"An opera-dancer, Mme Rose Didelot, is poised on her right toe, her head turned in (sharp-featured) profile to the left, holding up a long garland of roses. She wears a pseudo-classical costume, defining her person, the edge of the skirt bordered with roses, a wreath of roses in her hair which is almost short. The scenery is of trees with a landscape background."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. April 12th, 1796, by H. Humphrey, New Bond Street
"Burke (left) as a shambling beggar, holds out his hat towards the Duke of Bedford who looks between the folding gates of Bedford House, holding one side to keep them almost closed. Their words float upwards from their mouths: Burke says: ""Pity the Sorrows of a poor old Man, add a trifle to what has been bestowed by Ministry to stop my Complaints: - O give me opportunity of recanting once more! - Ah! remember me in your Golden Dreams! - great Leviathan of liberty, let me but play & frolick in the Ocean of your royal Bounty, & I will be for ever your Creature; - my Hands, - Brains, - my Soul & Body, - the very Pen through which I have spouted a torrent of Gall against my original Friends, and cover'd you all over with the Spray, every thing of me, & about me, shall be yours - dispence but a little of your Golden store to a desolate Old Man". Bedford says: "Hark'ee, old double Face, - its no use use [sic] for you to stand Jawing there, if you gull other people, you won't bother us out a single Shilling, with all your canting-rant, - no, no, it wo'nt do, old Humbug! - let them bribe you, who are afraid of you, or want your help, - your Gossip wont do here: -" Burke wears the red and blue of the Windsor uniform, his dress is tattered, one foot protrudes through his shoe. In his right hand is a sheaf of broadsides: 'Last Dying Speech of Old Honesty the Jesuit' [cf. BMSat 6026, &c.]. On his back is a sack inscribed '£4000 pr Annum' indicating his two pensions. From his back protrudes a book inscribed 'Reflections upon Political Apostacy'. The design is framed by the stone gateway of Bedford House, each side surmounted by a sphinx (cf. BMSat 8639)."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Buildings: Bedford House, London -- Architectural details: stone gateways -- Sphinxes -- Pensioners: Burke as a pensioner -- Military uniforms: Windsor uniform -- Begging -- Allusion to Burke's pensions -- Allusion to Burke's Letter to a Noble Lord, 1796., and Mounted to 48 x 34 cm.
Publisher:
Pubd. Feby. 25th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Burke, Edmund, 1729-1797 and Bedford, Francis Russell, Duke of, 1765-1802
"The two members for Middlesex simultaneously address a meeting of freeholders from a hustings against a building (The Mermaid, at Hackney) which forms a background. Both lean forward in profile to the right. Byng (left), thin and elegant, gesticulates with clenched fist, right arm above his head. He frowns, while Mainwaring (right) grimaces insinuatingly, his hands held out deprecatingly. From Byng's pocket issues a paper: 'Treatise on the use of Cocoa'. On the extreme left, behind Byng, stands Fox, holding Byng's hat. The other men on the platform, all wearing hats, are freely sketched. On the wooden barrier of the hustings are two bills, the lower part of which is concealed by the heads of the spectators, which reach across the lower edge of the design: 'Mermaid Hackney Meeting of the Freeholders for obtaining a Repeal of the odious, detestable, obnoxious, unconstitutional oppressive treasonable . . .' and 'Address to his Majesty by the Freeholders.'"--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Hustings -- Reference to Treasonable Activities and Seditious Meetings bills., Possibly an impression from a worn plate; publisher's street address is lightly printed and barely legible., and Mounted to 42 x 31 cm.
Publisher:
Pubd. Feby. 1st, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Byng, George, 1764-1847, and Mainwaring, William, 1735-1821
Title from item., Sheet trimmed within plate mark., Publisher's advertisement following imprint: Folios of caricatures lent out for the evening., Temporary local subject terms: Wars: war-weariness -- Expressions of speech: 'Will o' the wisp' -- Pensions: Burke's pension -- Lanterns -- Drowning., and Mounted to 34 x 45 cm.
Publisher:
Pub. March 28, 1796, by S.W. Fores, N. 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Burke, Edmund, 1729-1797
Title etched below images, centered at bottom of plate., Two images on one plate., Four lines of text in two columns on either side of title: One that witholdeth not his mite ..., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Parsons -- Furniture: slipcovered chairs -- Writing desk -- Tea table -- Beverages -- Wines: Burgundy., and Watermark: E & P.
Publisher:
Pub. Janry 26, 1796 by S.W. Fores, N. 50 Piccadilly
Subject (Topic):
Clergy, Lawyers, Pipes (Smoking), Wine, and Chairs
Title from caption below image., Sheet trimmed to plate mark., Printseller's statement following imprint: Folios of caricatures lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Printseller's stamp in lower right of plate (partially trimmed): S.W.F.
Title from item., Printseller's announcement following publication statement: Folios of carricatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Writs -- Eyepatches -- Bludgeons., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pubd. Aug. 1st, 1796, by S.W. Fores, No. 50 Piccadilly
Title etched above image., Sheet partially trimmed within plate mark., Numbered 'Ptale [i.e., plate] 15' in upper left corner., Placement instructions 'Page 35' in upper right corner., Two lines of text below image: D--n [i.e., damn] thee don't play thy tricks with me ... ., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., State with title on plate. Cf. No. 8944 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Food: ham -- Slang: 'gammon'.
Publisher:
Pubd. by Allen & West, 15 Paternoster Row
Subject (Name):
Vauxhall Gardens (London, England)
Subject (Topic):
Candlesticks, Gardens, Lamps, Farmers, Restaurants, Tearooms, and Waiters
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[1 November 1796]
Call Number:
796.11.01.01
Image Count:
1
Resource Type:
still image
Description:
Title from item., Printseller's announcement following publication statement: Folios of carricatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Smoking -- Furniture: chairs -- Tea table -- Dishes: jugs -- Tobacco.
Publisher:
Published Nov. 1st, 1796, by S.W. Fores, No. 50 Piccadilly
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Scotchmen -- Male dress: Scottish dress -- Reference to Ireland -- Referencet to America -- Reference to West Indies -- Reference to Germany -- London: St. Paul's -- Peddlars -- Peddlars' boxes.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[24 February 1796]
Call Number:
796.02.24.01+
Image Count:
1
Resource Type:
still image
Abstract:
A country yokel in a hat and smoking a pipe sits on a stool beside a simple table outside in a farm house opposite a pigsty wtih a large pig and her piglets and chickens and their chicks running around in alarm. In the upper left sky a flock of parson in the form of birds fly in various directions. A second man sits on the gate looking up at the clergy/birds
Description:
Also attributed to Isaac Cruikshank in unverified information from card., Publisher's statement following imprint: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Paper watermarked T.W. 1795., and Printseller's stamp in lower right corner of plate: S.W.F.
Publisher:
Published Febry. 24, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Topic):
Agricultural laborers, Clergy, Farms, Pipes (Smoking), Poultry, and Swine
A man in ragged clothes stands facing right, hunched forward under the weight of a basket of 'Rents' and 'Taxes' strapped to his back. His legs are shackled, his mouth is closed by a padlock, and his hands are tied behind him. Image enclosed within a circle
Alternative Title:
Freeborn Englishman
Description:
Title etched above image., Printmaker is likely the publisher Thomas Spence's son William, who was born in the early 1780s and died in 1797. See Oxford Dictionary of national biography, entry for Thomas Spence., Probably a copy, with alterations, of a print published circa 1795 entitled "A freeborn Englishman, the admiration of the world, the envy of surrounding nations, &c. &c." See description for No. 8710 in the Catalogue of prints and drawings in the British Museum, v. 7., Sheet trimmed within plate mark., Thomas Spence seems to have also issued copper tokens in 1796 with depictions of a similar shackled figure on one side. See for example British Museum online catalogue, registration no.: T.6498., and Not in Catalogue of prints and drawings in the British Museum.
Publisher:
Publishd. by T. Spence, Turn Stile, Holborn
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Taxation, Poverty, Poor persons, Locks (Hardware), Shackles, and Taxes
In his meager attic lodgings, a man dresses as his land lady looks on. On the wall is a poster with a portrait of Thomas Paine and a partially torn sign with the words "Buggs distroy'd", the art amplifying the subject
Description:
Title engraved below image., From the Laurie & Whittle series of Drolls., Plate numbered '174' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 28th Novr. 1796 by Laurie & Whittle, 53 Fleet Street, London
Subject (Name):
Paine, Thomas, 1737-1809.
Subject (Topic):
Attics, Landlord & tenant relations, Mirrors, Poverty, and Shaving equipment
A fat, red-checked clergyman sits across an oval table from a thin, distressed man. On the table between them is a backgammon game and two lit candles in brass candlesticks. The clergyman throws up his arms in joy after another successful roll of the dice
Alternative Title:
Hit at backgammon
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of carricatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Edm[onds] & Pine.
