"A young woman plays the piano (right) with painful intentness, and sings, as does the man who holds open her music-book, inscribed 'On Rosy Bed by Tinckling Billy'. A middle-aged military officer stands full face playing the flute. A fat elderly 'cit' sleeps in an arm-chair (left); his wig has fallen off and his legs rest on another chair. Behind him a very obese man and an ugly and over-dressed woman with a grotesquely thin neck sing from the same piece of music: 'On Rosy Bed'. He warms his back at a blazing fire; the feathers in her hair are alight in one of the candles on the chimney-piece. A small boy blows a toy trumpet, a dog howls and a cat miaows, standing on an open music-book inscribed 'Water Part ....' Chinese figures on the chimney-piece and the lintel of the door represent comic musicians playing different instruments."--British Museum online catalogue, description of state with imprint
Alternative Title:
Delights of harmony
Description:
Title etched below image., Variant state, lacking publication line, of a print originally published with the imprint: London: Published May 20, 1810, by H. Humphrey, 27 St. James's Street." Cf. No. 11611 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Publication information based on that of state with imprint., Sheet trimmed within plate mark on two edges., and Mounted on leaf 80 of volume 11 of 12.
Publisher:
H. Humphrey
Subject (Geographic):
England.
Subject (Topic):
Cats, Dogs, Figurines, Music rooms, Musicians, and Sleeping
A foppishly dressed young man, intended to represent a starving Frenchman, is begging for a "letel bite" from a boy in a butcher's apron. The boy is holding a large bone in his hands and has a slab of beef ribs sticking out of his pocket
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Publishd. Decr. 1st, 1780, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Topic):
National characteristics, French, Starvation, Butchers, Dandies, French, Meat, and Clothing & dress
A foppishly dressed young man, intended to represent a starving Frenchman, is begging for a "letel bite" from a boy in a butcher's apron. The boy is holding a large bone in his hands and has a slab of beef ribs sticking out of his pocket
Description:
Title etched below image., Printmaker from British Museum catalogue., 1 print : etching on wove paper, hand-colored ; sheet 18.3 x 14.2 cm., Sheet trimmed within plate mark., and Mounted on leaf 7 of volume 7 of 12.
Publisher:
Publishd. Decr. 1st, 1780, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Topic):
National characteristics, French, Starvation, Butchers, Dandies, French, Meat, and Clothing & dress
"A squarely built young man walks, with an unseeing stare, diagonally towards the spectator and to the left, on a pavement. He wears a round hat, high coat-collar over swathed neckcloth; his double-breasted 'Jean de Bry' coat, see BMSat 9425, is strained across a double-breasted waistcoat horizontally striped. He wears long breeches or pantaloons which drape his legs, and low pumps with cross gartering above his ankles. In his right hand he clutches a tasselled cane, held horizontally."--British Museum online catalogue
Description:
Title etched above image. and Mounted to 37 x 28 cm ; penciled annotation identifies caricatured figure as 'Lord Fife'.
Publisher:
Pubd. May 8th, 1802, by H. Humphrey, St. James's Street
"A squarely built young man walks, with an unseeing stare, diagonally towards the spectator and to the left, on a pavement. He wears a round hat, high coat-collar over swathed neckcloth; his double-breasted 'Jean de Bry' coat, see BMSat 9425, is strained across a double-breasted waistcoat horizontally striped. He wears long breeches or pantaloons which drape his legs, and low pumps with cross gartering above his ankles. In his right hand he clutches a tasselled cane, held horizontally."--British Museum online catalogue
Description:
Title etched above image., 1 print : etching & stipple engraving with roulette on wove paper, hand-colored ; plate mark 25.8 x 20.8 cm, on sheet 33.0 x 23.9 cm., and Mounted on leaf 74 of volume 10 of 12.
Publisher:
Pubd. May 8th, 1802, by H. Humphrey, St. James's Street
"Mrs. Schwellenberg, enormously fat and heavily laden, supported by small wings, floats or falls head foremost down a broad slanting ray, which extends from a sun with a crown in its centre in the upper right corner of the print and stretches across the sea to a castellated town flying a flag inscribed 'Hanover'. Half only of the crown and sun is visible. Her massive legs terminate in tiny feet. In her arms are two large money-bags, labelled 'Pr Ann.' and '£1000000'. Her bulging pocket hangs downwards, a rosary and cross hanging from it."--British Museum online catalogue
Alternative Title:
Angel gliding on a sunbeam into Paradise
Description:
Title etched below image., Printmaker from British Museum catalogue., One line of quoted text below title: "Down thither, prone in flight, lo Schwelly speeds, & with her brings the gems and spoils of Heav'n.", Sheet partially trimmed within plate mark., Temporary local subject terms: Angels -- Sunbeams -- Bags of money -- Rosaries -- House of Hanover -- Crowns -- Allusion to George III -- Allusion to Queen Charlotte -- Literature: altered quotation from John Milton's (1608-1674) Paradise Lost., and Watermark: S. Lay.
