blue with red penwork. Cadels (same size) in a rectangular frame decorated with foliage on a yellow background. On f. 1r damaged large golden initial (2 staves + 2 lines of text) on a blue background containing coat of arms of Hugo Gontard, a canon in the collegiate church of St. Genesius (St. Genez) at Clermont-Ferrand in 1515 and "abbot" of the said church, 1519-1545., Many pages badly damaged and faded, especially f. 1r., and Binding: Nineteenth century. Marbled leather over cardboard, repaired. Gold-tooled spine with title on red leather label: "LIVRE D'HEURES". Brown marbled paper endpapers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Music, and Processionals (Liturgical books)
Manuscript on parchment of Nicolaus de Lyra, Postilla super psalterium; Postilla super libros prophetorum
Description:
In Latin., Script: copied by two scribes: A copied ff. 1r-95r (with the exception of f. 40) in Gothica Cursiva Antiquior Libraria; and B copied ff. 97r-272r in the same type of script, but closer to Anglicana., Decoration: Illuminated initials in red, purple, blue, and gold leaf. Elaborate marginal vine-and-floral ornamentation at beginnings of chapters in red, blue, green, brown, and gold leaf. Occasional multi-colored pictures and diagrams. Traces of indexing tabs on the first leaf of every book. See catalog description for further detail., and Binding: 19th century parchment over pasteboards. Each cover has a central embossed design of an interlocking lozenge and rectangle in red and black with floral ornamentation in gold and blue. Red leather labels on spine with embossed gold letters.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Lyra, ca. 1270-1349.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (goatskin) of Nicolaus de Osimo (Auximo) OFM (d. after 1453), Supplementum Summae Pisanellae, an alphabetically arranged supplement to the Summa de casibus conscientiae of Bartholomew of Pisa (Bartholomaeus de Sancto Concordio, d. 1347). Produced at the Franciscan convent of Santa Maria degli Angeli near Milan
Description:
In Latin., Script: Apparently 8 scribes, all writing Southern Gothica., Decoration: The decoration of artt. 1-4 consists of heightening of the majuscules in yellow; blue or red paragraph marks. In art. 3 the chapters normally open with a 2-line (rarely 3-line) flourished initial with penwork extensions in the left margin or in the intercolumnar space, alternately red with purple or blue penwork and blue with red penwork; the first lemma of each letter opens with a 3- or 4-line flourished initial filled with foliage and with more developed marginal extensions. The text opens on f. 5v with a 5-line dentelle initial with green and blue background heightened with gold and white, followed by 5 lines of text mostly in majuscules. The decoration of art. 7 is similar to that of art. 3 but less carefully executed., and Binding: Eighteenth century (?). White parchment over pasteboard, with two modern brass clasps fixed to the front cover. On the spine green leather label with gold-tooled title "SUMA MAGISTRA". On the bottom edge the title "Summa Pisa****" is written.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Osimo, -1453. and Franciscans
Subject (Topic):
Manuscripts, Canon law, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment (goatskin) of 1) Landulphus senior (Landulphus Mediolanensis, 12th century), Historia Mediolanensis. 2) Catalogue of the Archbishops of Milan up to Galdinus (1166-1176). 3) Arnulf of Milan (Arnulphus Mediolanensis, d. ca. 1077), Liber gestorum recentium
Description:
In Latin., Script: Copied by one hand in Southern Gothica Semitextualis Libraria. Marginal notes in Gothico-Humanistica Cursiva Libraria., Annotations in the hand of Francesco della Croce., Plain red 1-line initials in the verses at the end of art. 1, Book I (f. 10v) and in art. 2; alternately red and blue 2- or 3-lines initials in the other parts; 5-line littera duplex in the same colours at the beginning of art. 3; 6-line littera duplex with penwork and marginal extensions at the beginning of art. 1, Book I (f. 1v); 9-line foliate initial on square background in yellow, mauve, red, green, blue and with left-margin Gothic illuminated acanthus border on f. 1r., and Binding: Twentieth century. Plain white parchment over pasteboard. Remnants of title-label at the top of the spine.