Publisher:
Pub. July 20th, 1796, by S.W. Fores, No. 50 Piccadilly
Title from item., Temporary local subject terms: Female dress: riding habit -- Male dress: riding clothes -- Fortifications -- Notice boards., Watermark: Strasburg bend with initials G R below., and Mounted to 27 x 39 cm.
Publisher:
Pub by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, Frances Villiers, Countess of, 1753-1821, Richmond, Charles Lennox, 3d Duke of, 1735-1806, and Barwell, Richard, 1741-1804
Title from item., From the Laurie & Whittle series of Drolls., Plate numbered '172' in lower left corner., Printmaker identified from the original drawing in the Huntington Library., One line of text below title: "The end of these things is death.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Old women -- Earrings -- Miniature portraits as jewelry -- Female dress: masquerade costume -- Tickets: masquerade tickets -- Pictures amplifying subjects: portrait of Cleopatra -- Pulley-stiles -- Parasols -- Furniture -- Powder puffs -- Domestic servants: lady's maid -- Furnishings: window curtain tassels.
Publisher:
Published 15th Septr. 1796 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Older people, Women, Headdresses, Clocks & watches, Jewelry, Dressing tables, Umbrellas, and Women domestics
"Two chairmen carry (left to right) a lady in a sedan chair. The roof is raised and through it projects an enormous ostrich feather, rising from an aigrette and curls, which also extend above the roof. To the second chairman's back is strapped the base of a long curving rod which supports an umbrella to protect the feather. Through the window of the chair appears the lady's profile. She holds a half-closed fan before her face. Behind (left) is a plain town house of three stories behind its area-railings; it is next a high curving wall (right). Probably from a design by an amateur."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Jany. 13th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
Bath (England)
Subject (Topic):
Fans (Accessories), Headdresses, Sedan chairs, Servants, and Umbrellas
"Miss Farren and Lord Derby, both in profile to the right, walk together inspecting pictures. She, very thin and tall, looks over his head through a glass at a picture in the second row of 'Zenocrates & Phryne'. He looks at the picture immediately below, 'The Death', a huntsman holding up a fox to the hounds. The frame is decorated by an earl's coronet with horses, cf. BMSat 9074, &c. Lord Derby, much caricatured, very short and obese, wears riding-dress with spurred boots and holds a whip. Miss Farren wears no hat, a dress hanging from the shoulders and trailing behind her, short sleeves and gloves. Both hold an open 'Catalogue'. Behind, a man (left) and two ladies in back view and arm-in-arm inspect a picture of 'Susan[nah and the] Elders'. The lady in the centre wears a high, twisted turban (cf. BMSat 8755) with an enormous feather, the other wears a round hat."--British Museum online catalogue
Alternative Title:
Tally-ho & his Nimeney-pimmeney taking the morning lounge and Tally-ho and his Nimeney-pimmeney taking the morning lounge
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Interiors: art exhibitions -- Literature: reference to Burgoyne's The Heiress -- Lorgnettes., and Mounted.
Publisher:
Pubd. Sept. 24th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
England
Subject (Name):
Smith-Stanley, Edward, 1752-1834 and Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829
"A corner of the opera house. A dancer is poised on her right toe, while she leans forward, both arms extended, her left leg extended horizontally towards the audience. Her head is turned full-face. Those in the pit are peering under her skirt, which, falling limply almost to her ankles, defines her figure. In the front row of the pit sit (left to right) the Duke of Queensberry peering through an opera-glass; Sheridan, biting his thumb apprehensively (probably fearing competition with Drury Lane); Fox, leaning back laughing, while Pitt stands behind him, holding his shoulders, and staring intently at the dancer. Among the heads behind are Burke on the extreme right, Bedford next him, then Loughborough and Erskine (?) in their legal wigs. In a box on the first tier sit two ladies and a man, looking down upon the dancer, except that one of the ladies stares at the man she sits next through a glass. A door giving on to the stage is open, through which two men are staring up at the dancer. Behind stands a prim-looking man wearing spectacles. A scene of trees and foliage forms a background to the stage."--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark., The dancer is possibly Madame Rose Parisot?, and Matted to 47 x 62 cm.; printmaker's name and a key identifying subjects printed on mat below image.
Publisher:
Pub. May 7, 1796 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Bedford, Francis Russell, Duke of, 1765-1802, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Audiences, Dancers, French, Performances, Opera houses, and Theatrical productions
Title from item., Sheet trimmed within plate mark., Temporary local subject terms: Saldanha Bay -- Cape of Good Hope -- Palm trees -- Monkeys -- Dutchmen -- Sailors -- Frenchmen -- Money: coins -- Ships: deck -- Cannons., and Watermark: Strasburg lily.
"An elderly man displays scientific experiments. He stoops forward, in profile to the left, holding a rod horizontally between his fingers, in the left hand is a glass. A small still, phials, &c, and an elaborate appliance (right) are on the long table behind which he stands. On the wall are two medallion profile-portraits, one (left) being that of Priestley. A serpent, a scroll with cabalistic signs, a terrestrial globe on a bracket, are also on the wall, which is lit by a single candle with a curiously shaped reflector."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Philosophers -- Scientific lectures -- Maps: globes -- Cabalistic signs -- Phials.
Publisher:
Pubd. March 28th, 1796, by H. Humphrey, No. 37 New Bond Street
Subject (Geographic):
England
Subject (Name):
Walker, A. 1730 or 1731-1821 (Adam), and Priestley, Joseph, 1733-1804
"Sir David Dundas on horseback, in profile to the left, drills a line of cavalry at some distance. He holds a gold-headed cane in place of a whip and sits his horse in the manner of a bad rider. His foot is thrust forward so that his boot projects beyond the animal's chest (cf. Nos. 7233, 7242); he holds the curb rein only, and this is merely placed between his hand and the cane; the snaffle lies on the horse's neck. The animal is clumsy, with shaggy fetlocks. Under the saddle is a leopard-skin. Dundas is on rising ground above the level of the soldiers who are drawn up facing some tents."--British Museum online catalogue, description of a later state of the same composition
Description:
Title etched below image., Thomas Adams is one of the pseudonyms used by Gillray. See British Museum catalogue., Earlier state of No. 11256 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Imperfect; sheet trimmed within plate mark with loss of printmaker's signature and imprint. Printmaker and imprint from impression in the New York Historical Society collection., Temporary local subject terms: Horsemanship -- Military camps -- Military manoeuvres: cavalry drill -- Military uniforms: Quartermaster general, Horse Guards., and Mounted to 40 x 48 cm., matted to 44 x 50 cm.
Publisher:
Pubd. May 12th, 1796, by H. Humphrey, New Bond Street
"A spectacled man, wearing riding-dress with spurred top-boots, seizes a stout lady by the hair and flourishes a riding-whip, saying, "Pro bono Patriae". A younger man (left) puts his hand on his shoulder, saying, "I'll support you". He is wildly cheered by an election crowd (left), who wave their hats. The lady's feathered bonnet lies on the ground, her hair streams down her back, and she holds out her arms in terror. A group of cathedral clergy stand on the right watching with gestures and expressions of alarm and disapproval. Behind is a square church tower (right) with pinnacles."--British Museum online catalogue
Alternative Title:
Proof of the refined feelings of an amiable character ...
Description:
Title etched below image., Printmaker and questionable date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Elections: reference to elections, 1796 -- Clergy: cathedral clergy -- Buildings: cathedral -- Abuse of women.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[20 January 1796]
Call Number:
796.01.25.01+
Image Count:
1
Resource Type:
still image
Description:
Title from item., Printmaker identified in British Museum catalogue., Publisher's advertisement following imprint: NB. Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Clubs: Thinking Club -- Satire on Seditious Meetings bill -- Interiors: clubs -- Furniture: chairs., Watermark: Strasburg bend with initials GR below., and Printseller's stamp in lower right of sheet: S.W.F.
Publisher:
Pubd. Januy. 20th, 1796 by S.W. Fores, N. 50 Piccadilly, corner of Sackville Street
Full-length portrait in profile of the Duke of Norfolk looking left and holding his hat in his right hand and a gathering of sheets of paper in his left
Description:
Title engraved below image, with ducal crown above title., Leaf 65 in an album with the spine title: Characatures by Dighton., 1 print : etching with stipple on laid paper, hand-colored ; plate mark 24.9 x 21.1 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Duke Norfolk" in pencil in lower left corner of sheet.
Publisher:
Publish'd Feby. 1st, 1796, by R. Dighton, No. 12 Charing Cross
Full-length portrait in profile of the Duke of Norfolk looking left and holding his hat in his right hand and a gathering of sheets of paper in his left
Description:
Title engraved below image, with ducal crown above title.