Publisher:
Pubd. Octr. 11th, 1791, by H. Humphrey, N. 18 Old Bond Street
"Mrs. Schwellenberg, enormously fat and heavily laden, supported by small wings, floats or falls head foremost down a broad slanting ray, which extends from a sun with a crown in its centre in the upper right corner of the print and stretches across the sea to a castellated town flying a flag inscribed 'Hanover'. Half only of the crown and sun is visible. Her massive legs terminate in tiny feet. In her arms are two large money-bags, labelled 'Pr Ann.' and '£1000000'. Her bulging pocket hangs downwards, a rosary and cross hanging from it."--British Museum online catalogue
Alternative Title:
Angel gliding on a sunbeam into Paradise
Description:
Title etched below image., Printmaker from British Museum catalogue., One line of quoted text below title: "Down thither, prone in flight, lo Schwelly speeds, & with her brings the gems and spoils of Heav'n.", Sheet partially trimmed within plate mark., Temporary local subject terms: Angels -- Sunbeams -- Bags of money -- Rosaries -- House of Hanover -- Crowns -- Allusion to George III -- Allusion to Queen Charlotte -- Literature: altered quotation from John Milton's (1608-1674) Paradise Lost., 1 print : etching on laid paper, hand-colored ; plate mark 27.5 x 21.1 cm, on sheet 30.5 x 22.8 cm., and Mounted on leaf 16 of volume 8 of 12.
Publisher:
Pubd. Octr. 11th, 1791, by H. Humphrey, N. 18 Old Bond Street
"A young man (left) takes with his left hand the right hand of a young woman, who bows towards him, holding her limp skirt delicately between finger and thumb. Both wear burlesqued versions of the newest fashions. He wears a striped sleeveless vest or waistcoat made in one piece with a pair of pantaloons which reach below his calves where they are tied with bunches of ribbon. A voluminous swathed neckcloth conceals his chin. His powdered hair is frizzed on his head with a long queue. He holds a round hat and a bludgeon in his right hand. She wears in her hair three extravagantly long ostrich feathers, which rise from a small cap or turban and sweep across the design, with an erect brush-aigrette ; long tresses issue from the turban with the feathers and fall below her waist. Her limp high-waisted dress with short sleeves falls from below uncovered breasts, which are decked with a lattice-work of jewels caught together by an oval miniature (cf. BMSat 8521)."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray, working from a design by 'Miss Aynscombe.' See British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Male costume, 1794 -- Female costume, 1794., Watermark: J Whatman., and Window-mounted to 40 x 28 cm.
Publisher:
Pubd. May 7th, 1794, by H. Humphrey, No. 18 Old Bond Street
"A young man (left) takes with his left hand the right hand of a young woman, who bows towards him, holding her limp skirt delicately between finger and thumb. Both wear burlesqued versions of the newest fashions. He wears a striped sleeveless vest or waistcoat made in one piece with a pair of pantaloons which reach below his calves where they are tied with bunches of ribbon. A voluminous swathed neckcloth conceals his chin. His powdered hair is frizzed on his head with a long queue. He holds a round hat and a bludgeon in his right hand. She wears in her hair three extravagantly long ostrich feathers, which rise from a small cap or turban and sweep across the design, with an erect brush-aigrette ; long tresses issue from the turban with the feathers and fall below her waist. Her limp high-waisted dress with short sleeves falls from below uncovered breasts, which are decked with a lattice-work of jewels caught together by an oval miniature (cf. BMSat 8521)."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray, working from a design by 'Miss Aynscombe.' See British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Male costume, 1794 -- Female costume, 1794., 1 print : etching & aquatint with stipple on wove paper, hand-colored ; plate mark 34.9 x 24.9 cm, on sheet 35.7 x 25.6 cm., and Mounted on leaf 56 of volume 8 of 12.
Publisher:
Pubd. May 7th, 1794, by H. Humphrey, No. 18 Old Bond Street
"A grotesquely hideous man, lean and elderly, sits in an armchair addressing a comely young woman who stands demurely (l.), her pose accentuating her pregnancy. Behind them is an empty fireplace; on the chimney-piece is a Venus pudica flanked by cupids, one with a bow and arrow, the other with a torch. On the wall are two pictures; (l.) a cock and hen facing each other like fighting-cocks, and (r.) a horse in the last stage of decrepitude, assailed by carrion birds."--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 49 of volume 11 of 12.
Publisher:
Publish'd Feby. 2d, 1807, by H. Humphrey, 27 St. James's Street
In a woodland setting Shelburne and Pitt sit smiling behind a cloth-covered table on which are coins and bags of money. A glum-looking Fox stands several feet distant with hands in pockets. A reference to Fox's exclusion from office while Pitt was Chancellor of the Exchequer during the Shelburne ministry. The title is a quotation from Paradise Lost
Alternative Title:
Aside he turned for envy, yet with jealous leer malign, eyed them askance
Description:
Title from text etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Dec. 12th, 1782, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, and Pitt, William, 1759-1806
In a woodland setting Shelburne and Pitt sit smiling behind a cloth-covered table on which are coins and bags of money. A glum-looking Fox stands several feet distant with hands in pockets. A reference to Fox's exclusion from office while Pitt was Chancellor of the Exchequer during the Shelburne ministry. The title is a quotation from Paradise Lost
Alternative Title:
Aside he turned for envy, yet with jealous leer malign, eyed them askance
Description:
Title from text etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching on wove paper ; plate mark 22.5 x 25.3 cm, on sheet 25.4 x 33.6 cm., and Mounted on leaf 49 of volume 1 of 12.
Publisher:
Pubd. Dec. 12th, 1782, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, and Pitt, William, 1759-1806
"An imitation of British Museum Satires No. 8913, by Woodward. A fat parson sits drinking beside a small round table. His face is fiery and carbuncled. He wears gown and bands, with unbuttoned waistcoast, and ungartered stocking; his wig is back to front. Opposite him, on a round stool sits Care, a naked man, grotesque, aged, emaciated, with a scraggy beard and long grey hair, and talons on hands and feet; he registers gloomy terror. The parson, with a contemptuous smile, snaps his fingers at Care. On the table are decanter, pipe, tobacco-box, and lemon. On the wall (left) is a 'List of the Tythes for the Parish of Guttledown'. A patterned carpet completes the design. An illustration of the song (illustrated also by R. Cruikshank in 'The Universal Songster', ii, 1826, page 129)."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local Medical Library subject terms: Depression -- Songs., 1 print : etching with engraving, hand-colored ; sheet 208 x 250 mm., and Sheet trimmed within plate mark.