Subject (Geographic):
Connecticut, New Haven., Italy, and Milan (Italy)
Subject (Name):
Della Croce, Francesco, 1391-1479.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
In Latin., Script: copied by a single hand in Praegothica still close to Carolina. There are short running headlines in Gothica Cursiva up to f. 124r and again from f. 140v to the end., Large Romanesque initials in red., and Binding: 15th century. Blind stamped leather over wooden boards, repaired and recovered. Flyleaves are from a 12th-century Italian homilary (?).
Manuscript on parchment of 2 works that belong to the Pseudoclementine Literature, ascribed to Clement bishop of Rome (ca. 96), in a Latin translation by Rufinus of Aquileia
Description:
In Latin., Watermark: resembles Piccard, v. 2, IV.36 (?)., Script: Copied by one hand in light red-brown ink in Humanistica Cursiva Libraria., Ample space was provided for headings and initials at the beginning of the Prologue and the ten Books of art. 1 and at the beginning of art. 2, but these were never executed., and Binding: Seventeenth century (?). Deerskin (formerly red) over pasteboard. Spine with three raised bands and worn handwritten title " ******* Epistola. M.S."; at the bottom of the spine handwritten worn pressmark. Remnants of four leather ties, including one in the middle of the upper and one in the middle of the lower edge of the covers. On the lower edge of the book the handwritten title in ink (17th century): "Epist. D. Clementis".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Clemens I.
Subject (Topic):
Christian literature, Latin (Medieval and modern) and Manuscripts, Medieval
Manuscript fragments on parchment (2 bifolia) of Decretals and letters, primarily of Pope John XXII, with a register of letters (1299) of Pope Boniface VIII
Description:
In Latin., Script: several scripts evident, from formal gothic bookhand to cursive., and Illuminated initials in red, blue, and violet. Paragraph marks in red and blue.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boniface VIII, Pope, -1303. and John XXII, Pope, -1334.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Letters, Papal, Manuscripts, Medieval, Papacy, and History
Manuscript on parchment of prayers, liturgical regulations, and offices
Description:
In Latin., Script: Written by several scribes in gothic bookhand., Ornate initials in red, blue, and violet., and Binding: Eighteenth century. Damaged brown leather over pasteboards, recovered in paper. Red leather gilt label on spine reading: "Breviarum Manuscriptum".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Franciscans
Subject (Topic):
Manuscripts, Breviaries, and Manuscripts, Medieval
Manuscript on parchment of Michael of Hungary, XIII Sermones, bound with several other texts
Description:
In Latin., Script: Written by several scribes in a gothic cursive script., Initials in red. Rubricated. Flyleaves contain an early 14th-century English canon law manuscript., and Binding: Fifteenth century. Blind stamped leather over wooden boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Michael, of Hungary.
Subject (Topic):
Canon law, Education (Christian theology), Manuscripts, Medieval, Sermons, and Sermons, Latin
Manuscript on paper (thick with heavy chain lines) of Sermons by Graeculus O.F.M. (early 14th century) and Conradus de Waldhausen Can. Reg. (d. 1369). With additional sermons
Description:
In Latin., Script: Copied by various hands all writing Gothica Cursiva Antiquior Currens. Scribes in quires I-V often make remarkable extensions to majuscules or ascenders on the first line, decorated with foliage or grotesque heads., Headings, heightening of majuscules and plain initials in red applied very irregularly and totally missing on ff. 26v-29v, 30v-118v, 119v-130v and 135v-138v. Some 2- or 3-line initials of coarse execution, with or without guide-letters; most initials are not executed., and Binding: Damaged original limp parchment with flap, made from several pieces of parchment sewn together by means of parchment strips. The sewing runs through the spine and is gathered in decorative patterns over two strips of heavy leather.
