Title from item., Date supplied by curator., Place of publication derived from street address., Written in image: h.D. 50., Above image: Actualités 194., Published in Le Charivari, 18 September 1867., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Magnetism. Marriage & Married life.
Publisher:
A. de Vresse r. Rivoli, 55 and Lith. Destouches r. Paradis Pre. 28.
Subject (Topic):
Hypnotism, Magnetic healing, Paramours, Zouaves, Healers, Spouses, Quacks & quackery, and Pots & pans
Title from item., Date supplied by curator., Place of publication derived from street address., Above image: Dialogues Parisiens; 48., Published in Le Charivari., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Grippe; Fashion.
Publisher:
mon Martinet, 172, r.Rivoli et 41, r. Vivienne and Lith. Destouches Paris
Subject (Topic):
Influenza, Pulse, Diagnosis, Physician and patient, Shopping, Cashmere shawls, Physician, Sick persons, and Spouses
Title from item., Date supplied by curator., Place of publication from item., In margin upper right: No.61., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Politics, French; Trauma; Head injuries.
Publisher:
chez l'Editeur, rue du Coq, No.4, et Hautcoeur Martinet, même rue and Lith. de Delaunois
Subject (Topic):
Gout, Physician and patient, Wounds and injuries, Sick persons, Physicians, and Spouses
Title from item., Date supplied by curator., Place of publication derived from street address., Above image: Dialogues Parisiens; 17., In image lower right: 477 [reversed]., Published in Le Charivari., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Married Life; Vapors.
Publisher:
mon Martinet, 172, r.Rivoli et 41, r. Vivienne and Lith. Destouches Paris
Title from item., Date derived from printmaker's date of death., Place of publication derived from street address., Above image: Fourberies de Femmes; En matière de Sentiment; 2e. Serie; 44., In image lower left: 256 [reversed]., Originally published in Le Charivari., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Se vend chez Bauger & Cie. Editeurs des Dessins du Figaro, de la Caricature et du Charivari R du Croissant 16 and Imp. d'Aubert & Cie
Subject (Topic):
Adultery, Diagnosis, Pregnancy, Physicians, and Spouses
Title from item., Published in: Gleason's Pictorial Drawing-Room Companion, Boston: Frederick Gleason, 19 March 1853., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Families & family life.
Publisher:
Frederick Gleason
Subject (Name):
Bunker, Chang, 1811-1874. and Bunker, Eng, 1811-1874.
Subject (Topic):
Conjoined twins, Abnormalities, Human, Human curiosities, Families, Spouses, and Children
"A man lies on his back in bed, his face set in grim resignation, as his wife leans over him lecturing him, "Yes you base man --you dont you eat drink and sleep comfortably at home and still you must be jaunting abroad every nigth. I'll find out your intrigues-- you may depend upon it." A small dog sits at the foot of the bed yelping at the couple while a larger dog sleeps on the floor, his eyes squeezed shut."--British Museum online catalogue
Description:
Title etched below image. and Series title and number etched above image.
A man lies on his back in bed, his face set in grim resignation, as his wife leans over him lecturing him, "Yes you base man --you dont you eat drink and sleep comfortably at home and still you must be jaunting abroad every nigth. I'll find out your intrigues-- you may depend upon it." A small dog sits at the foot of the bed yelping at the couple while a larger dog sleeps on the floor, his eyes squeezed shut
Description:
Title etched below image., Series title and number etched above image., Earlier state, with date in publication line. Cf. No. 9627 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Earlier state of print described in: Grego, J. Rowlandson the caricaturist, v. 2, page 16.
Publisher:
Pubd. October 1st, 1799, by R. Akerman, 101 Strand
Title etched below image., Tentatively attributed to G.M. Woodward in unverified card catalog record., Sheet trimmed within plate mark., Companion print to: A woman and her husband!!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Couples -- Female dress: Parasols -- Hand-muff., Mounted to 38 x 30 cm., and Mounted on verso of Lot 19. Part of the Townland of Coolcarta East. The estate of Mrs. Eliza Felicia West, situate in the County of Galway. Ordnance sheet 100, 101 made by order of the Commissioners for the Sale of Incumbered Estates in Ireland, by Hodges & Smith, 104 Grafton Street, Dublin [n.d.].
A man looks up in horror at the image of a demon, smoking a pipe and holding a lantern, sitting astride his sleeping wife beside him in their truckle bed. A horse looks on, his head poking through the casement window. Beside their bed is a candle, chamber pot, and a chair on which he has thrown his coat. Probably deriving (remotely) from Fuseli's 'Nightmare'.
Alternative Title:
Nightmare
Description:
Title etched below image., Sheet trimmed to plate mark at top and bottom., and Matted to 41 x 55 cm.
Publisher:
Pub. by W. Holland, October 26, 1794, No. 50 Oxford Steet [sic]
Four scenes in one plate, each with a separate title, each showing a marital or courtship scenes with monkeys and cats and pictures on the walls that amplify the domestic scene
Description:
Title from caption below image., Text following imprint: Folios of caricatures lent for evening., Sheet trimmed to plate mark on two sides., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. Nov. 26, 1810 by S. W. Fores, 50 Piccadilly
Subject (Topic):
Cats, Couples, Courtship, Fighting, Spouses, Draperies, Fireplaces, Interiors, and Monkeys
"A pretty young woman sits on the knee of a military officer. They are unaware of the entry (left) of the furious husband, stick in hand. He is ugly and elderly and says: "My Wife, as sure as I am a Haberdasher."--British Museum online catalogue and A pretty young woman sits on the knee of a military officer as they embrace, both unaware that her furious, red-faced husband has just entered the room through the door on the left. He clutches a large stick and exclaims, "My wife, as sure as I am a haberdasher."
A pretty young woman sits on the knee of a military officer as they embrace, both unaware that her furious, red-faced husband has just entered the room through the door on the left. He clutches a large stick and exclaims, "My wife, as sure as I am a haberdasher."
Description:
Title from item., Earlier state, with imprint, of no. 9623 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Earlier edition of print described by Joseph Grego in Rowlandson the caricaturist, v. 2, p. 15., and Watermark: Russell & Co.
