Manuscript on parchment of a Book of Hours, with Calendar and prayers to the Virgin in French
Description:
In Latin and French., Script: Two hands can be distinguished: ff. 1r-6v and 15r-63r are written in a small, even batarde; ff. 7r-14v in a rounded gothic script showing some batarde characteristics. Folios 7-14 may have been added later, judging by the difference in the style and color of the miniatures and their placement on the page. Prayers added on ff. 63v-64v in batarde, early 16th century., Sixteen camaieu-gris miniatures by three artists, in tondo format, with gold frames inscribed in white capitals. The miniatures on ff. 15v and 19v are by the leading artist; the remainder are by a competent assistant (with the exception of ff. 7v, 8r, 9r, and 10r, which are of inferior quality). 4-, 3-, 2-, and 1-line initials, grey with gold highlights, on a black ground, some with leaves and dots in gold. On ff. 7r-14v the letters are composed of leaf forms. Ribbon line-fillers, geometric and leaf forms, gold, grey, and white on black. Rubrics in pale red. Calendar has KL monogram as 2-line initials, month and dates in red; feasts in blue, major feasts in red., The black ink of the initials has run on many pages, and has sometimes adhered to the opposite pages., and Binding: 18th-19th centuries. Brown goatskin gold-tooled, silver fastenings. On the spine, flowers and the words "Heur en Latin. MSS. S. Velin en Min."
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin., Script: Written by a single scribe in Southern Gothica Textualis Libraria (Rotunda), especially marked by the use of two forms of d (Uncial and Half-Uncial)., Headings in red. The decoration consists of (1) alternately gold and blue flourished initials, 1 line, within the text and in the Litany; the penwork is mauve with the gold initials, red with the blue ones; (2) dentelle initials, 2 lines, also used for "KL" in the Calendar; (3) decorated foliate initials, 5 lines, with full "Ferrarese" borders, painted at the beginning of the Hours from Lauds to Compline in the Hours of the Virgin; (4) large historiated initials, mostly 7 lines, at the opening of the various sections: f. 13r (Hours of the Virgin), Virgin with Child, full border with in its lower section a shield held by two putti; f. 93r (Penitential Psalms), King David in prayer, full border; f. 117v (Hours of the Cross), the Cross on a hill, two-margins border; f. 122r (Hours of the Holy Spirit), the Holy Spirit as a dove, two-margins border; f. 126r (Mass of the Virgin), a lily, full border., and Binding: Eighteenth century (?). Parchment checkered with green-gold motifs. On the spine red title-label with gold-tooled inscription "Manuscrit du XIIIe siecle".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (thick, stiff) of 1) Record of those for whom memorial prayers were to be said during November, divided into 6 estaciones, with a total of 501 memoriae. The place where the prayer is to be said is often given; from those mentioned, the church in question can be identified as the Cathedral of Cordoba. Still at the Cathedral in 1625, when memoriae for Don Diego de Mardones were added. 2) Prayers for the Dead
Description:
In Latin and Spanish., Script: Written by a single scribe in rotunda, very well executed, with additions at end of estaciones in rotunda and humanistic script, by later hands., Initials, ff. 20r-21v (2-line), in alternating red with purple penwork and blue with red penwork. 1-line capitals sometimes have yellow wash. Rubrics in orange-tinted red, paragraph marks in blue. Added memoriae for Don Diego de Mardones have elaborate penwork cadeaux at the beginning., Offset impression of red lines (from pastedowns or flyleaves now lost?) appear on ff. 1r (running vertically) and 21v (horizontally); no loss of text., and Binding: Sixteenth century. Resewn on three small, vegetable fiber supports laced into wooden boards. The spine is square and lined with vellum between the supports. Covered in tan sheepskin blind-tooled with a floral roll border and arabesques in the center. A paper label on the upper cover: "Noviembre." Rebacked.
Subject (Geographic):
Connecticut, New Haven., and Córdoba (Spain)
Subject (Name):
Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on paper of Prayers to be said at various times during the Mass. Composed by Paul Pellisson-Fontanier (1624-93).
Description:
In French., Script: Written by the master calligrapher Jean Pierre Rousselet, a follower of Nicholas Jarry, active in Paris between 1677 and 1736., Two full-page miniatures and nine historiated headpieces in gouache, all in frames best described as resembling the frames of 18th-century mirrors; the frames blue and purple with white highlights and gold side-pieces decorated with red flowers in diamonds; floral swags at bottom. Tail pieces with swags, as above and filled with gold, on f. 48v with the Holy Spirit as a dove. 3- and 2-line initials, blue with white highlights on gold; 1-line initials in red. Titles in gold, red and blue capitals; running headings and rubrics in red., and Binding: 18th-19th centuries. Black goatskin, gold-tooled. A red label and salmon pink doublures and flyleaves. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pellisson-Fontanier, Paul, 1624-1693. and Catholic Church
Subject (Topic):
Liturgy, Devotional literature, French, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript on parchment. Includes Calendar, Fifteen Joys of the Virgin, and Seven Requests to the Lord, all in French
Description:
In Latin and French., Script: Written in Northern Gothica Textualis Formata by two hands, marked by a different use of the two forms of a. Hand A, the main scribe, using almost only double-bow a, copied ff. 1r-21v11; 33r-108v11; 125r-144v. Hand B, who normally writes box-a, copied ff. 21v12-32v; 108v12-124v., Illuminated leaves have been excised after ff. 14, 58, 86, 94, 137., Headings in blue or red ink. The majuscules are heightened in yellow. The decoration consists of line-fillers in gold and blue and red paint and the following initial types: (1) dentelle initials, 1 line; (2) foliate initials, 2 lines; (3) foliate initials, 4 lines, always accompanied by full acanthus borders and, except on f. 142r, by a picture in an arched compartment above 5 lines of text. Seven of these miniatures remain. The borders are framed in gold ink. All ordinary text pages, including the Calendar, have unframed outer margin borders the height of the text area, with patterns traced from rectos to versos., and Binding: Nineteenth century (?). Red velvet over cardboard boards, on which the original decorated gilt brass bosses (4 corner pieces and a central piece) and one decorated clasp in the same material, fixed to the rear cover, have been mounted. Yellow silk pastedowns. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of prayers for priest and bishop to say before and during Mass
Description:
In Latin., Script: Written in imitation of Roman font, upper and lower case, with cursive for headings and rubrics, by N. Jarry in Paris, 1649., Title page (p. 1), p. 31 (Gratiarum actio) and p. 40 (orationes) with finely executed headpieces and 3- or 2-line initials, gold edged in red, with flowers. 2-line initials gold edged in red or blue; 1-line initials in red. Running titles and headings in red. On p. 73 a monogram that incorporates the alphabet inside a wreath tied with a pink ribbon., and Binding: 17th-18th centuries. Red goatskin, gold-tooled, with two gold-plated clasps which may be later additions. Gilt edges.
Manuscript fragment on parchment bifolium (thick) of Passion of St. Bartholomew (25 August). Text is continuous
Description:
In Latin., Script: Written in neat but somewhat uneven Beneventan script. Passages added in cramped text hands, (ca. 1250), in lower margins, f. 2r-v., Leaves trimmed with some loss of text along upper and outer margins; portions of f. 2v illegible due to paste and offset impressions of leather turn-ins and wooden boards., and Bifolium used as flyleaf and pastedown.