Manuscript on paper of assorted works by Cicero with additional texts
Description:
In Latin., Watermarks: 1) Human bust, var. Briquet 15599?. 2) Balance, var. Piccard, Waage 1.78?. (3) Crown, unidentified?., Script: Written by two scribes, one writing in Italian Gothica Hybrida or Semihybrida Libraria and the other in a bold Southern Gothica Textualis Libraria/Formata with numerous decorative hairlines., Red paragraph marks. Art. 3 has yellow heightening of the majuscules, a 2-line and a 3-line flourished initial in red, blue and yellow. In art. 1 the majuscules are heightened in red; there are plain red initials in art. 5, but its decoration is not consistent., and Binding: Damaged original binding in deerskin over heavy almost unbevelled wooden boards. Parchment pastedowns, the front one detached from the board. On the front cover inscription in large Southern Gothica Textualis Formata, worn and difficult to decipher. On the spine a 17th-century paper label with the number "2760" and the title "Huma (?)......Marci Tulii de amicitia manu scripta". Marks of two leather straps fixed to the front cover, the pin holes visible in the rear cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Didactic literature, Latin and Manuscripts, Medieval
Manuscript on paper of John of Freiburg (Iohannes Lector Friburgensis OP, d. 1314), Summa confessorum, German adaptation by Berthold of Freiburg (Bertholdus Friburgensis OP, 14th century).
Description:
In German., Watermarks: var. Piccard, v. 15, VIII.1547?; var. Piccard, v. 110, III.1667?., Script: Copied by Johannes Geratwol in Gothica Cursiva Libraria/Currens with some Bastarda characteristics., Headings, heightening of the majuscules and mostly 1-line plain initials in red or green. The initial on f. 1r has green penwork. The first lines of all titles in art. 1 are underlined in red., and Binding: Original pigskin, blind-tooled with lozenges traced in double fillets over bevelled oak boards. Spine with three raised bands, a label with handwritten title (worn) and a small label with the shelfmark "634"; the same number is written on the front cover. Traces of one strap attached to the rear cover and clutching over a pin (lacking) on the front cover.The binding stays and the lining inside the spine are said to come from a 12th-century Antiphonary from Tyrol, with text from the office for Epiphany. One strip of the spine lining would be from an unidentified 14th-century manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Johannes, von Freiburg, d. 1314. and Dominicans
Subject (Topic):
Manuscripts, Christian literature, German, Confession, Catholic Church, and Manuscripts, Medieval
Manuscript on paper (thick) of Giovanni Battista Cortona, Libro di Abbaco, probably an autograph manuscript
Description:
In Italian., Watermark: anchor, var. Piccard, Ankerwasserzeichen?, V.102?., Script: Written by one hand in calligraphic Gothica Cursiva Libraria (Cancelleresca). The poem on f. A1r (art. 1) is in calligraphic Humanistica Cursiva Formata. A few titles in Capitalis., The decorative frames on ff. A1r and B1r are traced in brown ink. The upper half of the former contains a baroque cartouche in brown and red, containing a monogram apparently consisting of the letters A, K and M. Art. 2 opens with a flourished initial, art. 7 with a calligraphic initial, both in red., and No binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cortona, Giovanni Battista.
Subject (Topic):
Abacus, Illumination of books and manuscripts, Medieval, Italian literature, Manuscripts, Medieval, and Mathematics, Medieval
Manuscript on paper (thick) of methods and examples of addition, subtraction, multiplication, division and the rule of three
Description:
In Italian., Watermark: shield with kneeling man holding cross?. Similar to Briquet 7629?., Script: Copied by one hand in Humanistica Cursiva Libraria/Formata., A few geometrical figures., Pages slightly damaged by the acidity of the ink., and Binding: Original limp parchment, a large circle traced with a sharp pencil on the front cover, a group of small circles in the form of a cross on the rear cover. At the top left corner of the front cover a paper label with the 16th-17th century inscription in Humanistica Cursiva: "Mathematicorum. Anonymi arithmetica manu scripta linguae Italicae". On the spine is written in the same type of script "Aritmetica" and, at the top, the letter "A".