Publisher:
Publishd. June 16th, 1801, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Topic):
Clergy, Alcoholic beverages, Pipes (Smoking), and Lemons
The Devil stands at the center of a mountain top with outstretched wings, dressed in lawyers wig and bands, but with horns on his head and feet with claws. On the left Fox kneels, eagerly receiving from Satan a dice box and dice, an allusion to his notorious gambling habit, while on the right Burke receives a scourge and rosary, a reference to his supposed Catholicism. A satire on the resignation of Fox and Burke after Shelburne's appointment
Alternative Title:
Old-orthodox restoring consolation to his fallen children
Description:
Title etched below image., Printmaker and approximate date of publication from British Museum catalogue., Possible remnants of burnished imprint in lower right, with the publisher name "E. D'Achery" faintly visible., Sheet trimmed within plate mark., and Mounted to 28 x 37 cm.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806 and Burke, Edmund, 1729-1797
Subject (Topic):
Devil, Gambling, Catholicism, and Clothing & dress
The Devil stands at the center of a mountain top with outstretched wings, dressed in lawyers wig and bands, but with horns on his head and feet with claws. On the left Fox kneels, eagerly receiving from Satan a dice box and dice, an allusion to his notorious gambling habit, while on the right Burke receives a scourge and rosary, a reference to his supposed Catholicism. A satire on the resignation of Fox and Burke after Shelburne's appointment
Alternative Title:
Old-orthodox restoring consolation to his fallen children
Description:
Title etched below image., Printmaker and approximate date of publication from British Museum catalogue., Possible remnants of burnished imprint in lower right, with the publisher name "E. D'Achery" faintly visible., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; sheet 24.0 x 32.5 cm., and Mounted on leaf 46 of volume 1 of 12.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806 and Burke, Edmund, 1729-1797
Subject (Topic):
Devil, Gambling, Catholicism, and Clothing & dress
"Bust portrait in an oval. Scarcely a caricature but a study in facial expression of a cornered swindler. A man, fashionably dressed, but with dishevelled hair, gazes fixedly to the left, with pursed mouth and wrinkled forehead. Below the design is a list of eight names ('alias' repeated seven times) beginning: 'Mr Thos Ogle (the Notorious Swindler) - by which Name he Married Two Wives', and ending: 'Vide - his Examinations before the Magistrates of Bow Street in Novr 1801'."--British Museum online catalogue
Description:
Title from quotation etched above image., Text below title: Townsend, Pole. Officer, Bow Street., Temporary local subject terms: Swindler -- Thomas Ogle -- Major Semple -- William Smith -- Thomas Robison -- Batty -- Captain Johnson -- Thomas Bashford -- Robertson -- Lieut. Colt. Cs. Pullen., and Watermark: J Ruse 1799.
Publisher:
Publishd. Novr. 18th, 1801, by H. Humphrey, 27 St. Jamess [sic] Street, London
"Bust portrait in an oval. Scarcely a caricature but a study in facial expression of a cornered swindler. A man, fashionably dressed, but with dishevelled hair, gazes fixedly to the left, with pursed mouth and wrinkled forehead. Below the design is a list of eight names ('alias' repeated seven times) beginning: 'Mr Thos Ogle (the Notorious Swindler) - by which Name he Married Two Wives', and ending: 'Vide - his Examinations before the Magistrates of Bow Street in Novr 1801'."--British Museum online catalogue
Description:
Title from quotation etched above image., Text below title: Townsend, Pole. Officer, Bow Street., Temporary local subject terms: Swindler -- Thomas Ogle -- Major Semple -- William Smith -- Thomas Robison -- Batty -- Captain Johnson -- Thomas Bashford -- Robertson -- Lieut. Colt. Cs. Pullen., 1 print : etching, aquatint, & stipple engraving on wove paper ; plate mark 25.6 x 20.5 cm, on sheet 34.2 x 27.6 cm., Watermark: J. Ruse., and Mounted on leaf 61 of volume 10 of 12.
Publisher:
Publishd. Novr. 18th, 1801, by H. Humphrey, 27 St. Jamess [sic] Street, London
"Lord Wycombe, scarcely caricatured, walks to the left, his head in profile, left hand on hip, right on a club-like walking-stick. His coat is curiously cut, his (striped) waistcoat longer and breeches shorter than the contemporary fashion. He wears a neck-cloth and shoes. His gait is slouching and his dress rather slovenly. Clouds form a background."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text below title: "Whenever I wish to form a proper estimate of a mans mind, I observe his manners & dress." Lord Chesterfield., and Temporary local subject terms: Male dress: waistcoat -- Breeches -- Literature: quotation from Earl of Chesterfield's (1694-1773) Letters.