In Latin., Script: copied by one hand in Northern Gothica Textualis Formata, in two sizes., Rich decoration: 1-line versals and 2-line initials, both of the dentelle type; 2-line KL-monograms of the same type in the Calendar. Floral outer margin borders normally on the pages with 2-line initials. Four-margins borders and miniatures above 3 lines of text opening with a 3-line foliate initial, on ff. 13r (Annuntiation), 25r (Visitation), 38r (Crucifixion), 39v (Pentecost), 41r (Nativity), 46r (Annuntiation to the Shepherds), 50r (Adoration of the Magi), 58v (Flight into Egypt), 65r (Coronation of the Virgin), 76r (Saint John on Patmos), 99r (Funeral mass). The miniatures are rounded at the top. The borders contain acanths and a multitude of gold vine and other leaves, flowers, animals, hybrids and monsters. The artist is said to be Péronet Lamy, an illuminator in the service of the Dukes of Savoy in the second quarter of the fifteenth century., and Binding: contemporary binding: brown calf over rounded wooden boards. Both covers entirely blind-tooled with rows of juxtaposed stamps: monkeys and fleurs-de-lys in the central panel; rosettes and phoenix(?) in the frame. Clasps missing.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment of a book of hours with an office for the dead
Description:
In Latin., Script: Copied by one hand writing in Gothica Cursiva Formata (Bastarda)., and Decoration: Purplish red rubrics. Yellow highlighting of the majuscules. 1-line versals and 2- or 3-line initials, all in liquid gold on purplish red or blue square background decorated with foliage or flowers in liquid gold. Initials in red, blue, and gold. On f. 1v, there is a rectangular picture, framed in black and gold and treated as an initial 11 lines high, of God the Father with tiara, sitting, one hand on the globe, the other hand blessing rows of Seraphim and Cherubim before him. Elsewhere yellow-colored fleur-de-lys, animals, archers and a giant insects.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of a book of hours, decorated with elaborate illuminated miniatures
Description:
In Latin., Script: probably copied by two hands, both writing Northern Gothica Textualis Formata: A copied the Calendar, B all the rest in a more formal script in two sizes, except ff. 102r-103r, which are in a different hand. Rich decoration. Rubrics in gold. Calendar written in blue and gold. Majuscules stroked in yellow. Line fillers in gold and colour. Numerous 1-line versals (dentelle initials). 2-line foliate initials with marginal extensions, or with a one-margin gold and colour foliate bar border, extending into the upper and lower margins; some of them contain a human face, a flower or a geometrical design. 6-or 7-line historiated initials, always accompanied by a full gold and colour foliate bar border. Several marginal portraits of a woman (ff. 21r and 83r) are probably of the original owner., Elaborate illuminated miniatures, decorating a calendar, Short Hours of the Cross, Hours of the Virgin, Penitential Psalms, and the Office of the Dead. The manuscript also includes the beginning of the Gospel according to John, a litany, and petitions., and Binding: 20th century binding by Douglas Cockerell (1926): dark red morocco over pasteboard. Spine with five raised bands, with gold-tooled title “HORAE BEATAE / MARIAE VIRGINIS // MS. SAEC. XIV”. Green silk endbands. Two leather straps with silver clasps and catches engraved with the Hornby crest.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment. The illumination is influenced by the style of Jean Fouquet (d. 1480) and the manuscript belongs to a group that has been called the "Fouquet Workshop Books of Hours".
Description:
In Latin., Script: The Calendar is copied by a scribe writing Northern Gothica Textualis Formata, Variant III in the Oeser system; the text is by another scribe, writing Variant IV in the Oeser system, in two sizes., Headings in red. Heightening of the majuscules in yellow. Rectangular line-fillers in blue and red with white pernwork and some gold. 1-line dentelle initials with a blue and red background. 2-line foliate initials alternately in blue and red. These are accompanied by a rectangular unframed outer-margin acanthus border. Arch-topped miniatures above three lines of text, with 3-line foliate initial and full acanthus border, framed in red and often containing grotesques., and Binding: ca. 1600. Brown morocco over pasteboard, covers and spine elaborately gold-tooled. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin with some Dutch headings., Script: Copied by one Northern scribe writing Southern Textualis Formata (Rotunda) with some Humanistic features (Capital A, straight d alternating with Gothic d)., Headings in red. Lavish decoration in Ghent-Bruges style. Rectangular line-fillers in red, blue, green and gold. Trompe-l'oeil initials (1 line, 2 lines, 3 lines (rarely), 5 lines) consist of twisted branches in mat gold projecting shadow on a square background in red, blue or green. Full-page miniatures are painted on the verso of inserted singletons and are framed by four-margin borders which have their counterpart on the facing text page. Text miniatures (height: 7-8 lines) are painted in regular quires and are accompanied by four-margins, mostly floral borders., and Binding: Partly original binding in blind-tooled brown calf by the Bruges binder Ludovicus Bloc (1484-1529). The original binding is inset in brown morocco by F. Bedford (?) On each cover a panel with eight animals in tendrils, surrounded by the inscription in Roman Capitals "Ob laudem Christi librum hunc recte ligavi Ludovicus Bloc", is stamped four times; between the upper and the lower panel imprints is a five-compartment frieze containing animals. On the modern blind-tooled spine gold-tooled modern inscriptions "HORAE / B.V.M. / TORNACENSIS" and "MS./ BRUGES / C. 1520". Gilt and gauffered edges. White parchment endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Book of Hours printed in Paris, Thielman Kerver for Guillaume Eustace, 20 June 1500. The illuminated leaves, from a Book of Hours for the use of Rouen, between 1475 and 1500, were inserted into the printed Book of Hours before the present-day binding was made (ca. 1600).
Description:
In Latin., Script: Copied by one hand in Northern Gothica Textualis Formata., Decoration: Headings in red. Heightening of majuscules in yellow. Rectangular line-fillers decorated with red, blue and gold; 1-line dentelle initials; 2-line foliate initials; 4-5 line historiated initials (artt. 3 and 14); arch-topped miniatures (described above) above 3-4 lines of text, accompanied by 3- or 4-line foliate initials. The pages containing miniatures or historiated initials have full flower and acanthus borders, which may contain additional scenes or grotesques (see artt. 2, 4, 5, 11, 12). The woodcuts are coloured by hand throughout the book. Text pages containing a 2-line foliate initial have outer-margin or inner- and outer-margin borders (the latter on ff. 42 bis r and 64r)., and Binding: Red morocco similar to that of Beinecke MS 662.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment leaf (cut in halves in the middle of the height) of Passion of St. Terentianus, bishop of Todi (1 Sept.).