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Arithmetic, Manuscripts, Medieval, and Mathematics, Medieval
Manuscript on parchment of a book of hours, decorated with elaborate illuminated miniatures
Description:
In Latin., Script: probably copied by two hands, both writing Northern Gothica Textualis Formata: A copied the Calendar, B all the rest in a more formal script in two sizes, except ff. 102r-103r, which are in a different hand. Rich decoration. Rubrics in gold. Calendar written in blue and gold. Majuscules stroked in yellow. Line fillers in gold and colour. Numerous 1-line versals (dentelle initials). 2-line foliate initials with marginal extensions, or with a one-margin gold and colour foliate bar border, extending into the upper and lower margins; some of them contain a human face, a flower or a geometrical design. 6-or 7-line historiated initials, always accompanied by a full gold and colour foliate bar border. Several marginal portraits of a woman (ff. 21r and 83r) are probably of the original owner., Elaborate illuminated miniatures, decorating a calendar, Short Hours of the Cross, Hours of the Virgin, Penitential Psalms, and the Office of the Dead. The manuscript also includes the beginning of the Gospel according to John, a litany, and petitions., and Binding: 20th century binding by Douglas Cockerell (1926): dark red morocco over pasteboard. Spine with five raised bands, with gold-tooled title “HORAE BEATAE / MARIAE VIRGINIS // MS. SAEC. XIV”. Green silk endbands. Two leather straps with silver clasps and catches engraved with the Hornby crest.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (one leaf and one interior tagged leaf) of the record of proceedings confirming the claim of Robert Bogas to a property in Brantham, Suffolk, against Queen Elizabeth I's assumption of the rights in wardship for Henry Moptyde
Description:
In Latin., Script: Written in English chancery script., and Wax seal.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Topic):
Court records, Land titles, Manuscripts, Medieval, and Politics and government
Manuscript on parchment. The illumination is influenced by the style of Jean Fouquet (d. 1480) and the manuscript belongs to a group that has been called the "Fouquet Workshop Books of Hours".
Description:
In Latin., Script: The Calendar is copied by a scribe writing Northern Gothica Textualis Formata, Variant III in the Oeser system; the text is by another scribe, writing Variant IV in the Oeser system, in two sizes., Headings in red. Heightening of the majuscules in yellow. Rectangular line-fillers in blue and red with white pernwork and some gold. 1-line dentelle initials with a blue and red background. 2-line foliate initials alternately in blue and red. These are accompanied by a rectangular unframed outer-margin acanthus border. Arch-topped miniatures above three lines of text, with 3-line foliate initial and full acanthus border, framed in red and often containing grotesques., and Binding: ca. 1600. Brown morocco over pasteboard, covers and spine elaborately gold-tooled. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin with some Dutch headings., Script: Copied by one Northern scribe writing Southern Textualis Formata (Rotunda) with some Humanistic features (Capital A, straight d alternating with Gothic d)., Headings in red. Lavish decoration in Ghent-Bruges style. Rectangular line-fillers in red, blue, green and gold. Trompe-l'oeil initials (1 line, 2 lines, 3 lines (rarely), 5 lines) consist of twisted branches in mat gold projecting shadow on a square background in red, blue or green. Full-page miniatures are painted on the verso of inserted singletons and are framed by four-margin borders which have their counterpart on the facing text page. Text miniatures (height: 7-8 lines) are painted in regular quires and are accompanied by four-margins, mostly floral borders., and Binding: Partly original binding in blind-tooled brown calf by the Bruges binder Ludovicus Bloc (1484-1529). The original binding is inset in brown morocco by F. Bedford (?) On each cover a panel with eight animals in tendrils, surrounded by the inscription in Roman Capitals "Ob laudem Christi librum hunc recte ligavi Ludovicus Bloc", is stamped four times; between the upper and the lower panel imprints is a five-compartment frieze containing animals. On the modern blind-tooled spine gold-tooled modern inscriptions "HORAE / B.V.M. / TORNACENSIS" and "MS./ BRUGES / C. 1520". Gilt and gauffered edges. White parchment endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Book of Hours printed in Paris, Thielman Kerver for Guillaume Eustace, 20 June 1500. The illuminated leaves, from a Book of Hours for the use of Rouen, between 1475 and 1500, were inserted into the printed Book of Hours before the present-day binding was made (ca. 1600).