Publisher:
Pubd. July 8th, 1799, by H. Humphrey, 27 St. James's Street
Subject (Name):
Lansdowne, John Henry Petty, Marquess of, 1765-1809
"Lord Wycombe, scarcely caricatured, walks to the left, his head in profile, left hand on hip, right on a club-like walking-stick. His coat is curiously cut, his (striped) waistcoat longer and breeches shorter than the contemporary fashion. He wears a neck-cloth and shoes. His gait is slouching and his dress rather slovenly. Clouds form a background."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text below title: "Whenever I wish to form a proper estimate of a mans mind, I observe his manners & dress." Lord Chesterfield., Temporary local subject terms: Male dress: waistcoat -- Breeches -- Literature: quotation from Earl of Chesterfield's (1694-1773) Letters., 1 print : etching on wove paper, hand-colored ; plate mark 36.2 x 25.8 cm, on sheet 45.6 x 29.1 cm., Watermark: Edmeads & Co. 1811., and Mounted on leaf 7 of volume 10 of 12.
Publisher:
Pubd. July 8th, 1799, by H. Humphrey, 27 St. James's Street
Subject (Name):
Lansdowne, John Henry Petty, Marquess of, 1765-1809
"Two terrified riders meet face to face on Hounslow Heath; each takes the other for a highwayman. One (left) losing his stirrups holds out his purse, saying, "Here is my Money! Spare my Life". The other dropping his whip, puts his hand in his waistcoat pocket, saying: "Ah! - don't Fire! - I'll give all". Both have dropped their reins. A signpost (left) points 'To Hounslow'."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., and Print signed using Brownlow North's device: A compass pointing north.
Publisher:
Publishd. June 6th, 1801, by H. Humphrey, No. 27 St. Jamess [sic] Street
"Two terrified riders meet face to face on Hounslow Heath; each takes the other for a highwayman. One (left) losing his stirrups holds out his purse, saying, "Here is my Money! Spare my Life". The other dropping his whip, puts his hand in his waistcoat pocket, saying: "Ah! - don't Fire! - I'll give all". Both have dropped their reins. A signpost (left) points 'To Hounslow'."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Print signed using Brownlow North's device: A compass pointing north., 1 print : etching with engraving on wove paper ; plate mark 26.0 x 36.4 cm, on sheet 28.1 x 41.5 cm., and Mounted on leaf 54 of volume 10 of 12.
Publisher:
Publishd. June 6th, 1801, by H. Humphrey, No. 27 St. Jamess [sic] Street
"General Manners walks in profile to the left, with knees flexed, bending forward, his hands clasped behind his back, a cane under his arm. He wears a round hat, small pigtail, and plain, old-fashioned dress."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Men -- Walking staves -- Literature: quotation from Epitaph on John Gay by Alexander Pope (1688-1744)., and Watermark: J Whatman.
Publisher:
Pubd. Novr. 4th, 1798, by H. Humphrey, St. James's Street
"General Manners walks in profile to the left, with knees flexed, bending forward, his hands clasped behind his back, a cane under his arm. He wears a round hat, small pigtail, and plain, old-fashioned dress."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Men -- Walking staves -- Literature: quotation from Epitaph on John Gay by Alexander Pope (1688-1744)., 1 print : etching on wove paper, hand-colored ; plate mark 26.3 x 18.3 cm, on sheet 34.2 x 24.0 cm., and Mounted on leaf 69 of volume 9 of 12.
Publisher:
Pubd. Novr. 4th, 1798, by H. Humphrey, St. James's Street
"An ugly middle-aged woman, wearing a calash hood (cf. BMSat 5434) over a cap, picks up her petticoats to step over or through a bush shaped like a forest tree, but spotted with red fruit. She grins and clutches in her right hand a paper inscribed 'Wonderful Aeronauts'. She is walking towards a garden latrine (left). Two concentric circles of greenery surround the bush. There is a landscape background."--British Museum online catalogue
Description:
Title etched above image., Printmaker identified as Gillray in the British Museum catalogue., Print signed using Brownlow North's device: A compass pointing north., and Mounted on leaf 79 of volume 10 of 12.
Publisher:
Pubd. Augt. 3d, 1802, by H. Humphrey, St. Jamess [sic] Street
"Fox (left), with a fox's head and brush, directs the rays from the dark-lantern of a conspirator upon Shelburne (right), who is wrapped in a cloak, and carries a small sack inscribed "Treasury". Fox, who is out at elbows, his breeches unbuttoned at the knee, his stockings ungartered, his shoes dilapidated with his bare toes protruding, is saying, "Ah! what I've found you out, have I? Who arm'd the high Priests & the People? Who betray'd his Mas------" Shelburne, with a smile of complacent triumph, is saying, "Ha! Ha! - poor Gunpowder's vexed! - He, He, He! - Shan't have the Bag I tell you, Old Goosetooth!" (Cf. BMSat 5843, &c.) The background is shaded to suggest night, Shelburne's head and shoulders being brilliantly lit by the rays of the dark lantern."--British Museum online catalogue
Alternative Title:
Guy Vaux and Judas Iscariot
Description:
Title etched below image., Printmaker from British Museum catalogue., Questionable publication information from British Museum catalogue, which supplies the publication line from a probable earlier state: Pubd. Augt. 14th, 1782, by E. D'Achery, St. James's Street., Text following title: Dialogues of the dead: page 1782., Sheet trimmed within plate mark., and Mounted to 30 x 41 cm.
Publisher:
E. D'Achery?
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806 and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Politics and government, Lanterns, Foxes, and Clothing & dress
"Fox (left), with a fox's head and brush, directs the rays from the dark-lantern of a conspirator upon Shelburne (right), who is wrapped in a cloak, and carries a small sack inscribed "Treasury". Fox, who is out at elbows, his breeches unbuttoned at the knee, his stockings ungartered, his shoes dilapidated with his bare toes protruding, is saying, "Ah! what I've found you out, have I? Who arm'd the high Priests & the People? Who betray'd his Mas------" Shelburne, with a smile of complacent triumph, is saying, "Ha! Ha! - poor Gunpowder's vexed! - He, He, He! - Shan't have the Bag I tell you, Old Goosetooth!" (Cf. BMSat 5843, &c.) The background is shaded to suggest night, Shelburne's head and shoulders being brilliantly lit by the rays of the dark lantern."--British Museum online catalogue
Alternative Title:
Guy Vaux and Judas Iscariot
Description:
Title etched below image., Printmaker from British Museum catalogue., Questionable publication information from British Museum catalogue, which supplies the publication line from a probable earlier state: Pubd. Augt. 14th, 1782, by E. D'Achery, St. James's Street., Text following title: Dialogues of the dead: page 1782., Sheet trimmed within plate mark., 1 print : etching & engraving on wove paper, hand-colored ; sheet 24.8 x 34.8 cm., and Mounted on leaf 40 of volume 1 of 12.
Publisher:
E. D'Achery?
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806 and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Politics and government, Lanterns, Foxes, and Clothing & dress
"An elderly woman sits on a stool playing a small harpsichord (right) seen in profile, a music-book upon it. She sings with her head turned towards the spectator, her features twisted, eyes closed. Her hair hangs upon her round shoulders; the curves of her figure and a small waist indicate an attempt to conceal the ravages of time. The line is shaky throughout, to give an impression (especially in the music-book) of an aged, quavering voice."--British Museum online catalogue
Alternative Title:
Here's songs of love and maids forsaken
Description:
Title etched below image., Possibly by Gillray. See British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Old women -- Musical instruments: harpsichords -- Music sheets.
"An elderly woman sits on a stool playing a small harpsichord (right) seen in profile, a music-book upon it. She sings with her head turned towards the spectator, her features twisted, eyes closed. Her hair hangs upon her round shoulders; the curves of her figure and a small waist indicate an attempt to conceal the ravages of time. The line is shaky throughout, to give an impression (especially in the music-book) of an aged, quavering voice."--British Museum online catalogue
Alternative Title:
Here's songs of love and maids forsaken
Description:
Title etched below image., Possibly by Gillray. See British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Old women -- Musical instruments: harpsichords -- Music sheets., 1 print : etching on wove paper, hand-colored ; plate mark 25.4 x 23.5 cm, on sheet 33.2 x 25.3 cm., and Mounted on leaf 53 of volume 8 of 12.
How happy could I be with either, were t'other dear charmer away
Description:
Title etched below image., Date of publication based on publisher's active dates. See British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Formerly mounted on leaf 9 of volume 1 of 14 volumes.
Publisher:
Publish'd as the act directs by H. Brookes, Coventry Street
How happy could I be with either, were t'other dear charmer away
Description:
Title etched below image., Date of publication based on publisher's active dates. See British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching, hand-colored ; sheet 22.1 x 18.5 cm., Imperfect; sheet trimmed within plate mark with loss of title, imprint, and statement of responsibility., Mounted to 23.4 x 20 cm., and Formerly mounted on leaf 8 of volume 1 of 14 volumes.
Publisher:
Publish'd as the act directs by H. Brookes, Coventry Street
"Sinclair, tall and thin, stands full-face, holding up in his right hand a balance (steelyard, or stilliard) inscribed 'Vive le Egalité'. A large British flag at the right end of the beam much outweighs a bunch of objects at the other; three documents: [1] 'Navy of England to be retaind viz: 50000 Seamen & half a Dozen Ships of War - 500000 Sailors to be sent to plant Potatoes.' [2] '10 000 heavy reasons for giving the Enemy a fair chance of getting out of their Ports.' [3] 'Advantages of cold oeconomy'. Below these are bunches of turnips, carrots, a cabbage, the whole terminating in a pendent bonnet-rouge. Sinclair is fashionably dressed, wearing a hat, half-boots, ill-fitting coat, and overcoat almost to the ankles. On a heavily draped writing-table (right) are three large volumes: 'Improvements in the Art of Political Dunging and Pursuits of Agriculture.' A paper: 'The Apostate Laird - a Parliamentary Romance - together with Loss of the Agricultural Arm' Chair. On the wall (right) is a picture of three pigs feeding at a trough of 'Democratic Verbosity'; this is 'Pigs Meat: or new method of feeding the Swinish Multitude' [see BMSat 8500, &c.]. Beside it is a placard: 'Table of Weights & Measures laid down upon the true democratic Principle of the Stilliards of Egalité'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
"Improvement in weights and measures" and Sir John Seeclear discovering the ballance of the British flag
Description:
Title etched below image., Temporary local subject terms: Scales -- Flags: British flag -- Food: vegetables -- Bonnet rouge -- Pictures amplifying subject -- Writing materials: inkstand., Watermark: 1794 J Whatman., and Subject identified in contemporary hand below title.
Publisher:
Pubd. Decr. 1st, 1798, by H. Humphrey, 27 St. James's Street
"Sinclair, tall and thin, stands full-face, holding up in his right hand a balance (steelyard, or stilliard) inscribed 'Vive le Egalité'. A large British flag at the right end of the beam much outweighs a bunch of objects at the other; three documents: [1] 'Navy of England to be retaind viz: 50000 Seamen & half a Dozen Ships of War - 500000 Sailors to be sent to plant Potatoes.' [2] '10 000 heavy reasons for giving the Enemy a fair chance of getting out of their Ports.' [3] 'Advantages of cold oeconomy'. Below these are bunches of turnips, carrots, a cabbage, the whole terminating in a pendent bonnet-rouge. Sinclair is fashionably dressed, wearing a hat, half-boots, ill-fitting coat, and overcoat almost to the ankles. On a heavily draped writing-table (right) are three large volumes: 'Improvements in the Art of Political Dunging and Pursuits of Agriculture.' A paper: 'The Apostate Laird - a Parliamentary Romance - together with Loss of the Agricultural Arm' Chair. On the wall (right) is a picture of three pigs feeding at a trough of 'Democratic Verbosity'; this is 'Pigs Meat: or new method of feeding the Swinish Multitude' [see BMSat 8500, &c.]. Beside it is a placard: 'Table of Weights & Measures laid down upon the true democratic Principle of the Stilliards of Egalité'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
"Improvement in weights and measures" and Sir John Seeclear discovering the ballance of the British flag
Description:
Title etched below image., Temporary local subject terms: Scales -- Flags: British flag -- Food: vegetables -- Bonnet rouge -- Pictures amplifying subject -- Writing materials: inkstand., 1 print : etching on wove paper, hand-colored ; plate mark 36.6 x 25.9 cm, on sheet 40.3 x 28.9 cm., and Mounted on leaf 76 of volume 4 of 12.
Publisher:
Pubd. Decr. 1st, 1798, by H. Humphrey, 27 St. James's Street
"Rows of French soldiers (left) do infantry drill with muskets seated on the backs of sorry asses (cf. BMSat 9361), with no harness but rope halters. The man in the foreground (the others being concealed by the closeness of the ranks), though smart, is ragged, his foot projecting through the boot. Their officer (right), with raised sword, gives the word of command seated on an ass which brays with outstretched neck at the other asses. He has a saddle and his ass is in slightly better condition. Clouds form a background. See BMSat 9355, &c."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French Expedition to Egypt, purported to have been drawn by a fellow expedition member., Sheet trimmed within plate mark., and Temporary local subject terms: Egyptian campaign, 1798-1801-- Military: French soldiers -- Military uniforms: French army, 1798 -- Asses -- Reference to Ibrahim Bey, Chief of Mamelukes (1735-1816).
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, 27 St. Jamess [sic] Street
"Rows of French soldiers (left) do infantry drill with muskets seated on the backs of sorry asses (cf. BMSat 9361), with no harness but rope halters. The man in the foreground (the others being concealed by the closeness of the ranks), though smart, is ragged, his foot projecting through the boot. Their officer (right), with raised sword, gives the word of command seated on an ass which brays with outstretched neck at the other asses. He has a saddle and his ass is in slightly better condition. Clouds form a background. See BMSat 9355, &c."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French Expedition to Egypt, purported to have been drawn by a fellow expedition member., Sheet trimmed within plate mark., Temporary local subject terms: Egyptian campaign, 1798-1801-- Military: French soldiers -- Military uniforms: French army, 1798 -- Asses -- Reference to Ibrahim Bey, Chief of Mamelukes (1735-1816)., 1 print : etching on wove paper, hand-colored ; plate mark 25.6 x 35.9 cm, on sheet 30.2 x 41.1 cm., and Mounted on leaf 5 of volume 5 of 12.
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, 27 St. Jamess [sic] Street
"Two Frenchmen, who have been attempting to domesticate the crocodile, are seized by the angry beasts. A monster seizes in its jaws the leg of the man who has attempted to ride it; the man clasps halter and whip, his saddle lies on the ground together with a large book, 'Sur l'Education du Crocodile', beside which are three plates: 'Planche 1st', a Frenchman rides a crocodile; 'Pl: 2de', a Frenchman drives a high phaeton drawn by a pair of crocodiles; 'Pl: 3me', a small boat is drawn through the water by a crocodile. In the middle distance (right) a crocodile seizes the coat of a terrified man, who drops a book: 'Les Droits du Crocodile' (cf. BMSat 9352). A third crocodile (left) with hungry jaws climbs from the reeds fringing the river."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French Expedition to Egypt, purported to have been drawn by a fellow expedition member., Sheet trimmed within plate mark., and Temporary local subject terms: Egyptian campaign, 1798-1801-- Allusion to Institut d'Égypte -- Crocodiles -- Pictures amplifying subject: prints of crocodiles pulling carriage, ship, and used as a mount -- Riding gear -- Books -- Animal attacks.
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, St. Jamess [sic] Street
"Two Frenchmen, who have been attempting to domesticate the crocodile, are seized by the angry beasts. A monster seizes in its jaws the leg of the man who has attempted to ride it; the man clasps halter and whip, his saddle lies on the ground together with a large book, 'Sur l'Education du Crocodile', beside which are three plates: 'Planche 1st', a Frenchman rides a crocodile; 'Pl: 2de', a Frenchman drives a high phaeton drawn by a pair of crocodiles; 'Pl: 3me', a small boat is drawn through the water by a crocodile. In the middle distance (right) a crocodile seizes the coat of a terrified man, who drops a book: 'Les Droits du Crocodile' (cf. BMSat 9352). A third crocodile (left) with hungry jaws climbs from the reeds fringing the river."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French Expedition to Egypt, purported to have been drawn by a fellow expedition member., Sheet trimmed within plate mark., Temporary local subject terms: Egyptian campaign, 1798-1801-- Allusion to Institut d'Égypte -- Crocodiles -- Pictures amplifying subject: prints of crocodiles pulling carriage, ship, and used as a mount -- Riding gear -- Books -- Animal attacks., 1 print : etching on wove paper, hand-colored ; plate mark 25.3 x 35.8 cm, on sheet 30.0 x 40.3 cm., and Mounted on leaf 4 of volume 5 of 12.