Description:
In Latin., Script: Written in Beneventan script., Red headings. Heightening of the majuscules in red and yellow. 5-line initials in same colours., Stained with paste. The outer edge is heavily trimmed and 8 rectangular cuttings have caused important text losses in the outer column., and Used in a binding. On the top of the verso, in the middle and at the bottom of the leaf the offset of texts written on a flyleaf (?) of the binding from which the fragments were taken [to be read with a mirror]. In the inner margin of the same verso is an undeciphered 19th-century inscription.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, Latin (Medieval and modern) and Manuscripts, Medieval
In Dutch., Script: Written in gothic bookhand., Four 9- or 8-line historiated initials, blue with white highlights or spiralling acanthus in white and gold, against cusped grounds, with penwork floral sprays in border, tinted red, blue and yellow. Fourteen 5-line initials for the Hours, blue, with leaves in white, filled with flowers or fruit, against gold grounds, square with cusps at corners: each with a three-quarter border, a red, blue and gold bar, some with dragon-head terminals, in outer margin; foliage with flowers, red, blue, green, purple and pink, and animals surrounded by brown and black hair-spray and gold dots. 4 inserted miniatures probably date ca. 1475-85 and differ in style from the manuscript to which they were added. The miniature on f. 55v Angels with Monstrance (Hours of the Eucharist) and most of the overpainted borders around miniatures and pages with historiated initials probably date from ca. 1500-10. The borders consist of pink and/or gold arched frames, cusped in black, with full borders, some compartmentalized, pink, blue and/or gold, with various combinations of gold curling acanthus, red, blue, and green flowers, insects and jewels; one (f. 149v) a damask pattern with jewels and flowers in roundels., Many small initials in red or blue with flourishing in blue or red, often extending the length of the written space. 1-line initials alternating red and blue. Rubrics throughout., and Binding: Seventeenth century. Gold-tooled, green goatskin with a red label and a spine decorated "a la grotesque," possibly by one of the Padeloups, a family active in Paris from ca. 1654 to 1800. Traces of original sewing and paste in gutter and on contemporary parchment flyleaves. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of 1) Psalter in English, in the 8-part liturgical division, beginning defectively. Text is the later version of the Wycliffite translation of the Psalms. 2-7) Book of Hours, use of Sarum. 8) St. Jerome's Psalter, with introductory prayer and text followed by a suffrage to the Virgin. With Notes on Historia, Alegoria, Anagogia, Tropologia
Description:
In Middle English and Latin., Script: Written in small, well formed gothic bookhand., Five 6- to 5-line initials at the liturgical divisions of the Psalter (Psalms 26, 52, 68, 80, 97; initials for Psalms 1, 38, and 109 missing, offset initials on ff. 35v, 109r, and 156r), pink and blue with white highlights against cusped gold grounds, filled with brown, blue, and pink foliage with curling foliate serifs; pink, blue and gold bar border in outer margin with foliate shoots, terminals and horizontal extensions full across in upper and lower margins. Eleven 5- to 4-line initials (ff. 139v, 158v, 161r, 162r, 163r, 163v, 164r, 165v, 168r, 169v, 176v), gold, edged in black against a cusped ground, quartered in blue and pink, with white highlights and floral hair-spray. 3-line initials, blue with red penwork throughout. Capitals alternating red and blue. Rubrics throughout. Red and blue line-fillers in litany., and Binding: 19th-20th centuries. Brown leather case, blind-tooled. Red edges. Smells like a Middleton binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, English (Middle), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Psalters
Manuscript on parchment (coarse) of a Book of Hours containing only the Office of the Dead and Penitential Psalms and Litany
Description:
In Latin., Script: Written in liturgical gothic script of two sizes, by one person. Prayer on f. 87v is added in a very similar script, but by a less firm hand., A pencilled note on f. 55r refers to a miniature cut out between ff. 54 and 55. 2-line initials in blue, with red penwork often extending along left border. 1-line initials in blue or red. Rubrication to mark headings within sections in crimson or orange ink., and Binding: Eighteenth century. Brown calf, blind-tooled. Rebacked; back cover detached.
Manuscript on parchment of a Psalter, with astrological notes, a Calendar, and other litanies and prayers
Description:
In Latin., Written by two scribes in tiny gothic textura. Scribe 1: ff. 2v-91v; Scribe 2: ff. 91v (last folio of quire 8)-95v. Several later hands have added scribbles, prayers, and inscriptions on ff. 1r-2r, 10r, 95v, 96r, 97v, 98r, 99r., Small (6-line) and rather crude historiated initials. The initials for Ps. 52 (the Fool) and Ps. 109 (the Trinity) are missing. In each initial, the figure drawn in black and colored pink, green, and/or blue on a gold ground; the initials attached to cusped, tapering bar border, blue, red, and gold, with white highlights, with ivy terminal, black with red and green leaves. Gold and blue calligraphic initials (2-line), with blue and red penwork respectively; 1-line initials, alternating red and blue. KL monograms, gold on red and blue, with white highlights. Because the initial I was placed in the margin without an inset space in the text, the illuminator often missed it (e.g., for Ps. 70 on f. 42r; for Ps. 113 on f. 62r, and for Ps. 125 on f. 68v)., and Binding: 15th-16th centuries. Resewn on three two-layered tapes of tawed skin attached to wooden boards. The endband cores are of tawed skin with a tawed skin braid at the head, a new endband added at the tail. The spine is square and the cover adhered to it. Covered in tawed skin, originally pink, with corner tongues. Cover repaired at spine and two corners and two silver clasps added. In a flexible grey leather pouch.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Astrology, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Psalters
Manuscript on parchment roll, unevenly trimmed at top and bottom, composed of three membranes segments glued together, the third an addition of the late 15th century. Includes Prayers to be said for a pardon of 32,055 years; and Prayer based on the measurement of the length of the body of Christ. The texts are written on one side of a roll (dorse is blank).
Description:
In Latin and English., Script: Written in gothic liturgical script in brown and red ink., Membrane I: Two miniatures of the Emblems of the Passion, the one above the written space in a gothic architectural setting, with a Saint on either side and instruments of the Passion included around the full-figure of Christ standing with the cross. The miniature below with three exceptionally large nails and a heart enclosed by a crown of thorns and supported by two angels; surrounded by instruments of the Passion. The patron in clerical costume of white gown and blue robe [Austin friar?] in prayer with a scroll. A curling acanthus and floral border, containing birds holding snakes in their beaks; red, blue, pink and orange, framed in blue, with a gentle ogee arch at the top., Membrane II: A large empty cross (17 mm.) drawn in black ink and colored brown, in the center of the written space. One 6-line initial, pink and blue acanthus on a gold ground infilled with an aroid. Three 2-line initials, one blue filled with a pink flower on gold, one pink with white filigree on gold, one gold, filled with blue with white filigree on a pink ground. Floral border, including columbines, roses, in red, blue, pink and green, with insects, against a tan ground with brown dots, framed in red and blue., Membrane III: A miniature of the Christ Child as Salvator Mundi: seated on a red cushion beside the cross, holding the orb and blessing. This iconography, rare and perhaps unknown in English manuscript illustration, is probably of foreign origin. One 3-line initial, pink and blue with white highlights, filled with a blue and pink flower on a gold ground. Border with large blue, pink, green and orange flowers joined by an undulating green stem, with brown hair-spray and gold dots. Framed in blue and pink., and Holes and tears in the margins of the upper two segments; considerably rubbed, with some loss of text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, English (Middle), Illumination of books and manuscripts, Medieval, Indulgences, and Manuscripts, Medieval