Description:
In Latin., Script: Copied by one hand in Northern Gothica Textualis Formata., Decoration: Headings in red. Heightening of majuscules in yellow. Rectangular line-fillers decorated with red, blue and gold; 1-line dentelle initials; 2-line foliate initials; 4-5 line historiated initials (artt. 3 and 14); arch-topped miniatures (described above) above 3-4 lines of text, accompanied by 3- or 4-line foliate initials. The pages containing miniatures or historiated initials have full flower and acanthus borders, which may contain additional scenes or grotesques (see artt. 2, 4, 5, 11, 12). The woodcuts are coloured by hand throughout the book. Text pages containing a 2-line foliate initial have outer-margin or inner- and outer-margin borders (the latter on ff. 42 bis r and 64r)., and Binding: Red morocco similar to that of Beinecke MS 662.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (unidentified watermark) of Valerius Maximus, Facta et dicta memorabilia, with interlinear and marginal glosses
Description:
In Latin., Script: Copied by one hand in Humanistica Cursiva Libraria, marked by a curious form of r resembling c., Undecorated. The spaces for headings and initials are blank, except in the first quires, where a 16th-century hand has added some rubrics and plain initials; red capitals and a few contemporary red headings are added on ff. 77v-91r., Top edges severely trimmed. The top corners of ff. 189-249 repaired. Outer edges of ff. 156-166 damaged by mice (?)., and Binding: Early, brown undecorated leather over pasteboard. Spine with four raised bands. Blue sprinkled edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Valerius Maximus.
Subject (Topic):
Didactic literature, Latin and Manuscripts, Medieval
Manuscript on paper and parchment of Compendia in verse of the Bible and of the Sententiae; works on Canon and Roman Law; and Notes and metra especially on moral theology. Almost all texts and tables in this small manuscript are either by Iohannes Slitpacher, a Benedictine monk in the abbey of Melk, or anonymous and unrecorded
Description:
In Latin., Probably copied by one hand, writing an extremely small Gothica Semihybrida, varying from Libraria to Currens., Headings in red. Red heightening of majuscules and underlining. Red plain initials. A few crude flourished initials. Tables and circular diagrams in red and black ink; an unfinished diagram on the rear cover (f. 136v)., and Binding: Twentieth century. Brown leather over pasteboard, spine with three raised bands. Ff. 1 and 136, of thick yellowish parchment, are the original covers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Slitpacher, Iohannes. and Benedictines.
Subject (Topic):
Canon law, Didactic literature, Latin (Medieval and modern), and Manuscripts, Medieval
Manuscript on sheepskin of Nicolaus de Byard (ca. 1250), Distinctiones, with alphabetical index
Description:
In Latin., Script: copied by several similar hands in small, highly abbreviated Northern Gothica Textualis Libraria (Semitextualis)., Decoration: initials in red and blue, some with ornamentations and extensions in red and blue tracery. Guide letters in the margins., and Binding: 19th century English blue leather with artificial cross grain over pasteboard. Gold-tooled inscriptions in the compartments of the spine. The damaged state of the final leaf of the manuscript shows that the original binding probably was chained at a staple fixed to the lower edge of the rear board.