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, St. Jamess [sic] Street
"A lady, ugly and elderly, sits at a piano in profile to the left, playing and singing. Her open music-book shows her 'Song: would you hurt a harm less maid maid I am young and sore afraid afraid'. Beside her in an arm-chair a fat man with short clumsy legs sits impassively. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
"Lullaby!" Soothe him with a lullaby!
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., and Temporary local subject terms: Musical instruments: pianoforte -- Songs: Would you hurt a harmless maid -- Sheet music -- Obesity -- Reference to Kegworth, Leicestershire.
Publisher:
Pubd. July 12th, 1798, by H. Humphrey, St. Jamess' [sic] Street
"A lady, ugly and elderly, sits at a piano in profile to the left, playing and singing. Her open music-book shows her 'Song: would you hurt a harm less maid maid I am young and sore afraid afraid'. Beside her in an arm-chair a fat man with short clumsy legs sits impassively. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
"Lullaby!" Soothe him with a lullaby!
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Temporary local subject terms: Musical instruments: pianoforte -- Songs: Would you hurt a harmless maid -- Sheet music -- Obesity -- Reference to Kegworth, Leicestershire., 1 print : etching on wove paper, hand-colored ; sheet 22.1 x 22.1 cm., Sheet trimmed within plate mark on three edges., and Mounted on leaf 66 of volume 9 of 12.
Publisher:
Pubd. July 12th, 1798, by H. Humphrey, St. Jamess' [sic] Street
"A French hussar on a sorry horse flees before a well-mounted Mameluke (cf. BMSat 9272), with a sabre in each hand, who rides him down. The Frenchman (left) turns in his saddle to hold out defensively a sabre whose blade is inscribed 'Vaincre ou Courir'; he spurs his horse viciously. His enemy rides in heel-less slippers, one rein in his teeth, the other on the horse's neck, two pistols on cords fly out behind him. The expressions of the horses reflect those of their masters: abject terror and fierce confidence."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French Expedition to Egypt by Gillray, purported to have been drawn by a fellow expedition member., Watermark: Russell & Co., and Mounted on leaf 8 of volume 5 of 12.
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, 27 St. James's Street
"A mother and daughter face each other in profile. An elderly woman, heavily moustached and bearded, sits at a small rectangular table, her right forefinger accusingly pointed at a young woman (closely resembling her), apparently pregnant, who stands holding a fan with an expression of wary apprehension. Beneath the table is a large crow, one foot raised, turning its head towards the elder woman to say "Oh! too bad". A patterned carpet, plain wall, and door (right) form a background."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Pregnancy -- Expressions of speech: I have a crow to pluck with you.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
"A mother and daughter face each other in profile. An elderly woman, heavily moustached and bearded, sits at a small rectangular table, her right forefinger accusingly pointed at a young woman (closely resembling her), apparently pregnant, who stands holding a fan with an expression of wary apprehension. Beneath the table is a large crow, one foot raised, turning its head towards the elder woman to say "Oh! too bad". A patterned carpet, plain wall, and door (right) form a background."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Pregnancy -- Expressions of speech: I have a crow to pluck with you., 1 print : etching on wove paper, hand-colored ; sheet 28.6 x 33.8 cm., Sheet trimmed within plate mark on right and left edges., and Mounted on leaf 57 of volume 8 of 12.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
"An old sow lies exhausted on a pile of straw outside a sty roofed with dilapidated thatch. She is beset by thirty-two voracious piglets with human heads. [The identifications are those of Miss Banks, confirmed by Lord Holland. The identifications of Wright and Evans are incomplete; Ellenborough is called the Speaker.] John Bull, a clumsy yokel in a smock, holding a pitchfork, looks over the low stone wall surrounding the sty. He exclaims: "O Lord - O Lord! - well! - I never had such a Litter of hungry Pigs in all my life before! - why, they's beyond all count! - where the devil do they think I shall find Wash & Grains for all their Guts? - zookers, why they a drain the poor old Sow to an Otomy! - 'e'cod She'll make but bad Bacon for Boney, when they's all done sucking o' her - !!!' In the centre of the struggling mass of pigs is Fox with Grenville on his left. and Grey on his right. He bestrides the Duke of Clarence, whose hind-quarters only (clad in blue and buff) are visible, and supports his right. hind-leg on the back of the Prince of Wales, who is in back view but wearing a ribbon and unmistakable. Grey also clambers over the Prince. On Grenville's l. is his fat nephew, Lord Temple. The head next Grenville is that of Sidmouth, across whose back Lord Henry Petty scrambles open-mouthed. Above Petty, Sheridan scrambles avidly over the sow; Erskine, in his Chancellor's wig scampers over the sow's hind leg. Lauderdale, whose body is chequered to indicate tartan, is behind Grenville, next him (l.) is Vansittart; on the left of the latter is a group of three plump pigs one with the head concealed, the others smiling with complacent anticipation; they are Sir Watkin Williams-Wynn and his two brothers, see BMSat 9760, &c. Behind them (l.) three pigs scamper towards the sow (l. to r.): Tierney, the Duke of Bedford, and Lord Derby. Behind again, and on the extreme left. are five rather smaller animals: George Walpole, Adair (half cut off by the margin), Burdett, Horne Tooke wearing clerical bands, and Lord Carlisle. On the r. of Grey and the Prince are Lord St. Vincent, with a foreleg on the Prince, Courteney, a foreleg on Grey, Lord Spencer who has secured a teat, and Windham who clambers downwards from the sow's shoulder. Between Courteney and Spencer is a pig whose head is concealed, 'not meant for any body'. Climbing up the farther side of the sow and on the r. are Lord Ellenborough in his wig, Lord Fitzwilliam, and Moira who scampers on the creature's back."--British Museum online catalogue
Alternative Title:
New litter of hungry grunters sucking John-Bulls-old-sow to death
Description:
Title etched below image., Watermark, partially trimmed: J. Whatman 1817., and Mounted on leaf 16 of volume 6 of 12.
Publisher:
Pubd. March 5th, 1806, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Lauderdale, James Maitland, Earl of, 1759-1839, Sheridan, Richard Brinsley, 1751-1816, Vansittart, Nicholas, 1766-1851, Williams-Wynn, Watkin, 1772-1840, Wynn, Charles Watkin Williams, 1775-1850, Wynn, Henry Watkin William, 1783-1856, Tierney, George, 1761-1830, Bedford, John Russell, Duke of, 1766-1839, Smith-Stanley, Edward, 1752-1834, Carlisle, Frederick Howard, Earl of, 1748-1825, Walpole, George, 1761-1830, Adair, Robert, Sir, 1763-1855, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Spencer, George John Spencer, Earl, 1758-1834, St. Vincent, John Jervis, Viscount, 1735-1823, Courtenay, John, 1738-1816, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, and Fitzwilliam, William Wentworth Fitzwilliam, Earl, 1748-1833
Title etched below image., Attributed to Rowlandson by curator., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with roulette, hand-colored ; sheet 21.9 x 18.7 cm., Imperfect; sheet trimmed within plate mark with loss of title and imprint statement., Mounted to 23.4 x 20.2 cm., and Formerly mounted on leaf 5 of volume 1 of 14 volumes.
Publisher:
Publ. according to act, July 29th, 1780, by J. Jones & T. Rowlandson, N. 103 Wardour St., Soho
Title etched below image., Attributed to Rowlandson by curator., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Matted to 36 x 28 cm., and Formerly mounted on leaf 6 of volume 1 of 14 volumes.
Publisher:
Publ. according to act, July 29th, 1780, by J. Jones & T. Rowlandson, N. 103 Wardour St., Soho
"An opera-dancer, Mme Rose Didelot, is poised on her right toe, her head turned in (sharp-featured) profile to the left, holding up a long garland of roses. She wears a pseudo-classical costume, defining her person, the edge of the skirt bordered with roses, a wreath of roses in her hair which is almost short. The scenery is of trees with a landscape background."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. April 12th, 1796, by H. Humphrey, New Bond Street
"An opera-dancer, Mme Rose Didelot, is poised on her right toe, her head turned in (sharp-featured) profile to the left, holding up a long garland of roses. She wears a pseudo-classical costume, defining her person, the edge of the skirt bordered with roses, a wreath of roses in her hair which is almost short. The scenery is of trees with a landscape background."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 27.1 x 21.6 cm, on sheet 28.7 x 22.4 cm., and Mounted on leaf 12 of volume 9 of 12.
Publisher:
Pubd. April 12th, 1796, by H. Humphrey, New Bond Street
"An ugly man (left) kneels (on a spotted handkerchief) at the feet of a plain old maid seated on an upright chair; he holds her left hand, his right is on his breast. She holds up her fan in a way more encouraging than coy. Both grin broadly. A patterned carpet and plain wall complete the design."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Couples -- Female dress, 1799 -- Furniture: ladderback chair -- Furnishings: carpet.
Publisher:
Publish'd Novr. 14th, 1799, by H. Humphrey, No. 27 St. James's Street, London
"An ugly man (left) kneels (on a spotted handkerchief) at the feet of a plain old maid seated on an upright chair; he holds her left hand, his right is on his breast. She holds up her fan in a way more encouraging than coy. Both grin broadly. A patterned carpet and plain wall complete the design."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Couples -- Female dress, 1799 -- Furniture: ladderback chair -- Furnishings: carpet., 1 print : etching on wove paper, hand-colored ; sheet 26.5 x 21.3 cm., Sheet trimmed within plate mark on bottom edge., and Mounted on leaf 16 of volume 10 of 12.
Publisher:
Publish'd Novr. 14th, 1799, by H. Humphrey, No. 27 St. James's Street, London
"A very short and corpulent woman stands full face, her handkerchief is raised towards her face as if to mop it, her left arm is clasped by a man of similar proportions, who kneels in profile to the left, looking up at her with a pained expression."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text in lower right corner below image: Design'd for the Shakespeare Gallery., Sheet trimmed within plate mark., and Temporary local subject terms: Parody on Boydell's Shakespeare Gallery -- Obesity.
Publisher:
Pubd. March 20th, 1791, by H. Humphrey, No. 18 Old Bond Street
"A very short and corpulent woman stands full face, her handkerchief is raised towards her face as if to mop it, her left arm is clasped by a man of similar proportions, who kneels in profile to the left, looking up at her with a pained expression."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text in lower right corner below image: Design'd for the Shakespeare Gallery., Sheet trimmed within plate mark., Temporary local subject terms: Parody on Boydell's Shakespeare Gallery -- Obesity., 1 print : etching & stipple engraving on wove paper, hand-colored ; sheet 21.4 x 22.2 cm., Sheet trimmed within plate mark on three edges., and Mounted on leaf 3 of volume 8 of 12.
Publisher:
Pubd. March 20th, 1791, by H. Humphrey, No. 18 Old Bond Street