In Latin., Script: Written in two sizes of liturgical gothic by two scribes. Scribe 1) ff. 1r-22v and 28r-130r; Scribe 2) ff. 22v-26v. Many later marginal notes throughout, including titles at the top of each page., One very crude full-page miniature on f. 71v (Office of the Dead): mourners at a bier. Set in a narrow arched frame of gold edged in black, in a border of pink, blue, and green acanthus leaves (concentrated at corners), flowers in same colors, infilled with black ink hair-spray with gold dots; the whole rather carelessly done. 6- and 5-line initials (ff. 57r and 72r): blue with white highlights, on gold ground, infilled with blue, green, and pink trilobe leaves, with segmented bar border (strapwork corners) in blue, white, pink, black, and gold; full border as for miniature. Other illuminated initials (5- to 2-line, as above) with segmented bar borders without strapwork, and full borders as for full-page miniature. 5-line initials (ff. 35r and 38r) gold, on pink and blue ground with white highlights; in inner margin, a simple bar border sprouting black hair-spray with gold leaves at top and bottom. 2-line initials: gold on pink and blue grounds with white highlights. 1-line initials within text sometimes marked with a red stroke. Line fillers: occasionally a red cable after a rubric or, in the litany, oblique red and blue strokes with dots attached (perhaps added later, as colors do not match those of 1-line initials). Rubrics in orange-tinted red., Mold at bottom of ff. 122-130; text not damaged., and Binding: Nineteenth century. Brown calf, blind- and gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (watermarks trimmed; unidentified) of various prayers
Description:
In German and Latin., Script: Text written in formal gothic by one scribe. Prayers added on the flyleaves, front and back, by several later hands in italic of the 17th century and later. 2- and 1-line initials in blue-grey or orange-tinted red. 1-line initials within the text, with red stroke. Extensive rubrication in orange-tinted red., and Binding: 16th-17th centuries. Sewn on three single, round, vegetable fiber cords laced into wooden boards. "Made" endbands glued on and extending onto the outer face of the boards. Red edges and numerous place marks of vellum or tawed skin on the fore-edge. The spine rounded and lined. Covered in dark brown calf with two brass catches on the upper board and brass clasps hinged to the lower. The lower board is detached and one clasp and some leather at head and tail of the spine are wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinians. and Catholic Church
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, and Prayers
Manuscript on paper and parchment, heavily illuminated (trimmed), of Devotions to the Blessed Virgin Mary. Written in Cologne/Lower Rhine (Ripuarian language area) for Augustinian use
Description:
In German and Latin., Watermarks: similar to Briquet Armoiries 1656., Script: Text written in varying bookhands, most with batarde influence; more formal scripts for some rubrics and portions of text on parchment., Two historiated initials, 12- and 10-line, on parchment bifolios, the letters gold and blue with brown and red penwork, the figures crudely drawn in pen and colored brown, blue and green, against bright red grounds with white highlights; brown and red calligraphic flourishes with red, green, blue and yellow dots extending along upper and side edges of written space. 12-, 10-, and 9-line initials (ff. 13r, 96r, 115r, 179r, 222r, 258r, 322v) gold (or red for ff. 258r, 322v) and blue, filled with brown floral penwork designs with calligraphic flourishes and dots, as above. Floral borders for each 12- through 9-line initial (except ff. 15r and 258r), red, blue, and green flowers with gold dot centers, connected by brown ink stems, arranged in rows or spirals; ff. 13r and 84v with a vase and bird in the margins. Two 9-line initials, ff. 274r and 298r, on parchment bifolios, in a markedly different style, green and blue respectively, with yellow and white highlights, against gold grounds, filled on f. 274r with a large flower, blue and red, on f. 298r with short sections of curling pink and green acanthus. Borders large blue or red flowers with gold dots and centers or short sections of blue and red acanthus on spiraling brown stems with small green teardrop leaves. Numerous 7- through 2-line initials, red and/or blue, with brown penwork and flourishes, as above. I-initials, up to 13-line, red or blue throughout. Some capital W's in text in blue or red. 2-line KL monograms, alternating red and blue. Some portions of the text, including proper names, underlined in red. Notes for rubricator in gutter, perpendicular to text., and Binding: Sixteenth century. Original sewing on four supports attached to wooden boards. Covered in dark brown calf with corner turn-in tongues. Blind-tooled with concentric borders, an X, roses and small flowers in the central panel, roses and rampant lions in the outer borders. Two clasp-and-catch fastenings, the catch on the upper board. Rebacked and the endbands probably added. Straps replaced. Covers lined with fragments of unidentified scientific text, in Latin (15th century).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Mary, Blessed Virgin, Saint, Augustinians., and Catholic Church
Subject (Topic):
Devotion to., Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In German., Watermarks: quatrefoil, var. Briquet 5576?; balance, var. Briquet 2454?., Script: Hand A copied ff. 1r-39r (quires I-IV, artt. 1-7) in Gothica Cursiva Libraria; Hand B copied ff. 41r-84v (art. 8) in Gothica Cursiva Currens; Hand C copied ff. 85r-89r (art. 9) in Gothica Cursiva Libraria., There is space for initials in artt. 8-9 but they have not been executed. In artt. 1-7 the decoration consists of red heightening of majuscules and red plain initials, 1-3 lines, with guide-letters. Headings in red., and Binding: Original undecorated brown pigskin over heavy unbevelled wooden boards, with two decorated brass clasps attached to the rear cover and five decorated brass bosses on each cover (the center bosses are circular; one corner boss on the front cover missing). Remnants of a 17th-century paper title label on the spine.
Subject (Geographic):
Connecticut, New Haven., and Rome (Italy)
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, German, Manuscripts, Medieval, and Description and travel
Manuscript on two fragments of a single parchment leaf, now crudely patched together in their original format. Contains lines of text from a Prayer "ad clericum faciendum"; Antiphon and Psalm; Part of an "ordinatio monachi"; and Prayer "ad barbas tonendas". The manuscript presumably originated in one of the episcopal seats of the period and perhaps in one of the monastic cathedrals
Description:
In Latin., Script: Written in a fine, large Anglo-Saxon square minuscule with headings, in red square capitals (mostly faded)., and Removed from a binding; numerous sections spotted and discolored.
Subject (Geographic):
England., Connecticut, and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Cathedrals, Manuscripts, Medieval, and Pontificals
Manuscript on parchment of Book of Hours, with Full calendar in French
Description:
In Latin and French., Script: Written in elegant batarde., Fourteen full-page miniatures in elaborate architectural frames, gold, with marbelized columns on plinths capped with a lintel or arched, scalloped or triangular pediments, with swags and putti. Twenty-five small miniatures, 13- or 12-line, in black and gold frames, one, f. 106v in a gold and magenta arched frame. Calendar with twenty-four small miniatures in upright rectangular brown and gold frames in outer margin; occupations of the months on rectos, signs of zodiac on versos. 6-line initials with full-page miniatures, blue curling scrolls filled with red, blue and green flowers against gold or gold flowers against red; red and gold grounds with gold filigree. 3- to 1-line initials, gold, against red or blue grounds. Line-fillers and KL monograms in the same manner. Feasts alternate red and blue, with important feasts in gold. Rubrics throughout., and Binding: 18th-19th centuries. Brown calf, gold-tooled, in a reddish-brown gold-tooled box lined with a paste paper. Traces of two fastenings.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper of a collection of prayers, written at the Benedictine monastery of Tegernsee. Bound in with the manuscript are 3 printed works, each paginated separately; all with full-page engravings and full engraved borders: Das Leben der allerheyligsten vnnd vbergebenedeyten Jungkfrawen vnd Mutter Gottes Maria (Augspurg: Christoff Mang, 1609); Von den Siben Engelfurstenbetrachtungen vnd Gebett. Item. Von dreyerley Ambtern dess Heiligen Schutz Engels (Augspurg: Chrisostomo Dahertzhofer, 1612); Sunder Spiegel, Das ist (Augspurg: Chrisostomo Dahertzhofer, 1612).