Manuscript on paper of 1) Will of Guglielmo di Montiglio, councillor of Guglielmo X (VIII) Palaeologus, Margrave of Montferrato, 1464-1483, dated Casale Montferrato, 8 Febr. 1469. 2) Aeneas Silvius Piccolomini (afterwards Pope Pius II, 1458-1464), De miseriis curialium, a letter addressed to the German courtier Iohannes von Eich, written 1444
Description:
In Latin., Watermark: flower (?)., Art. 1 is copied in a rapid Humanistica Cursiva Libraria. Art. 2, by another hand, is in Humanistica Textualis Formata., Art. 1 is undecorated. Art. 2 opens with a 3-line plain initial in red and blue, followed by a line in Capitals. In the lower margin of f. 5r a coat of arms gules, with a head (?) azure and a heart-shield gold. Initial and coat of arms, of mediocre execution, are by the same hand., and Binding: Nineteenth century. De luxe binding by Chambolle-Duru. Brown morocco over pasteboard, the turn-ins gold-tooled; marbled endpapers. Spine with five raised bands and gold-tooled inscription: "AENEAS / SYLVIUS / DE / MISERIIS / CURIALIUM". Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pius II, Pope, 1405-1464.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Letters, Papal, Manuscripts, Medieval, and Wills
Manuscript on paper (trimmed) of Aristoteles, Oeconomica, translated into Latin by Leonardo Bruni
Description:
In Latin., Watermark: bird (Briquet 12127?)., The main scribe (artt. 1-2) writes Gothica Hybrida (often close to Gothica Semitextualis) Libraria under strong Humanistic influence, visible in the use of Roman Capitals and straight s in final position., Space and partly guide-letters for a few initials were provided but the decoration is missing. In the space for the first initial (f. 1r) a coat of arms (silver, with a bend gules) was afterwards drawn., and Binding: Twentieth century. Half brown leather over pasteboard, the covers covered with brown paper. On the spine the gold-tooled title "ARISTOTLE . OECONOMICA . MS. 15TH CENT.".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle. and Bruni, Leonardo, 1369-1444.
Subject (Topic):
Classical literature, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of Gregory I, Pope, Moralia in Iob. Books 1-4 translated into Italian by Zanobi de Strata
Description:
In Italian., Several watermarks, most indeterminate, but one resembling Piccard, vol. 10, II 307 (Pavia, 1397-99)., Copied in Italian humanist cursive., and Binding: Plain vellum over boards. Endleaves from a 14th-century breviary.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory I, Pope, approximately 540-604.
Subject (Topic):
Christian literature, Italian, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Lucan's De bello civili (Pharsalia).
Description:
In Latin., Script: copied by various hands writing a small late Carolingian script. Folios 24v-25r have been erased, ruled again in lead and rewritten by a 13th century hand using Southern Gothica Textualis Libraria; the top 10 lines of f. 41r appear to be rewritten over erasure by one of the main hands. Headings, explicits and incipits in display script heightened with red. Red heightening of the opening majuscules of the verses and of the paragraph marks., Lucan's De bello civili (Pharsalia). The text is incomplete due to the loss of two quires in the middle and two leaves at the end. Marginal and interlinear glosses and corrections date from the 12th-15th centuries. There are running headlines “I”, “II”, “III” etc. on the recto pages up to f. 56. The manuscript also contains a fictitious epitaph of Lucan., The manuscript contains two maps: (1) in the outer margin of f. 21v: schematic drawing coloured in red and yellow illustrating the fauces, lingua and cornua of the harbour of Brundisium; (2) in the outer margin of f. 87v: erased T-O map with the winds, uncoloured, illustrating the description of the world beginning., and Binding: English 19th century binding: brown leather over cardboard; on the spine the gold-tooled title “LUCANI / PHAR./ SALIA”. Marbled endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lucan, 39-65.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Narrative poetry, Latin
Manuscript on parchment of Petrus Comestor (Manducator), Historia Scholastica
Alternative Title:
Historia scholastica
Description:
In Latin., Script: copied by two scribes (Scribe 1: ff. 1r-47r; Scribe 2: ff. 47r-179v) in proto-gothic script., Large initial on f. 1v embodying 9 miniatures (depicting, top to bottom, God the Father enthroned, Noah and the Ark, Abraham and Melchisidech, Abraham and Isaac, Elijah pouring water around his altar, a king kneeling before an altar, a prophet, David playing the harp, and Petrus Comestor at work). 19 large decorative initial letters in light green, dark green, yellow, blue, and red with interlace and leafy decorations, often employing zoomorphic ornamentation. Hundreds of smaller painted initials., and Binding: 18th century. Brown calf, with gilt embossed ornamentation on spine and the legend: "Historia | Scholastica | Petri | Manducatori" and a label with the printed number 3742.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrus, Comestor, active 12th century
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Archiconfraternita dei SS. Ambrogio e Carlo dei Lombardi
Published / Created:
[ca. 1485-1585]
Call Number:
Beinecke MS 675
Image Count:
185
Resource Type:
unspecified
Abstract:
Manuscript on parchment of a collection of documents pertaining to the Hospital of St. Ambrose in Rome compiled over a century and containing a core of foundation documents and numerous later additions
Description:
In Latin., Written in several notarial hands, signed and dated by notaries., Heading on f. 2 in calligraphic script with a large interlaced penwork initial. Notaries' marks., and Binding: Contemporary blind-stamped leather with foldover flap and buckle. Miniature of St. Ambrose painted on front cover.