Publisher:
Publish'd Feby. 1st, 1796, by R. Dighton, No. 12 Charing Cross
"A lean and ugly old man sits in profile to the right, bending forward towards an immense volume which lies open on a table in front of an open sash-window (right). On the page is a fly at which he gesticulates. He wears a night-cap and a loose robe over an old-fashioned laced waistcoat, short breeches, and high-quartered shoes. Above his head hangs a large stuffed crocodile, and in a frame on the wall are butterflies and insects. The 'virtuoso' (? naturalist) is examining the works of Linnaeus 'for a description of an uncommon species of insect'."--British Museum online catalogue
Description:
Title etched above image., Numbered 'Plate 41' in upper left corner., Plate from: Eccentric Excursions, or, Literary & Pictorial Sketches of Countenance Character & Country in ... England & South Wales, by G.M. Woodward, 1796., Variant state with title. Cf. No. 8968 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, and Temporary local subject terms: Virtuosi -- Allusion to Linnaeus -- Collections: insects -- Taxodermy: crocodile -- Male dress: dressing gown -- Male dress: nightcap -- Eyeglasses.
"View of Adam Street, Adelphi, looking north"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Sheet trimmed within plate mark., Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802]., and Mounted to 42 x 30 cm.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[26 March 1796]
Call Number:
796.03.26.01+ Impression 1
Image Count:
1
Resource Type:
still image
Description:
Title from item., Sheet trimmed within plate mark., Three lines of text below image: I hope I don't intrude, gentlemen ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Jews -- Dishes: Punch bowl.
Publisher:
Pub. March 26, 1796, by Willm. Holland, No. 50 Oxford Strt
Subject (Topic):
Clubs, Coffins, Drinking vessels, Interiors, Pipes (Smoking), and Undertakers
In seven scenes in a design of two tiers, citizens dispute the oppressive fees imposed by a zealous tax collector who taxes bugs, pets, a bulbous nose and a runny nose, corns on a foot, and a man's skin. In the scene on the upper right, the tax collector penalizes a man whom he accuses of evading tax as he defecates in a bush
Alternative Title:
Taxes as they will be!!
Description:
Title etched below image., Attributed to Isaac Cruikshank by Krumbhaar., Publisher's advertisement following imprint: ... folios of caracatures [sic] lent out for the evening., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. June 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street ...
Subject (Geographic):
Great Britain
Subject (Topic):
Taxation, Black people, Birds, Birdcages, Cats, Defecation, Dogs, Servants, Single women, and Tax payers
Shown full-length, a short man in ill-fitting uniform stands before a cannon. He leans on one sword and has another very large one swung behind his back
Description:
Title etched above imprint and below text., Sheet trimmed within plate mark., Five lines of text below image and above title: Some school-boys who were playing at soldiers found one of their number so ill made and so much under size that he would have disfigured the whole body if put into the ranks. What shall we do with him asked one. Do with him says another? Why, make an officer of him., Publisher's statement below image: Prints & drawings lent on the plan of a circulating library, folios of caracatures [sic] lent out for the evening., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Jany 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Topic):
Cannons, Dwarfs, Military uniforms, British, and Swords
Shown full-length, a short man in ill-fitting uniform stands before a cannon. He leans on one sword and has another very large one swung behind his back
Description:
Title etched above imprint at the end of five lines of text., Printmaker from another state in Lewis Walpole collection. This state also lacks the publisher's statement following printmaker's statement. Cf. Lewis Walpole Library 796.01.01.02.2., Sheet trimmed to plate mark on left side and top., Five lines of text below image and preceding title: Some school-boys who were playing at soldiers found one of their number so ill made and so much under size that he would have disfigured the whole body if put into the ranks. What shall we do with him asked one. Do with him says another? Why, make an officer of him., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and With printseller's stamp: S.W. Fores.
Publisher:
Pubd. Jany 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Topic):
Cannons, Dwarfs, Military uniforms, British, and Swords
Title from engraved text above image., Imprint from British Museum online catalogue., Description based on imperfect impression; sheet trimmed within plate mark resulting in loss of imprint., Numbered 'Plate 42' in upper left corner., 'Page'--Upper right corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward. 1796., Temporary local subject terms: Coats of arms: burlesque arms -- clergy: monks -- Emblems: man on an eagle -- Scrolls -- Executions -- Military uniforms: Hussars' uniform -- Brazen Head -- Reference to Katterfelto -- Weapons: bows -- Literature: R.E. Raspe's Baron Munchausen's Narrative of his marvellous travels ..., 1786., and Plate numbering and placement instructions erased from sheet.
Publisher:
Pubd. by Allen & West, 15, Paternoster Row
Subject (Name):
Munchausen, Karl Friedrich Hieronymus, Freiherr von, 1720-1797
"John Bull (left), a stout countryman wearing jack-boots, rides (right to left) through a wood on a wretched hack, ready to fall under his weight. Pitt kneels on the ground (right) in profile to the left, aiming a blunderbuss (which is supported on crossed sticks) point-blank at John; it is inscribed 'Standing Army'. He masquerades as a beggar: his dress is tattered, on the ground is his hat, containing coins; he says: "Good Sir, for Charity's sake \ "have Pity upon a poor ruin'd Man; - \ "drop if you please, a few bits of \ "Money into the Hat, & you shall \ "be rewarded hereafter -" From his coat-pocket project a cocked pistol and a paper: 'Forced Loan in reserve'. He points to a document on the ground beside him: 'Humble Petition, for Voluntary - Contribution Subscriptions & new Taxes, to save the Distres'd from taking worse Courses.' John Bull has dropped his righteins and holds his hat, full of guineas; he looks with melancholy distrust at Pitt, but drops guineas into his hat. His horse, disfigured with sores, is evidently the white horse of Hanover, its head-band is red and blue, the Windsor uniform (cf. BMSat 8691, &c). From the bushes behind Pitt emerge the heads and shoulders of (right to left) Dundas, Grenville, and Burke, each with a pistol levelled at John Bull. Dundas wears Highland dress, Grenville peer's robes and a grenadier's cap with the letters 'Wm R' (cf. BMSats 7479, 7494, &c.): he looks down reflectively at Pitt instead of at his victim, implying that he is his cousin's henchman; Burke has a pen in his hat. On the left is a signpost pointing (right) 'From Constitution Hill' (cf. BMSat 8287) and (left) 'To Slavery Slough by Beggary Corner.'"--British Museum online catalogue
Alternative Title:
John Bull escaping a forced loan
Description:
Title etched below image., Temporary local subject terms: Highwaymen -- Beggars -- Weapons: blunderbuss -- Pistols -- Petitions -- Reference to Loyaly Loan -- Symbols: White Horse of Hanover -- Coins: guineas -- Signposts., and Mounted to 32 x 48 cm.
Publisher:
Pubd. Decr. 10th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Burke, Edmund, 1729-1797, and Grenville, William Wyndham Grenville, Baron, 1759-1834
Title from item., Artist and printmaker from the original edition in the Attic miscellany, v. 1, p. 16 published under the title "Samsonic Lodge." Cf. British Museum catalogue., Probably from the Carlton House magazine., Restrike of the left side only of No. 7749 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Societies: Samsonic Society -- Emblems: beehive as the Samsonic Society's emblem -- Interiors: Pied Horse, Chiswell Street -- Smoking: pipes -- Pets: dogs -- Dishes: punch bowl -- Samsonic chairs -- Wooden legs -- Sir Brook Watson, 1st bart., 1735-1807.
"A fat parson (left), burlesqued, sits in an arm-chair in profile to the right, left hand extended, addressing a naked and thin old man who sits grimly on a stool, hands on knees. They face each other in profile. The parson is drink-blotched, a full glass is in his right hand, on the table is a bottle of 'Port', he raises both feet from the ground. Care has a long beard, unkempt hair, and glares fiercely at the parson"--British Museum online catalogue
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of carricatures [sic] lent out for the evening., Temporary local subject terms: Clergy: parsons -- Personifications: 'Care' -- Wine: port -- Jews -- Furnishings: slipcover., and Printseller's stamp in lower right of sheet: S.W.F.
"A band of assailants led by an irate bishop approaches from the right, to the attack of a stone building, a corner of the lower part of which is on the left. A closed door is inscribed 'Office of Justice'; from an open window immediately above it a man leans out, pistol in hand, saying, "This is my House this is my Castle". Two women kneel beside the stout bishop, one clutches his arm to restrain him, the other weeps; a third standing behind also weeps. Two parsons with clenched fists stand behind the bishop, one, who is fat, says "Turn him out"; the other, who is lean, says: "Ill thrach the Dog I'll box him what Dare to act contrary to the Opinions of his Spiritual Dictator, no not even in his Temporals, Turn him out." A third equally irate parson stands alone on the left of the door. A crowd with clubs and banners brings up the rear behind the clergy; the most conspicuous are two footmen in livery. The three banners are: 'Church Millitant', 'Unqualified Submission to our Spiritual Guides', and 'All Obedience.'"--British Museum online catalogue
Alternative Title:
Messengers of peace
Description:
Title etched below image., Printseller's announcement following publication statement: NB. Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Assaults -- Offices: diocese deputy registrar -- Parsons -- Samuel Grindley., Watermark: Strasburg bend., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pubd. Augt. 6, 1796, by S.W. Fores, No. 50 Piccadilly
Charles Stuart, Duke of Richmond and Charles Stewart, Duke of Richmond
Description:
Title etched below image., Mounted on page 63 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., 1 print : stipple engraving and etching on wove paper ; sheet 9 x 6.9 cm., and Imperfect; sheet trimmed within plate mark with partial loss of title and complete loss of imprint statement.