Description:
In German., Script: Written by Melchior Wigg (alias Bruder Paulus) in a small even gothic cursive script, with loops. The scribe's signature on f. 117v is executed in large gothic textura, in blue ink, with red., A few initial I's extend the length of the writing area, done in blue with red or red alone; crude. 7- to 5-line initials in blue, with red penwork. On f. 77r, an elaborately split uncial d in blue. 4-, 3-, and 1-line initials in red or blue, sometimes with black or red penwork. Capitals stroked with red. Rubrics and red paragraph marks throughout., Some water stains and wax spills, none affecting the text. Reinforced in gutter by adding paper strips. Many pages trimmed, with loss of text., and Binding: 18th century. Black goatskin over wooden boards; on spine, gold filets and stars. Remains of 2 fore-edge clasps. Edges gilt.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benedictines., Catholic Church, and Tegernsee (Abbey)
Manuscript on parchment. One of a number of Books of Hours almost certainly made in Flanders for the English market. During the 16th century, some references to Thomas of Canterbury were erased or altered, and the word "pape" in the Calendar was changed to "ape".
Description:
In Latin., Script: Written in liturgical gothic bookhand., Decoration: Twenty-three fine miniatures (originally twenty-five) tipped in, in red, blue and gold frames, with gold quatrefoils in the corners; each with a 3/4 bar border, red and blue, with a full border of English-style acanthus, red, blue, pink and gold against cusped gold grounds, especially at corners and centers, surrounded by green, red, blue and pink flowers and berries, and ivy in black pen with gold and blue leaves, some with birds, in red bounding lines. Twenty-three historiated initials, 6-line, pink and blue with white highlights on gold grounds with black cusping. 6-line initials, pink and blue, with white highlights, filled with acanthus on gold, against pink and blue grounds, framed in gold and edged with black cusping. 3-line initials, gold, edged in black, on pink and blue grounds with white filigree. 1-line initials and line endings in the same manner. Calendar with 3-line KL monograms, as above, with hair-spray extensions and bar border, outer margin, and with hair-spray terminals. Kalends, Ides in blue and gold; important feasts in red., Shows signs of use (water stains, rubbing), but no serious damage to text or illumination., and Binding: 16th-17th centuries. Wound sewing on five large, tawed-skin supports, the backs of the gatherings cut in about 3 mm. on either side of the supports and at the kettle stitches. Dull gilt edges and traces of blue endband tie-downs. Covered in gold, striped velvet with two ribbon ties.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In French., Script: Written in gothic bastarda script., and Initials in red, blue, and gold. Illuminated marginal miniatures, one with a man threshing wheat in a town and the other with a mythological goat/serpent hybrid. Text in red, brown, and blue inks.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment a Book of Hours, use of Rome, notable for its elaborate cycle of illumination; with a full calendar in French
Description:
In Latin and French., Script: Written in a gothic book hand by a single scribe., Large miniatures, facing text pages, and Calendar pages are in architectural frames, gold with red and blue panels; the frames of the miniatures are inscribed with the opening words of the text along the lower edge. A few small miniatures (14- to 6-line) are inserted in the text. Historiated borders in outer and lower margins, framed by red and gold columns and/or a red and gold bounding line; upper border, a thin panel, either pink with gold filigree and gold foliage, or flowers and acanthus on gold and parchment grounds., The series of 12 Sibyls on ff. 51v-61v are accompanied by texts on scrolls in the lower border (except f. 56v), most of which correspond to the set used in the painted decoration of the Roman palace of Cardinal Giordano Orsini (d. 1438). The texts in MS 411 are often garbled and misspelled. On the page facing each Sibyl, or on the same page (f. 56v and f. 61v) are border scenes from the life of Christ, to which the prophecies are supposed to refer, and appropriate biblical passages on a scroll in the lower border., and Binding: Twentieth century. Dark blue velvet case. Bound by J. Greenfield in the Yale Conservation Studio, 1984-85.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of a Book of Hours. With Calendar, Fifteen Joys of the Virgin, and Seven Requests, all in French
Description:
In Latin and French., Script: Written in liturgical gothic bookhand in two sizes, by a single scribe. Prayers (ff. 1r-2v, 49r-v, 101r-103r) added in an informal batarde script, apparently by a single person., The manuscript originally contained the full complement of miniatures; their removal (following ff. 8, 13, 22, 33, 37, 39, 41, 43, 45, 49, 61, 64, and 87) is indicated by stubs, missing bifolios and breaks in the text. The remaining decoration consists of compartmentalized borders typical of late 15th-century Rouen manuscripts. One full border (f. 3r) in red bounding lines with pink and blue acanthus leaves on a gold ground, alternating with flowers and strawberries on parchment ground, filled in with black and gold dots; three borders (ff. 4r, 6r, 7r) in outer margin only. 3/4 band borders (with 5- and 4- line initials); single bands in outer margin (with 2-line initials); additional small bands occur when 2-line initial is on a recto. Borders are traced whenever they occur on recto and verso of same leaf; all with blue and gold acanthus leaves, flowers on parchment ground, filler as for full border. Many pages have no border. Initials, 5-, 4-, 2-, and 1-line, gold, on blue and red grounds with white highlights; 4-line initials, blue on a gold ground, filled with red and blue trilobe leaves in lattices; the 2-line initials occasionally with a narrow border in inner margin with flowers, black hair-spray, and gold dots (red bounding lines). Ribbon and quatrelobe line-fillers in gold, blue, and red, highlighted in white. Rubrics in orange-tinted red. Calendar has months, dates, and important feasts in gold; other feasts alternately in blue and red. Most spaces for initials within the added prayers have not been filled., and Binding: Seventeenth century. Dark red goatskin, gold-tooled, with a smooth spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (extremely fine; trimmed).
Description:
In Latin., Script: Written in round gothic script by one scribe., Miniatures, borders, and initials of very high quality, executed by an artist of the Ghent-Bruges school. In the calendar, 24 miniatures, painted so that the written space appears to be superimposed on a full-page picture; the sign of the zodiac for each month is set in a small gold or grey oval above the second page for each month. Each calendar page enclosed in a gold and brown frame., Six miniatures with full borders, in frames. The manuscript almost certainly contained 16 more full-page miniatures that are now missing (see MS 287A). Twelve illuminated initials, 5-line, letters formed of curling acanthus on pink and/or blue, brown and green, or blue and green grounds; borders of flowers or architectural elements. Border decoration on every page without a full border: one bird, flower, grotesque, piece of jewelry, insect, or, occasionally, a household utensil, in each of the three outer margins, traced and painted on the following verso. 2- and 1-line initials in the same style as 5-line initials, with blue or pink grounds. Ribbon line fillers in the same style. Rubrication in pale crimson: in calendar, for months, dates, and important feasts., Water has caused ink to run in the upper left of f. 151r; no loss of text., and Binding: Nineteenth century (?). Gilt, gauffered edges. Previously bound in brick colored velvet, over wooden boards; remains of velvet on turn-ins. An elaborate clasp with round blue sapphire and the initials "V. M." joined by a love knot on the inner side. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment of Heinrich Seuse's Buchlein der Ewigen Weisheit; this is among the earliest known copies of the work and is written in a transitional dialect between Swabian and Alemannic
Description:
In Middle High German., Script: written in gothic script (littera textualis)., and Decoration: 3-line initials at the beginning of chapters are in red; 1-line initials are in black highlighted with red; rubrics are written in red in the same script as the text; punctuated with the punctus and virgule.