Subject (Geographic):
Connecticut, New Haven., and Rome (Italy)
Subject (Name):
Archiconfraternita dei SS. Ambrogio e Carlo dei Lombardi.
Subject (Topic):
Charters, Hospitals, Medieval, and Manuscripts, Medieval
Manuscript on parchment of an anonymous Italian translation of Giordano Ruffo, Liber marescalcia equorum, as well as recipes for various equine illnesses and schematic drawings of bits
Description:
In Italian., Script: main text copied by one hand in Southern Gothica Textualis Libraria., Capitals and headings in red in main text. Diagrams of various bits for horses on ff. 39v and 40r., and Binding: S. XX binding: plain parchment over cardboard.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Rufus, Jordanus, fl. ca. 1225-1250.
Subject (Topic):
Horses, Italian literature, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment (goatskin) of Ps.-Cicero, Rhetorica ad Herennium
Description:
In Latin., Script: Copied by one hand in small Southern Gothica Textualis Libraria (Rotunda) in two sizes., Headings in red. Paragraph marks in red or blue. Plain initials (mostly 2-line) in red. Flourished initials of various sizes in blue with red penwork (a few have deviant colours). Each of the four books opens with a large flourished initial; the one at the beginning of Book II is a littera duplex (7 lines), the one at the beginning of Book I, of the same type, is more elaborate (14 lines). Both initials are followed by a line in fancy majuscules alternating with penwork., Numerous wormholes in the covers and first and last leaves. Some irregular edges and corners., and Unbound.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Cicero.
Subject (Topic):
Latin literature, Manuscripts, Medieval, and Rhetoric
Leaf of Cicero (106-43 B.C.), De Finibus Bonorum et Malorum (On the Ends of Good and Evil) II.27-28.
Description:
Script: Copied by a single hand in a rather uneven Humanistica Textualis marked by frequent fusions. and Decoration: None. The modern folio number(?), 36, is written in pencil on the recto.
Manuscript on goatskin parchment of 1) St Basil of Ancyra, De vera integritate virginitatis. Translated into Latin by Ambrogio Traversari between 1423-1424; 2) St John Chrysostom, Adversus oppugnatores vitae monasticae. Translated into Latin by Ambrogio Traversari in 1420
Description:
In Latin., Script: Copied by one scribe, writing in Humanistica Semitextualis with a few Gothic features., Pale red rubrics. Text undecorated, with the following exceptions: plain 2-4-line initials (Capitalis) in red or blue on pp. 1, 152, 155, 188; 5-line white vinestem initial integrated in a three-margins-left border in the same style on p. 3; the initial and border have been attributed by Albinia C. de la Mare to Giovanni d'Antonio Varnucci (1416-1457)., and Binding: 19th-20th centuries; brown morocco over cardboard. Both covers are blind-tooled with frames of fillets and four different flower tools. Five raised bands are on the spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Traversari, Ambrogio, 1386-1439.
Subject (Topic):
Fathers of the church, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monastic and religious life
Manuscript on paper of Iacobus Zeno (d. 1481), De vita et moribus Nicolai Albergati
Description:
Niccolo Albergati (1375-1443) became bishop of Bologna in 1417 and cardinal in 1426. See about him Dizionario biografico degli Italiani, v. 1 (Rome, 1960), pp. 619-621., In Latin., Script: Copied by one hand in late Humanistica Cursiva Libraria., Undecorated., Several margins and folds strengthened by means of strips of paper pasted on them., and Binding: Half blue marbled paper, the covers of white cardboard. On the front cover a large paper label with engraved flowery cartouche and 18th-century handwritten title: "Vita B. Nicolai Albergati a Iacobo Zeno descripta. Ms.". At the top an oval label with the number "33" (19th century).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Albergati, Nicolò, 1375-1443. and Zeno, Jacopo, 1417-1481.
Subject (Topic):
Biography, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of Antonio de Ferrariis (called himself Galateo after his birthplace, d. 1517), De situ Iapygiae. His work is a geographical, historical, epigraphical and literary description of Iapygia, i.e. the Southeastern part of Italy (now Apulia).
Description:
In Latin., Script: Three scribes, all writing Humanistica Cursiva: hand A copied ff. 1r-20v, 24v-26v, 31r-36r line 10, 36v last three lines (Libraria); hand B copied ff. 21r-24r, 27r-30v (Currens); hand C copied f. 36r line 10-36v, except the last three lines (Currens under Gothic influence)., No decoration., Water stains. Some pages badly damaged by the acid ink., and Binding: The damaged covers of the original binding are mounted on the new binding in brown leather. Blind-tooled, featuring two square frames bordered by fillets and rolls.
Subject (Geographic):
Connecticut, New Haven., Italy, and Puglia (Italy)
Subject (Name):
Ferrari, Antonio de, 1444-1517.
Subject (Topic):
Latin literature, Medieval and modern, Manuscripts, Medieval, and Description and travel
Manuscript on parchment of Isidore of Seville (d. 636), Synonyma
Description:
Script: Copied by a somewhat uneven hand in bold and angular Praegothica., Decoration: Red headings; alternately res and blue-gree 1-line versals; alternately red and blue 3-line half inset initials, plain or flourished with penwork. A curious pointing hand on f. 24v., Binding: None., and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Isidore, of Seville, Saint, -636.
Subject (Topic):
Fathers of the church, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment. Copied in the Charterhouse Val de Benediction (Vallis Benedictionis) at Villeneuve-les-Avignon
Description:
In Latin., Script: Copied by one hand in small Northern Gothica Textualis Libraria., All important illuminated leaves missing. Headings in red. Yellow heightening of the majuscules. 1-line flourished initials alternately red and blue. Numerous 2-line flourished initials in the same colours. 3-line dentelle initials with partial floral borders in gold (on f. 56r with bar-shaped extensions, on f. 57v no border)., The manuscript is heavily mutilated, some leaves are out of order and many (presumably all illuminated) leaves are cut out., and Binding: Nineteenth century. Light-brown leather over pasteboard; the covers gold-tooled with floral border and centre-piece. Gold-tooled spine with four raised bands. One large modern silver clasp attached to rear cover. Edges gilt and gauffered.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Carthusians. and Catholic Church
Subject (Topic):
Liturgy, Breviaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment (goatskin) of Prudentius (beginning of the fifth century), Psychomachia, with interlinear and marginal glosses by various hands in Latin and Italian, variant readings and corrections
Description:
In Latin, with Italian glosses., Script: Copied by one hand writing an uneven Southern Semitextualis Libraria with some two-compartment a's. The scribe Ciutus is not recorded., Red stroking of the majuscules. 2-line red plain initials. Larger and more elaborate initial in red and black at the opening of the text. Numerous pointing hands., and Binding: Nineteenth century. Yellow parchment over pasteboard, both covers framed with a gilt running scroll. On the spine gold-tooled inscription "PRUDENTII PSYCHOMACHIA . COD. SEC. XV (?)".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Prudentius, 348-
Subject (Topic):
Allegory, Christian poetry, Latin, Fathers of the church, and Manuscripts, Medieval