Publisher:
Pubd. Octr. 1st, 1799, by R. Akerman, No. 101 Strand
"The Duke (left) and Duchess of St. Albans stand facing each other; the little Duke staggering under an ornamental basket which supports a side of bacon, inscribed Best Wiltshire. The Duchess holds on her shoulder a cutter in which are seated six oarsmen with oars held erect, and a helmsman. The Duke is dressed as Grand Falconer (see British Museum Satires No. 15596) and wears a hood with bells indicating both a fool's cap and the hood and bells of falconry. Two speeches float from his head: [1] "In love connubial, formed to live and last, This gift records a blissful twelvemonth past We claim, then boldly claim the flitch Dunmow First of the blest, who keep the marriag Vow". [2] I thought the flitch to small a present on this auspicious day so I have brought the Gammon with it Love. The Duchess answers: Thanks for your Bacon Duke well have you Saved it - and in return accept of this small Testimony of my affection. She wears Court dress, coronet, and feathers. The boatmen wear yellow and green liveries, and on the prow is a falcon's head; the back of the seat in the stern is decorated with a falcon perched on a melon resting on a heap of sovereigns. In the foreground are spectators: on the left the Dukes of Cumberland (wearing his hat) and Sussex stand together with Prince Leopold behind them; on the right is Sir Francis Burdett (son-in-law of Coutts), very thin, surprised, and displeased. In the background are other spectators, their heads concealed by the boat, and on the right a group of singers, some in Tyrolean costume, with (?) Braham and Miss Stephens; they sing: a boat a boat."--British Museum online catalogue
Alternative Title:
Scene in the honeymoon and Conjugal felicity
Description:
Title etched below image., Print signed using William Heath's device: character of Paul Pry, a man with an umbrella., Date of publication from British Museum catalogue., Imprint continues: ... where political and other caricatuers are dialy [sic] pub. the largest assortment of any house in town., and Sheet trimmed to plate mark.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
St. Albans, William Beauclerk, Duke of, 1801-1849, St. Albans, Harriot Mellon, Duchess of, 1777?-1837, Ernest Augustus, King of Hanover, 1771-1851, Augustus Frederick, Prince, Duke of Sussex, 1773-1843, Léopold I, King of the Belgians, 1790-1865, Burdett, Francis, 1770-1844, Braham, John, 1774-1856, and Stephens, Catherine, 1794-1882
Subject (Topic):
Marriage, Spouses, Baskets, Bacon, Boats, Rowers, and Spectators
"'Cits' (i.e. citizens) ride (left to right) (types of vulgar horsemanship, cf. BMSats 7233, 7242) in a cloud of dust, following a crowded stage-coach inscribed 'To the Races'. A rough two-wheeled cart, crammed with a family party, is drawn by a cantering pony. A signpost points 'To the Race Ground'. A suburban setting is given by the country box and 'grounds' of a 'cit', with a notice-board: 'Spring Blunderbusss on a new Construction - Planted in Various Paths of my Domain & whosown Trample Down or pull up the Shrubs in this Garden shall be Prosecuted - Deputy Dump'. In front of the house the owner (?) and his wife look over the paling at the race-goers. The house is a square box, whose small scale is indicated by the size of a pot-plant on the flat roof; on this are also figures of Neptune, Harlequin, and Mercury. Adjacent (left) is a shed inscribed 'Mr Dumps Stables', with a pretentious cupola."--British Museum online catalogue
Description:
Title from caption below image.
Publisher:
Pub. Feby. 1, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
London (England),
Subject (Topic):
City council members, Dogs, Ducks, Stagecoaches, Signs (Notices), and Spouses
Title in top margin., Date derived from French Republican calendar date., At lower right: Ex.it du courrier des Spectacles du 2 pr.d An 9., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez Martinet, libraire, rue du coq St. Honoré
Subject (Topic):
Cuckolds, Smallpox, Vaccination, Horns (Anatomy), Physicians, Spouses, Cows, Monkeys, and Games
An angry wife confronts her astonished husband with a letter from his paramour in which she suggests a rendezvous in the garden after the wife has gone to bed
Description:
Title etched below image., Series title and number etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Earlier edition of print described by Joseph Grego in Rowlandson the caricaturist, v. 2, page 14., and Watermark: Strasburg bend with date 1798 below.
Publisher:
Pubd. Octr. 1, 1799, by R. Akerman, No. 101 Strand
An angry wife confronts her astonished husband with a letter from his paramour in which she suggests a rendezvous in the garden after the wife has gone to bed
Description:
Title from item., Earlier state published by Akerman on October 1, 1799., Publication date from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 37 x 29 cm.
Title from item., Number 278 in the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Three lines of caption below design: Husband, "How do my Dear; you must excuse me my Dear being out so late, you know I don't do it often; I happen'd to meet a brother Buck ...", Plate numbered '278' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Novr. 18, 1802, by Laurie & Whittle, 53 Fleet Street, London
A virago wearing a torn apron, her cap slipping off her head exposing her short cropped hair, seizes by the hair a weeping man, who clutches a ladle as he bends under the weight of the assault
Description:
Title from item., Tim Bobbin's Human passions delineated, first published in 1773. Tim Bobbin is the pseudonym of John Collier., Plate numbered '2' published as part of a 1810 edition of Bobbin's Human passions delineated, with an engraved dedication page, a portrait of the artist, and at least 25 individual prints depicting human passions., and Variant state, with a plate number. Cf. No. 11664 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
"An elderly couple kept awake in their double bed by fleas."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Reissue, with year in imprint altered from "1806" to "1812." For original issue, see Beinecke Library call no.: Auchincloss Rowlandson v. 8., Verses etched beneath title: Now the weather's sultry grown, sweating late and early. Better far too [sic] sweat alone, oh we swelter rarely - Sweating here, sweating there., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Marriage and married life.
Publisher:
Pubd. April 4th, 1812, by T. Rowlandson, N. 1 James St., Adelphi
Subject (Topic):
Bedbugs, Bedrooms, Beds, Spouses, Marriage, Fans (Accessories), and Sleepwear
Title from item., Publisher could not be determined., Date from item., Artist supplied by curator., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Marriage & Married life.
Publisher:
Sterndr v. A. Knerset [?]
Subject (Topic):
Medicine, Rural, Physician and patient, Veterinary medicine, Spouses, Physicians, Cows, Sick persons, and Country life
An angry wife confronts her husband over an upturned tea table
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Four lines of verse below title: "Loud she proclaims the thousands which she brought him, He cool retorts 'twas only that which caught him; "The world shall know your conduct brute", she cries, "Sooner the better, sweet" the your replies., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by Hunt & Pyall, 18 Tavistock Street, Covent Garden
Title engraved below image., Date derived from printmaker's date of death., Translated title supplied by curator., Above image: Satyrisches Bild. No. 40., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
im Bureau der Theaterzeitung, Rauhensteingasse No.926
Subject (Topic):
Indigestion, Colic, Traditional medicine, Stomach aches, Pain, Sick persons, and Spouses
Holding a candlestick, a wife departs from a room, which shows sign of an altercation with a turned over chair and pillow and book on the floow, her back to the viewer turns back looking at her husband
Description:
Title from text below image., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Four lines of verse below title: "Fierce and more fierce, the wordy contest grows, Taunts, gibes, and sneers, and every thing but blows; Each to a sperate couch in rage retires, Whence sleep is banished by vexatious fires.", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat doctor is trundled down a hill in a wheelbarrow by a lean and amused countryman. His fat wife walks beside the barrow, holding his wig, hat, and stick, and angrily threatens him with her fist, while a dog runs in front. They have just left a thatched and gabled inn (left), with a sign, 'The Horns', and a placard over the door: 'Real Yorkshire Stingo Wines Cordials'. Jovial village notables sit outside the door, drinking and smoking; two, much amused, stand to watch the departure. A cock (left) with three hens squawks at the barrow."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image, Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. November 30th, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11641 in the Catalogue of prints and drawings in the British Museum, v. 8., Sheet trimmed within plate mark on top edge., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 194., Temporary local subject terms: Doctors -- Medical disease: gout -- Birds -- "Henpecked husband" -- Inns: 'The Horns' -- Signboards: 'The Horns,' 'Real Yorkshire Stingo Wines Cordials'., Temporary local Medical Library subject terms: Marriage & married life., 1 print : etching, hand-colored ; sheet 25.5 x 35.0 cm., and Series statement partially rubbed out.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat doctor is trundled down a hill in a wheelbarrow by a lean and amused countryman. His fat wife walks beside the barrow, holding his wig, hat, and stick, and angrily threatens him with her fist, while a dog runs in front. They have just left a thatched and gabled inn (left), with a sign, 'The Horns', and a placard over the door: 'Real Yorkshire Stingo Wines Cordials'. Jovial village notables sit outside the door, drinking and smoking; two, much amused, stand to watch the departure. A cock (left) with three hens squawks at the barrow."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image, Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. November 30th, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11641 in the Catalogue of prints and drawings in the British Museum, v. 8., Sheet trimmed within plate mark on top edge., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 194., Temporary local subject terms: Doctors -- Medical disease: gout -- Birds -- "Henpecked husband" -- Inns: 'The Horns' -- Signboards: 'The Horns,' 'Real Yorkshire Stingo Wines Cordials'., and Temporary local Medical Library subject terms: Marriage & married life.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat doctor is trundled down a hill in a wheelbarrow by a lean and amused countryman. His fat wife walks beside the barrow, holding his wig, hat, and stick, and angrily threatens him with her fist, while a dog runs in front. They have just left a thatched and gabled inn (left), with a sign, 'The Horns', and a placard over the door: 'Real Yorkshire Stingo Wines Cordials'. Jovial village notables sit outside the door, drinking and smoking; two, much amused, stand to watch the departure. A cock (left) with three hens squawks at the barrow."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image, Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. November 30th, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11641 in the Catalogue of prints and drawings in the British Museum, v. 8., Sheet trimmed within plate mark on top edge., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 194., Temporary local subject terms: Doctors -- Medical disease: gout -- Birds -- "Henpecked husband" -- Inns: 'The Horns' -- Signboards: 'The Horns,' 'Real Yorkshire Stingo Wines Cordials'., Temporary local Medical Library subject terms: Marriage & married life., 1 print : etching on wove paper, hand-colored ; plate mark 24.3 x 34.8 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 21 in volume 1.
Title etched below image., Date supplied by curator., Place of publication from item., In margin top: Caricatures Parisiennes., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Marriage & Married life.
Publisher:
chez Martinet, Libraire, rue du Coq, No.15
Subject (Topic):
Enema, Marriage, Spouses, Servants, Chairs, and Medical equipment & supplies
Copy of the third print in the Hogarth's series "Four Times of the Day. A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window two of whom are smoking pipes; and a grape vine is climbing up towards the roof
Alternative Title:
Soireé and Soreé
Description:
Title engraved below image., Date from Paulson: "Publish'd 23d June 1740.", Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Matted to 379 x 279 mm.
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 148., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., and Watermark: 1794 J. Whatman.
Publisher:
Published December the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., "Price 5 shillings"--Following printmaker's name., 1 print : engraving on laid paper ; plate mark 48.8 x 40.3 cm, on sheet 59 x 46 cm., and Plate 24 in the album: Queen Charlotte's collection of Hogarth works.
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Third print in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings"--Following printmaker's name., Sheet trimmed to plate mark., This impression, face and chest of woman is printed in reddish ink; the man's hands printed in blue., and On page 92 in volume 1. Sheet 488 x 393 mm.
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., "Price 5 shillings"--Following printmaker's name., 1 print : engraving on laid paper, hand colored ; plate mark 488 x 404 mm, on sheet 522 x 422 mm., and Stain in upper right corner; smaller stain in lower right corner.
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., "Price 5 shillings"--Following printmaker's name., and Found loose in Heath volume.
Plate 24. Queen Charlotte's collection of Hogarth works. Leaf 24. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image. and "Price 5 shillings"--Following printmaker's name.
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title engraved below image., State and series from Paulson. Third print in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings"--Following printmaker's name., Sheet trimmed to plate mark., and The print has been touched in red ink by Hogarth(?).
Title in ink below image., Date supplied by curator., Place of publication supplied by curator., Reduced copy of "Le Second Mois" by Boilly., See British Museum, Catalogue of Prints and Drawings in the British Museum, Political and Personal Satires, no. 14635., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Fainting.
Publisher:
publisher not identified
Subject (Topic):
Pregnancy, Syncope (Pathology)., Morning sickness, Loss of consciousness, and Spouses
Title from item in French and German., Date supplied by curator., Place of publication from item., Print is possibly by Martin Engelbrecht., In margin upper right: 92., In margin lower left: Cum Pr. S.C. Maj., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Barber surgeons.
Publisher:
publisher not identified
Subject (Topic):
Spouses, Physicians, Medical equipment & supplies, and Surgical instruments
"A young woman sits up in bed to pull the nose of a fat 'cit' who sits beside her, putting her left arm round his neck. His hat and stick lie on the ground. Behind (right) a young man in his shirt, wearing his hat and carrying shoes and coat, &c, slips from the room."--British Museum online catalogue
Description:
Title engraved below image., Printmaker from British Museum catalogue., One of a series of "Drolls.", and Watermark: fleur-de-lis.
Publisher:
Published 1st May, 1790, by Robt. Sayer, Fleet Street, London
Subject (Topic):
Adultery, Beds, Floor coverings, Spouses, and Staffs (Sticks)
Portrait of David Garrick, seated at a desk, with his wife standing behind him, reaching to grasp the pen that he is holding in his right hand and "Portrait of David Garrick, three-quarter length, seated at a writing table, to the left, looking at viewer, his head supported by right hand, which also holds a quill, his right elbow resting on table; pointing down to the right with left hand; behind him his wife stands, reaching over the back of the chair towards the desk with her right hand, looking down towards Garrick."--British Museum online catalogue
Description:
Title etched below image., Plate from: The art-journal. [London] : [George Virtue], February 1855, opposite page 42., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge. Imprint supplied from impression at the Massachusetts Historical Society, call no.: Special Colls. Waterston autograph vol. 2., Window mounted to 51 x 36 cm., and Mounted opposite page 613 (leaf numbered '47' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published for the proprietors
Subject (Name):
Garrick, David, 1717-1779,, Garrick, Eva Maria, 1724-1822,, Garrick, David, 1717-1779., and Garrick, Eva Maria, 1724-1822.
Plate [99] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Illustration to Bowyer's edition of Hume's 'History of England'; the King sitting back in a low chair with his crutch resting beside him, his doublet partly unbuttoned, looking with disgruntled expression at his wife who stands beside him with hand on her hip."--British Museum online catalogue
Alternative Title:
Henry the Eighth and Catharine Parr and Henry the Eighth and Catherine Parr
Description:
Title from text below image., Sheet trimmed within plate mark., and Plate [99] in a volume bound to 50 cm.
Publisher:
Pubd. by R. Bowyer, Historic Gallery, Pall Mall
Subject (Name):
Henry VIII, King of England, 1491-1547, and Catharine Parr, Queen, consort of Henry VIII, King of England, 1512-1548,
Title from caption below image., Sheet trimmed within plate mark on all sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on: Map of Lurgane in the part of Ballysumacha[?] situate in the county of Sligo. The estate of R. B. Neynoe Esq. / Dublin: Hodges & Smith.
Publisher:
publisher not identified
Subject (Topic):
Couples, Domestic life, Marriage, Quarreling, and Spouses
"An elderly Scots bonnet laird or farmer stands repeating the song, which is a complaint of the extravagance and misconduct of his wife. He wears a round Scots bonnet and a tartan plaid over his coat, long stockings, and shoes tied with strings, tattered gloves from which his fingers protrude; a cane is suspended from his left wrist. He holds in his left hand a small tankard with an open lid indicating in London 'a dram' or gin. In the background is a small house, partly visible on the left, outside which stands the wife, drunk and flourishing a similar tankard; a wine-bottle lies at her feet, a man leans from the window. On the right is a farm building wiuth a horse, two cows, and a broken fence. In the foreground right is a large thistle."--British Museum catalogue
Alternative Title:
Wholly and fairly
Description:
Title etched below image. and Sheet trimmed within plate mark with loss of statement "Published as the act directs, 4 June 1787." See British Museum catalogue.
Publisher:
Printed for and sold by Bowles & Carver, No. 69 St. Paul's Church Yard
"An elderly Scots bonnet laird or farmer stands repeating the song, which is a complaint of the extravagance and misconduct of his wife. He wears a round Scots bonnet and a tartan plaid over his coat, long stockings, and shoes tied with strings, tattered gloves from which his fingers protrude; a cane is suspended from his left wrist. He holds in his left hand a small tankard with an open lid indicating in London 'a dram', or gin. In the background is a small house, partly visible on the left, outside which stands the wife, drunk and flourishing a similar tankard; a wine-bottle lies at her feet, a man leans from the window. On the right is a farm building with a horse, two cows, and a broken fence. In the foreground (right) is a large thistle."--British Museum online catalogue
Alternative Title:
Wholly and fairly
Description:
Title from caption below image, Illustration to a song in Scots engraved beneath the title with the refrain: 'O! gin my Wife wad drink Hooly and Fairly'., Verse in three columns below title begins: "Oh what had I ado for to marry My wife she drinks naithing but Sack and Canary ...", Numbered "581" in lower left corner., Sheet trimmed to plate mark., No. 36 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
A riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbors, cuckold's horns and a petticoat are held aloft while "rough music" is played; Hudibras rides into the crowd to protest at what he describes as a Devil's Procession
Alternative Title:
Hudibras and the Skimmington
Description:
Title engraved above image., Title from Paulson: Hudibras and the Skimmington., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "7" in upper left corner., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1, no. 510., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 88., Eighteen lines of verse in three columns, below image: Then Hudibras, with face and hand, Made signs for silence which obtained, ... O'th sudden clapp'd his flaming cudgel Like Linstock to the horse's touch-hole., and From a set of twelve prints, all with two sewing holes along left edge.
A riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbors, cuckold's horns and a petticoat are held aloft while "rough music" is played; Hudibras rides into the crowd to protest at what he describes as a Devil's Procession
Alternative Title:
Hudibras and the Skimmington
Description:
Title engraved below image., Title from Paulson: Hudibras and the Skimmington., State, publisher, and date from Paulson., Caption on either side of title, begins: "This said, they both advanc'd, and rode a dog-trot through the bawling crowd ...", and Description based on imperfect impression; loss of text on lower edges and second section of verse; sheet trimmed to plate mark.
A riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbors, cuckold's horns and a petticoat are held aloft while "rough music" is played; Hudibras rides into the crowd to protest at what he describes as a Devil's Procession
Alternative Title:
Hudibras and the Skimmington
Description:
Title engraved below image., Title from Paulson: Hudibras and the Skimmington., State, publisher, and date from Paulson., Caption on either side of title, begins: "This said, they both advanc'd, and rode a dog-trot through the bawling crowd ...", Description based on imperfect impression; loss of text on lower edges and second section of verse; sheet trimmed to plate mark., and On page 34 in volume 1. Plate trimmed to:
A riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbors, cuckold's horns and a petticoat are held aloft while "rough music" is played; Hudibras rides into the crowd to protest at what he describes as a Devil's Procession
Alternative Title:
Hudibras and the Skimmington
Description:
Title engraved below image., Title from Paulson: Hudibras and the Skimmington., State, publisher, and date from Paulson., Caption on either side of title, begins: "This said, they both advanc'd, and rode A Dog-Trot through the bawling Crowd ...", and On page 86 in volume 1. Plate trimmed to: 27.1 x 50.5 cm.
A riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbors, cuckold's horns and a petticoat are held aloft while "rough music" is played; Hudibras rides into the crowd to protest at what he describes as a Devil's Procession
Alternative Title:
Hudibras and the Skimmington
Description:
Title engraved below image., Title from Paulson: Hudibras and the Skimmington., State, publisher, and date from Paulson., and Caption on either side of title, begins: "This said, they both advanc'd, and rode A Dog-Trot through the bawling Crowd ..."
A riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbors, cuckold's horns and a petticoat are held aloft while "rough music" is played; Hudibras rides into the crowd to protest at what he describes as a Devil's Procession
Alternative Title:
Hudibras and the Skimmington
Description:
Title engraved below image., Title from Paulson: Hudibras and the Skimmington., Caption on either side of title, begins: This said, they both advanc'd, and rode a dog-trot through the bawling crowd ..., Description based on imperfect impression; loss of text on lower edges and second section of verse; sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1, no. 510., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 88., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 79.
Title etched below image., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Four lines of verse below title: "Returned at eve, unnumbered queries wait him," ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by Hunt & Pyall, 18 Tavistock Strt., Covent Garden
Poll, the widow of William, stands at her cottage door in a village near the sea, a ship in full-sail in the distance, as Jack delivers the sad news of the death of her husband. In the verses engraved below recount the "jovial" life of a sailor to the refrain of "In every mess I finds a friend, in every port a wife."
Description:
Title engraved below image., Numbered '301' in lower left below image., Sheet trimmed to plate mark., and Five columns of verse below title: Bold Jack the sailor, here I come, pray how d'ye like my nib ...
Publisher:
Publish'd 17th June 1793 by Robt. Sayer & Co., Fleet Street, London
Poll, the widow of William, stands at her cottage door in a village near the sea, a ship in full-sail in the distance, as Jack delivers the sad news of the death of her husband. In the verses engraved below recount the "jovial" life of a sailor to the refrain of "In every mess I finds a friend, in every port a wife."
Description:
Title engraved below image., Numbered '301' in lower left below image., Sheet trimmed to plate mark., Five columns of verse below title: Bold Jack the sailor, here I come, pray how d'ye like my nib ..., 1 print : mezzotint ; sheet 35 x 26 cm., and Some loss of image along top edge.
Publisher:
Publish'd 17th June 1793 by Robt. Sayer & Co., Fleet Street, London
A fat elderly citizen, solidly seated, is beset by two pretty young women who offer him fruit. His wife (left) says "You must have some apricots my love." The woman on his right adds, "Just taste these grapes brother in law you never eat finer." He shouts up with angry suspicion to the latter, "Won't eat anything more I tell you. I shall be choaked. Got an eye to the estate I suppose."
Description:
Title etched below image., Series title and number etched above image., Publication date from watermark., Original publication line: Pubd. Oct. 1, 1799, by R. Akerman, No. 101 Strand., Sheet trimmed to plate mark., Later state of no. 9624 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Later state of print described by Joseph Grego in Rowlandson the caricaturist, v. 2, p. 15., Temporary local subject terms: Female dress, 1799 -- Food: fruit., and Collector's stamp on verso: SP.
A fat elderly citizen, solidly seated, is beset by two pretty young women who offer him fruit. His wife (left) says "You must have some apricots my love." The woman on his right adds, "Just taste these grapes brother in law you never eat finer." He shouts up with angry suspicion to the latter, "Won't eat anything more I tell you. I shall be choaked. Got an eye to the estate I suppose."
Description:
Title etched below image., Series title and number etched above image., Earlier state, with dated imprint, of no. 9624 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Earlier state of print described in Grego, v. 2, page 15., and Watermark: Strasburg bend with date 1798 below.
Title from item., Place of publication derived from publisher's street address., In margin top center: Salon de 1843., Date derived original painting's exhibition date., In margin lower right: En Basse Bretagne, quand un malade est en danger il est transportè dans une ecurie., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Uroscopy.
Publisher:
Challamel édit 4. de l'Abbaye and Imp. Bertauts Paris
Title engraved below image., Place of publication and date from item., Title is followed by ten lines of verse., Below verses: Rousseau Epig. X., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
chez Lepicié Graveur du Roi au coin de l'Abreuvoir du Quay des Orfevres, Et Chez L. Surugue
Subject (Name):
Rousseau, Jean-Jacques, 1712-1778.
Subject (Topic):
Quacks and quackery, Spouses, Flirting, Medicine in literature, Medicines, and Sick persons
Title from item., Printmaker supplied by curator., Date supplied by curator., Place of publication derived from street address., Published in Le Charivari, 14 November 1843., Above image: Les Malades et les Médecins. 26., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hospitals, Interior; Hospital visitors; Hospital diet.
Publisher:
Chez Pannier Editr. R. du Croissant, 16 and Imp. d'Aubert & Cie
Subject (Topic):
Diet in disease, Smuggling, Hospitals, Spouses, Physicians, Meat, and Sausages
Title etched below image., Date and place of publication supplied by curator., Sheet trimmed around inscriptions., In upper margin: Musée Grotesque, No. 62., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Enema, Medical innovations, Marriage, Irrigation (Medicine)., Spouses, Toilets, Medical equipment & supplies, and Thermometers
Title etched below image., Date derived from printmaker's date of death., Place of publication from item., In image border, in ink: Ex dono D. Car. Selb Pictor. de Stockach 1787., The story of Tobias and the Angel is from the Book of Tobit., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Miracle cures.
Publisher:
publisher not identified
Subject (Name):
Tobias (Biblical figure). and Gabriel (Archangel).
Subject (Topic):
Blindness, Medicine in the Bible, Miracles, Angels, Older people, Spouses, and Dogs
A sour looking wife, her face covered in carbuncles, chastises her abject-looking husband for keeping her waiting. The wife sits before a clock which reads 8:30. Behind her chair is hidden a wine glass and a wine bottle labelled "Nants". She says: "Here have I been sitting up for you these four hours without anything to comfort me Mr. Fillpot. I will not suffer it." He responds: "Don't be angry, you beauty! I have only been drinking your health with Squir Guzzle 'pon honor."
Description:
Title etched below image., Series title and series number etched above image., Publication line altered, with original date of publication removed., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A sour looking wife, her face covered in carbuncles, chastises her abject-looking husband for keeping her waiting. The wife sits before a clock which reads 8:30. Behind her chair is hidden a wine glass and a wine bottle labelled "Nants". She says: "Here have I been sitting up for you these four hours without anything to comfort me Mr. Fillpot. I will not suffer it." He responds: "Don't be angry, you beauty! I have only been drinking your health with Squir Guzzle 'pon honor."
Description:
Title etched below image., Series title and series number etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Earlier state of print described in Grego, v. 2, page 14.