Manuscript fragment on parchment of a Book of Hours containing: the Hours of the Virgin; full-page miniature of mediocre quality depicting the Adoration of the Magi; full-page miniature of mediocre quality depicting the Office of the Dead; the Office of the Dead; and Suffrages
Description:
In Latin., Script: written in a hybrid gothic script mixing elements of littera bastarda and littera cursiva formata., and Decoration: rubrics written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment from a Book of Hours including the Suffrage for St. Paul
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: Historiated 7-line initial "O" on the recto in blue with white highlights filled by a depiction of the apostle Paul standing on a green field with a gold ground; Paul holds a book in his left hand and a sword in his right; the 2-line initial at the beginning of the antiphon is in red, surrounded by brown penwork; 1-line initials are in black; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a Book of Hours (in Latin with rubrics partially in French), containing: an unidentified office; St. Laurence (10 August); St. Nicholas (6 November); and St. Catharine of Alexandria (25 November).
Description:
In Latin and French., Script: written in two sizes of gothic script (littera textualis formata)., and Decoration: 2-line initials in gold on a blue ground decorated with white filigree; initials filled with red and decorated with white filigree; 1-line initials are in black highlighted with yellow; rubrics written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text; the outer margin is modestly decorated with vine tendrils in black with green and gold leaves and blue, red, and pink flowers and berries.
Manuscript fragment on parchment of a book of hours containing St. Nicholas (6 November) and St. Catharine of Alexandria (25 November).
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: two miniatures of mediocre quality, one for each saint; the miniature of St. Nicholas shows him in bishop's clothing, holding a staff and a book, and standing next to a tub with two children in it; St. Catharine is depicted as crowned, holding a book and a sword; on the floor behind her is the wheel upon which she was tortured; the antiphons and orations begin with a 2-line initial in gold on an alternating ground of blue with white filigree or red; punctuated with the punctus; hyphenation is in the same ink as the text; rubrics written in red minuscule; upper, lower, and outer borders decorated with blue and gold vines, red vines with blue and red or gold and blue with gold flowers in the inner margin on the recto only.
Manuscript fragment on parchment of a book of hours (litanies) including a litany that includes the following saints: Gereon and companions, Cosmas, Damian, Fabian, Sebastian, Gervase, Protase, Crispin, Crispinian, Chrysogonus, Leodegarus, Lambert, Christopher, Thomas, Demetrius, Blaise, Livinus, Firminus, Silvester, Gregory, Leo, Hilary, Martin, Nicholas, Augustine, and Ambrose
Description:
In Latin., Script: written in gothic script (littera fere bastarda)., and Decoration: each line begins with a 1-line initial "S" in gold on alternating grounds of red and blue; the names of the saints are written on the same line as "Or[a pros nobis]" but are separated from it by line fillers or alternating bands of red and blue decoraed with gold penwork; there is no punctuation.
Manuscript fragment on parchment of a book of hours (Office of the Dead).
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis formata), with a larger script for the canticle and Psalm and a smaller script for the chants., and Decoration: the 2-line initial at the beginning of the Psalm and the 1-line initials at the beginning of Psalm verses are in gold on a ground that alternates between red with blue penwork and blue with white penwork; the interior of letters on the red ground are filled with blue and white penwork, and the interiors of those on blue ground are filled with red and blue penwork; 1-line initials at the beginning of chants are in brown; rubrics written in red in the same script as the text; punctuated rarely with the punctus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a passionary containing two lives of St. Cassian
Description:
In Latin., Script: written in Beneventan script., and Decoration: the Prudentius life is written in poetic stanzas; six-line decorated initial is outlined in brown; 1-line initials are brown uncials; punctuated with the punctus, punctus elevatus, and punctus versus.
Manuscript on parchment (fine) of a Book of Hours with full calendar including the major Franciscan and Dominican feasts
Description:
In Latin., Script: Written by a single scribe in a precise humanistic script similar in style to that of Geoffroy Tory (1480-1533)., Fifteen full-page miniatures in camaieu-gris with gold accents in narrow frames of gold in form of a rope. Twelve smaller miniatures in narrow gold frames with the occupations of the months in the Calendar. Signs of the zodiac appear in the sky or in the background. In addition there are three miniatures, 8-line, f. 14v (Gospel Sequences) St. Luke; f. 15r (Gospel Sequences) St. Matthew; and f. 20v (Stabat mater) the two Marys at the cross. All text pages with elaborate borders consisting of solid panels in gold or grey divided by knotted cords, black with white or gold highlights enclosing the letters E, F, G., Initials, 4- and 3-line, blue, grey, or pink with white highlights, filled with knotted cords or flowers against gold grounds flecked with black. Initials, 2- and 1-line, and KL monograms, gold, on red and blue grounds with gold filigree. Line fillers gold on red and blue grounds with gold filigree, or gold logs. Rubrics in gold and blue., and Binding: Nineteenth century. Tortoise shell sides with two gold-plated (?) clasps. Pale blue watered silk doublures.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment of a book of hours in the Premonstratensian use
Description:
In Latin., Script: Written by a single copyist in two sizes of liturgical gothic script., One miniature, f. v verso: Saul on the Road to Damascus, an addition (between 1500 and 1510) of fair quality, in an arched frame, brown and gold; a scatter border of flowers and insects on a beige ground, brown edging. Large initials, one (f. 4r) 8-line (45 x 45 mm.) on burnished gold with tooling, the others either on burnished gold with tooling (ff. 1r, 38r, 72v, 127v) or on pink and blue grounds (ff. 154r, 161r, 193v), set in full scatter borders of acanthus twigs (either gold with pink and brown or red, blue, and/or pink), flowers and, in some cases, birds, over compartmentalized (blue/gold, pink/beige, blue/dark blue, beige/brown), beige and parchment (with and without a background of black pen flecks) grounds; some borders without bounding lines. On f. 1r, an unidentified coat of arms in each corner of the border. Upper left and lower right, sable, in chief 2 wreaths vert with dots gules and or, in base a rose per pale gules and argent, barbed vert, seeded or. Upper right, or, a bear (?) rampant argent, langued gules. Lower left, ermine, a fess gules with 4 plates, cottised sable. Small initials, 3-line, gold, either filled with pink with gold filigree on a blue ground decorated with acanthus and black flecks, or filled with blue on a pink ground decorated with black filigree; some with additional flowers or pink and blue acanthus; all associated with short border strips, as above. Numerous 3- and 4-line initials, blue, filled with red curling acanthus drawn in pen, surrounded by red or crimson penwork. 2- and 1-line initials in red or blue. Rubrics throughout., Pieces of the illuminated borders have been cut from ff. 4, 38, 127, 154, and 193. Ink has run or been rubbed in several places, including ff. v verso and 1r., and Binding: Sixteenth century. Sewn on three double vegetable fiber cords laced into wooden boards. The book is so tightly bound that it is impossible to determine whether or not the sewing is original. No endband grooves. Edges gilt. Covered in dark brown calf with a panel stamp of the Virgin and Child on a crescent, within a flambent aureole in the center of each board, hearts pierced with an arrow and a dagger (?) in a diamond, stars in circles above and below the central stamp, all within a vine scroll border. Traces of one fastening, two later fastenings added. Rebacked, very possibly by the binder who rebacked MS 7 as there is a similar, unusual, endcap treatment.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Premonstratensians.