Publisher:
Pubd. Nov. 1, 1796, by S. & E. Harding, Pall Mall
Subject (Name):
Richmond, Charles Stuart, Duke of, 1639-1672, and Strawberry Hill (Twickenham, London, England)
Title page vignette to The Pilgrim's Progress by John Bunyan, ... Part I, 1796., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Literature: John Bunyan's Pilgrim's Progress.
Publisher:
Published May 1st 1796 by T. Heptinstall, Fleet Street
Title from item., Printmaker identified from the original drawing in the Huntington Library., From the Laurie & Whittle series of Drolls., Four lines of text below image: Justice: Well, then you avou you have been married seven years ..., Plate numbered '167' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lawyers: justices -- Food: bacon -- Civil uniforms: epaulettes with aglets -- Male dress: aglets -- Customs: claiming the flitch of bacon., and Watermark: (partial) Strasburg bend.
Publisher:
Published 8th Feby. 1796 by Laurie & Whittle, 53 Fleet Street, London
"Lady Archer (left) and Lady Buckinghamshire (right) stand in the pillory as in BMSat 8876, their heads turned in profile towards each other. Lady Archer wears a feathered hat, riding-habit, and boots (cf. BMSat 7973, &c.); Lady Buckinghamshire wears feathers in her hair, her broad breast is immodestly bare, her face is patched. She stands on tip-toe on the top of her Faro 'Bank Box'. The shadow beneath the edge of the platform forms the base of the design; in front of it stands Lord Kenyon, half length, in wig and gown, ringing a hand-bell inscribed 'K' and shouting; he holds a large scroll: "Oh Yes - Oh Yes - this is to give notice that several silly Women in the Parish of St Giles, St James & St Georges [see BMSat 8880], have caus'd much Distress & uneasiness in Family by Keeping bad Houses late hours, & by Shuffling & cutting have Obtain'd divers valuabl Articles - Whoever will bring before me -""--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Printseller's announcement following publication statement: NB. Folios of caracatures [sic] lent out for the evening., Watermark: Strasburg lily., and Printseller's stamp in the lower right of plate, partially trimmed: S.W.F.
Publisher:
Pubd. May 16, 1796, by S.W. Fores, No. 50 Piccadilly, the corner of Sackville Street
Subject (Name):
Archer, Sarah West, Lady, 1741-1801, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, and Kenyon, Lloyd Kenyon, Baron, 1732-1802
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[6 November 1796]
Call Number:
796.11.06.01+
Image Count:
1
Resource Type:
still image
Alternative Title:
Quizzing the proctor
Description:
Title from item., Printmaker from unverified card catalog., Printseller's announcement following publication statement: Folios of carricatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: College pranks -- College: proctors -- General fast -- Universities: Oxford, Radcliffe Camera -- St. Augustine, Watling St. -- Male dress: students' gowns and mortar caps., and Printseller's stamp: SWF.
Publisher:
Published Nov. 6th 1796, by S.W. Fores, 50 Piccadilly
A stout man (left) wearing a robe and nightcap, on crutches with his gouty right foot bandaged and in a sling that wraps around his shoulders, complains to a thin man (right) wearing a coat and boots but with his legs bare. The man on the left says "Don't plague me now - I have got the gout", to which the other man replies "I give you joy my good friend, in these hard times it is very well you can get any thing!!!"
Description:
Title etched below image., Final two digits of year in imprint likely transposed in error; publisher S.W. Fores did not move to the 50 Piccadilly street address until the mid-1790s, according to the British Museum online catalogue. Krumbhaar lists 1789 as the year of publication., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Sling for a gouty foot., and 1 print : etching, hand-colored ; plate mark 34.5 x 23.3 cm.
A stout man (left) wearing a robe and nightcap, on crutches with his gouty right foot bandaged and in a sling that wraps around his shoulders, complains to a thin man (right) wearing a coat and boots but with his legs bare. The man on the left says "Don't plague me now - I have got the gout", to which the other man replies "I give you joy my good friend, in these hard times it is very well you can get any thing!!!"
Description:
Title etched below image., Final two digits of year in imprint likely transposed in error; publisher S.W. Fores did not move to the 50 Piccadilly street address until the mid-1790s, according to the British Museum online catalogue. Krumbhaar lists 1789 as the year of publication., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Sling for a gouty foot., Publication year in imprint corrected in manuscript from 1769 to 1796., and Watermark: P Edmonds 1817.
"View looking towards the piazza from the end of King Street, with a side view of Lord Archer's house, two boys playing in street, other figures behind and to the left"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Sheet trimmed within plate mark., and Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802].
"View looking towards the piazza from the end of King Street, with a side view of Lord Archer's house, two boys playing in street, other figures behind and to the left"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Sheet trimmed within plate mark., Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802]., 1 print : aquatint and etching, on wove paper ; sheet 357 x 274 mm, mounted to 40 x 30 cm., and Imperfect; imprint trimmed from bottom of plate and pasted below image in lower right.
"A burlesque of the discovery by Cymon of Iphigenia asleep. A fat country-woman, whose dark skin and coarse features give her a negroid appearance, leans against a sandy bank. A hideous yokel, advancing from the right, stoops towards her, dropping his stick and gaping with delighted surprise."--British Museum online catalogue
Alternative Title:
Cymon and Iphigenia
Description:
Title etched below image., Thomas Adams is one of the pseudonyms used by Gillray., Garrick's 'Cymon and Iphigenia', 1767, adapted from Dryden's version of Boccaccio's tale, made the story familiar and popular. It was the subject of a picture by Reynolds., and Sheet trimmed within plate mark on right and left edges.
Publisher:
Pubd. May 2d, 1796, by H. Humphrey, New Bond Street
A burlesque of the discovery by Cymon of Iphigenia asleep. A fat country-woman, whose dark skin and coarse features give her a negroid appearance, leans against a sandy bank. A hideous yokel, advancing from the left, stoops towards her, dropping his stick and gaping with delighted surprise. In the background (left) is a gate. David Garrick's 'Cymon and Iphigenia' (1767), adapted from Dryden's version of Boccaccio's tale, made the story familiar and popular
Alternative Title:
Cymon and Iphigenia
Description:
Title etched below image., Copy in reverse of James Gillray's print of the same name. Cf. No. 8908 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., No. 8 in an album of 10 prints., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
"A Dutch soldier (left) and his wife (right), joining hands, dance round a tree of Liberty to music supplied by a foppish French soldier on the extreme left who beats a drum and blows a trumpet, and by a stout Dutchman on the extreme right who plays bagpipes inscribed 'Vader-lands Liefde' (Love of Country). The 'tree' is a pole surmounted by a milk-churn inscribed 'Vryheid \ Gellykheid \ Broederscha[p]', [This inscription (Liberty, Equality, Fraternity) occurs on Dutch prints after the French invasion, e.g. Van Stolk, No. 5299; Muller, No. 5385.] above which is a cap of Liberty shaped like a fool's cap, and a tricolour flag inscribed 'Hollandia Regenerate[a]'. On the churn sits a parroquet, 'trying to imitate the patriotic accents of his French brothers'. A monkey climbs up the pole as in BMSat 8831. Texts, 'Acts', vii. 41, and 'Job', xviii. 16."--British Museum online catalogue
Description:
Title etched above image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "1" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Military uniforms: Dutch uniforms -- Dutchmen -- Holland: civil discord -- Tree of Liberty -- Cap of Liberty -- Emblems: dove as emblem of peace -- Monkeys -- Kitchen utensils: milk churns -- Musical instruments: drum -- Bagpipes -- Musical instruments: trumpets, and Letterpress explanation lacking.
"The Convention, a creature with the body of a stout woman and with seven monstrous and demoniac heads, sits full-face in an accoucheur's chair. A little demon on the ground holds up a pitchfork. A French surgeon, smiling (right), with shirt-sleeves rolled up, holds a clumsy pair of forceps; a Dutch accoucheur, fat and senile, peers into a folio volume: 'Sectio Caes: et Sectio Synchondroseos'. '. . . L'accoucheur Français, homme experimenté, prévoit ses terribles convulsions, et s'est déja muni du forceps. Son collegue Hollandais, dont les craintes vont encore plus loin, repete la théorie de l'incision Caesarienne. Il faudrait effectivement un Caesar, pour couper court à tout proces.' Text, 'Isaiah', xiv. 29. Her fruit shall be a fiery flying serpent."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "19" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Conventions -- Surgeons -- Medical instruments: forceps -- Physicians: Dutch accoucheurs -- Monsters., and Letterpress explanation lacking.
"Fox and Sheridan officiate at the wedding of Lady Lucy Stanhope and an apothecary who is made up of medical implements. The bride is a pretty girl wearing a feathered hat from which a transparent veil falls over her face. Stanhope (left), without breeches, and wearing a bonnet-rouge, stooping in profile to the right, pushes her towards the bridegroom who is placing a ring on her finger; from his coat-pocket protrudes a three-masted vessel flying a tricolour flag (see BMSat 8640). The bridegroom, Taylor, is also a sansculotte; his posteriors are formed of a syringe, his body is a mortar, from which issues a pestle supporting a bonnet-rouge. His arm is made of two medicine-phials. Fox stands full-face behind the altar balustrade holding open Paine's 'Rights of Man' (see BMSat 7867, &c). He wears surplice and bands. Sheridan stands (right) in profile to the left, reading from 'Thelwal's Lectures' (cf. BMSat 8685), he wears a lay coat with bands; both wear bonnets-rouges. On the wall which forms a background, and immediately above Fox, is a large picture, 'Shrine of Equality': three men wearing bonnets-rouges officiate at a guillotine; the blade is about to fall on a man wearing a ducal coronet; other peers stand (right) waiting their turn. On the ground by the guillotine lie coronets which have just been chopped off."--British Museum online catalogue
Alternative Title:
Union of the coronet & clyster pipe, Alliance a la Franc̦aise, and Union of the coronet and clyster pipe
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Marriage ceremonies -- Rings: wedding rings -- Marriages: misalliance -- Medical implements -- Bonnets rouges -- Allusion to sansculottes -- Reference to Paine's The Rights of Man -- Reference to John Thelwall's Tribune -- Pictures amplifying subject: guillotining of peers -- Architectural details: balustrades -- Lady Lucy Rachel Stanhope -- Thomas Taylor of Sevenoaks.
Publisher:
Pubd. March 4th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Stanhope, Charles Stanhope, Earl, 1753-1816
In the image at the top: Four ladies, fashionably dressed, sit round a table dividing the profits of 'the Faro Bank'. On the table are heaps of guineas with cheques or banknotes, a sword, a ribbon and star, a paper: 'Bond 200 . . half Pay . . Faro'. The two central figures seated behind the table are Lady Archer (with an angry expression) and Lady Buckinghamshire facing each other in profile, their breasts much exposed. On the extreme left sits a young and good-looking woman, her chin concealed by a swathing round the neck; she watches the dispute warily, her arms folded. Facing her (right) an older woman reads through a glass a paper inscribed 'Hond Sir please to pay Lady Bilkem one Thousand Pound for your Dutiful Son Dupe'. These two are probably Mrs. Concannon and Mrs. Sturt, the other two fashionable and notorious holders of faro-banks. Lighted candle-sconces decorate the wall. The near edge of the table forms the lower edge of the design. In the image on the bottom, titled "St Giles's: Four prostitutes in a ramshackle room are grouped, much as the four above, round a table on which their night's plunder is spread: seals, watches, &c. They are younger, handsomer, and have pleasanter expressions than the women of fashion; their breasts are similarly exposed, though their dress is ragged
Alternative Title:
St. James's and St. Giles's
Description:
Title etched between the two images on one sheet., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios lent out for the evening., Variant wtih artist's name. Cf. No. 8880 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Watermark: G R and date 1794 below.
Publisher:
Pubd. May 20, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Archer, Sarah West, Lady, 1741-1801 and Buckinghamshire, Albinia Hobart, Countess of, 1738-1816
Subject (Topic):
Gambling, Poverty, Prostitutes, and Social classes
"A birch-rod placed diagonally, the handle (tied with rope) in the lower left corner of the design. From among the twigs ten heads (caricature portraits) project, also (right) the head of a boar and posteriors emitting smoke. 'O peuple aveugle et endormi! . . . C'est la liberté qui a formé pour ton éducation cette verge salutaire. . . .' Text, 'Ezekiel', vii. II."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "18" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Emblems: birch rod., and Letterpress explanation lacking.
Title from item., Printmaker identified in British Museum catalogue., Eight lines of verse in two columns below title: Budgets & loans so thick we see ..., Temporary local subject terms: Taxes: Dog Tax, April 1796 -- Gibbets -- Doghouses -- Treasury: allusion to Treasury -- Emblems: bonnet rouge., and Watermark: Strasburg lily with initials G R below.
Publisher:
Pubd. April 19, 1796, by S.W. Fores, N. 50 Piccadilly
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Pitt, William, 1759-1806, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, William Wyndham Grenville, Baron, 1759-1834, Melville, Henry Dundas, Viscount, 1742-1811, and Burke, Edmund, 1729-1797
"On a small plateau on the top of a mountain the Princess of Wales (left) reaches up to kiss the Prince of Wales (right), who has the body, horns, and beard of a fat goat. He kneels on one knee, his forelegs round her waist; her arms are round his neck. A star and ribbon are indicated on his body. She wears her coronet with three tall feathers, and her draperies swirl about her. In the middle distance are two rocky pinnacles; on one (left) three men dance hand in hand: Loughborough in back view wearing his Chancellor's wig and gown, the Duke of York wearing a cocked hat and his star, and Lord Cholmondeley. From the other, Lady Jersey (with the arms and legs of a goat) staggers backwards, she has horns, and three feathers fall from her head. Lord Jersey, with the body of a goat and long horns, is about to fall. They are being hurled from the rock by thunderbolts inscribed with the words 'What? - What? - What?' (the King's well-known phrase) which issue from heavy clouds, showing that it is the King who has overthrown them. Behind them is the sea with a small island flying a flag inscribed 'Jersey'."--British Museum online catalogue
Alternative Title:
Shon-ap-Morgan's reconcilement to the fairy princess
Description:
Title etched below image. and Temporary local subject terms: Orders: Order of the Garter -- Islands: Jersey -- Thunderbolts -- Reference to George III -- Cuckolds -- Kissing -- Emblems: Prince's of Wales's feathers -- Coronets -- Symbols: goat as a symbol of Wales.
Publisher:
Pubd. June 30th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Jersey, George Bussey Villiers, Earl of, 1735-1805, Jersey, Frances Villiers, Countess of, 1753-1821, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[13 October 1796]
Call Number:
796.10.13.01
Image Count:
1
Resource Type:
still image
Abstract:
Engraved title page with a small vignette of the head of a smiling man with curly dark hair with a banner behind
Description:
Title page to a series of six plates: Every body in town. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd as the act directs Octr. 13, 1796, by G.M. Woodward, No. 11 Berners Street, Oxford St.
Title engraved above image., Third plate in a series of six: Every body in town., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Older men -- Older women.
Publisher:
Pubd. as the act directs Oct. 13, 1796, by G.M. Woodward, No. 11 Berners St., Oxford St.
Title engraved above image., Other prints in this series etched by Sansom., Plate 5 of six in the series: Every body in town., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Publishers -- Inventors -- Periodicals: Bell's Weekly messenger.
Publisher:
Pubd. as the act directs, Octr. 13, 1796, by G.M. Woodward, No. 11 Berners St., Oxford Str
Title etched below image., Last of six plates in a series: Every body in town., First issued by G.M. Woodward in 1796., Printseller's announcement below image: Prints and drawings lent to copy., Printseller's announcement following publication statement: Folio's of caracatures [sic] lent out for the evening., and Temporary local subject terms: Married couples -- Male dress: country dress, 1796 -- Female dress, 1796 -- Female dress: muffs.
Publisher:
Pub. Feby 14, 1800 by S.W. Fores, No. 50 Piccadilly
Title engraved above image., See no. 9634 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Women: country girls -- Male dress: riding clothes.
Publisher:
Pubd. as the act directs Oct. 13, 1796, by G.M. Woodward, No. 11 Berners St., Oxford St.
Title engraved above image., Second plate in a series of six: Every body in town., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Fops -- Jews -- Reference to money lending., and Watermark: 1794.
Publisher:
Pubd as the act directs Octr. 13, 1796, by G.M. Woodward, No. 11 Berners St., Oxford St.
Title from item., Plate 4 in a series of six entitled: Every body in town., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Members of Parliament.
Publisher:
Pubd. as the act directs Octr. 13, 1796, by G.M. Woodward, No. 11 Berners St., Oxford St.
Title etched above image., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 9633., and Temporary local subject terms: Married couples -- Male dress: country dress, 1796 -- Female dress, 1796 -- Female dress: muffs.
Publisher:
Published Decr. 1, 1796, by G.M. Woodward, No. 11 Berners St., Oxford St.
Title page to a series of six plates entitled: Every body out of town., Printmaker from other prints in the series., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd as the act directs, Sepr. 13, 1796, by G.M. Woodward, No. 11 Berners St., Oxford St.
Title above image., First plate in a series of six entitled., Sheet trimmed to plate mark on left., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Trades: authors -- Trades: publishers -- Literature: reference to Horace, 65-8 B.C., and Watermark: 1794.
Publisher:
Pubd. as the act directs, Septr. 13, 1796, by G.M. Woodward, No. 11 Berners St., Oxford St.
Title from item., Second plate from a series of six., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. as the act directs, Septr. 13, 1796, by G.M. Woodward, No. 11 Berners St., Oxford St.
Subject (Topic):
Brooches, Courtesans, Hats, Jewelry, Millinery, and Occupations
Title from item., Third plate from a series of six., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Parsons.
Publisher:
Pubd as the act directs, Septr. 13, 1796, by G.M. Woodward, No. 11 Berners St., Oxford St.
Title from item., Fourth plate in a series of six., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Women -- Reference to Brighton -- Reference to Margate -- Reference to London.
Publisher:
Pub. as the act directs, Sepr. 13, 1796, by G.M. Woodward, No. 11 Berners St., Oxford St.
Title from item., Fifth of six plates in a series., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: London doctors -- Trades: undertakers -- Walking staves.
Publisher:
Pubd. as the act directs, Sepr. 13, 1796, by G.M. Woodward, No. 11 Berners St., Oxford St.
Title from item., Plate 6 in a series of six., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Trades: pawn shop brokers -- Shops: 'Three Blue Balls' -- Reference to Veymouth.
Publisher:
Pub. as the act directs, Sepr. 13, 1796, by G.M. Woodward, No. 11 Berners St., Oxford St.
"Lady Buckinghamshire (left) and Lady Archer (right) stand side by side in the pillory, heads and hands closely confined, their heads in profile to the right, weeping angrily. Both wear tall feathers in their hair and large pendent ear-rings. Lady Buckinghamshire is forced to stand painfully on tip-toe, a short petticoat exposes her fat legs. On the front of the platform is a placard: 'Cure for Gambling Publish'd by Lord Kenyon in the Court of Kings Bench on May 9th 1796'. This is raised above the (freely sketched) heads of the crowd, with grinning upturned faces in the foreground. Eggs, a cat, &c. fly through the air; the pillory and the dresses of the victims are bespattered. On the right is a house with spectators in the windows."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Pillories -- Jewelry: earrings -- Allusion to 'faro-banks' -- Cards: faro -- Reference to Lloyd Kenyon, Baron Kenyon, 1732-1802.
Publisher:
Pubd. May 12th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816 and Archer, Sarah West, Lady, 1741-1801
Title from caption below image., Text above title: (At the Boar's-head Eastcheap)., Fourteen lines of dialogue below image, seven on either side of title: Fal. But to say I know more harm in him than in myself were to say more than I know ... Vide 1 part Henry 4, Act 2, Sc. 4., and One of a series of plates illustrating scenes from Shakespeare's plays, engraved after the drawings of Bunbury by various printmakers and published 1792-1796 by Thomas Macklin.
Publisher:
Publish'd March 21, 1796, by Thos. Macklin, Poets Gallery, Fleet Street
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., Temporary local subject terms: Cards: faro -- Gambling -- Pillory -- Mrs. Sturt, fl. 1796 -- Mrs. Concannon, fl. 1796., and Watermark: Strasburg bend with initials G R below.
Publisher:
Pub. May 16, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Kenyon, Lloyd Kenyon, Baron, 1732-1802, Fox, Charles James, 1749-1806, and Buckinghamshire, Albinia Hobart, Countess of, 1738-1816
Title from item., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Cards: faro -- Pillory -- Mrs. Sturt, fl. 1796 -- Mrs. Concannon, fl. 1796., Watermark: countermark E & P., and Printseller's stamp in the lower right of plate: S.W.F.
Publisher:
Pub. May 16, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Kenyon, Lloyd Kenyon, Baron, 1732-1802, Fox, Charles James, 1749-1806, and Buckinghamshire, Albinia Hobart, Countess of, 1738-1816
Way to make one pair of stockings do the business of two
Description:
Title from item., Sheet trimmed to plate on right side., Printseller's announcement following publication statement: NB. Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male fashion: pantaloons -- Male costume: stockings., and Watermark: Strasburg lily with initials G R below.
Publisher:
Pubd. May 16, 1796, by S.W. Fores, No. 50 Piccadilly, the corner of Sackville Street
"A scene in Lady Jersey's bedroom. Lady Jersey as an old hag (cf. BMSat 8806) lies in a magnificent bed. Lord Jersey, carrying the Prince of Wales on his back, supports himself by resting his hands on the foot of the bed. The Prince, very fat in his famous Light Horse uniform (see BMSat 8800), wearing helmet, gloves, and spurred boots, and the Garter ribbon, holds Jersey's scraggy queue in the manner of a rein; he holds up two fingers, saying (as in BMSats 8809, 8816), "Buck! Buck! - how many Horns do I hold up?" Jersey, who is very thin, leers towards the Prince out of the corners of his eyes, saying, "E'en as many as you please!" Both are in profile to the right; the Prince's eyes are hidden by the brim of his helmet as in BMSat 8816. The Princess's coronet, with its triple plume, is conspicuous on a circular close-stool (left) which is decorated with a large 'J' and earl's coronet. On the wall above it, in an ornate oval frame, is a picture of Cupid piping to an old sow who dances on her hind-legs. The fringed pelmet of the bed is decorated with earl's coronets from which spring horns."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Interiors: bedrooms -- Furniture: close-stools -- Coronets: earl's coronet -- Cuckolds -- Symbols: coronets with horns -- Emblems: Princess of Wales's coronet -- Furnishing: bed curtain -- Military uniforms: Prince of Wales's Light Horse uniform -- Pictures amplifying subject: Cupid with an old sow -- Furnishings: carpets -- Obesity., and Mounted to 39 x 29 cm..
Publisher:
Pubd. June 1st, 1796, by H. Humphrey, New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821
"A whole length portrait of the corpulent Prince Frederick William Charles of Wurtemberg, standing 'chapeau-bras' in profile to the right, wearing a ribbon; his right hand on his waistcoat, his left on the hilt of his sword. He has a very heavy double chin, thick lips, staring eye, high narrow head, and an expression of good-natured surprise."--British Museum online catalogue
Alternative Title:
Sketch'd at Wirtemberg
Description:
Title etched at top of image. and Printmaker from British Museum catalogue.
Publisher:
Pubd. Octr. 24th, 1796, by H. Humphrey, New Bond Str
"A whole length portrait of the corpulent Prince Frederick William Charles of Wurtemberg, standing 'chapeau-bras' in profile to the right, wearing a ribbon; his right hand on his waistcoat, his left on the hilt of his sword. He has a very heavy double chin, thick lips, staring eye, high narrow head, and an expression of good-natured surprise."--British Museum online catalogue, description of an earlier state of similar composition and "A later state with the same inscriptions. The contour of the Prince is altered: he is very obese, his head bulges slightly at the back, and his legs are thicker. The position of his right hand is altered."--British Museum online catalogue
Alternative Title:
Sketch'd at Wirtemberg
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Later state, with changes to the plate. Cf. No. 8827 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Sheet trimmed within plate mark., Watermark: J Whatman., and Mounted.
Publisher:
Pubd. Octr. 24th, 1796, by H. Humphrey, New Bond Str
Dressed in the garb of a wizard, King George III sits in a chair, arms across his chest holding a long stick in one hand and legs also crossed; his eyes are closed, but he faces the large bust with the head of Pitt, its eyes also closed. The caption below the title continues: "And Friar Bacon made unto himself a head of brass to answer difficult questions and Friar Bacon watched it incessantly day and night, but it skake not a word. At length the Friar with overwatching fell asleep and the people without were much enraged thereat, as the question was an important one, vix. War or peace!!
Description:
Title etched below image., Questionable attribution to Richard Newton from the British Museum catalogue., Sheet trimmed within plate mark., Five lines of text below title: And Friar Bacon made unto himself a head of brass to answer difficult questions ..., Watermark: fleur-de-lis., and Mounted to 35 x 39 cm.
Publisher:
Published by W. Holland, No. 50 Oxford St.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pitt, William, 1759-1806
Subject (Topic):
Anglo-French War, 1793-1802, Sleeping, and Wizards
"The Prince of Wales (right), rising from his chair, kicks over a tea-table, the crockery sliding to the ground, and lying broken on the floor. The Princess sits on a settee on the opposite side of the table, her infant in her arms. She is comely, and melancholy, with downcast eyes, and plainly dressed except for the three feathers in her hair. Behind the Prince (right), Lord Jersey, with horns on his head, opens a door, pointing behind him to Lady Jersey, who lies on a sofa in an indecorous attitude. He says: "My Wife is waiting for you in the next room". The Prince grasps a document in each hand; the inscription on one has been erased, on the other (left) it is 'Thoughts on Despotism'. From his coat-pocket issues 'A Map of Jersey' (cf. BMSat 8807), under his feet are papers: 'Joe the Dustman', 'The History of Kings', 'Marriage a La Mode', 'The Tender Husband a Farce'. He says: "Marriage has no restraints on me! no Legal tie can bind the will - tis free & shall be so ------ " The Princess says: "Obey, Alass the Task's Seviere how can the Female Mind with pleasure yield when every look's a Frown!!! Alass poor Babe!!!" On the wall is a picture of the King and Queen on horseback, with a signpost pointing to Windsor, apparently copied from 'The Constant Couple', BMSat 6918, except that the Queen is in back view, her head turned to the King. On the frame: 'The little Wants, dislikes, preferences, antipathies, fancies, whims, & even impertinence of Women must be officiously attended to, flattered & if possible guesed at, and anticipated by a well bred Man.'"--British Museum online catalogue
Alternative Title:
Symptoms of love in high life
Description:
Title from item., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Cuckold's horns -- Separation between the Prince and Princess of Wales -- Interiors: sitting rooms -- Dishes: tea service -- Furniture: sofa -- Pictures amplifying subject -- Footstools., Watermark: J Whatman., and Printseller's stamp in lower right of sheet: S.W.F.
Publisher:
Pubd. May 31, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821
Title from item., Printmaker and artist from British Museum catalogue and a companion print: General Fast., Four lines of verse in two columns below title: Dont tell me of generals rais'd from mere boys ..., Temporary local subject terms: General's uniform -- Newspapers: London Gazette -- Bankrupcy -- Complaints -- Empty purse -- Design: grotesque heads., and Lewis Walpole prints 796.05.05.01: Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Published May 5, 1796 by S.W. Fores, N. 50 Piccadilly
Title from item., Initials IC appear twice, in lower left and lower right corner of design., Text following publisher's statement: Folios of carecatures [sic] lent., Four lines of verse in two columns below title: Of all the great generals Europe can boast ..., For companion print, see: General Complaint., Temporary local subject terms: Military uniforms: general's uniform -- Fasts: General Fasts -- Design: grotesque heads., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Published May 4th 1796 by S.W. Fores, N. 50 Piccadilly
"George Hanger rides in profile to the left on a pony with a heavy body and short legs; his right foot thrust forward, the end of his bludgeon resting on the right toe. He wears a round hat tilted over the right eye, a striped neck-cloth, and prominent shirt-frill. Behind is the corner of (lower) 'Grosvenor Street', showing the door and a window of the famous coffee-house, 'The Mount', the name inscribed over the door."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark on right and bottom edges., and Temporary local subject terms: Coffee house: The Mount.
Publisher:
Pubd. Novr. 23d, 1796, by H. Humphrey, New Bond Street
Title from item., Sheet trimmed to plate mark on top and sides., Text following publisher's statement: Folios of careatures [sic] lent out for the evening., Temporary local subject terms: Taxes: Dog Tax, April 1796 -- Excise: duty on sherry and port -- Budgets: Pitt's budget, 1796 -- Gibbets., Watermark: Strasburg bend; initials below obscured by coloring in the design., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pub. May 10, 1796, by S.W. Fores, N. 50 Piccadilly
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Pitt, William, 1759-1806, and Melville, Henry Dundas, Viscount, 1742-1811
"Lord Malmesbury drives in a chaise with the royal arms drawn by four wretched hacks, only the hind-quarters (right) of the leaders being visible. Behind the coach stand three stolid English footmen. The chaise-doors are open, a fish-wife has entered from each side; both embrace Malmesbury who puts out his hands in dismay. Beside him (left) sits his secretary, a pen behind his ear. Another woman is getting into the chaise (left) and a fourth stands beside it, arms outspread, and grinning broadly; two fish are attached to her petticoat. All the spectators are cheering wildly. In the foreground are (left to right) a dwarfish boy, an officer wearing a feathered cocked hat and tattered coat, a ragged man wearing jack-boots and a bag-wig, waving a bonnet-rouge; a sansculotte, wearing sabots, a dagger in his belt. These are in back view. Beyond and behind the chaise bonnets-rouges are being wildly waved by a freely sketched crowd. A French postilion in military dress, a horn slung round his neck, flourishes a whip."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Coaches: chaise -- Frenchmen -- Crowns -- Fishwomen: poissardes -- Allusion to sansculottes -- Symbols: bonnet rouge -- Domestic service: footmen.
Publisher:
Pubd. Octr. 28th, 1796, by H. Humphrey, 37 New Bond Street
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[28 November 1796]
Call Number:
796.11.28.02+
Image Count:
1
Description:
Title from item., Printmaker's name partially obliterated., Sheet trimmed within plate mark on sides., Printseller's announcement following publication statement: Folios of caricaturtes [sic] lent for the evening., Temporary local subject terms: House of Commons -- Allusion to taxes -- Allusion to the dog tax -- Vehicles: carriages -- Domestic service: coachmen -- Footmen -- Constables: Bow Street runners., Watermark: Strasburg bend., and Printseller's stamp in lower right of plate (partially cut off): S.W.F.
Publisher:
Published Novr. 28, 1796, by S.W. Fores, 50 Piccadilly
Title from item., Printmaker identified in the British Museum online catalogue., Four lines of verse in two columns below title: There was a laugh & a craw ... ., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Variant state, with verse below title, of No. 8785 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Nurseries -- Pets -- Furnishings: window curtain tassles., and Watermark: E & P 1794.
Publisher:
Pub. Febry. 13, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte Augusta, Princess of Great Britain, 1796-1817
"A water-side scene with a broken tree (right) in the middle distance. A stork stands with an eel in its mouth looking down at a duck; a tortoise walks off. 'Jamais les Droits Seigneuriaux n'ont mieuxêté administré que depuis que la bassecour s'en mêle. 'Pourquoi ce jeune arbrisseau meurt-il? . . . On a coupé ses racines; il aurait pu devenir trop haut. II faut de l'égalité dans les républiques.' Text, 'Jeremiah', xiii. 18."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "10" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: law -- Storks -- Eels -- Ducks -- Tortoises., and Letterpress explanation lacking.
"A skeleton (cf. BMSat 8825), representing the reorganized Dutch army, stands on a rectangular pedestal, inscribed 'De \ niewwe \ orga= \ nio \ satie. \ 1795. \ Het Ith Jaar der \ Batavsche Vryhyd'. It wears a cocked hat and short military coat (showing its ribs - 'un bel uniforme à la Française'), and smokes a pipe. Two French officers are on the left, one turns his back on the skeleton and rides his cane, like a hobby horse, his sabre against his shoulder. The other holds up an admonishing arm towards two dejected Dutch officers of unmilitary appearance: one appears to be a member of the National Guard, the other, a hunch-back, wearing jackboots and sword but leaning decrepitly on a cane, tramples on 'Traité sur l'honeur Milita[ire]'. He is 'General S.' Text, 'Jeremiah', xlviii. 14."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "3" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Emblems: skeletons as Dutch army -- Holland: reorganization of the army -- Military uniforms: French uniforms -- Hunchbacks -- Military national guards: Dutch national guard -- Holland: civil discord -- Committees: military committee., and Letterpress explanation lacking.
"The five members are somnolent. One stands with closed eyes, a lighted candle in each hand, with one of which he negligently sets fire to the wig of a member asleep in his chair (left). The candlesticks are inscribed 'P. V.O.' (? Prins van Oranje). Behind and on the right two sit asleep at a table on which are glasses, a tall bottle of 'Vaderlander Schied[am]', and a pipe. On the ground behind, a man lies face downwards, a glass clasped in his hand. On the floor are a paper headed 'Rotterdam' and a decapitated cock, so dealt with to prevent the crowing of the vigilant bird, which might have disturbed them. Text, 'Isaiah', xxix. 10."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "8" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: vigilance committee -- Lighting: candles -- Drunkenness., and Letterpress explanation lacking.
"Four grotesque men, all crippled or deformed, are in a row before a set of druggist's shelves headed 'Staats Apotheek'. Those on the extreme left and right stand, the others sit. A knock-kneed hunchback (left), smoking a long pipe, the smoke inscribed 'Hellebr . . .', holds a paper: 'Recipe'. A ragged and lame National Guard picks the pocket of his neighbour. Above the shelves, and forming the apex of the design, a fury, Discord, with snaky locks, leans from clouds, holding a flaming sword and looking down threateningly at the conference. On the top shelf are a 'Guillotine' and a bull, 'Phalaris', a block inscribed 'Menschen lief de' next a gallows, a demon. Below are bottles: 'Quint Ess: de Robespierr, Sel de Marat, Recipes en Assignaten [see British Museum Satires No. 8849], Rotten gift [poison for mice], Alb: Graec:' On the wall hang a sword and shackles. Text, 'Luke', xii. 26."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "2" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local Medical Library subject terms: Pharmacies, interior -- Politics, French -- Politics, British -- Politics, Dutch., 1 print : etching ; sheet 272 x 220 mm., and Printed in red ink.
"Seven men, closely grouped, fight and scuffle confusedly. On the ground (left) are the arrows of the seven United Provinces, broken and separated, a cat plays with the ribbon which binds them (the symbolical bond of union, cf. BMSat 5712). A National Guard has taken one of the arrows and drives it into the head of a man whose eye he tries to gouge out, and who grasps another antagonist by the wig. One raises a chair to smite, another empties a wine-bottle on an opponent."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "17" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: confederation committee -- Emblems: seven arrows of the United Provinces, broken -- Military national guards: Dutch national guard -- Fighting -- Furniture: ladderback chairs., and Letterpress explanation lacking.
"Two French officers stand behind three Dutchmen: one looking into a peep-show (left) inscribed 'L'Armée du Prince Frederic d'Orange', the other two seated in arm-chairs. One of the latter (centre) holds up his hands in pleased surprise; he looks through spectacles held by one Frenchman while the other is about to put a net over his face. The other (right) looks through a telescope; his shrivelled legs are in boots which may conceal cloven hoofs; he wears a cocked hat. On the ground is a torn paper, 'Garantie du Stadhouderat'; a pair of scissors grips the seal which is about to be cut off. Behind it a tiny demon digs with a spade. Text, 'Jeremiah', xiv. 14."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "13" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: foreign affairs -- Military uniforms: French uniforms -- Peep-shows -- Eyeglasses -- Telescopes - Scissors -- Demons -- Allusion to the Prince of Orange's army -- Documents -- Seals., and Letterpress explanation lacking.
"Two committee-men make requisitions from a peasant and a barrow-woman. One takes a fish from the creel on the fisherman's back, and puts it into a small cornucopia which he holds. The victim, who wears trousers and sabots filled with straw, holds a paper, 'Recepisse' (see BMSat 8849), and clenches his fist, furious at receiving a receipt instead of cash. The other, in back view, has taken a handful of turnips, the old woman looks at him with a hungry, puzzled stare."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "7" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: provisions committee -- Dutchmen -- Male dress: sabots., and Letterpress explanation lacking.
"Four members of the committee surround a treasure-chest, dismayed to find it empty of ducats and occupied by a grinning demon who points derisively at one of them, the Secretary (wearing a bonnet-rouge with a pen in it) who holds upside down an empty bag inscribed 'ils ont emigrè'. One of them, his back to the chest, takes from a Jew (left) wearing a fur cap a dish on which a little demon is excreting coins. On the right a large cupboard falls forward shooting the huge packages it contains, inscribed 'Recepissen' and 'Assignats', on to the backs of two of the committee, the more prominent is the president of the Committee of Accounts in BMSat 8850. '. . . les beaux ducats! ils ont passé chez nos frêres, les Français! dit le Secretaire....' The Jew sells a figure which he assures the purchaser will, if nourished with the tears of the Orangists, give fifty ducats daily. This is better than the piles of assignats which threaten ruin. Text, 'Ecclesiasticus, Jesus Sirach', xl. 13."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "4" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Committees: finance committee -- Jews -- Treasury chests -- Demons -- Finances: assignats -- Receipts -- Money: coins -- Holland: civil discord., and Letterpress explanation lacking.
"Two French officers collect requisitioned goods from two Hollanders. One holds out smiling an empty sack, directing an abject Dutchman on the extreme right to put in the two money-bags which he holds. The other clenches his fist and seizes the wig of a fat Dutchman. Beside him (left) are two barrels. On the ground lies a large paper book inscribed 'Requisition. \ 500 Boeufs hollandais \ 100 Millions de Numerair[e] \ 600 Moutons. 11000 Quint: de Ris. \ 60000 Frontages. \ d'Edam \ 3000 Toneaux \ de Genevre etc.' Behind (right) is a baggage-wagon, its canvas tilt inscribed 'Republique Françoise'. It is filled with packing-cases, one inscribed 'Cabinet d'Hist: nat': Two men (left) carry off sacks and cases (marked 'N° 105' and 'N° 56'). Above the design: 'Les Battus paÿent l'amende'. Text, 'Jeremiah', xiii. 19."--British Museum online catalogue
Alternative Title:
Battus paÿent l'amende
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "14" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: requisition committee -- Military uniforms: French uniforms -- Dutchmen -- Wagons: baggage-wagon -- Plunder -- Money: bags of money -- Barrels., and Letterpress explanation lacking.
"Three men are on the sea-shore, close to a small boat (right) with a tattered sail. One, wearing a cocked hat and military gaiters, has a basket slung round his neck containing bundles of matches for sale. He stands looking to the left, the others are behind: one (left) holds a damaged anchor on an anvil, trying to straighten it with a hammer. The other (right) sits on a three-legged stool repairing a ragged sail. The explanation ends ironically, 'Bientot les Bataves regneront sur les mers, et feront la loi à la glorieuse Albion!' Text, 'Ezekiel', xxvii. 36."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "6" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committes: commerce committee -- Committees: navigation committee -- Dutchmen -- Dutch boats., and Letterpress explanation lacking.
"Three men gorge at a dinner-table laden with food and wine. A fat man with the table-cloth tucked under his chin gnaws a bone. A more elegant man (left), perhaps the 'President' of BMSat 8850, but wearing ear-rings, offers a bare bone to a little ragged boy. A third (right) drinks. A man-servant stands behind, another (right) with bludgeon and clenched fist drives back a starving couple who stand in the doorway making gestures of supplication. Above the design: 'Charité bien ordonnée commence par soimême'. Text, 'James', ii. 15, 16. Similar prints in England are directed against parish officers, cf. BMSat 6877."--British Museum online catalogue
Alternative Title:
Charité bien ordonnée commence par soimême
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "11" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: public assistance -- Opulence vs. poverty -- Glutony vs. starvation -- Food: roast -- Beverages: wine., and Letterpress explanation lacking.
"The interior of a church or crypt, indicated by a stone wall with funeral monuments, and a flagged floor in which old graves have been violated. A soldier tramples on a skeleton, another levers up a flag-stone. Behind, a boy in military uniform, in back view, urinates upon a skull. A citizen raises a mallet in both hands to deface a large monument against the wall, on which is the figure of a bearded man in sixteenth-century armour, which partly obscures the lettering on the tomb: 'Wil. . . [F]riso Princ .... Araus Na ...'. A tomb beside it (right), headed by a pyramid of skulls, is 'F. W: \ com: Nassov. \ Obiit \ Anno . . \.' There are other broken tombstones, one inscribed 'Princ: Araus'. A plumed helmet and blazoned shield lie on the ground. 'C'est ainsi qu'en Frise les amis de la liberté ont détruit jusqu'à la mémoire de leurs anciens tyrans. . . .' Text, 'Leviticus', xviii. 27."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "16" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: removal committee -- Churches: Dutch churches -- Tombs -- Skeletons -- Military uniforms -- Graves: violation of graves -- Monuments: destruction of monuments., and Letterpress explanation lacking.
"The patriots (known as 'Bataves', who had emigrated in 1787 after their defeat by the Anglo-Prussian alliance, see BMSat 7178, &c.) approach the committee (apparently two French Représentants en Mission) with requests for money and clothes. Four men stand obsequiously on the right, two with papers inscribed 'Request'. From the pocket of one (right), dressed as a soldier, projects a carriage-lamp (which he is alleged in the text to have stolen). One Frenchman (wearing a scarf inscribed 'Representant'), holding a pair of breeches, puts money into an outstretched palm. The other haughtily watches the suppliants. On the left an old Jew measures a patriot wearing sabots, his coat inscribed 'N° 25', for a suit of clothes. Behind him is a wall from which projects a sign: 'Nathan Levi Uitdraager en Kleermaaker' [broker and tailor]. On the wall are four pegs, from one hangs a 'Capts Pack': coat, boots, and sword, from another a 'Lts Pack': coat and sword. Between them hangs a small empty bag of 'Courage Militais' [sic], and on the right a mask. Behind the suppliants is a door (right) above which is a notice surmounted by a cap of liberty: 'Nederlandsche \ Societeÿt \ Vry Wÿn en Moll' [Wine and beer gratis]. On the door: 'gebranndte Waateren te koop' [brandy for sale]. Text, 'Proverbs', xiii. 21."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "12" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: refugee committee -- Frenchmen -- Lamps: carriage lamps -- Jews -- Trades: tailors -- Brokers -- Military uniforms: Dutch uniforms -- Cap of liberty., and Letterpress explanation lacking.