Publisher:
Pubd. October 1, 1799, by R. Akerman, No. 101 Strand
Title from item., Place of publication derived from language of text., Date supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Quacks and quackery, Theater, Wife abuse, Spouses, Staffs (Sticks)., and Physicians
Title below image, in ink., Date supplied by curator., Place of publication derived from publisher's known location., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
chez Martinet
Subject (Topic):
Diseases, Symptoms, Sick persons, Wigs, Spouses, and Mirrors
Title from item., Date supplied by curator., Place of publication derived from publisher's street address., Published in Le Charivari, 8 June 1843., Above image: Les Malades et les Médecins. 13., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Marriage & Married life.
Publisher:
Chez Pannier Editr. R du Croissant, 16 and Imp. d'Aubert & Cie
Title from item., Printmaker supplied by curator., Date supplied by curator., Place of publication derived from street address., Published in Le Charivari, 5 November 1843., Above image: Les Malades et les Médecins. 23., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Nervous disorders.
Publisher:
Chez Pannier Editr. R. du Croissant, 16, Chez Aubert, Pl de la Bourse, 29., and Imp. d'Aubert & Cie
Subject (Topic):
Quacks and quackery, Therapeutics, Shopping, Theater, Spouses, and Physicians
Title from item., Date supplied by curator., Place of publication derived from street address., Published in Le Charivari 10 May 1843., Above image: Les Malades et les Médecins 8., In image lower right: 12., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Ink notation verso.
Publisher:
Chez Pannier & Cie. Edtr. R. du Croissant, 16 and Imp. d'Aubert & Cie
Subject (Topic):
Hypnotism, Diagnosis, Quacks and quackery, and Spouses
Title from item., Date supplied by curator., Place of publication derived from street address., Published in Le Charivari 10 May 1843., Above image: Les Malades et les Médecins 8., In image lower right: 12., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez Pannier & Cie. Edtr. R. du Croissant, 16 and Imp. d'Aubert & Cie
Subject (Topic):
Hypnotism, Diagnosis, Quacks and quackery, and Spouses
Title from item., Original work created: 1823-1828., Place of publication derived from Boilly's place of residence., Copy after Boilly., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Marriage & Married life.
Title from item., Date derived from date of Boilly's original print., Place of publication supplied by curator., Copy after Boilly., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Fainting; Smelling salts; Marriage & Married life.
Publisher:
publisher not identified
Subject (Topic):
Pregnancy, Syncope (Pathology)., Morning sickness, Loss of consciousness, and Spouses
Title from item., Date supplied by curator., Place of publication derived from street address., Published in Le Charivari, 15 April 1843., Above image: Les Malades et les Médecins. 6., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Alcohol.
Publisher:
Chez Pannier Editr. R. du Croissant, 16 and Imp. d'Aubert & Cie
Subject (Topic):
Colic, Drinking of alcoholic beverages, Traditional medicine, Spouses, and Pain
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., Ms. note, and On page 119 in volume 2. Sheet trimmed to: 38.1 x 46.1 cm.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., and After the painting "The Bagnio" in the National Gallery, London.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
Description:
Title engraved below image., The engraver's initials 'R.F. Ravenet' are a mistake for 'S.F.' or Simon François., and Sheet trimmed within plate mark.
The scene shows the young newlyweds at breakfast in a large, well-furnished room but in a state of disorder as after a night's entertainment. The night's activities are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground a violin in its open case sits on the back of an overturned chair, a second violin case beside it. The steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands. Through an archway, a dishevelled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à la mode. Pl. II
Description:
Title and plate number etched below image., Sheet trimmed to plate mark., In lower left corner: Size of picture 3 ft. x 2 ft. 4 in., The portrait of the rake is said to be of Francis Hayman, and the steward, Mr. Edward Swallow, butler to Archbishop Herring. See J.C. Smith., No. 2 in a series of 6 images; this one known as "The breakfast scene.", and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 159.
Publisher:
Pubd. Jun 4, 1796 by J. & J. Boydell, No. 90 Cheapside & at the Shakespeare Gallery, Pall Mall, London
Subject (Geographic):
England
Subject (Name):
Hayman, Francis, 1708-1776, Hogarth, William, 1697-1764., and Swallow, Edward
The scene shows the young newlyweds at breakfast in a large, well-furnished room but in a state of disorder as after a night's entertainment. The night's activities are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground a violin in its open case sits on the back of an overturned chair, a second violin case beside it. The steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands. Through an archway, a dishevelled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à la mode. Pl. II
Description:
Title and plate number etched below image., Later state with imprint and dimensions burnished out., The portrait of the rake is said to be of Francis Hayman, and the steward, Mr. Edward Swallow, butler to Archbishop Herring. See J.C. Smith., No. 2 in a series of 6; this plate referred to as "The breakfast scene"., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 159.
Publisher:
J. and J. Boydell?
Subject (Geographic):
England
Subject (Name):
Hayman, Francis, 1708-1776, Hogarth, William, 1697-1764., and Swallow, Edward
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
Description:
Title engraved below image., In lower left corner: Size of picture 3 ft. by 2 ft. 4 in., After the painting "The Bagnio" in the National Gallery, London., Sheet trimmed to plate mark., No. 5 in a series of 6 images. Series title engraved below image., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2748., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 162., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 232.
Publisher:
Pub. Aug. 1, 1800, by J. & J. Boydell, No. 90, Cheapside & at the Shakspeare Gallery, Pall Mall, London
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1799]
Call Number:
Drawings W87 no. 33 Box D180
Image Count:
1
Resource Type:
still image
Abstract:
A man lies on his back in bed, his face set in grim resignation, as his wife leans over him lecturing him, "Yes you base man --you dont you eat drink and sleep comfortably at home and still you must be jaunting abroad every night. I'll find out your intrigues-- you may depend upon it." A small dog sits at the foot of the bed yelping at the couple while a larger dog sleeps on the floor, his eyes squeezed shut
Alternative Title:
Curtain lecture!!
Description:
Title inscribed in black ink in the artist's hand., Signed by the artist in black ink., Date supplied by cataloger., and For further information, consult library staff.
Leaf 74. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Stocky woman holding up fist to skinny man, with boy pulling at this coattail and woman behind him holding a broom over his head."--Library of Congress online catalog
Alternative Title:
Grey mare the better horse
Description:
Title etched below image., Restrike. For original issue of the plate, see Library of Congress call no.: PC 2 - Matrimony in perfection (A size) [P&P]., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published ca. 1770?, and On leaf 74 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Spouses, Threats, Children, Brooms & brushes, Horns (Anatomy), and Adultery
May the devil take them that brought you and me together
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 30 x 21 cm., and Mounted on: Map of the lands of Kilbradran in the county of Limerick, the estate of the knight of Kerry / J. J. Byrne. Dublin: Forster & Co., 1852.
A family of three on horseback riding down a country road, seen from behind with the man in the centre and flanked by the two women in a baskets, in plain, house in the left middle distance
Description:
Title etched below image., Date suggested by Isaac., Plate numbered "25" in upper right corner., Sheet trimmed to plate mark on top edge., After a print entitled "Me my wife & daughter," designed by Henry Bunbury and originally published in his "Annals of horsemanship.", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Being suddenly seized with a fit of the cramp, and that too in the first quarter of the honey moon
Description:
Title etched below image., Quoted text beneath title: "Being suddenly seized with a fit of the cramp, and that too in the first quarter of the honey moon., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local Medical Library subject terms: Marriage & married life -- Cramps.
Publisher:
Pubd. May 30th, 1808, by T. Rowlandson, No. 1 James St., Adelphi
Subject (Topic):
Marriage, Spouses, Pain, Bedrooms, Canopy beds, and Fireplaces
A man lies on his side in his bed beside his wife who facing the viewer, both in night caps, and lying against pillows. Only their heads are visible above the covers. Below title: "Caudle, you shan't close your eyes for a week-no you shan't-unless you tell me some of it" &c. (see Punch).
Alternative Title:
Mr. and Mrs. Caudle
Description:
Title from text within image., Publication date from unverified data in local card catalog record., and Sheet trimmed within plate mark.
Title from item., Date supplied by curator., Attribution is questionable., Sheet partially trimmed., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Pubd.by G. Johnson
Subject (Name):
Lolkes, Wybrand, 1733-.
Subject (Topic):
Dwarfism, Dwarfs (Persons)., Dwarfs, Human curiosities, and Spouses
"A woman sits up in bed, holding up a crying infant. Her lank husband stands stiffly beside her holding an infant's commode and lighted taper. Beneath, the incident is related in biblical language: 'And behold about the ninth hour Tabitha the Wife of my Bosom awoke, . . . [&c, &c.]'."--British Museum online catalogue
Description:
Title engraved above image., Printmaker identified from the original drawing in the Huntington Library., Plate numbered '229' in lower left corner., Four lines of text below title: And behold about the ninth hour Tabitha, the wife of my bosom, awoke and said unto me, Arise Nathaniel speedily ..., and From the Laurie and Whittle series of drolls.
Publisher:
Published 9th April 1799, by Laurie & Whittle, 53 Fleet Street, London
A man and wife sit side by side on upright chairs. The man holds a tankard; she sleeps, holding a tobacco-pipe and a small round box
Description:
Title from item., Tim Bobbin's Human passions delineated, first published in 1773. Tim Bobbin is the pseudonym of John Collier., and Plate numbered '25 published as part of a 1810 edition of Bobbin's Human passions delineated, with an engraved dedication page, a portrait of the artist, and at least 25 individual prints depicting human passions.
Illustration to verses printed in two columns. An elderly parson, holding his pipe, his back to the fire, makes gestures of rage towards his servant (right) who hurries terrified from the room as he drops a jug. His wife (left) holds his coat to restrain him, dropping a book from her lap as she sits in a chair with a slipcover. The verses in letterpress below the image relate that after a sermon on the misfortunes of Job, the parson told his wife that his 'patience and strength of mind' were equal to Job's, though she (like other women) was incapable of such restraint. His servant enters to tell him that the contents of a cask of ale had been spilt. His wife reproaches him for his violent abuse: "Job was not half so vext ..."; he says: "Answer me this, I say- Did Job e'er lose a barrel of such ale?" On the wall behing is a picture of Job suffering by the road as described in the Bible. See British Museum catalogue
Alternative Title:
Bad job
Description:
Titie from letterpress printed below the image. On this impression part of the title is printed below plate., Printmaker identified from the original drawing in the Huntington Library., Text of the tale in letterpress printed in two columns below title: Twas at some country place, a parson preaching, The virtue of long sufferance was teaching ..., One of the series of Laurie & Whittle drolls., and Watermark: E & P 1796.
Publisher:
Published 20th November 1798 by Laurie & Whittle, 53 Fleet Street, London
Subject (Name):
Job (Biblical figure)
Subject (Topic):
Biblical events, Chairs, Clergy, Fireplaces, Interiors, Pipes (Smoking), Pitchers, Religious dwellings, Servants, and Spouses
Ten hand-colored engravings, depicting scenes from the Battle of Seringapatnam, form the border of a writing sheet, one each along the upper and lower edges and four on either side. Illustrations include, at the top, a battle scene; portraits of the British generals, Harris and Stuart; Tippoo Saib discovered among the slain, Tippoo's sons surrender; A sepoy upon a charge, An Indian soldier; Tippoo Sultan, Tippoo Sultan's wife; a design with flags, drums, cannons, swords and bugles. The battle scene and the image with the two sons include images of elephants
Alternative Title:
Conquest of Seringapatnam
Description:
Title from head of sheet., Numbered '65.' in lower right corner., With blank center of sheet filled in manuscript in black ink with an adage and a poem and signed: John Halton June 12th, Prescot School, 1801., and With watermark and countermark.
Publisher:
Published 18th Novr. 1799 by Laurie & Whittle, 53, Fleet Street
Subject (Geographic):
India, India., Śrīraṅgapaṭṭaṇa., and Indian
Subject (Name):
Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799, and Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799
A pretty young woman sits on the knee of an officer (left) wearing a gorget and cocked hat. She looks over her shoulder to speak to her elderly husband who leaves the room (right) supported on crutches: "Pray my Dear go and speak to Sir John in the mean while the Captain & I will push the point in this Quarter." He answers: "I'll go this momment. now is the Golden instant so dont be Idle but exert yourselves to have the affair well done & quickly." Over the doorway is a stag's head with antlers. The captain says: "Thanks, Sir. I trust your good Lady will Succeed in her Undertaking
Description:
Title etched below image., Printmaker from British Museum online catalogue., State with street address '20 Strand' burnished from plate., and Mounted to 38 x 28 cm.
Publisher:
Pubd. Sepr. 24, 1802 by T. Williamson, London
Subject (Topic):
Adultery, Couples, Horns (Anatomy), Military uniforms, British, Sofas, and Spouses
Design consists of eight panels arranged in two horizontal rows, with lines of text etched in the top portion of each panel. In the upper left, an intoxicated woman in an arm chair, says "May we have in our arms what we love in our hearts. No tax upon gin! Here we go up, up, up, and there we go down, down, down!" The next shows a man prostrate on his back holding a lantern, with words above, "Bless me, is that the sun of the moon I see above there!" On the wall behind him a print with the title "The good woman" etched above the figure of a woman without a head. Third, a bare chested gravedigger looks up from his work in horror as a woman loses control of the pail of water on her head. Above them are the words, "Hollo! Damn your blood you old Faggot, where are you coming to?" The final panel in the top row shows an obese well-dressed woman vomiting, a bottle of "Comfort for the Cholick" in her left hand. The words etched above her head: "Too much of a good thing!". First on the left of the second row: a large, young woman with bare breasts and generally disheveled and quesy look on her face, walks on a cobblestone street; behind her in the distance a man shakes a cleaver in her direction. Above her the words, “I am a little sickish or so, but no matter, I've given Sal her gruel? She drink gin with me! Blast me she could as soon swallow the fat landlady!” The next panel shows a unconscious woman being carried on a man's back. The text above them reads, “She's got her quantum, by jingo, she smells as sweet as a daisy! But no matter, I'll get the blunt in the morning from her old goat of a keeper. 'Upon my conscience and soul he will have a precious bedfellow of her to night! In the third panel, bottom row, an old woman with spectacles bumps into a large rock, causing her to drop her bottle of gin and a bloody nose. Etched above her head are the words, “What's that for you sawcy reascal! Here, Watch! Watch! Watch! Lord a mercy upon me what a blow! My poor head spins like a top!” In the final panel, a military officer escorts a well-dressed young woman along a street as he brandishes a club. Above them is etched, "Stick, close, my dear, Charlotte. Hold up your head, my lily of the valley. I am as sober as a judge. Woman and wine for ever, damn me!”
Description:
Title from caption below images., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Russell & Co. 1799., and Mounted on modern secondary support.
Publisher:
Pub. by Willm. Holland, No. 50 Oxford Street
Subject (Geographic):
St. Giles in the Fields (London, England)
Subject (Topic):
Social conditions, Couples, Gin, Gravedigging, Intoxication, Spouses, and Watchmen
A thin man in threadbare cloths, his toes poking out of his shoes, stands left scratching his head, a pained look on his face. On the right his large wife looks over her shoulder at him with a crossly, her hands on her large hips. A cat claws at the man's right leg. On the wall a pictures amplifies subject of the print: two cocks fight in a yard
Description:
Title from caption below image., Companion print: Honey moon., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms:
"Satire on marriage, illustrating a riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbours in procession. The couple ride on one horse, the man facing the tail, preceded by another man on horseback who throws grain from a pannier to the crowd. Further to the right, cuckold's horns in the form of a stag's head, a ram's head and a cow's head are held aloft, the latter attached to a woman's shift, and "rough music" is played on pots and pans. In the background, is a river and a similar procession takes place on the far bank.."--British Museum online catalogue, description of an earlier state
Description:
Title from text above image., Undated later state, by a different publisher; see No.1703 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Publication date from unverified data in local card catalog record., Sheet trimmed within plate mark., Four columns of verse below image: First pans and kettles of all keys, from trebles, down to double bass ..., Temporary local subject terms: Fairs: "Horn Fair", Charlton, Kent -- Banners: Horns and women's undergarments used as banners on stick -- Kitchen utensils: pots as noisemakers -- Ladles -- Horns: stag's head and antlers on stick -- Ram's horns on stick -- Cow's horns on stick -- Grain -- Distaffs -- Processions: Skimmington -- Buildings: cottages -- Rowboats -- Alehouses -- Signs with horns -- Tubs on poles -- Matrimony -- Countrymen -- Swans -- Shrews -- Literature: verse purported to be from Hudibras by Samuel Butler, 1612-1680., Watermark and countermark., "Hudibras" at the end of verse erased from this impression., and Mounted to 36 x 51 cm.
Publisher:
Printed for John Bowles at the Black Horse in Cornhill
Subject (Topic):
Parades & processions, Spouses, Marriage, Dwellings, Dogs, and Horses
"A cobbler flourishes a strap, while a little woman in Turkish trousers and jewelled turban runs away behind him. On the left is his shed and a bench with tools. Behind is a large quasi-oriental building, with minaret and dome. The verses relate how the cobbler thrashed his very small wife who ran away between his legs 'for ever'. They end:'"Twou'd break my heart, to lose my awl, To lose my wife's a trifle.'"--British Museum online catalogue
Alternative Title:
Cobbler's wife
Description:
Title engraved below image., Plate numbered '447' in the lower left corner., From the Laurie & Whittle series of Drolls., and Twenty four lines of text between three numbered song verses above imprint: Last week I took a wife; and when I first did woo her...
Publisher:
Publish'd Novr. 12, 1806 by Laurie & Whittle, 53 Fleet Street, London
"Thomas Coke of Norfolk leads his bride through a pastoral landscape; he prances gaily along hat in hand, turning to look at her, and singing, Oh the Days when I was Young; in his left hand is a book: Coke upon Littleton [see British Museum Satires No. 14423]. She takes his left arm, holding back the gauze veil that floats from a bonnet trimmed with flowers and towering feathers. Her tight-waisted pelisse has a deep crimson border. She is gravely demure, but sings: Of all the Gay Lads that Dance on the Green, Old Tommys the Lad for Me. He looks younger than 67, she older than 18. Behind them (right) is a country church, before them a signpost pointing To the Breeding Park and To the Nursery. An old ram branded C approaches a sheep; a French greyhound prances towards a decrepit and shaggy dog."--British Museum online catalogue
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., Collector's stamp in red on verso: half-length raised figure of fox with initials MW below., and Watermark: A. Stace 1801.
Publisher:
Pub. March 26th, 1822, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
Coke, Thomas William, Earl of Leicester, 1752-1842 and Keppel, Anna Amelia, Countess of Leicester, 1803-1844
Subject (Topic):
Spouses, Walking, Dogs, Sheep, and Traffic signs & signals
Title below image., Place of publication supplied by curator., Below title: Presented with No.5 of the Star or Drawing Room Album, Augst. 17th, 1839., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Marriage & Married life.
Publisher:
publisher not identified
Subject (Topic):
Home nursing, Care of the sick, Spouses, Sick persons, and Medicines
An angry husband with carving knife and fork in hand glowers at the leg of mutton on the dinner table before him, while his wife and two young men look on with anxious expressions. He says: "Its rad! not fit to eat! --these are the blessed effects of boiling mutton in a clath!" A dog at the wife's feet looks on. On the wall hangs the framed picture with the two allegorical figures of Peace and Concord
Alternative Title:
Dinner spoiled
Description:
Title from item., Series title and number etched above image., and Publication date from British museum catalogue and Grego.