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Low German., Script: Written in a neat batarde by two scribes: Scribe 1, ff. 1r-17v; Scribe 2, ff. 19r-186r., Fourteen good full-page miniatures of typical Southern Netherlandish production of the late 15th century. The miniatures (except those on ff. 1v, 18v, 159r) are painted over ruling for a normal text page and are set in wide arched frames of gold and black, within a full border of blue, gold, pink, and pale orange acanthus leaves, with red, purple, and blue flowers. Illuminated initials, 7-, 5-, or 4-line, with full borders on ff. 1r, 96r, 127r, 146r, 158r, 166r, and 177r: blue with white highlights filled with red, blue, and green trilobe leaves on a gold ground, borders as for miniatures. The text is set off from the border by a narrow black, gold, white, and red frame not joined to the initial. Nine illuminated initials, 5- or 4-line, with three-quarter borders: gold on pink and blue, with white highlights, borders as for miniatures. 6-, 5-, 3-, and 2-line initials in gold on pink and blue, with white highlights; black ink hair-spray, with gold trilobe leaves and flowers, attached. 1-line initials in blue with red penwork or gold with black penwork; within the text, a black initial occasionally marked with a red stroke. Line-fillers in Litany only; leaves, cables, oblique lines with dots attached, etc., in blue or gold. Rubrics in orange-tinted red or crimson., and Binding: Seventeenth century. Resewn on three twisted vegetable fiber cores laced into wooden boards. The colored, beaded endbands are embroidered on a piece of material, probably parchment, which extends to the outside of the boards. The spine is round and lined with parchment; the edges gilt and with a faintly discernable honeycomb pattern. Covered in light brown calf, extensively gold-tooled. There are two fastenings, the catches on the upper board, brass clasps attached to leather straps which are nailed to the lower board through metal plates. The lower joint has cracked and all the spine leather is detached from the bookblock, giving the effect of a case binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (poor quality: many ends, some stitched pieces; trimmed) of Suffrages and Prayers. Reputed to have been made for Marguerite de Valois, duchess of Savoy (1523-74), though there is no evidence of this within the manuscript
Description:
In Latin and French., Script: Written in batarde by several persons., Forty-six miniatures of very poor quality, the majority 10- to 8-lines, rectangular and full width of folio, framed in brown ink; four others (ff. 42v, 53r, 73v, and 104v) 5- to 4-lines, square, in gold frames edged in blue. 4- to 3-lines initials, ff. 1r-7v only, silver or gold on magenta or blue irregular grounds, with gold or silver filigree. 2- and 1-lines initials in red. Line-fillers in red and brown floral patterns. Rubrics throughout., and Binding: 16th-17th centuries. Resewn on four very small vegetable fiber cords. The spine of the cover shows that the earlier supports were nearly flat and double and that there were two half-bands near head and tail. Red edges. Covered in yellow/brown calf, blind-tooled with a central panel filled with strap work inside floral borders. A rectangle of leather near the center is painted red and "Margveritte de Savoye" is tooled near the head of the lower board. The cover has been made into a case or hollow-backed binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of Book of Hours with Full calendar, in French
Description:
In Latin., Script: Written in batarde script., Miniatures and an extensive cycle of border vignettes by Jean and Jacquelin Montlucon who were active in Bourges between 1477 and 1492. The calendar pages are framed by gilt columns and entablatures in the antique manner with the occupations of the month and signs of the zodiac in the outer margin and a Creation cycle in the lower margin. Eleven half-page miniatures framed in magenta and gold with cusping at the top; fanciful architectural bases, surrounded by simulated grey-black marble with joined wings and foliage branches in gold. Twenty-three miniatures, 8-lines in height, in magenta and gold frames, each with a full border of flowers and acanthus, birds and grotesques on compartmented gold and white grounds. Text pages with full borders: columns in inner margin; panels with masks, shields, garlands, and wings in upper margin; flowers and acanthus, as above, in outer margin; and, in the lower margin, one of the fullest known cycles devoted to the wild man (sometimes extended to include outer margin as well). Other manuscripts from the same shop, the Monypenny Hours and Grenoble Bibliotheque Municipale MS 1011, also contain extensive cycles of wild-man imagery; the artists Jean and Jacquelin de Montlucon lived in Bourges in a house "at the sign of the Wild Man.", 5- and 4-line initials with leafy branches, gold with fruits, flowers, profile heads on pink or mauve grounds. 2- and 1-line initials, line-endings, and KL monograms in the same style. Rubrics in red. Calendar entries alternate red and blue. F. i verso added in 16th century: the arms of Gian Francesco di Montegnacco in a frame closely modelled on the decoration of the calendar pages., and Binding: Nineteenth century. Tan goatskin, gold-tooled with concentric frames, the central panel daubed with green and red. Red label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of a Book of Hours, use of Paris. Includes a Full calendar, Fifteen Joys of the Virgin, Seven Requests, and a sonnet, all in French
Description:
In Latin and French., Script: Written in Gothic bookhand., Sixteen miniatures from the workshops of the Lucon Master and the Master of the Duke of Bedford, in blue, pink, and gold arched frames, some with cusping. Each miniature with a lavish acanthus border incorporating arms on ff. 77r and 93r. Text pages with a 3/4 bar border, pink, blue and gold, with interlace knots at corners and terminals and delicate rinceaux, in two sizes on different folios. 3-line initials at text opening, two historiated: f. 77r and f. 93r; f. 51r with a blue and gold diapered ground; the remainder, blue with white highlights or in pink and blue acanthus filled with ivy, with blue and orange leaves, on gold, against pink, blue and/or gold grounds with white filigree; framed in gold, often with small ivy or acanthus serifs. 4- to 2-line initials in text and KL monograms, pink or blue with white highlights, filled with ivy, as above. 1-line initials blue, pink and gold with white filigree. Line endings, blue, pink and gold, three (ff. 57r, 102r, 102v) signed by Petrus Gilberti, known to have signed line-endings in at least four other manuscripts. Rubrics throughout., and Binding: 18th-19th centuries. Gilt edges. Red velvet with a silver fastening and a silver medallion, with unidentified male figure preaching, in center of upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (uneven quality, severely trimmed) of a Florilegium comprised of a series of meditations and prayers. The text, apparently a unicum, is a cento of biblical, liturgical, and patristic citations, with some additional material spuriously attributed to St. Bernard. The most important sources are the Song of Songs, the other Wisdom books, the Prophets, and, in the Trinitarian section, Augustine's De Trinitate
Description:
In Latin., Script: Written by three scribes. Art. 19 (ff. 189r-190r) written by Scribe 3 in an informal gothic bookhand, no later than ca. 1300. Scribes 1 and 2 collaborated on the rest of the manuscript: arts. 1, 3-5, 6 (ff. 124r-125r), 9-18 written by Scribe 1 in a neat, but somewhat irregular gothic bookhand, arts. 2, 6 (ff. 125v-132r), 7-8 written by Scribe 2 in an undisciplined gothic bookhand., The manuscript is outstanding for the quality and complexity of its program of illustration. In its original state it included at least fifty full-page miniatures, of which forty-six survive, one-hundred-and-sixty smaller miniatures, and forty-one historiated initials. Twenty-three tinted drawings were added on blank and added folios at a later date (between 1300 and 1350). The decoration is the work of at least three artists. The miniatures, initials, and marginal decoration are the work of two hands, one of whom contributed only two full-page miniatures (ff. 61r and 64r) that depend on the style usually associated with the name of Master Honore. The other, predominant hand works in a flatter, more linear style associated with Northeastern France. Full-page miniatures, in art. 1 only, some divided into two or three registers, in blue or orange frames, surrounded by a narrow gold band, with orange lozenges at the corners, each with an ivy spray, in black ink with five gold leaves; predominantly blue or vermilion tesselated or tooled gold grounds; two (ff. 25r and 55r) with fleurs-de-lis in lozenges. On each text page in art. 1 there is a smaller miniature, 9- to 5-line, with a witness who gesticulates towards the full-page miniature on the facing page; each miniature in a blue and/or pink frame with gold squares in the corners. Almost every folio in arts. 2-18 with at least one small miniature 10- to 5-line, framed as above. Arts. 11 and 14 illustrated almost exclusively with historiated initials, 6- to 4-line, blue, pink and/or orange against grounds of the same colors, with short ivy branches extending from the serifs, many with grotesque terminals., Illuminated initials, 2- to 1- line, in art. 1 only, gold against irregular blue or pink grounds, with white filigree, edged in black, some of the 2-line initials with ivy borders, as above. The borders, especially in arts. 2-18, are populated with grotesques and other marginal illustrations, the majority apparently non-narrative and without reference to the adjacent texts and miniatures, in the same style as the miniatures by the predominant hand. Names of Hebrew letters in art. 12 in red., Lower outer corners cut from ff. 167-192. Marginal decoration on many folios severely trimmed. Gold has flaked off considerably from the full-page miniatures on ff. 13r, 15r, 19r; some flaking of gold on ff. 6v, 18v, 25r, 34r, 44r, 51r., and Binding: ca. 1966. Bound in two volumes (I: ff. 1-96; II: ff. 97-192) in native tanned vermilion Nigerian goatskin, by J. Greenfield, without any adhesive touching the bookblock itself. Previously bound in brown leather in a single volume.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, Latin (Medieval and modern)., Exempla, Fathers of the church, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (greatly trimmed) of a fragment of a Book of Hours. The twenty-six folios are the only fragment known to remain of the Book of Hours of Blanche of Burgundy (d. 1348), Countess of Savoy and granddaughter of Saint Louis of France, which was executed in Paris in the atelier of Jean Pucelle. The manuscript received additional texts and miniatures in the third quarter of the fourteenth century, when it was owned by Charles V, King of France, 1364-80.
Description:
In Latin., Script: Written in gothic bookhand; ff. 1r, 1v, 4r, and 4v added in the third quarter of the fourteenth century by Jean L'Avenant., Contains fifty of the original two hundred and fifty-five miniatures, the majority executed between Pucelle's death in 1334 and Blanche's death in 1348, the remainder between ca. 1370 and 1378, the terminus ante quem being the death of Charles's wife, Jeanne de Bourbon, represented on one of the destroyed leaves. All of the miniatures are in tricolor quatrefoils, the first, earlier set against pink or blue grounds with white filigree, gold frames and gold leaves on hair-line stems, the later miniatures with the grounds in pink or blue imitation relief., Each folio with a 3/4 bar border, detached from initial, pink, blue and gold with ivy terminals, or a single bar with ivy attached to initial, in inner margin; some with grotesque terminals, and birds and hunters in the margins and bas-de-page. 2-line initials, with heads, ivy, the arms of Savoy (ff. 2r, 14r, 18v, etc.) or the arms of Burgundy (f. 3v); blue or pink with white highlights on gold grounds. 1-line initials, blue or gold with red or black penwork. Line endings, red, blue and gold, on ff. 1 and 4 only. Rubrics throughout., and Binding: Eighteenth century. Red-brown sheepskin heavily gold-tooled with floral borders and corner fans, the center filled in with a circle made up of fan tools.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pucelle, Jean, fl. 1320. and Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of a Book of Hours with Calendar (rather empty) and headings in French
Description:
In Latin., Script: Written in formal batarde script; ff. 238r-241v in a different hand than the preceding folios, but probably almost contemporary., Thirteen undistinguished historiated initials (6-, 4-, and 3-line), ca. 1460-70, blue or pink with white highlights on brown grounds with gold highlights. Six other initials (ff. 13r, 17r, 27r, 107r, 155r, and 195r) enclose carefully studied flowers. Scatter and compartmentalized borders of average quality added later, ca. 1480-1500, for the most part to pages with historiated or flower initials, similar to borders in manuscripts of the "Ghent Associates"; the majority with acanthus branches, flowers, and birds, or flowers alone scattered on backgrounds of pink, bright blue, slate blue, gold and/or black, or flowers set within a lattice of twigs, the diamonds so formed alternately pink and blue (f. 123r) or green, pink and blue (f. 238r). Three borders (ff. 27v, 69v, and 136v) with thistles, brown and blue or brown and green, touched with gold, arranged in a wallpaper-like pattern over grounds of slate-blue or red cross-hatched with lines in a darker shade of the same color. In the border on f. 107r, a grotesque with the torso of a man and the hind legs of a large cat; on f. 185r the same, holding a bow., 2-line initials in gold on pink and blue with white highlights, except on ff. 238r-241v, gold on blue and brown with white highlights. 1-line initials in blue with red penwork, or gold with black penwork, or black with a red stroke; a few spaces for such initials have not been filled. In the text, headings and marks for antiphons in red; in the calendar, headings for months, dates, and important feasts also in red. Line-fillers: two oblique lines, blue or gold, with dots attached., and Binding: Eighteenth century. Brown calf. Paste-decorated edges. Rebacked. Spine stamped with gold leaves and the words "GETEY BOEK".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of a Book of Hours with full calendar, Fifteen Joys of the Virgin, Seven Requests, and a sonnet, all in French. The volume was misbound, with many folios out of order; it was corrected by N. R. Ker in 1971
Description:
In Latin., Script: Written in gothic script of two sizes, verging on batarde, by one person., Two miniatures (ff. 84r and 131r) of poor quality remain. The location of the other miniatures can no longer be determined due to rebinding. On f. 84r Pentecost, in an arched frame; miniature and text in a 3/4 bar border, gold with flowers, attached to an historiated initial (Dove) and a full acanthus border (blue and beige acanthus, flowers, birds, and gold dots) with four scenes inserted in corners, clockwise from lower right: Christ on the road to Emmaus, Christ appearing to Mary Magdelen, Noli me tangere, and the Ascension; the entirety within a blue bounding line. On f. 131r the Virgin and Child enthroned, with two angels in a thick brown arched frame; miniatures and text in a 3/4 border, a twig with branches lopped off, in blue with white highlights, attached to an historiated initial (Joseph) and a full acanthus border, as above, with a green bounding line. 6-line historiated initial in the same style on f. 139v, with St. Dionysius and his companions, Rusticus and Eleutherius. On all other pages, outer margin, traced border as above, with green bounding line, except ff. 23-29 (quire III), in red. 2-line initials, blue or pink with white highlights on gold ground, filled with flowers, fruit, or ivy. 1-line initials and line-endings, gold on pink and blue grounds, with white highlights. KL monograms in Calendar, as 2-line initials; names of months, dates, and important feasts in gold; other feasts alternately in red and blue., Water damage on ff. 2 and 3; portion of border on f. 35 cut out; last folio damaged by moisture and acid., and Binding: 1976. Dark brown calf over wooden boards, blind-tooled. Bound in Yale Library Conservation Studio. Previous French binding, 19th century, boxed with the codex.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval